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Mad, Bad and Dangerous: The Scientist and the Cinema ReviewIn this book, Mad, Bad and Dangerous? The Scientist and the Cinema, Mr. Frayling has put together a fascinating study of how public perceptions of the scientist have been molded by movies. As a long time physics and math teachers well as a movie-lover, I am familiar with much of the background material he goes through. Still, I was impressed by the wide scope of Mr. Frayling's work and the well-drawn conclusions he makes.One of the techniques I sometimes use in my classroom is to have students identify math and science mistakes in the movies. This book opens with a classic--the Scarecrow's recitation of "the Pythagorean Theorem" in The Wizard of Oz. But this book really isn't concerned with such obvious mistakes. It is much more powerful is piecing together how mistakes and simplifications have led to a shorthand stereotype of the scientist we see in the movies: lab coat, glasses, disheveled hair, etc. This scientist may be the classic "mad" scientist, the distant pronouncer of hard to understand ideas, the nerd, as so on. And yet, this shorthand, often necessary for the success of a film, has become how people often actually view scientists.
After briefly looking back to the classics of stage and fiction that will heavily influence the earliest silent films (Faustus, Frankenstein, etc.), Frayling digs deep into one of the most influential characterizations of a scientist on film: Rotwang in Metropolis. Half alchemist, half scientist, Rotwang is the prototype of the impossible to understand, yet powerful man who made decisions that impact all those around him. This characterization and the graphic style of Metropolis had a huge impact on the movies that followed up to the present day (see Flash Gordon to Dr. Strangelove). If you've never seen the movie Metropolis, watch it (it is excellent) and then go to chapter 3 of this book. It will open your eyes.
Starting in the 1930's, there is a split. The "mad" scientist movie, which have their first peak in Frankenstein countered by the more "true" science movies like Things to Come. Both styles are still with us, though the first probably peaked with the sci-fi/horror films of the 60's while the second (a harder sell) probably peaked with the bio pics of the 40's (Madame Curie, Louis Pasteur, etc.). Frayling shows how these movie styles impacted each other and influenced our view of the scientist, particularly in the aftermath of WWII, with the arrival of the boffin movies in England and the Nazi rocket scientists in the U.S.
All of which influences we still see today, as Frayling reminds us, in movies like A Beautiful Mind, Contact, The Relic, etc. There is a ton of information and analysis in the pages of this book. Insight into a number of movies as well as, more importantly, insight into our understanding of the scientist. Anyone interested in either would be foolish to pass up this book.Mad, Bad and Dangerous: The Scientist and the Cinema Overview
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