Showing posts with label advertising. Show all posts
Showing posts with label advertising. Show all posts

From Daytime to Primetime: The History of American Television Programs Review

From Daytime to Primetime: The History of American Television Programs
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From Daytime to Primetime: The History of American Television Programs ReviewThis is a good book to really go deep in the US history of television. Sometimes it is hard to keep track with all that different tails of development, but at the end of the day you're informed and knowing about the subject. Nicely written with lots of sources, names and examples.From Daytime to Primetime: The History of American Television Programs Overview

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Branded Entertainment: Product Placement & Brand Strategy in the Entertainment Business Review

Branded Entertainment: Product Placement and Brand Strategy in the Entertainment Business
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Branded Entertainment: Product Placement & Brand Strategy in the Entertainment Business ReviewI did'n like the service, it took to long to be delivered and when I got it was like a photocopy...so I think that's not good value for my money.Branded Entertainment: Product Placement & Brand Strategy in the Entertainment Business OverviewBranded Entertainment explains how product placement, a long-time phenomenon in films, has gone beyond this to embrace all media. Citing examples from film, music videos, and computer games, the author explains the history and development of product placement, advantages of this form of brand advertising, and methods employed by different brands. Most importantly, Branded Entertainment discusses the future possibilities for using this form of promotion to recreate an emotional connection with customers and to spread the message across multimedia channels.

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Critical Studies in Media Commercialism Review

Critical Studies in Media Commercialism
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Critical Studies in Media Commercialism ReviewThis is a good collection of media essays with a marxist and technophobe bent that includes articles by some of the most important scholars working in media criticism today. It points up the difficulties and complexities of the complete domination of media by commerce. In addition, it brings the material into the age of globalization rather than looking at media as single technological units. One area I think that it misses is the cell phone revolution, because that could create a counter model to the centralizing aspects of commercial media.
Critical Studies in Media Commercialism OverviewThis book brings together an impressive collection of essays that explore the growing complexity, range, and reach of media commercialism in today's world.From the corporate conglomeration of today's media giants to the effects of advertising on politics, society, and the individual, this collection provides a comprehensive and insightful critique of both the impact and the limits of media commercialism.

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One Show, Volume 31 Review

One Show, Volume 31
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One Show, Volume 31 ReviewI always enjoy the One Show annuals, and have rarely missed a year. But Volume 31 doesn't quite rise to the level of previous years. I'm not sure if this is the fault of the judges or the entries supplied. I suspect the latter, as the 2009 CA annual had much better work overall. There is some great creative here, of course. But the inspiring feeling of "I wish I'd thought of that" comes far less often as you flip through the work in this volume.One Show, Volume 31 Overview After more than three decades of publication, the One Show Annual just keeps getting better and better. This all-inclusive and best-selling text, which is often referred to as "The Bible of the Advertising Industry," not only includes all of the winners of the 2009 One Show but also exclusive commentary from this year's Gold Pencil winners and the judge's favorite choices.


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Madison & Vine Review

Madison and Vine
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Madison & Vine ReviewThis book is essential reading, not just for those in the advertising and entertainment industries, but for anyone who wants to be successful in marketing and selling any type of product in the 21th century. It's like "Future Shock" in the sense that it is the first serious exposition of cataclysmic changes in how we will be exposed to new products and information in the years ahead.
I have armed myself by reading this book (twice) and anyone else who wants to retain their competitive edge, or who is just curious about what the future will look like, should do the same.Madison & Vine Overview
From the sharp decline in CD sales to the fragmentation of network TV audiences, the business models of the entertainment and advertising industries are showing severe cracks. Advertising Age editor Scott Donaton-- who coined the term Madison & VineTM--lays out a case for why these industries will need to converge to survive, overcoming hurdles and creating business models based on content-commerce partnerships. Madison & Vine reveals how new technology is disrupting traditional business models, giving the consumer more control over the product. Donaton explains how these industries will need to overcome distrust, divergent agendas, and creative conflicts to form mutually beneficial alliances--or face the threat of extinction.

Examines the factors that threaten business models of the advertising industry and nearly every entertainment industry sector
Relates the glamorous inside stories of prominent Madison & Vine alliances

"A superb analysis of the intersection of Madison and Vine. This convergence is the future financial model of the entertainment and advertising industries."--Mark Burnett, Creator/Executive Producer of "The Apprentice" and "Survivor"

"Scott Donaton [has] written the definitive book about the mutual benefit that happens when filmmakers and marketers collaborate." --Harvey Weinstein, President, Miramax Films Corp.

"Scott Donaton does more than lay out a road map of the future. A word to those who want some action in this crazily converging techno-centric world: read this book or be left behind."--Stanley Bing, bestselling author of What Would Machiavelli Do and Fortune magazine columnist

"Unique and insightful, Scott provides an insider's look into the evolving business models of entertainment and advertising."--Donny Deutsch, Chairman and CEO, Deutsch Inc.

"Scott Donaton knows the most important thing there is to know about the media business and that's what's happening to the advertising business. In this sharp, witting, and prescient book, he imagines the future of our business. It's a new game."--Michael Wolff, author of Autumn of the Moguls and Vanity Fair columnist

"If you work in the media businesses, this book might help you figure out what you ought to do with the rest of your life before it's too late."--Kurt Andersen, bestselling author, editor, and host of NPR's "Studio 360"


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Jihad vs. McWorld: Terrorism's Challenge to Democracy Review

Jihad vs. McWorld: Terrorism's Challenge to Democracy
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Jihad vs. McWorld: Terrorism's Challenge to Democracy ReviewWell-respected political scientist and prolific writer Benjamin Barber's "Jihad vs. McWorld" illuminates probably the most profound and compelling argument facing us today, tribalism vs. mass consumerism. Jihad vs. McWorld is the pulling of two major socia-political forces upon the citizenry of the world, jettisoning democracy precariously towards extinction.
"Jihad" as articulated in the book represents extremist tribalist nature of fundamentalist cultures. It is the study of self-serving groups, whether they be of religious factions, nation-states, or various political ideologues. Their only goal is to secure the preservation of their culture and to influence those from outside their belief system. The result is warring tribes, i.e. the feuding ideologies of the Serbia-Croat battles, the plight of the Middle East, Northern Ireland's "religious" war, and the bombing of the Oklahoma Federal State building. "Jihad" leaves no room for a free-thinking civil democracy and absolutely abhors influences from outside it's realm, hence it's ardent distrust of Western consumerist ideology - McWorld.
McWorld is the term coined to define the mass consumerist ideology of global marketing. McWorld is not so much a place but is a consumerist behavior. McWorld crosses all cultural boundaries whether they be open free markets or closed sacrilegious cultures. McWorld has not a human face but a bullish influence. McWorld's ultimate goal is to integrate every nation, every country, every person, every thing into a global market, whether they be mass consumers as pompously displayed as the obesity of the "West" or as manufacturers such as in the Nike corporation's child-labour sweatshops in Thailand. Jihad vs. McWorld provides profound insight into the use of multi-media and global communications for McWorld to spread it's influence.
Jihad vs. McWorld is eloquently written and provides hard, factual insights without becoming alarmist. Benjamin Barber provides the reader with though! t-provoking questions that we as a society have been too lax in addressing and bold solutions that our present political systems can't seem to accommodate. An excellent book, I strongly recommended it.Jihad vs. McWorld: Terrorism's Challenge to Democracy Overview

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A Matrix of Meanings: finding God in pop culture (Engaging Culture) Review

A Matrix of Meanings: finding God in pop culture (Engaging Culture)
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A Matrix of Meanings: finding God in pop culture (Engaging Culture) Review(Note: This review not only attempts to review the book, but also engage some previous reviews.)
What Detweiler and Taylor have done here is what Detweiler calls "reversing the hermeneutical flow" (a.k.a. "flip the script", to quote "8 Mile"). In other words, rather than taking the Bible and looking at (a.k.a. criticizing) Pop Culture through what we think the Bible says, they take a thorough look at pop culture and use than as a method of viewing - or at least presenting - the God of the Bible. For any who have a hard time with that, read on.
As one reviewer has already stated, from the outset this book states that it's primarily for people that already like Pop Culture and have wondered how to reconcile that with their Christian worldview. Furthermore, the authors ask tough questions of the Church. If the majority of the world connects with Pop Culture way better than they do with the Church, then why is that and what are we to do about it? Sorry, but the "they're fallen beings" excuse isn't gonna cut it anymore. Detweiler and Taylor take us beyond the "seeker-sensitive" approach and genuinely challenge the Church to engage Pop Culture in a respectful, dynamic way. Even in the profane, God is talking and it's time we recognized holy ground when we saw it. It's a different and (I think) more accurate version of things than we typically hear from the evangelical pulpit. God is talking through culture with or without the Church's approval!
For those who have "reservations" about whether Christians should be as comfortable with culture as the book suggests, I offer this thought. The Bible was not written in a cultural vacuum, nor was Jesus born into one. Inspired? Sure. Absolutely devoid of any cultural influence? I think not. Read John 1 to those who haven't grown up in the church (or even those who have) and most would have a blank expression on their face because it was written to appeal to those influenced by the contemporary hot worldview: Stoicism. Parables were the movies of the day. There are four different Gospels in order to present Jesus slightly diffently to four different cultures. Paul understood culture enough to address it in Athens at the tribute to the "unknown god" (note that he didn't try to disprove their other gods before making the connection for them). These guys presented God (and, I would argue, understood God) through the lens of their culture. Why are we so affronted by others suggesting we do the same?
"There's nothing new under the sun", and God is still looking for those who will help meet Pop Culture where it's at and make those connections. This book does it in a whole different sort of way. Rather than giving easy examples ("this movie means this") that you can use in your next Bible study, they attempt to form a worldview that takes in all of culture and finds where God is working ("teach a man to fish", etc). Bottom line: most of us still need to have our "scipt flipped". For me, this book, and the thought behind it, was the best place to do that.A Matrix of Meanings: finding God in pop culture (Engaging Culture) OverviewRoss and Rachel had a baby, Britney and Justin broke up, and Time magazine asked if Bono could save the world. From the glittering tinsel of Hollywood to the advertising slogan you can't get out of your head, we are surrounded by popular culture. In A Matrix of Meanings Craig Detweiler and Barry Taylor analyze aspects of popular culture and ask, What are they doing? What do they represent? and What do they say about the world in which we live? Rather than deciding whether Bono deserves our admiration, the authors examine the phenomenon of celebrity idolization. Instead of deciding whether Nike's "Just do it" campaign is morally questionable, they ask what its success reflects about our society. A Matrix of Meanings is a hip, entertaining guide to the maze of popular culture. Plentiful photos, artwork, and humorous sidebars make for delightful reading. Readers who distrust popular culture as well as those who love it will find useful insight into developing a Christian worldview in a secular culture.

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Madison And Vine: Why the Entertainment and Advertising Industries Must Converge to Survive Review

Madison And Vine: Why the Entertainment and Advertising Industries Must Converge to Survive
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Madison And Vine: Why the Entertainment and Advertising Industries Must Converge to Survive ReviewThe world is a changin.
The previous review stated some of the examples were outdated - I agree but expected that. Books take years to get to publication, and we expect everything webified FAST, including up to date research in books. Unfortunately it can't be done.
This book however is a super overview of two clashing industries that will (nevermind must) become a transparent and fluid harmonious single entity. Those that come on board will survive - those that won't will sink...
Frankly this SHOULD be required reading for mass communications faculty - the students already get it...Madison And Vine: Why the Entertainment and Advertising Industries Must Converge to Survive Overview
The inside scoop on innovations and relationships that are revolutionizing the industry
..
From the sharp decline in CD sales to the fragmentation of network TV audiences, the business models of the entertainment and advertising industries are showing severe cracks. Advertising Age editor Scott Donaton explains why these industries must converge to survive, overcoming hurdles and creating business models that attract today's consumer.
..
PRAISE FOR MADISON And VINE
..
"A superb analysis of the intersection of Madison and Vine. This convergence is the future financial model of the entertainment and advertising industries."--Mark Burnett, Creator/Executive Producer of The Apprentice and Survivor
..
"Scott Donaton [has] written the definitive book about the mutual benefit that happens when filmmakers and marketers collaborate."--Harvey Weinstein, President, Miramax Films Corp.
..
"Scott Donaton does more than lay out a road map of the future. A word to those who want some action in this crazily converging technocentric world: read this book or be left behind."--Stanley Bing, bestselling author of What Would Machiavelli Do and Fortune magazine columnist
..
"Unique and insightful, Scott provides an insider's look into the evolving business models of entertainment and advertising."--Donny Deutsch, Chairman and CEO, Deutsch Inc.
.

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Marketing to Moviegoers: A Handbook of Strategies and Tactics, Second Edition Review

Marketing to Moviegoers: A Handbook of Strategies and Tactics, Second Edition
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Marketing to Moviegoers: A Handbook of Strategies and Tactics, Second Edition ReviewAs London bureau chief of The Hollywood Reporter, I covered the whole range of movie marketing strategies, from bad to brilliant. Bob Marich gives those who market movies and those with an interest in the film business a great inside look at how it's done, from market research to promotions and publicity to distribution. He covers major studio releases, movies distributed by indies, and foreign-language films. This is a great read for anyone who cares about how movies reach the ticket buying public.Marketing to Moviegoers: A Handbook of Strategies and Tactics, Second Edition OverviewWhile Hollywood executives spend millions of dollars making movies, even more money is poured into selling those films to the public. In the second edition of his comprehensive guidebook, Marketing to Moviegoers, veteran film and TV journalist Robert Marich plumbs the depths of the strategies and tactics used by studios to market their films to consumers. Packed with real life examples and useful data, this new edition blends practical, up-to-date information with theory to clearly explain all aspects of promoting motion pictures.
Marketing to Moviegoers: A Handbook of Strategies and Tactics takes readers carefully through all of the key components of film marketing. From creative strategy, market research, and advertising to publicity, product placement, and distribution to theaters, Marich's book covers everything film professionals need to know to mount a successful marketing campaign. Each chapter contains a wealth of useful information-including the historical background of the business, sample market research documents and advertising budgets, comments from successful industry insiders, and over thirty-five tables-and offers intriguing insight into the strategies of modern promotion. Most other film marketing books focus mainly on marketing by independent distributors, but Marich specifically outlines the marketing methods of the six major Hollywood studios, which are notoriously secretive about these methods, while also detailing the marketing plans of the independent and foreign film sectors. In addition, he examines in depth the effectiveness of both new and old media, especially the ways in which the advent of the Internet has both helped and hindered the movie marketing process.
While many books have been written on the business-to-business aspect of film promotion, Marich's volume is one of the few that focuses on the methods used to sell motion pictures to those who truly make or break a film's success-the public.
This essential reference contains detailed examples, more than twenty illustrations, and a comprehensive glossary of marketing terms. A highly navigable handbook that breaks down a complicated process into manageable strategies in an easy-to-read style, Marketing to Moviegoers is a must for all film professionals and filmmaking students.


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The Art of Immersion: How the Digital Generation Is Remaking Hollywood, Madison Avenue, and the Way We Tell Stories Review

The Art of Immersion: How the Digital Generation Is Remaking Hollywood, Madison Avenue, and the Way We Tell Stories
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The Art of Immersion: How the Digital Generation Is Remaking Hollywood, Madison Avenue, and the Way We Tell Stories ReviewRose's new book, The Art of Immersion, provides an interesting behind-the-scenes look into the conception, creation, and promotion of many products of popular media from Christopher Nolan's film The Dark Knight to Xbox's Halo; from George Lucas' Star Wars suite to the Nine Inch Nails' album Year Zero; from ABC's Lost to Evan Williams' sites Blogger and Twitter.
Yet for all of its contemporary pop culture references and social media anecdotes, The Art of Immersion feels quite dated. His thesis ("A new type of narrative is emerging--one that's sold through many media at once in a way that's non-linear, that's participatory and often gamelike, and that's designed above all to be immersive.") is obvious to even the most technologically un-savvy reader. Nearly everyone, from Topeka, Kansas to Tokyo, Japan has understood that intuitively (if not explicitly) for 10 years.
I enjoyed reading the first few chapters in which Rose discusses the transformation of media and the creation of increasingly immersive worlds through the advancement of the technology, content and delivery method of newer forms of media. Rose outlines a rough sketch from the invention of the printing press and moveable type to the advent of the motion picture to the seductive glow of the living room television to the immersive and participatory "deep media" of the Internet. Yet as I continued to read, I kept waiting for the book to "start".
Each new chapter felt like a slight regurgitation of the one before it; each felt like an introduction to the theme, yet the book never fully developed the theme. True to his subtile, Rose answered How the Digital Generation Is Remaking Hollywood, Madison Avenue, and the Way we Tell Stories. But each chapter begs the questions: WHY? What effect does this have on our culture? Are there any positive or negative consequences? What can we expect for the future of media? Etc. Rose's point that media has changed to be more immersive is obvious and could have been articulated clearly in an introduction. I hoped he would go deeper.
The Art of Immersion is interesting at points and offers its readers great tidbits about their favorite television shows, films, music, and websites. But it left this reader wanting more.The Art of Immersion: How the Digital Generation Is Remaking Hollywood, Madison Avenue, and the Way We Tell Stories Overview

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Tell to Win: Connect, Persuade, and Triumph with the Hidden Power of Story Review

Tell to Win: Connect, Persuade, and Triumph with the Hidden Power of Story
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Tell to Win: Connect, Persuade, and Triumph with the Hidden Power of Story ReviewLately, I have been reading about the power of persuasion, and some experts believe stories can be used to induce a trance-like state. I like telling stories, and have found that as a teacher, students remember the personal stories I tell long after they have forgotten basic facts. However, I don't think I am always a great storyteller, and I have rarely tried to craft a good story. I hoped this book would shed light on the power of a story, and show me how to tell an effective one.
Guber highlights the times he failed to connect with a client, and most of the time, it was because he failed to tell a story. This may sound counter-intuitive to many in the business world. After all, isn't business about being sober and logical? Where do stories fit in? According to Guber, most people in business forget that they are dealing with humans, and in order to reach people, a sales pitch has to have an emotional component. Stories not only add an emotional dimension to business interactions, but also appeal to our natural love of good stories (which contain a challenge, struggle, and resolution). This love of the challenge-struggle-resolution story is, according to research in the book, hard-wired into our brains. Thus, stories are not just entertaining: they are powerful tools that help us connect with others, and persuade them to see our point of view.
I have to respectfully disagree with other reviewers that suggest the author doesn't explain how to tell good stories. It is true that this is not a book you would use in a creative writing class. You won't learn about the elements of a short story, or what personification is. However, the book explains how to use a certain type of story to become more successful. Guber does clearly explain how to tell an effective story. The entire book is about this, surrounded by stories of him and others. He tells readers how to find the right hero, where to find inspiration, ways to make a story emotionally relevant, how to make sure a story connects with a given audience, how to be authentic, the importance of proper intention (thus sending out proper body language), using props, and many other tips and tricks that clearly indicate how a good, purposeful, story is told. Many of these tips are condensed in the "aHHa" sections at the end of each chapter. He may not treat the topic the way an English teacher would, but he does offer practical advice.
One possible drawback is that this book may not appeal to all readers because it is short on hard data, which isn't too surprising, given that it is about shifting away from that sort of approach. Guber does include research, it is just that the book itself is based on Guber's personal ideas and stories. I am convinced, but it is definitely a new way of looking at business interaction.
Overall, I really enjoyed this book. It opened my eyes to the power of the stories I regularly tell, and ones I have been told. After reading this book, I know how to craft a compelling story, that will entertain, build rapport with others, persuade others, and help me accomplish my goals. Since reading the book, I have made an effort to tell more stories, and the response has been positive. The fodder for stories is all around, in what I have done, and what I have seen others do. As I start my own business, and continue to teach in the classroom, I plan to craft my storytelling ability to not only educate, but also make more money.Tell to Win: Connect, Persuade, and Triumph with the Hidden Power of Story Overview

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