Showing posts with label video. Show all posts
Showing posts with label video. Show all posts

Gaffers, Grips and Best Boys: From Producer-Director to Gaffer and Computer Special Effects Creator, a Behind-the-Scenes Look at Who Does What in the Making of a Motion Picture Review

Gaffers, Grips and Best Boys: From Producer-Director to Gaffer and Computer Special Effects Creator, a Behind-the-Scenes Look at Who Does What in the Making of a Motion Picture
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Gaffers, Grips and Best Boys: From Producer-Director to Gaffer and Computer Special Effects Creator, a Behind-the-Scenes Look at Who Does What in the Making of a Motion Picture ReviewAs far as I know there are two books on the subject, the other being William E. Hines' "Job Descriptions for Film, Video & CGI". From those two this book is certainly more prosa. Every major field of movie production is described through kind of essays written from industry insiders. Although the book is by no means an encyclopedia, the reader gets a good idea what those jobs really are about. If you want some insights instead of concise descriptions, buy this book.Gaffers, Grips and Best Boys: From Producer-Director to Gaffer and Computer Special Effects Creator, a Behind-the-Scenes Look at Who Does What in the Making of a Motion Picture Overview

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Pre-Production Planning for Video, Film, and Multimedia Review

Pre-Production Planning for Video, Film, and Multimedia
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Pre-Production Planning for Video, Film, and Multimedia ReviewMr. Cartwright's book is a excellent teaching text for high school or college students studying video and multimedia production. It does a great job of taking the beginner through all of the steps needed to ensure a successful production.
However, one can't help overlook that a text written four years ago on this subject is LONG overdue for a new edition.
Many software applications that are referred to as "soon to be released" are now in their 3rd or 4th version. Likewise, the hardware section of the book is terribly behind the times, as their is virtually no mention of digital video cameras, digital capture cards, current generation non-linear editing systems, or DVD.
Also disappointing was the 3.5" disc that's included, which contains all of the forms in the book. The disc is specially formatted so that it cannot be read on a Macintosh-which CAN read any commonly formatted PC diskette! Instead the publisher encourages Mac users to send in the PC disk and receive a Mac disk at no charge. Why not just use the standard 1.4mb formatting for a PC disk and let users of either platform access the material? Or better yet, just put the forms on a hybrid CD-ROM. This is especially irksome to Mac devotees, when practically all of the computers pictured in the book doing video editing are Macs!
Yet, despite its need for a new edition to address the latest and greatest in hardware and software, and its platform specific floppy, Pre-Production and Planning for Video, Film and Multimedia will serve as a valuable resource for those new to the pre and post production arena, as much of the planning and organizational approaches in the text never go out of style!Pre-Production Planning for Video, Film, and Multimedia OverviewThe key to a project's ultimate success is good planning.This unique new book shows how to prepare for the myriad of steps required to execute production and post production of a video, film or multimedia project.Cartwright explains in detail how to save money and time in production and post-production, yet produce a quality program with high production values.The craft of production planning is explained through a comprehensive system.The production steps are all there, enhanced with graphs of the production process, production forms, photos and a comprehensive list of production resources along with a chapter devoted to the use of computers for the production and post-production process.The techniques of planning for success are easily applied to both traditional linear program development to interactive multimedia development for all types of programs, including communications, training, marketing, corporate news and teleconferencing.Pre-Production Planning for Video, Film and Multimedia also includes 30 planning, production and post-production forms that can be accessed on an accompanying complimentary disk (for both IBM compatibles or Mac).Steve R. Cartwright is president of Cartwright & Associates, a training and communications company, and co-owner of the Motion Graphics Company, a computer graphics and animation firm.A leading producer, consultant and instructor, Cartwright is author of Training with Video and Secrets of Successful Video Programs.A comprehensive system for pre-production planning for video, film and multimedia.Includes a detailed description of the production and post-production processes.A disk with useful forms is also included.

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Game Design Workshop: Designing, Prototyping, & Playtesting Games (Gama Network Series) Review

Game Design Workshop: Designing, Prototyping, and Playtesting Games (Gama Network Series)
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Game Design Workshop: Designing, Prototyping, & Playtesting Games (Gama Network Series) ReviewFew people realize just how big a business digital gaming has become. Think of it this way: It's bigger than the domestic box office of the film industry. The amount of time spent playing games by young people now exceeds everything but television in time spent on entertainment. The main factor driving the development of the new extremely powerful computers is gaming, slower machines are capable of handling almost all office tasks.
The authors of this book have a great deal of experience in both designing games and teaching how to design games. This has given them an understanding of how beginning designers grasp the structured elements of games, common traps they fall into, and certain developmental exercises that help the student learn to make better games.
Note that this is not a programming manual, nor is it a graphics design manual. It is on game design. What are the characteristics that make a game, how can you prototype and play test the game without a horrendous programming expense, and finally some input on the game industry and how to decide on how you might like to be employeed in that industry.Game Design Workshop: Designing, Prototyping, & Playtesting Games (Gama Network Series) OverviewAs experienced teachers of novice game designers, the authors have discovered patterns in the way that students grasp game design - the mistakes they make as well as the methods to help them to create better games. Each exercise requires no background in programming or artwork, releasing beginning designers from the intricacies of electronic game production and allowing them to learn what works and what doesn't work in a game system. Additionally, these exercises teach important skills in system design: the processes of prototyping, playtesting, and redesigning. Teaches the fundamentals of game design through the study of classic systemsExercises will strengthen your understanding of how game elements work together

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Strike the Baby and Kill the Blonde: An Insider's Guide to Film Slang Review

Strike the Baby and Kill the Blonde: An Insider's Guide to Film Slang
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Strike the Baby and Kill the Blonde: An Insider's Guide to Film Slang ReviewThe film industry, especially being on the set, is near and dear to my heart. Being with the crew (the people who make the movie possible) was always one of my favorite things in life, which is what drew me to this cool book.
The industry has a language all of its own. Due to saving time, especially during long shoots, the lingo actually saves time (and money) to get things done properly, without a long explanation. Thus this book is awesome to learn the lingo shortcuts when you're on the set.
Any actor, producer, writer, film student, new Inde production company should have this in their library, both for reference, and to know what the crew are actually talking about while on the set. It saves time, and if you're in the industry, you really need to know what the terms mean.
A good analogy would be a medical student in training to be a surgeon would need to know the lingo in an operating room. It's that important.
I loved reading this awesome and incredibly accurate book. It made me feel super nostalgic wanting to be on the set again. Being on the set is either in your blood or not. If you love the industry, you'll definitely LOVE this book!
(FYI) "Kill the Blonde" means to turn off the 2,000 watt spotlight. That's why I titled this review: "Light the Blonde on This Really Cool Book!" It's awesome!
Barbara Rose, Ph.D. author of Stop Being the String Along, Know Yourself, and If God Hears Me, I Want an Answer!
Strike the Baby and Kill the Blonde: An Insider's Guide to Film Slang OverviewEverything You Need to Know to Become a Film-Industry InsiderHave you ever wondered what the difference is between a gaffer and a grip? Or what makes the best boy so great? In Strike the Baby and Kill the Blonde,* Dave Knox, a top camera operator and longtime veteran of the film industry, gives you the inside story on the lingo and slang heard on the set. This is an A-to-Z guide to making a movie: the equipment, the crew, and the sometimes hilarious terminology—everything you need to know to sound like a seasoned pro.* Remove the small spotlight from the set and switch off the two-kilowatt quartz light.

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Raindance Producers' Lab Lo-To-No Budget Filmmaking Review

Raindance Producers' Lab Lo-To-No Budget Filmmaking
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Raindance Producers' Lab Lo-To-No Budget Filmmaking ReviewThe book touched on all the challenges of indie filmmaking in a clear and concise way. He discussed what areas you should focus on and what areas you can spend less money and time while still getting a great film as your final product. Elliott explored the psyche of the indie filmmaker too by bringing his own easy to understand explanations of why things work the way they do.
His anecdotes really help explain why things work the way they do on low budget productions. He is gifted at giving you insights into the small things you can change that show big improvements on camera. This book eases your mind about not having enough money to make your film. And hopefully give you the courage to put your film out there.
I recommend that any filmmaker who has little or no money buy this book. With Elliot's expertise, you can gain value insights into telling the story that you want.
Raindance Producers' Lab Lo-To-No Budget Filmmaking Overview

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Indie Producers Handbook : Creative Producing From A to Z Review

Indie Producers Handbook : Creative Producing From A to Z
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Indie Producers Handbook : Creative Producing From A to Z ReviewI bought this book because it had cool art work and boy was I surprised. I was a student at NYU Tish School of the Arts majoring in Film Producing and this book taught me more about producing than the years I spent at NYU. I read the book from cover to cover in one sitting and then I decided that I would re-read a little each night before going to sleep. So I keep it at my bedside. Every night I learn more and more about the creative side of producing...and discovering that it is as much an art form as directing or writing. This book has really opened my eyes. I don't know who Myrl Schreibman is except that he is on the faculty of UCLA but I wish I had taken courses from him if he is anything like his book. This is a book that I will refer to alot. ThanksIndie Producers Handbook : Creative Producing From A to Z OverviewMyrl Schreibman has written a straighfoward, insightful, and articulate account of what it takes to make a successful feature film.

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Filming the Fantastic, Second Edition: A Guide to Visual Effects Cinematography Review

Filming the Fantastic, Second Edition: A Guide to Visual Effects Cinematography
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Filming the Fantastic, Second Edition: A Guide to Visual Effects Cinematography ReviewWow! It covers enough information on the current art of special effects to give the neophyte an excellent overview of what's possible and for the professional to accomplish.
This book is going on my shelf next to Raymond Fielding's The Techniques of Special Effects Cinematography, Bernard Wilkie's Creating Special Effects for TV & Film, Special Effects in Motion Pictures by Frank P. Clark and Bernard Wilkie's The Technique of Special Effects in Television. The huge advantage for Mark's book is that it brings the classic techniques into the digital age. It is full of Illustrations and photos that serve his text well.
Mark's experience from decades of personal and notable professional work is evident from the real world solutions he offers. His personal anecdotes and techical instructions give the reader useful and practical knowledge of a wide variety of techniques.
What I liked is the appreciation and references to the great masters of effects like Willis O'Brien and Albert Whitlock and many others.
Mark Sawicki knows his stuff and presents it for the curious and the advanced film maker.
Well done. I highly recommend this book. A must for Effects Artists everywhere. I kid you not!Filming the Fantastic, Second Edition: A Guide to Visual Effects Cinematography Overview
Don't waste valuable time and budget fixing your footage in post! Shoot the effects you want effectively and creatively the first time. This full-color step-by step guide to visual effects cinematography empowers you to plan out and execute visual effects shots on a budget, without falling into the common pitfall of using high-end computer graphics to "fix it in post," which can be an expensive, drawn out process. Instead, learn how to put your shots together before you start shooting-whether you're working in digital or film. Learn how to effectively photograph and create miniatures, matte paintings, green screen set ups, crowd replication, digital rear projection, and so much more to create elements that will composite together flawlessly.

The main purpose of effects is to promote the story, not just to wow an audience with amazing tricks created digitally. This book describes methods for creating seamless effects that don't call attention to themselves but enhance the scene as a whole. The technical foundations of film and digital capture are given in the introductory chapters of the book, and you are presented with real world scenarios that illustrate these basic concepts in a practical sense. Step-by-step illustrations of photographic element creation empower you to learn how to effectively pre-plan and execute your own visual effects challenges.
* Hundreds of full-color set photographs show you exactly how it's done* Includes step-by-step information on green screen setup* Real-world examples and exercises throughout

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Blu-ray Disc Demystified Review

Blu-ray Disc Demystified
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Blu-ray Disc Demystified ReviewThis is a good book and offers a lot of information about Blu-Ray. I am planning to create some fancy blu-ray discs from my HD camcorder and I wanted to get familiar with the format.
I was pleasantly surprised to see that besides the technical info (codecs, limitations, etc), this book also includes some information on how to prepare your assets for blu-ray authoring.
Highly recommended! Probably the best book available to date. I subtracted a star because it could be better organized and it also could get more in depth about the compression codecs. It should be more like 4.5 stars....
Blu-ray Disc Demystified Overview
The Latest Tips and Techniques for Getting the Maximum from Blu-ray Technology

Blu-ray Disc Demystified provides the most current information and applications available for this popular high-definition optical disc format. Written by a team of experts with a wide range of experience in DVD and high-definition production, this thorough, skill-building guide details Blu-ray's many features, formats, and applications.

Blu-ray Disc Demystified provides exhaustive coverage of the multitude of production and authoring processes, while explaining how the standard and high-definition DVD specifications dovetail and/or clash with related digital media standards. The authors also provide detailed descriptions of Blu-ray's strengths, as well as frank assessments of its weaknesses and common traps that often ensnare new users. Blu-ray Disc Demystified is the most comprehensive and practical guide available for navigating the numerous challenges, changes, and opportunities associated with Blu-ray technology.

Blu-ray Disc Demystified provides:

Detailed overview of Blu-ray technology
In-depth coverage of formats, features, and applications
The latest news on content protection
Tips on using Blu-ray in the home, office, and school
The facts behind the myths surrounding Blu-ray
Essential information regarding production
Interaction paradigms
Honest assessments of Blu-ray's pitfalls


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Power Filmmaking Kit Review

Power Filmmaking Kit
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Power Filmmaking Kit ReviewWow. The Power Filmmaking Kit is like no other indie movie making book I've read. Unlike most other books which give you either trivial information (like asking your friends to help on your movie) or too much information, this book resonates with the experience of the author who is, himself, an indie filmmaker turned Emmy-winning Hollywood director. Tomaric gives you thousands of from-the-field techniques and it is one of the most organized, easy-to read books I've seen in a long time.
If you're looking to produce an indie movie, take it from the author who made a $2,000 movie, got distribution and made a profit. This is definitely the book for you.Power Filmmaking Kit OverviewThink big, spend little! Everything you need to make your movie is in this complete resource kit.The Power Filmmaking Kit is a comprehensive, multimedia book and DVD package that empowers you to produce your own Hollywood-quality movie. Emmy-award winning director Jason Tomaric produced an independent film using only local resources for under $2,000 that not only got picked up for distribution, but is also used as a case study in top film schools. This book shows you how to do the same, regardless of your budget or location. You'll learn how to achieve professional quality on a microbudget, using the resources you have at hand.The book includes:* Coverage of the entire filmmaking process. It's all here, from writing and directing to cinematography, acting, editing, and distribution.* Step-by-step instructions, tips, diagrams, charts, and illustrationsshow you how tomake a Hollywood-caliber movie on a next-to-nothing budget with little upfront money and access only to local resources.The DVD includes:* Time and Again, the profitable, award-winning, internationally distributed, independent film made for under $2,000* One hour of video tutorials unveiling how the movie was made...interviews and behind-the-scenes case studies on directing, producting, and editing* Complete rough footage from a scene for editing practice* Forms, contracts, and more resources*The Producer's Notebook includes scripts, storyboards, schedules, call sheets, contracts, letters from the producer, camera logs and press kits from "Time and Again." See how the production was scheduled and organized, read the script, follow the storyboards and watch the production unfold from beginning to end. * Blank contracts and forms that you can print out to use on your own film* Everything you need to make a low-budget movie is in this complete resource kit.* A complete kit that's a blueprint for making a professional-looking film for under $20,000. Includes a DVD packed with video tutorials, rough footage, important paperwork, contracts, movies, trailers, and more* Learn how to get professional quality on a low budget, using the resources you have at hand.

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Planning the Low-Budget Film Review

Planning the Low-Budget Film
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Planning the Low-Budget Film ReviewIf you are making your first legitimate movie where people besides your friends and family are depending on you not to screw up big time and you just searched Amazon for books on filmmaking and you need a no-nonsense step by step guide to help you through the behind the scenes process, this is the book for you!
I work with a comedy group in California, and we recently shot our first budgeted short film. As I am the most organized member of the group I was appointed the "Line Producer" and put in charge of making the whole thing come together on the back end. Coming from a theatre background, I knew what went into putting a stage performance together, but I was in the dark when it came to preparing for a film. After scouring Amazon (and a few other sites) this book seemed the most adequate to help me prepare for my job.
I've worked in film before, so a lot of the books I looked at about making a movie spend 2/3 of their volume explaining the difference between DV and Film and what a DP does, but I needed something that cut through that introductory fat, and would help prepare me for pre-production and detail exactly what went into pulling a film together.
This book is that book. It was my bible. It was glued to my side like Biff's Sports Almanac in Back to the Future 2.
Mr. Brown walks you through everything that goes into "making it happen." From breaking down the script into a functional shooting schedule to preparing an accurate budget to determing how far behind schedule you are to making sure there is a place for people to go to the bathroom, it's all in there. Additionally, the book even helped me to prepare for a lot of the basic legal and propreitary issues that we would encounter.
Brown also peppers the book with great anecdotes that help you avoid the pitfalls and roadblocks that he himself has encountered on large feature films like The Goonies. Yeah, The Goonies, you can't mess with someone who worked on The Goonies.
This book is essential. Bottom line. Read it. Love it. Use it.
Make well prepared movies.
Be a hero for your production.Planning the Low-Budget Film OverviewFinalist, 2007 Benjamin Franklin Awards, for Best New Voice Nonfiction and Professional/Technical

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This Business of Television Review

This Business of Television
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This Business of Television ReviewThis Business of Television is a landmark volume in our practice (entertainment industry economic forecasting) for three reasons.
Reason # 3: it is incredible that guys of this stature would take the time to compile such an essential and complete perspective of the television business. Goodenough, a seasoned entertainment lawyer, law professor, and a scholar pioneering the study of law and evolutionary biology, brings the structure and rigor, while Blumenthal, a prolific TV, multimedia, and online entertainment producer and businessman brings the been-there-done-that street savvy.
Reason # 2: it is, after all, the business that pays for the content (the subscriber, pay-per-view, advertising, syndication, and the latest, e-commerce revenue models) and the content that drives the migration to new technology (streaming media webcasting and video-on-demand, interactive TV, and wireless). The clear understanding of the financial systems supporting television and video entertainment offered by Oliver and Howard in this book facilitates the modeling of future monetary transactions.
Reason # 1: video programming spread from broadcast to cable and then to satellite in one generation. The last decade found it spreading to the PC via CD-ROM, DVD, and broadband Internet. In the future it will be found on our cell phones, wristwatches, car seat backs, and refrigerators. There will be innovations in business arrangements along the way, but those who cannot converse in the basic economics will be doomed.
This segues into a jacket quote by Morty Morton, former producer of the Late Show with David Letterman, who remarked, "This Business of Television has gotten me through years of moderate success in the TV business. I'm now ready to burn the damn thing and open a restaurant."This Business of Television OverviewBroad in scope and rich in detail, This Business of Television has been the essential sourcebook for producers, writers, broadcasters, network executives, and other television professionals since the first edition was published in 1991. And as the television business continues to evolve, This Business of Television evolves along with it. This comprehensive guide to the legal, economic, and production aspects of the industry has been completely revised and restructured to reflect the rapid changes in television today, both domestically and internationally. A user's guide to television contracts, plus directories of associations, government agencies, and producers and distributors, make this book an invaluable resource for anyone involved with—or simply interested in—the business of television.• Practical and comprehensive—the only book of its kind!• More than 300 American colleges and universities have television curriculums• Revised edition focuses on the changing world market for television• Replaces ISBN 0-8230-7704-7•

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Directors Tell the Story: Master the Craft of Television and Film Directing Review

Directors Tell the Story: Master the Craft of Television and Film Directing
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Directors Tell the Story: Master the Craft of Television and Film Directing ReviewThere are quite literally no other books like this one. Most of the other "Directing" books out there are either "Interview" books or "Indie Filmmaker" books, or even "Film Theory" books more suitable to a classroom. As such, there are very few "How-To" and/or "Tell it Like it Is" books by written by WORKING PROFESSIONAL DIRECTORS. And why not? They're *working*; they have no time to write books!
So these Authors have Authority-- now how about their Approach? Leveraging their decades in the Industry, the Authors lay it all out step-by-step:
- Prep: Break-down, Casting, Design, Blocking, Scouting, etc
- Shoot: Directing, Running the Set
- Post: Working with Editors & Post Supe's
- Being a Director: The Demands of the Job, & Getting Started
And it's all from the standpoint of How-To: comparing practical ideas, issues, tips/tricks, etc between Network, multi-camera, single-camera, MOV, and even some 'Feature Film' perspectives. We're not talking (just) "where to put the camera"; we're talking "how to shoot half a feature in eight, sometimes seven days", because "TV is low-budget filmmaking".
But know what's even *better* than all that? Here's my favorite parts:
- Job Requirements for being a Storyteller
- Being a Leader/Leadership qualities of a Director
- Six Steps to Problem Solving
- Suggestions for Dealing with stress
- The Business of the Business
This is the Real Stuff-- as anyone who's spent time on a hot set, herding cats, unsnarling Gordian knots & chasing the sun will tell you...
I particularly appreciate their encouraging, practical, keep-your-eyes-on-the-ball approach to the field of Hollywood filmmaking. They not only share a ton of hard-won advice, they also leverage their massive list of highly-skilled, well-known Director friends, and persuade them to share *their* hard-won advice too!! Bonus!!
And I really love their tongue-in-cheek tone: Who else would (dare) publish a 'real-world' vocab list, & include the definition of a "Two-T" shot? :-D
Highly Recommended.Directors Tell the Story: Master the Craft of Television and Film Directing Overview

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Cinematography: Theory and Practice, Second Edition: Image Making for Cinematographers and Directors Review

Cinematography: Theory and Practice, Second Edition: Image Making for Cinematographers and Directors
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Cinematography: Theory and Practice, Second Edition: Image Making for Cinematographers and Directors ReviewBlain Brown's text has become invaluable to me as an instructor of film studies. While my discipline is generally interested in examining the results of great cinema, I find so few of us understand how these iconic moments are created. So, Brown's efforts not only guide potential cinematographers, but they are equally as valuable to the scholar.
To exemplify his points, Brown draws on some student favorites such as Fight Club, Kill Bill, Blade Runner, and Rain Man. Nonetheless, the author also includes some older/more obscure films which are sure to delight cinephiles: 2001, City of Lost Children, The Fall, Apocalypse Now, Blade Runner, and Citizen Kane. These examples are large, colorful, and deftly underscore Brown's points. In fact, even the examples that are specifically constructed for this text are quite lovely (and that is never the case!) Kudos to the author for making a genuinely engaging text.
Brown devotes much needed attention to lighting (from simple to sublime). Likewise, he thoroughly addresses color, camera movement, and exposure. Personally, I really enjoyed the focus on obvious-but-oft-overlooked aspects of film. For instance, I frequently have to scour new texts for a solid entry on breaking-the-fourth-wall. So, I enjoyed Brown's example of Ferris Bueller's Day Off. Certainly, he could have selected a number of "serious" instances, but this film is one of the most memorable examples. It really worked! Brown's lack of pretension is showcased in this moment. He discusses all manner of film: mainstream, classic, art-house, and indie. Very smart and very appreciated, indeed.
Brown's text is lovely to peruse and amazing to read cover-to-cover. Make this a new addition to your professional library. You will not regret it!
Cinematography: Theory and Practice, Second Edition: Image Making for Cinematographers and Directors Overview
There's more to being a DP than holding a light meter! With this book as your guide, you are on your way to learning not only about the equipment and technology, but also about the concepts and thought processes that will enable you to shoot professionally, efficiently, and with artistic mastery. A leading book in the field, Cinematography has been translated into many languages and is a staple at the world's top film schools. Lavishly produced and illustrated, it covers the entire range of the profession. The book is not just a comprehensive guide to current professional practice; it goes beyond to explain the theory behind the practice, so you understand how the rules came about and when it's appropriate to break them. In addition, directors will benefit from the book's focus on the body of knowledge they should share with their Director of Photography.

Cinematography presents the basics and beyond, employing clear explanations of standard practice together with substantial illustrations and diagrams to reveal the real world of film production.

Recognizing that professionals know when to break the rules and when to abide by them, this book discusses many examples of fresh ideas and experiments in cinematography. Covering the most up-to-date information on the film/digital interface, new formats, the latest cranes and camera support and other equipment, it also illustrates the classic tried and true methods.

New! A DVD and website features hours of video footage, offering key instruction in topics such as camera basics and essentials, lighting, shooting methods, and much more.

Topics include: .Concepts of filmmaking .Language of the lens .Cinematic continuity .Lighting for film, digital, and HD .Exposure .HD cinematography and shooting .Shooting in HD .Image control and filters .Bleach bypass processes .Lighting as storytelling .Shooting special effects .Set procedures and other issues
* Full color illustrations bring issues of color and light to life* The definitive guide to cinematography, covering the full range of creative and technical issues in the field * NEW! A DVD and website with hours of video, demonstrating techniques and taking the reader behind the scenes on a professional shoot

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Cinematography for Directors: A Guide for Creative Collaboration Review

Cinematography for Directors: A Guide for Creative Collaboration
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Cinematography for Directors: A Guide for Creative Collaboration ReviewThe first thing I did when I decided to make my feature film was to bring in a DP. Mike was a guy I worked with backstage on some musicals and a guy I knew who was a hard worker, easy to get a long with, didn't put up with crap and someone that I could trust. I also had a chance to work with a guy who had professional lights, professional equipment and was willing to "help out." Though this other guy was available, I went with Mike because I had relationship with him. And I'll be honest with you: He taught me more than I realize.
Ms. Frost book is about those relationships. Those "getting on the same page" moments that define the film-making process. When you think about it - you need to have EVERYONE on the same page - from the sound guy, to the actor, to the home owner whose home you're abusing in the process of making your film.
What Ms. Frost does in her extremely detailed book - is give the director all the tools he or she needs to find that common ground with the Cinematographer. To get on the same page. To recognize what it is that the Director of Photography (or the guy who showed up with the really nice camera) brings to the ENTIRE process. She takes you through everything from lens choices and film stock to cameras and aspect ratios so that you have some understanding of what is going on in your DP's head to create an environment of trust and understanding. To create the magic that is film-making.
What magic? When I made my film we were filming at night a poignant scene at the loudest cemetery in Washington State (in which we had no official permission to film). We were using a consumer Canon HV20 camera. My daughter, who was on pain meds and kind of drowsy, held up a box light we purchased from Ikea - power fed by a generator 20 feet away. We got the actors in place and Mike looked through the camera. Like a kid on Christmas morning he motioned me over: "Look at this!" The shot was beautiful. It was magical. It conveyed everything I could have ever wanted in the scene. Could I have got that shot myself? I highly doubt it.
Still...what makes Jacqueline Frost's book stand out is not only the great information that she provides, but the hundreds of quotes from cinematographers about all the aspects of cinematography. This is THE book that takes you into the mind of the cinematographer and helps you, the director, become better at your craft. Excellent.
Cinematography for Directors: A Guide for Creative Collaboration OverviewThe essential handbook for directors and aspiring filmmakers who want to get the best visuals for their films while establishing a collaborative relationship with their cinematographer. This is the only book that focuses exclusively on the relationship between the director and cinematographer.

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Mastering MultiCamera Techniques: From Preproduction to Editing and Deliverables Review

Mastering MultiCamera Techniques: From Preproduction to Editing and Deliverables
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Mastering MultiCamera Techniques: From Preproduction to Editing and Deliverables ReviewThis book, MASTERING MULTICAMERA TECHNIQUES, is a thoroughly comprehensive look at cinematography and the digital editing process. This is NOT one of those cheesy how-to-lighting books that seems to be given away with every camera ever made. No! This is cameramen and camerawomen taking you within inches of performers, like Paul McCartney and Elton John, in a live concert setting. This is backstage where gaffers and technicians set up their equipment and do sound check while engineers in the editing room monitor multiple camera angles over David Letterman's studio soundstage. This is part text-book, part insider's information, part university course for interested persons who'd like to work behind the scenes in film, theatre, television or perhaps to have the practical information on creating her/his own production company.
This really is a phenomenal book.
It is essentially a marriage between two departments: the audio/visual and the digital editing departments. Everything that you need, think you need and things you probably wouldn't have thought about are discussed here.
Preproduction. The author, Mitch Jacobson, discusses topics ranging from organizing personnel, the kinds of recording equipment, archiving to post-production facilities and costs.
Production. Types of multi-camera productions, setting up in various venues, studios and stadiums. The logistics of setting up equipment. "On Shoot Day," he discusses the floor plans from what tools to use to power the equipment, the location of the crew, to the art of "camera matching." Beautiful photographs show how various camera angles are fed and synched to the editing room where we see how the production of the David Letterman show is carried out.
* Timecode and Synch Methods
* Computers and Editing Codecs
* Nonlinear Editing Software programs--Apple, Avid, Premiere Pro, Sony Vegas and Grass Valley's Edius. (Edius...didn't see that coming!)
* Preparing the Project For Editing.
* Grouping and Synching Angles.
* Cutting Techniques and Styles
* Cutting Music and editing with multiple performances
* Sitcoms and Comedy
* The Main Event
* Deliverables/ Conforming the Master Tape/ Reloading/ Color Correction
* Audio in Post-Production
* Lighting
* Case Studies, including the Paul McCartney event.
Most of the 17 Focal Press titles I own are either above average or excellent. A few are so well done that they necessitate purchase because you will find someone, whether yourself or someone who wants to get into the industry and you know that such a publication would be invaluable. So you buy it to support the author for a job well done and you, perhaps, pay-it-forward as a gift to a deserving individual or institution. If you feel this way, then along with Directing the Documentary, Fifth Edition, How to Make Animated Films: Tony White's Complete Masterclass on the Traditional Principals of Animation and The Complete Film Production Handbook, Fourth Edition ...
MASTERING MULTICAMERA TECHNIQUES should be at the top of your list.
Beyond 5 stars.
Mastering MultiCamera Techniques: From Preproduction to Editing and Deliverables OverviewFrom a basic two-camera interview to an elaborate 26 camera HD concert film, this comprehensive guide presents a platform-agnostic approach to the essential techniques required to set up and edit a multi-camera project. Actual case studies are used to examine specific usages of multi-camera editing and include a variety of genres including concerts, talk shows, reality programming, sit-coms, documentaries for television, event videography and feature films. Other features include:* Advanced multi-camera techniques and specialty work-flows are examined for tapeless & large scale productions with examples from network TV shows, corporate media projects, event videography, and feature films. * New techniques for 3D projects, 2k/4k media management and color correction are revealed. * Technical breakdowns analyze system requirements for monitoring, hard drives & RAIDs, RAM, codecs and computer platforms. * Apple Final Cut Pro, Avid Media Composer, Adobe Premiere Pro and several other software programs are detailed.* Tables, charts, screen-grabs, photos, web-links, blogs, tech school lists and other resource tools for further study.* Unique interviews with the 'Masters of Multi-Cam' including EMMY and academy award-winning directors and editors who share their project notes and give insight to award-winning techniques. * Platform-agnostic techniques with a review and comparison of a available tools* Actual broadcast TV show & feature film projects are dissected to reveal a step-by-step approach to managing multi-camera programs* 'Insider' procedures are revealed for large-scale productions and upcoming 3D editing* DVD with an array of multi-cam footage allows you to practice your technique

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Edit Well: Final Cut Studio Techniques from the Pros Review

Edit Well: Final Cut Studio Techniques from the Pros
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Edit Well: Final Cut Studio Techniques from the Pros ReviewA Review of "Editwell, Final Cut Studio Techniques from the Pros" (Larry Jordan)
By: Jay Miracle
I'm a huge fan of Larry Jordan.
As a major Final Cut guru and lecturer, Larry is always entertaining, very witty, informative, has a great free newsletter, and his book: `Edit Well, Final Cut Techniques from the Pros', is an excellent compendium of tips, tricks, and knowledge from some of the best pros in the field.
Every section is written by a knowledgeable practitioner, and there are great accompanying clips and demo projects that can be downloaded from the Peachpit website.
Even though I am at best, a dim bulb when it comes to Final Cut tech, Larry really lays everything out clearly and concisely. However, you should be somewhat familiar with Final Cut Pro to get the most out of this book - otherwise, there are several other tomes available that cover all the basics.
I'm admittedly on the edge when it comes to my personal skill-sets, but my head literally exploded with new-found knowledge and skills after I finished this book.
There are a wide range of essential topics covered.
Part one introduces some basics, like customizing the Final Cut interface to other basic Editing skills: such as exporting stills, removing pull-down frames, and archiving.
The second Part covers Effects - an area that I am still a beginner - but I quickly picked up on setting composite modes, as well as creating masks and mattes - even though I always thought a garbage matte was something out by the dumpster.
In Part four, the very concept of learning Motion has been somewhat nauseating to me, but I actually grasped the basic intricacies of 3D in Motion.
Part five - for sound and the Soundtrack Pro segment - has great info on cleaning your audio and mixing, and the sixth Color section really blew me away - because I finally exported to Color for the first time, followed the program, and learned tons about an incredibly powerful tool that I had previously been in sheer terror of tackling.
An additional section revisits the lovely, recently-demised Live-Type, as well as some great info on DVD Studio chapter programming.
Included within the Peachpit web info are a series of very entertaining interviews with a broad spectrum of Final Cut users, from high-end TV and Feature pros, to musicians, retirees, and even foreigners! I was surprised how much I enjoyed listening and learning from all these different users - and they often include a very useful tip or two (c'mon - it's disarming to hear someone wax poetic about T+T+T+T) - so it is worth the listen.
And Larry's interview style is surprisingly akin to a subdued Yoda.
I thoroughly enjoyed cruising through this book and interacting with the exercises.
It is an essential tool for any Final Cut Editor who wants to vastly improve a wide range of skills, and I cannot recommend it enough.Edit Well: Final Cut Studio Techniques from the Pros OverviewMost film editors, whether they are working on motion pictures, broadcasts, live events, or video projects, all recognize that there is a process to editing. It involves planning, editing your story, adding transitions and effects, sweetening the audio, correcting the color, and creating the output. Apple has made it even easier to perform these tasks by combining their flagship nonlinear editor, Final Cut Pro, with other tools into a complete post-production package called Final Cut Studio. Edit Well: Final Cut Studio Techniques from the Pros is the book that in-the-trenches editors have been waiting for. It offers a holistic approach to using the tools in Final Cut Studio for those who are responsible for a variety of tasks beyond just straight editing. Written by the preeminent experts and practicing professionals in their fields, contributors include Kevin Monahan, Mary Plummer, Mark Spencer, Tom Wolsky, and Alexis Van Hurkman, to name a few. Each chapter features each pro's own insight on a particular tool in the Studio, whether it be Final Cut Pro, Soundtrack Pro, Motion and its 3D capabilities, or Color, a ground-breaking addition to the Studio for professional color grading. Inside the book you'll find:• Practical, step-by-step techniques that cover the complete digital video workflow: editing, effects, motion, audio, color correction, and DVD authoring.• Hard-to-find techniques on using Color and the 3D capabilities found in Motion.• Expert insight and commentary by top professionals and trainers.• Best-practice methods in editing, with tips on when and how to use a particular tool in real-life scenarios.• Keyboard shortcuts to help you simplify your workflow.• References to video tutorials and audio interviews of top Final Cut Pro editors around the world, available for free on the companion Web site.

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