Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Who Framed Boris Karloff? Review

Who Framed Boris Karloff
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Who Framed Boris Karloff ReviewBRAVO!! From the moment this tome arrived in my mailbox I found it almost impossible to put down! The PERFECT mix between a Universal screenplay & a Toby Peters mystery. VERY highly recommended!!
- DanWho Framed Boris Karloff OverviewIt is 1938 and there is murder afoot on the set of Son of Frankenstein Boris Karloff has been framed for murder!He joins forces with Basil Rathbone, in full Sherlockian mode,and a gleeful Bela Lugosi.It s a case of the legends ofhorror meet the three stooges asour daring heroes search for a missing movie mogul andend up crossing swords with the Hollywood Mob.

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Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre Review

Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre
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Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre ReviewI read "Uncanny Bodies" because I am such a big fan of "Dracula" and "Frankenstein", the films that most of the text is committed to studying. However, I ended up learning a lot more than I bargained for about an era in film history that is often ignored -- the four years of transition between "The Jazz Singer" and the end of silent film production from the major studios. "Dracula" was made during the end of the transition era, and by the time "Frankenstein" was produced, Universal had ended all silent film production.
The book cites many primary sources and critical writing of the era to shed light on the uncertain responses of a 1931 viewer to the novelty of sound film, and does an excellent job supporting its thesis that the producers of "Dracula" and "Frankenstein" played off of their audience's experiences of early sound films to heighten the terror of the living dead who are threatening the protagonists. Well-written and accessible, while exhaustively researched and remaining very academic, Spadoni's book uses reception study to reveal a lot about the often hailed, derided, and misunderstood early horror masterpieces.Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre OverviewIn 1931 Universal Pictures released Dracula and Frankenstein, two films that inaugurated the horror genre in Hollywood cinema. These films appeared directly on the heels of Hollywood's transition to sound film. Uncanny Bodies argues that the coming of sound inspired more in these massively influential horror movies than screams, creaking doors, and howling wolves. A close examination of the historical reception of films of the transition period reveals that sound films could seem to their earliest viewers unreal and ghostly. By comparing this audience impression to the first sound horror films, Robert Spadoni makes a case for understanding film viewing as a force that can powerfully shape both the minutest aspects of individual films and the broadest sweep of film production trends, and for seeing aftereffects of the temporary weirdness of sound film deeply etched in the basic character of one of our most enduring film genres.

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Mad, Bad and Dangerous?: The Scientist and the Cinema Review

Mad, Bad and Dangerous: The Scientist and the Cinema
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Mad, Bad and Dangerous: The Scientist and the Cinema ReviewIn this book, Mad, Bad and Dangerous? The Scientist and the Cinema, Mr. Frayling has put together a fascinating study of how public perceptions of the scientist have been molded by movies. As a long time physics and math teachers well as a movie-lover, I am familiar with much of the background material he goes through. Still, I was impressed by the wide scope of Mr. Frayling's work and the well-drawn conclusions he makes.
One of the techniques I sometimes use in my classroom is to have students identify math and science mistakes in the movies. This book opens with a classic--the Scarecrow's recitation of "the Pythagorean Theorem" in The Wizard of Oz. But this book really isn't concerned with such obvious mistakes. It is much more powerful is piecing together how mistakes and simplifications have led to a shorthand stereotype of the scientist we see in the movies: lab coat, glasses, disheveled hair, etc. This scientist may be the classic "mad" scientist, the distant pronouncer of hard to understand ideas, the nerd, as so on. And yet, this shorthand, often necessary for the success of a film, has become how people often actually view scientists.
After briefly looking back to the classics of stage and fiction that will heavily influence the earliest silent films (Faustus, Frankenstein, etc.), Frayling digs deep into one of the most influential characterizations of a scientist on film: Rotwang in Metropolis. Half alchemist, half scientist, Rotwang is the prototype of the impossible to understand, yet powerful man who made decisions that impact all those around him. This characterization and the graphic style of Metropolis had a huge impact on the movies that followed up to the present day (see Flash Gordon to Dr. Strangelove). If you've never seen the movie Metropolis, watch it (it is excellent) and then go to chapter 3 of this book. It will open your eyes.
Starting in the 1930's, there is a split. The "mad" scientist movie, which have their first peak in Frankenstein countered by the more "true" science movies like Things to Come. Both styles are still with us, though the first probably peaked with the sci-fi/horror films of the 60's while the second (a harder sell) probably peaked with the bio pics of the 40's (Madame Curie, Louis Pasteur, etc.). Frayling shows how these movie styles impacted each other and influenced our view of the scientist, particularly in the aftermath of WWII, with the arrival of the boffin movies in England and the Nazi rocket scientists in the U.S.
All of which influences we still see today, as Frayling reminds us, in movies like A Beautiful Mind, Contact, The Relic, etc. There is a ton of information and analysis in the pages of this book. Insight into a number of movies as well as, more importantly, insight into our understanding of the scientist. Anyone interested in either would be foolish to pass up this book.Mad, Bad and Dangerous: The Scientist and the Cinema Overview

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Boris Karloff: A Gentleman's Life Review

Boris Karloff: A Gentleman's Life
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Boris Karloff: A Gentleman's Life ReviewMuch has been written about Boris Karloff in terms of the characters he played. Until now,very few have known, much less understood, Karloff's passion for the craft and vocation of acting, his profound work ethic, and the dedication, depth and humanity he brought to even his least celebrated roles. Until now, virtually nothing was known about the man's personal life and loves.
Scott Allen Nollen fills a deep gap in the legacy left to us by the distinguished British actor, who was instrumental in the establishment of the horror genre of film, the Screen Actors Guild, and even the popularization of television as an entertainment medium. And he does it beautifully.
"Boris Karloff: A Gentleman's Life" takes us behind the outlandish makeup jobs, the B-movie schtick and the "official" histories, to the place from which the essential humanity of Frankenstein's "creature" comes. It reveals a truly gentle - and genteel - soul, whose love for the theatre and for film was the source of both his greatest joys, and greatest sorrows.
This is a very important book for Karloff fans, film buffs, and readers who appreciate solid biography tastefully done. A breakthrough book for an emerging author whose time has come.Boris Karloff: A Gentleman's Life OverviewBeing able to know and work with Sara Jane Karloff on this project has been a highlight of my career.Hopefully this book is the most thorough, accurate and entertaining chronicle of her father, Boris Karloff''s, fascinating life.Perhaps a few Karloff mysteries have been solved.—Scott Allen Nollen

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The Twilight and Other Zones: The Dark Worlds of Richard Matheson Review

The Twilight and Other Zones: The Dark Worlds of Richard Matheson
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The Twilight and Other Zones: The Dark Worlds of Richard Matheson ReviewThe book itself is a fine read, BUT it is virtually the same book as "Richard Matheson Companion" which I already have. So for me it was a ripoff. Matheson fans will enjoy it. It does say that it was renamed on one of the feps, but you can't tell that on amazon.The Twilight and Other Zones: The Dark Worlds of Richard Matheson Overview

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The Rough Guide to Horror Movies Review

The Rough Guide to Horror Movies
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The Rough Guide to Horror Movies ReviewThis is really a remarkably good overview of horror cinema. It offers a variety of information (historical, filmographic, aesthetic, cultural) which is organized to encourage casual or random browsing but also very readable from cover to cover. The background chapter on horror literature is particularly informative. No special theory is offered; some otherwise excellent horror film books take an overly-specialized perspective, but you won't have that problem here. The genre is taken seriously, but the fun of it is always kept in view. Many very fine (and some rarely seen) photos grace the book throughout. I only noticed one "blooper": in the sidebar on Barbara Steele, Fellini is reported to have "cut her out" of his film "8-1/2." However, when I saw it recently, Babbara was beautifully present in one important scene. Otherwise, this is a very well-done volume and is heartily recommended.The Rough Guide to Horror Movies OverviewThe Rough Guide to Horror Movies is a comprehensive guide to the world''s most terrifying films. The guide includes all the icons, from Boris Karloff to Wes Craven and Frankenstein to Freddie Kruger, including classics from Argentina, Pakistan, South Africa and the recent chillers from East Asia. The canon of fifty essential horror movies features The Cabinet of Dr Caligari and Switchblade Romance, via Psycho and The Exorcist. Everything you need to know is covered from festivals, adaptations, magazines and merchandise. The guide tells the stories behind the movies that have scared us throughout the twentieth century.

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The Book of Lists: Horror: An All-New Collection Featuring Stephen King, Eli Roth, Ray Bradbury, and More, with an Introduction by Gahan Wilson Review

The Book of Lists: Horror: An All-New Collection Featuring Stephen King, Eli Roth, Ray Bradbury, and More, with an Introduction by Gahan Wilson
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The Book of Lists: Horror: An All-New Collection Featuring Stephen King, Eli Roth, Ray Bradbury, and More, with an Introduction by Gahan Wilson ReviewI am a huge fan of the horror genre and lists so i knew i would love this book. It is interesting on many levels. Many familiar faces of the genre created lists in the book that are both entertaining and informative. I guarantee you will be making lists of your own after reading this book with movies, books, or music that sound appealing to you. It is also great to hear what people involved with the genre think. All the lists are given generous description so even the most diehard genre fans will learn something new. I highly recommend this book, whether you are a fan of the horror genre itself, a lover of lists, or you simply enjoy entertainment related trivia. Just trust me this book is for YOU!The Book of Lists: Horror: An All-New Collection Featuring Stephen King, Eli Roth, Ray Bradbury, and More, with an Introduction by Gahan Wilson Overview
The phenomenally popular Book of Lists series has sold millions of copies from coast to coast, enthralling trivia aficionados with fascinating infobits about simply everything! Now the latest edition turns an evil eye toward the strange, the blood-curdling, and the macabre with spine-tingling fun facts from the dark side of entertainment. Chock-full of creepy information from the netherworlds of movies, TV, literature, video games, comic books, and graphic novels, The Book of Lists: Horror offers a blood-feast of forbidden knowledge that horror fans are hungry to devour, including:

Stephen King's Ten Favorite Horror Novels or Short Stories—learn what scares the master!
Top Six Grossing Horror Movies of All Time in the United States— which big shocks translated into big bucks?
Top Ten Horror-Themed Rock 'n' Roll Songs—maybe it is ‘devil's music' after all!
And much, much more!

Drawing on its authors' extensive knowledge and contributions from the (living) legends and greatest names in the horror and dark fantasy genres, The Book of Lists: Horror is a scream—an irresistible compendium of all things mysterious, terrifying, and gory . . . and so entertaining, it's scary!


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Dwight Frye's Last Laugh Review

Dwight Frye's Last Laugh
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Dwight Frye's Last Laugh ReviewI enjoyed this book a lot. It's very well written, and while reading it, I wished it'd go on forever. Frye was a remarkable actor, and deserved a better fate. So sad his life and career was cut short. (Shouldn't someone film this story ?.) I highly recommend the book, not just to Horror fans.Dwight Frye's Last Laugh OverviewDwight Frye's Last Laugh details the dramatic rise and fall of the actor who won immortality as the giggling Renfield of Dracula and the sadistic hunchback of Frankenstein.Authorized by Dwight's son Dwight David, the book includes detailed information of Frye's early stage work, his Broadway triumphs and his ghoulish typecasting in Hollywood-which ironically assured him a posthumous cult status among horror film disciples.

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For One Week Only: The world of exploitation films Review

For One Week Only: The world of exploitation films
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For One Week Only: The world of exploitation films ReviewSex sells, and through the mid twentieth century, those without the most creative vision realized this more than anything else. "For One Week Only: The World of Exploitation Films" presents a series of reviews of many exploitation films of the era, offering details of their so called plots, their bait and switch, and the many sub-genres such as sexploitation and blacksploitation. Sex and violence were the names of the game, answering what people gutturally wanted, and Ric Meyers brings readers on a fun journey through the 1960s and 1970s. "For One Week Only" is a fine collection of thought, very much recommended.For One Week Only: The world of exploitation films OverviewI Dismember Mama ... Snuff ... Night of a Thousand Cats ... these and many more like-titled examples of cinematic dementia delighted dozens in the grindhouse movie theaters of the sixties, seventies, and eighties. Now, for the second time ever, For One Week Only reveals the incredible truth behind the most manic movies ever made. Filled with interviews and rare illustrations, it captures the joys of a genre that has to be seen not to be believed. To avoid fainting, keep repeating: it's only a book ...!

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The Psychotronic Video Guide To Film Review

The Psychotronic Video Guide To Film
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The Psychotronic Video Guide To Film ReviewI'll freely admit my admiration for Michael Weldon's work, this book, his previous, and his magazine. Even when I disagree with his assessment, he's always honest and straight-forward.
I read some other reviews complaining about the content, or lack thereof, in this book. I think there's a misundserstanding as to what this is. It is a continuation of Michael's previous book, the Psychotronic Encylcopedia. There may be references in the reviews to movies not listed here, but that's because those movies are listed in the Encyclopedia. The two books have very little common content.
I also read a complaint about inclusion of some mainstream pictures such as Basic Instinct. In defense, I would say that Michael's content covers exploitation films of all genres and budget levels, whether made for $26,000 or $26,000,000.
I also like Michael's editorial inserts in this volume, such as his favorite movies of each decade.
Both books are essential, though admittedly his first covers most of the classics. This volume, thankfully, is not only more up-to-date, but stretches back into the silent era as well.
I say...buy them both.The Psychotronic Video Guide To Film Overview

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An Illustrated History Of Horror And Science-fiction Films Review

An Illustrated History Of Horror And Science-fiction Films
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An Illustrated History Of Horror And Science-fiction Films ReviewLike another reviewer, I first read the '67 edition of Clarens' book when I was in high school. Already a horror movie fan, I needed context and appreciation of the genre, and that's exactly what this wonderful book provided, then and now. This is a book for the serious fan in search of a history of both the technique and ideas behind horror films. Clarens' observations about specific films' production, actors' performances, and even camera tricks will stay with you and help you to enjoy horror movies, old and new, even more than you did before. It is illustrated well, but it's an illustrated history, not an annotated photo catalog. Thus this is a book with terrific words and ideas, plus images--it's not intended to be a glossy fan mag with captions. Approach it with an expectation of ideas plus a few images, and let your imagination work its magic. Read the book to understand the big picture--not just to savor a few illustrations. I'm thrilled with the re-issue, and expect the book to support intelligent fans as well as cinema scholars. It's a book to keep, appreciate, and savor.An Illustrated History Of Horror And Science-fiction Films OverviewIn this book Carlos Clarens, author of Crime Movies (also available from Da Capo/Perseus), George Cukor, and many articles in film magazines, brings his encyclopedic knowledge of films and filmmakers to the subject of horror and science-fiction films of the classic era. Whether discussing the erotic aspects of King Kong, examining the works of Val Lewton, contrasting the director's attitude toward the monster in Frankenstein and The Bride of Frankenstein, accounting for the special genius of Lon Chaney, or comparing the various versions of Dr. Jeckyll and Mr. Hyde, Clarens entertains as he enlightens. Supplemented with a new introduction by J. Hoberman, Village Voice film critic and coauthor of Midnight Movies (also available from Da Capo/Perseus), and an extensive filmography listing complete credits for over 300 films, this fascinating study illuminates both the genre and the reasons for its popularity.

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Projected Fears: Horror Films and American Culture Review

Projected Fears: Horror Films and American Culture
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Projected Fears: Horror Films and American Culture ReviewI bought this book to augment my research for a film course I took. This book affords a concise, in-depth examination of the horror film genre and aims to identify its relevance in a historical context, psychological context, and social context. Horror films were long denied by critics as a substantial and intellectual genre worthy of scholarly research, but Kendall R. Phillips proves that they couldn't be more wrong. The films discussed in the text follow a chronological sequence, dating back to the 1920s with The Phantom of the Opera, and goes all the way up to the 90s with Scream.
Excellent book for anyone interested in horror films, film history, or with an appreciation for the much broader history of American culture.Projected Fears: Horror Films and American Culture Overview
Movie audiences seem drawn, almost compelled, toward tales of the horrific and the repulsive. Partly because horror continues to evolve radically-every time the genre is deemed dead, it seems to come up with another twist-it has been one of the most often-dissected genres. Here, author Kendall Phillips selects ten of the most popular and influential horror films-including Dracula, Night of the Living Dead, Halloween, The Silence of the Lambs, and Scream, each of which has become a film landmark and spawned countless imitators, and all having implications that transcend their cinematic influence and achievement. By tracing the production history, contemporary audience response, and lasting cultural influence of each picture, Phillips offers a unique new approach to thinking about the popular attraction to horror films, and the ways in which they reflect both cultural and individual fears. Though stylistically and thematically very different, all of these movies have scared millions of eager moviegoers. This book tries to figure out why.






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Sacred Terror: Religion and Horror on the Silver Screen Review

Sacred Terror: Religion and Horror on the Silver Screen
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Sacred Terror: Religion and Horror on the Silver Screen ReviewDemonic creatures, the undead, and evil are all vaguely religious concepts. "Sacred Terror: Religion and Horror on the Silver Screen" is a discussion of the strong presence of religion in horror films. Saying that horror films tend to prey on the religious sense that exists in most people, even those who are not exactly weekly church goers, author Douglas Cowan discusses many examples of popular movies and the most common fears used in these films. "Sacred Terror" is a key volume to better understanding horror and why it's frightening.
Sacred Terror: Religion and Horror on the Silver Screen OverviewSacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power--and the powerlessness--of religion.

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Hollywood Dealmaking: Negotiating Talent Agreements for Film, TV and New Media Review

Hollywood Dealmaking: Negotiating Talent Agreements for Film, TV and New Media
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Hollywood Dealmaking: Negotiating Talent Agreements for Film, TV and New Media ReviewI work at a Production company and a lot of contracts we hand to outside lawyers, but this is a good tool for me because it goes into details and discusses each point in a contract. This is something I'd love to have had many years ago, when I just got started in the business, and now that I have it, I am learning a lot of new things. There isn't any other book out there- quite like this.Hollywood Dealmaking: Negotiating Talent Agreements for Film, TV and New Media OverviewHollywood Dealmaking has become the go-to resource for new and experienced entertainmentattorneys, agent trainees, business affairs executives, and creative executives.Entertainment attorneys and Hollywood insiders Dina Appleton and Daniel Yankelevits explain the negotiation techniques and strategies of entertainment dealmaking anddetail the interests and roles of producers, writers, actors, directors, agents,and studio employees in crafting a deal. This new edition captures the dramatic changesover the past five years in the film and television industry landscape, with twonew chapters: Reality Television details the sources of revenue, syndication possibilities,and format sales of these shows as well as the talent deals that are made and theInternet/New Media chapter delves in new digital formats such as mobile phones, gameconsoles, video-on-demand, and web-based apps, and explains where today's revenuesare generated, where the industry is headed, and talent negotiation issues. All theins and outs of negotiating are explained, including back ends, gross and adjustedgross profits, deferments, box office bonuses, copyrights, and much more. This easy-to-followreference is packed with expert insights on distribution, licensing, and merchandising.The book's invaluable resource section includes definitions of lingo for acquisitionagreements and employment deals, twelve ready-to-use sample contracts, and a directoryof entertainment attorneys in both New York and Los Angeles. In Hollywood Dealmaking,readers will recognize the key players in the process, understand the "lingo" ofcrafting deals, learn how to negotiate agreements for the option and purchase ofbooks and screenplays, be able to negotiate employment deals for all members of afilm or television crew, understand payment terms and bonuses, and be able to registercopyrights in scripts and other literary works.

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Top 100 Sci-Fi Movies Review

Top 100 Sci-Fi Movies
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Top 100 Sci-Fi Movies ReviewHere's a real treat for fans of science fiction movies. Gary Gerani's TOP 100 SCI-FI MOVIES is an entertaining, insightful and well-illustrated guide to great science fiction films of the past 80 years. To paraphrase director John Carpenter, who wrote the Introduction to Gerani's book, "For movie addicts, it doesn't get much better than this." Here, here.
In reverse order, Gerani counts down "cinema's most significant science fiction endeavors." Number 100 is EARTH VS. THE FLYING SAUCERS. You'll have to read the book to find out #1! Each film gets at least a full-page spread. Many get two pages; a very few get four. After listing 'Who Made It' production details, Gerani gives a 'What It's About' plot summary followed by a lengthy 'Why It's Important' discussion on the film and its impact. Likewise, each film is illustrated by at least one or more photographs and/or movie poster artwork. Some titles rate more illustrations. THEM, for example, has the original color movie poster and eight b&w production stills. 20,000 LEAGUES UNDER THE SEA features a color poster and nine color stills.
Paging through TOP 100 SCI-FI MOVIES is akin to taking a walk down memory lane. The films covered include INVADERS FROM MARS, BACK TO THE FUTURE, CREATURE FROM THE BLACK LAGOON, MATRIX, GODZILLA, STAR TREK II, VILLAGE OF THE DAMNED, WHEN WORLDS COLLIDE, ON THE BEACH, ALIENS, FORBIDDEN PLANET, THE WAR OF THE WORLDS, COLOSSUS: THE FORBIN PROJECT, METROPOLIS, THE DAY THE EARTH STOOD STILL, FANTASTIC VOYAGE, FIRST MEN IN THE MOON, THE FLY, ROBINSON CRUSOE ON MARS, DARK STAR, THE CONQUEST OF SPACE and many others. Gerani's affectionate yet critical commentary makes for entertaining reading.
In short, Science Fiction Film buffs should pick up a copy of Gerani's book. It's a fun, thought-provoking guided tour through many fondly-remembered cinematic treats. Highly recommended.Top 100 Sci-Fi Movies OverviewFantastic Press strikes again with its second trade paperback offering, this time exploring the ultra-fanciful universe of spaceships, exotic planets, time travel, and extraterrestrials.The "Top 100 Sci-Fi Movies" are reviewed and ranked by fantasy screenwriter/film historian Gary Gerani, who covers everything from early silent groundbreakers like A Trip to the Moon to today's widescreen, computer-generated blockbusters. With over 600 rare visuals, full-color layouts. and an introduction by one of Hollywood's greatest filmmakers, this exciting new pictorial overview is the ideal companion book to 2010's Top 100 Horror Movies.

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Attack of the B Queens Review

Attack of the B Queens
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Attack of the B Queens ReviewI found Attack of the B Queens to be a very well written and fun history of Bfilm actresses. In particular, I enjoyed reading Brinke Stevens insightful and personal look at the heigth of the Scream Queen era. It was fun reading chapter by Linnea Quigley and Debbie Rochon as all of these ladies (along with the additional contributors) are well versed in both the history and the inner workings of the movie business. Definitely a great read for all fans of B movies.Attack of the B Queens OverviewAttack of the B Queens is a celebration of women in horror films. Editor Jon Keeyes begins the journey with an examination of the Birth of the B Film from the silent era through the 1950s. The trail is continued by scream queen Linnea Quigley who looks at Hammer Films, Brinke Stevens who discusses The Art of Screaming: the 1980s, Debbie Rochon continues with Sequels A Go-Go and the adventure continues with chapters on Corman Heroines, Glam Babes from Outer Space, Into the Post Modern Era and Queen Bitches of the Universe. Short interviews with B Queens such as Mamie Van Doren, Stella Stevens, Tura Satana, Barbara Leigh, Gail Harris, Ginger Lynn Allen, Jackie Lovell, Kathy Kurtz, Leslie Culton, Patricia Tallman, Sasha Graham and Tina Krause are also included.

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The Twilight Zone: Unlocking the Door to a Television Classic Review

The Twilight Zone: Unlocking the Door to a Television Classic
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The Twilight Zone: Unlocking the Door to a Television Classic ReviewThe shelf in my bedroom is inundated with all things Twilight Zone. I have every book, magazine and DVD featuring Twilight Zone. I am highly qualified to judge a good book versus bad bearing the Twilight Zone name. And I am proud to say this is the best d*** book ever written on the subject. As far as price goes, it made my wallet creak, but I just ordered a second copy because I know I am going to wear this out.
In his introduction, the author makes it apparent that this is not a biography about Rod Serling. It focuses solely on Twilight Zone. Chapter One begins with Serling winning the "Dr. Christian" script writing contest, featuring in script form the dialogue exchange between Jean Hersholt and Serling on the May 18, 1949 broadcast. From there the history picks up momentum.
The detail level is freakin' exceptional. Proposed summer rerun schedules. CBS contract terms. Short stories and plot summaries proposed and purchased that never became Zone episodes. Day-by-day chronology of Serling's publicity tours. Neilsen ratings. Hugo Awards. Sponsor contracts. The contents of each 60s and 70s comic book. List of network affiliates. Telegrams and letters from Theodore Sturgeon, Steve Allen, Phil Baker and others are reprinted. (As far back as 1958, Sturgeon suggested "To Serve Man" to Serling for adaptation!)
While this kind of detail may not interest casual fans, the trivia will. Why the first season features two different openers. The battle between Kuppenheimer and Eagle Clothing for wardrobe credit. Community Fund spots and radio promos. How "Playboy" magazine got involved. Details behind the six taped shows in the second season. Serling's failed attempt to bring "The Time Element" to the big screen with Kirk Douglas. Why Hirschman quit producing the hour-long season (he was fired, if one wants to call it that). Why Republic Studios was considered a prime source for wardrobe, props and sets. Censorship battles. Princess Twilight Zone on tour in 1963 was apparently interviewed with great behind-the-scenes stories. Reprints of comic strips spoofing Twilight Zone.
The best part of the book is the episode guide. Each entry in detail with production costs (broken down -- director fees, talent fees, script fees, etc.). Dates each episode was filmed and rehearsed. Complete cast lists (who played who) includes actors not credited onscreen. Studio lots and sound stages. Production credits. All of the music scores and cues, names of composers, length of time, in the order they appear. Props and costumes that were reused for multiple episodes. Proposed casting that was never assigned. In-jokes that can be found on screen. Bloopers and microphones that appear on screen.
Serling wrote an unproduced screenplay in the mid-sixties based on "The Lonely." A casting call sheet is reprinted. Explanation why "Eye of the Beholder" also features the onscreen title of "A Private World of Darkness." Lawsuits brought about from various episodes. The automobile featured in "Third From the Sun" was a George Barris custom initially created for "The Time Machine." The 1951 radio script, "The Button Pushers" was the influence for "The Monsters Are Due on Maple Street." "The Mighty Casey," "To Serve Man" "No Time Like the Past" "It's a Good Life" and "I Sing the Body Electric" were refilmed after rough cuts were viewed, adding further expense to ensure quality. Robert Cummings loved "King Nine Will Not Return" so much he was disappointed when it was not submitted to the Academy for the Emmy Awards, losing Serling's chance to feature Cummings as the star of "The Loner." The space ship in "Probe 7 - Over and Out" was originally constructed for "Specimen: Unknown" on "The Outer Limits." Origin of stock footage. Why Bernard Herrmann composed the music score for "Little Girl Lost" from Paris, France. Story origins that remained a mystery are finally revealed.
The book was clearly written with a labor of love. Serling's generosity as an exceptional human being shines. When a viewer in New Jersey wrote to him asking for the chance to learn how involved set decoration was, and promised to arrive in California once she graduated from art school, he mailed her his personal home number and arranged with set decorator Ralph Nelson to give her the required tour. When Theodore Bikel was verbally attacked on a talk program, Serling as a guest the week after on the same program defended Bikel in a manner that would make any racist blush. I always thought the Zicree book was the closest thing to a complete reference guide, even with the errors. I was wrong. This is the best book ever written and it will never be surpassed.
The Twilight Zone: Unlocking the Door to a Television Classic OverviewVery few television shows withstand the test of time, and Rod Serling'sÂTHE TWILIGHT ZONE is one of the notable exceptions. Proven to be an important part of American culture since its debut on CBS in October 1959, many Hollywood producers, screenwriters and directors have been inspired and influenced by this series. Comic books, magazine articles, numerous television revivals, a major motion picture and even modern audio productions have been produced, showcasing the continuing popularity of this television classic. This definitive history presents a portrait of the beloved Rod Serling and his television program, recounting the major changes the show underwent in format and story selection, including censorship battles, production details, and exclusive memories from cast and crew. The complete episode guide recalls all 156 episodes of the series in detail that has never before been accomplished in any publication. This book will make you want to look back at the episodes once again, whether you are a casual fan or serious enthusiast of the series. Unlock the door to a television classic by reading about the in-jokes, bloopers, and other trivia associated with the behind-the-scenes production of . . . THE TWILIGHT ZONE!

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A History of Horror Review

A History of Horror
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A History of Horror ReviewA History of Horror is an engaging overview of the history of horror cinema. I highly recommend it to anyone interested in the subject, or who wants to know more about the genre. Dixon is a great writer, and I was impressed by the ground he managed to cover in only 210 pages. The only negative to the book is he sometimes slips into a "those were the days" routine, forcing his particular vision of what horror should be on the reader. I love a moody atmospheric film that doesn't rely on gore as much as the next person, but that isn't the only flavor out there that has merit.A History of Horror OverviewEver since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre.Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels. A History of Horror explores how the horror film fits into the Hollywood studio system and how its enormous success in American and European culture expanded globally over time.Dixon examines key periods in the horror film-in which the basic precepts of the genre were established, then banished into conveniently reliable and malleable forms, and then, after collapsing into parody, rose again and again to create new levels of intensity and menace. A History of Horror, supported by rare stills from classic films, brings over fifty timeless horror films into frightfully clear focus, zooms in on today's top horror Web sites, and champions the stars, directors, and subgenres that make the horror film so exciting and popular with contemporary audiences.

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Horror Movie Freak Review

Horror Movie Freak
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Horror Movie Freak ReviewIn my opinion, Don has written this book the most appropriate way possible: by not being too scholarly and by talking to the reader as one horror freak to another horror freak or horror freak-in-training. For the last few years, I've proudly written for his site and it was an honor to help create the master film list for this book. I've always believed the most important thing in reviewing horror is to not be afraid to admit that you love it or that you love certain films, and Don captures that idea beautifully, preaching the gospel and virtues of being an unabashed, unashamed Horror Freak. It is one thing to make a "simple" list of "The 100 best films". It is quite another, and far better in some ways, to make a list of movies that are important to a well-rounded, foundational knowledge of the genre....a primer, if you will. Everyone needs a place to start in the genre...or a way for seasoned vets to remember movies they haven't revisted in a long time. Horror Movie Freak fills that void.
Horror Movie Freak OverviewYou'll scream with delight while reading this fun and engaging book that discusses fright flicks all horror fans need to see to ascend to the level of a true Horror Freak—from classics (Dracula and Psycho) to modern movies (Drag Me to Hell) and lesser-known gems (Dog Soldiers).
Movies are divided into various categories, including Asian horror, beginners, homicidal slashers, supernatural thrillers, and zombie invasion. Features more than 130 movies, 250+ photos of movie stills and posters, and a chapter on remakes and reimaginings. The book also includes the DVD of George A. Romero's original 1968 version of Night of the Living Dead.

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The Monster Show: A Cultural History of Horror; Revised Edition with a New Afterword Review

The Monster Show: A Cultural History of Horror; Revised Edition with a New Afterword
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The Monster Show: A Cultural History of Horror; Revised Edition with a New Afterword ReviewI have decided to review this book because it needs to be a little clearer about what you are purchasing here. The first half of the book focuses on what is clearly David Skal's expertise-- 30's monster movies. He covers biographies on Tod Browning and Bela Lugosi, James Whale's battles against the censors, the influences of war and the Great Depression, and the move from stage to screen. It was so pleasurable and enlightening to read all about the beginnings of the genre.
After 200 pages on this decade, I soon realized that the following 6 decades could not possibly get the same attention in the second half. Hammer horror from England receives two sentences in the book when it easily deserves at least a lengthy chapter. Italian horror (which has one of the largest cult followings within this genre) is completely unmentioned. To my shock, a film with such powerful cultural relevance as The Stepford Wives also remains completely unmentioned in the book. A chapter that I thought would discuss the cultural emergence and relevance of slasher films ends up covering plastic surgery. Basically the book is greatly unbalanced. There is so much passion in the first half that the second half of the book seems a drought by comparison.
However, if you are even reading this review, then I must say that this book is a must-own. The information is absolutely fascinating (even in the second half). The photos throughout the book are excellent and add so much to the experience of reading it. The information I regretfully did not get is now more accessible to me through the foundations and structure of this book.The Monster Show: A Cultural History of Horror; Revised Edition with a New Afterword Overview

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