Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Sound Theory, Sound Practice (AFI Film Readers) Review

Sound Theory, Sound Practice (AFI Film Readers)
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Sound Theory, Sound Practice (AFI Film Readers) ReviewSound Theory, Sound Practice is a great collection of essays that goes beyond the (then) current state of film sound scholarship. There were two main approaches: one dealing with psychoanalytic and semiotic theory, favored by the film theorists; and the other dealing almost exclusively with music, favored by the musicologists. This volume represents the work of important scholars who see the value in both, but also go beyond approaching the film not as a text, but as an event.
The obvious highlight is Rick Altman's many contributions that make the rest of the scholarship possible. These writers demonstrate not only a thorough knowledge of critical theory, but of the physics of sound as well. This is a rather unique approach as most authors don't want to get too technical outside the field of film. That's not to say these essays are purely technical - far from it. They simply use technical explanations when a technical explanation is required.
Overall, this is definitely the most essential book on film sound out there. Altman's previous collection "Cinema/Sound" in the French Yale Review was great for the time and still offers a lot of great ideas, but this represents a couple more decades worth of work in the field. Film sound theory has come a long way.Sound Theory, Sound Practice (AFI Film Readers) OverviewSound Theory/Sound Practice provides a major re-examination of the place of sound in cinema. Individual essays cover such diverse topics as the conversion to sound, cartoon sound, documentary sound, and voices of women in third-world cinema. This collection combines unpublished articlesby established scholars who first attracted academic attention to cinema sound - Rick Altman, John Belton, Michel Chion, and Alan Williams - with work written by a new generation of sound-sensitive scholars.

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You Can Write Song Lyrics (You Can Write It) Review

You Can Write Song Lyrics (You Can Write It)
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You Can Write Song Lyrics (You Can Write It) ReviewYou Can Write Song Lyrics is a good book for those looking to learn about songwriting. This book uses well know songs as examples which makes it easier to understand the lesson being taught. The author (Terri Cox) also gives very challenging exercises so you can use the skills you are learning.
You Can Write Song Lyrics covers rhyming schemes, and includes exercises how to rhyme past that basic one syllable connection. Although you may 'think' that rhyming is easy...wait until you try these exercises! They are tough and quite fun!
This book also talks about how to understand music jargon, how to work with others on songwriting, and how tempo affects your song.
I was disappointed to see that, You Can Write Song Lyrics offers very little information about how to market your song, once it has been written. Other than that one small dislike, this book was really good.You Can Write Song Lyrics (You Can Write It) OverviewAnyone who's dreamed of writing that hit song - the one that gets played time and time again on the radio - but doesn't know how to start, will welcome the inspiration and practical instruction offered in this new book Terry Cox, an experienced and successful lyric writer, guides readers step-by-step through the process of lyric writing. Readers will learn about basic song components, collaborative songwriting and creative ways to come up with song ideas. Cox also takes the reader through the stages of writing lyrics for a song, from choosing a title to the chorus, versus and bridge. Readers will even find sections on getting the song performed, recorded and getting people in the music business interested. Cox's enthusiastic you-can-do-it approach to the craft of lyric writing is sure to inform, inspire and motivate want-to-be-songwriters. It is the one resource that can make their lyric writing dreams come true.

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Rollin' and Tumblin' : The Postwar Blues Guitarists Review

Rollin' and Tumblin' : The Postwar Blues Guitarists
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Rollin' and Tumblin' : The Postwar Blues Guitarists ReviewBy "postwar blues", we mean the upbeat, amplified, often aggressive material that many popologists see simply as the roots of rock'n'roll. But for blues fans, the muscular power and driving passion of the bluesmen is enough by itself, and this collection of articles and interviews profiling many of the genre's greatest players, is manna from heaven for the folks who could care less what happened after Elvis shook his little heinie on the Ed Sullivan show. This is a classicist's view of the blues -- standardbearers such as Otis Rush, Muddy Waters and BB King get multiple entries, wild West Coast and Texas bluesmen like T-Bone Walker and Clarence Gatemouth Brown also get their propers, and while the main emphasis is on the dudes who plugged in, acoustic players such as Fred McDowell also get a nod or two. The book draws on a variety of writers, and reflects a variety of interviewing and narrative styles -- most of the material originally appeared in "Guitar Player" magazine, but while some technical points are investigated, the book is an even better source of information about the players themselves -- their personalities, their stories, their world view. A true blues fan should enjoy this book quite a bit!Rollin' and Tumblin' : The Postwar Blues Guitarists OverviewThis is the most comprehensive and insightful study ever published on the pioneers of electric blues guitar - including the great Chicago, Mississippi Delta, Louisiana, Texas and West Coast bluesmen. RollinÕ and TumblinÕ offers extensive interviews with some of the worldÕs most famous blues guitarists, and poignant profiles of historical blues figures. Following a sweeping portrait of blues guitar history, the book features such players as T-Bone Walker, Muddy Waters, John Lee Hooker, LightninÕ Hopkins and many more.

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The Everything Songwriting Book: All You Need to Create and Market Hit Songs (Everything (Music)) Review

The Everything Songwriting Book: All You Need to Create and Market Hit Songs (Everything (Music))
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The Everything Songwriting Book: All You Need to Create and Market Hit Songs (Everything (Music)) ReviewThe book covers all aspects of songwriting with easy reading and pretty good humor. Although aimed at the novice, there is plenty of good advice for those who think they know it all, but fail to follow the basics. I've bought several for friends, and they all gave it a solid thumbs up.The Everything Songwriting Book: All You Need to Create and Market Hit Songs (Everything (Music)) OverviewEver heard a song on the radio and thought you could write a better one? Now's your chance! The Everything Songwriting Book provides you with all the tools you need to create, perform and sell hit songs. In easy-to-follow language, pro songwriter and consultant C.J. Watson gives you tried and tested instruction on choosing a song style, getting your story across, and finding the right music to match the words. From developing an idea and creating a hook to recording your songs and getting heard, here's all you need to bring your talent to the next level!

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The Art of Digital Music: 56 Visionary Artists and Insiders Reveal Their Creative Secrets (Includes DVD) Review

The Art of Digital Music: 56 Visionary Artists and Insiders Reveal Their Creative Secrets (Includes DVD)
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The Art of Digital Music: 56 Visionary Artists and Insiders Reveal Their Creative Secrets (Includes DVD) ReviewI really wanted to like this book after reading all the reviews. And I must admit that some of the interviews are quite interesting. However, almost all of the 50+ interviews are limited to just two pages, with each interviewee answering just a couple of questions. The latter portions of the book are dedicated to some light advice on music production and the business of music, as well some speculation on the future of the music industry. Perhaps there are just too many topics to allow any one topic to receive a satisfying treatment. Many of the interviews read like an article you would find in Sound on Sound, Electronic Musician or such magazines (that's a good thing) but are even skimpier on content and cover a far-reaching range of topics. This biggest disappointment, however, is the DVD. It mostly contains audio excerpts of the telephone interviews and after a while you just lose interest clicking around on them. There are only a few performance-oriented video clips, but these are not the best quality and their content is of questionable interest. All in all, I think the book has some interesting elements but I'm not sure there's enough there to justify the space on your bookshelf. My advice would be to flip through it at a bookstore, read two or three of the interviews before ordering it.The Art of Digital Music: 56 Visionary Artists and Insiders Reveal Their Creative Secrets (Includes DVD) OverviewThis inspiring volume gathers the wisdom and groundbreaking techniques of 56 visionary artists, producers, programmers, provocateurs, instrument designers, label executives and industry leaders. Hear firsthand how the masters wield technology to create their amazing music - the enclosed DVD features highlights from each interview. You'll learn studio setup tips, secrets of sampling, creative quantization, ringtone tricks, production strategies, insights from video-game composers, insane distortion recipes, how to squeeze expression from loops, how to overcome software option anxiety, how to exploit happy accidents, and much more. Derived from a year's worth of in-depth interviews, this book is a richly detailed journey into the heart of computer-aided creativity. Contributors include Glen Ballard, BT, LTJ Bukem, The Crystal Method, Chuck D, Thomas Dolby, Herbie Hancock, Jimmy Jam, Alan Parsons, Phil Ramone, Todd Rundgren, Don Was, and many more. The bonus DVD also includes: over 25 complete songs * live-performance videos * interactive Flash movies * royalty-free samples and loops by the artists * behind-the-scenes photos * and more.

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Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom Review

Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom
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Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom ReviewLike Robert Palmer's superb "Deep Blues," Guralnick's extensive look back at the roots of R&B and soul music combines criticism, biographical profiles and social history into one rich, printed tapestry. Meticulously researched, the book shows its author's deep love of the music without sacrificing objectivity.
Guralnick provides plenty of background on the "race music" that spawned R&B and the great soul music of the sixties and early seventies, on which much of the book concentrates. Like most, if not all, of the great blues musicians, the early pioneers of soul came from humble, mostly southern beginnings, and made little or no money from their work, which was liberally sampled by white musicians.
A good portion of the narrative revolves around the fascinating rise and fall of Stax Records, the tiny Memphis-based label that brought together white executive leadership and musicians with raw black talent from the South. Despite initially primitive recording conditions, Stax developed into a powerhouse that was home to some of the greatest musicians in soul music, from Otis Redding to William Bell to Carla Thomas to Sam and Dave to Johnny Taylor. The label became representative of the growing sense of black pride that defined the era, one in which civil rights, of course, moved to the forefront of America's consciousness.
All of these musicians and many more, including Aretha Franklin, Wilson Pickett and James Brown, to name a few, are given finely drawn profiles by Guralnick, and he treats their contributions to American music with the respect that they deserve. Throughout, he is intent on letting the artists tell their stories in their own words, and remains content to use his own fine writing to direct and bind together the narrative.
Another great accomplishment of the book, for me, was Guralnick's successful effort to illuminate the ties between white and black musicians during this period. Yes, many of the most successful producers, notably Atlantic's Jerry Wexler, were white, but so were many of the musicians. Most had grown up in the south around blacks and were intimately familiar with African-American music. The Stax house band, which included Steve Cropper and Donald Dunn, was white, and they performed on many songs penned by great black songwriters such as David Porter and Isaac Hayes. Think of the great, ominous organ introduction to Aretha Franklin's "I Ain't Never Loved a Man." The white player is Spooner Oldham. This musical cross-fertilization is a notable point, one not often brought into considerations of the era.
As a young kid coming up in the mid-60s, I loved the music that Guralnick writes about here, and I could tell -- even if he hadn't said so -- that he did too. He goes beyond that love to really dig into its roots and understand it, and succeeds admirably.Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom OverviewSWEET SOUL MUSIC profiles the legendary artists--among them Sam Cook, Ray Charles, Aretha Franklin, Otis Redding, and Al Green--who merged gospel and rhythm and blues. "The best history of '60s soul music. . . . Sooner or later, it is going to be recognized as a classic; the time to read it is now".--Robert Palmer, NEW YORK TIMES. 175 photos.

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Fade to Black: A Book of Movie Obituaries (Omnibus Press) Review

Fade to Black: A Book of Movie Obituaries (Omnibus Press)
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Fade to Black: A Book of Movie Obituaries (Omnibus Press) ReviewI really enjoyed this book. While I have no specific insight as to how the author really chose the subjects for inclusion in this book, he certainly appears to have extracted a lively (though dead) group of celebrities from all strata of the movie industry.
This book was well-researched and provided lots of juicy tidbits about the lives and deaths of the celebrity dead contained within. Unlike many books which promised but failed to deliver the goods, this book was well worth the purchase price. I consider this a worthy sucessor to the out-of-print Hollywood Album I & II which were compilations of NY Times obituaries. And best of all, you finally do find out exactly what happened to many of your favorite actors and actresses. Can it get much better!Fade to Black: A Book of Movie Obituaries (Omnibus Press) OverviewFade to Black chronicles the lives and deaths of more than 1,200 movie personalities, Included are not just the big stars but a wealth of important characters from the history of film. Some achieved world fame or great power. Some were consigned to obscurity after one scandal too many. Other hid dark secrets that would only emerge after their deaths.

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Craft and Business of Songwriting 3rd Edition (Craft & Business of Songwriting) Review

Craft and Business of Songwriting  3rd Edition (Craft and Business of Songwriting)
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Craft and Business of Songwriting 3rd Edition (Craft & Business of Songwriting) ReviewAs a teacher of songwriting for over 15 years at Austin Community college,I have found John Braheny's book, "The Craft& Business of Song Writing",to be the best work of it's kind on the market today.
Students of songwriting in or out of school can find in this text invaluable information on every level of song production both subjective and objective. This book is a gem, both beautiful and practical!
Bravo John Braheny!Robert Skiles B.A., M.A.
Prof. of Music
Austin Community College
Austin, Tx.
Craft and Business of Songwriting 3rd Edition (Craft & Business of Songwriting) OverviewCombines inspirational craft tips with practical business lessonsFeatures examples and career advice drawn from successful artists in a variety of genres, from country to hip-hop Perfect for beginners who want an overview of the businessWriting great songs is only half the work of becoming a successful songwriter - you also have to manage your business. Perfect for beginners and working songwriters alike, The Craft & Business of Songwriting features dozens of exercises, examples, and anecdotes from successful songwriters including Vince Gill, Sheryl Crow, and Paul McCartney. With all this and more, readers will find the insider secrets they need to make them more competitive in a crowded marketplace."

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It All Begins with the Music: Developing Successful Artists for the New Music Business Review

It All Begins with the Music: Developing Successful Artists for the New Music Business
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It All Begins with the Music: Developing Successful Artists for the New Music Business ReviewI'm a fast reader, but the most amazing thing about this book, is that I can't read it for too long, because it makes me want to get my guitar and write songs!
Great insight, an eye opener for someone who want to get serious in the business.It All Begins with the Music: Developing Successful Artists for the New Music Business OverviewThe music industry is a worldwide business that generates more than 40 billion dollars each year. If you are looking to make your mark and grab a piece of this fortune, this is the book for you. It All Begins with the Music: Developing Successful Artists and Careers for the New Music Business offers practical information, career blueprints, and a world of wisdom for aspiring artists, managers, and executives on how to make an impact in today's music business. It provides a comprehensive examination of the new methods by which recording artists are discovered, developed, and nurtured in the modern music industry. Anyone can benefit, from potential recording artists and performers, to aspirants and professionals in artist management, major and independent music distribution channels, producers, agents, publicists, PR and marketing representatives, and music publishers. You'll find priceless behind-the-scenes information distilled from interviews with artists, managers, and executives at the forefront of the new music business. Get the insider tips you need, and begin your successful career in music today!

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The Art of Music Production Review

The Art of Music Production
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The Art of Music Production ReviewIn his book, Burgess manage to chart a safe route through the pitfalls of a career in the recording industry, and I suppose that everyone with a little knowledge about the inner workings of this multi-billion bucks machine knows that this is no easy task. Right from the very beggining, he offers a guided tour to the shortcomings that this rough road presents, offering sensible comments that are often illustrated with real-life examples. Dealing with ego-bloated artists, or taking care of the (often overlooked) legal aspects of the trade or simply getting a great session to tape, this book will simply not leave you without an answer.The Art of Music Production OverviewThis highly entertaining book is packed with insights from the most successful music producers and full of revealing anecdotes about the business and the stars. now in its third edition and used as a teaching tool in major colleges, it has become the definitive guide to the art - and the business - of music and record production.

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The Rolling Stone Encyclopedia of Rock & Roll (Revised and Updated for the 21st Century) Review

The Rolling Stone Encyclopedia of Rock and Roll (Revised and Updated for the 21st Century)
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The Rolling Stone Encyclopedia of Rock & Roll (Revised and Updated for the 21st Century) ReviewThere are two reasons why I had to get this book. Firstly, my 1995 copy crumbled into an oblivion of dry glue, a spine torn in half and a cover too flabby to endure. I did turn to the book often for information, but from the looks of it, you'd think I shot it out of a canon once a week as well. The book is just as cheaply constructed as other reviewers contend, while the Q Rock Stars Encyclopedia is much friendlier to the reader both aesthetically and physically. Secondly, Rolling Stone's web site used to contain all the information found in this book. Recently, though, the disappointing decision was made to scrap those lengthier and more informative biographies for the infuriatingly cursory headnotes they recently replaced them with.
Some of the omissions noted by other reviewers here are remarkable not necessarily because of the bands omitted, but because of the "artists" Rolling Stone replaced them with. I mean, come on, the guys in Great White aren't exactly pioneers, and why anyone thinks the exclusion of Wierd Al Yankovic is at all noteworthy mystifies me. But to leave them out for Britney Spears? Ricky Martin? What a blow! Couldn't we just scrap Milli Vanilli, for the love of God? It isn't as though Tiffany, who is included in this book, will be remembered any more than Britney 30 years from now; nonetheless I don't consider either pop star worthy of inclusion at the expense of decently talented blues bands such as Great White who at least know what a "chord" is. The real crime with regard to the debate over who's in and who's out is the exclusion of various Native American songwriters such as Jim Boyd or Bill Miller. The former in particular continues to make unbelievable folk rock (some of which was featured on the "Smoke Signals" Soundtrack). The work Boyd has done with Sherman Alexie (songs like the incomparable "Million Miles Away") especially warrants recognition here.
Those objections aside, this really is a nearly inexhaustible resource for fans of any of the 1,900+ bands the book takes a look at. I think that the distant tone with which the entries are written will infuriate more passionate fans who think their heroes aren't getting the accolades they deserve. But as an Encyclopedia's duty is to provide the essential information, this book at least succeeds more often than it fails. My own relationship with its past and current editions is going on about 8 years now. Along with the "Rough Guide to Rock" or the "Encyclopedia of Record Producers," it continues to be one of the few resources I run to for answers to questions or quick tutorials on bands whose work I am yet to be familiar with. I think it should also be noted that people ought not to be mislead by the "Rock 'N Roll" title, as the book includes many bluegrass, country, and folk artists who may not immediately be associated with Rock 'N Roll per say, but who influenced the genre to such an extent that their exclusion from this book would have been egregious. I mean people like Dave Van Ronk, Bill Monroe or Townes Van Zandt.The Rolling Stone Encyclopedia of Rock & Roll (Revised and Updated for the 21st Century) OverviewCompletely updated with new entries and extensive revisions of the previous 1,800, The Rolling Stone Encyclopedia Of Rock & Roll is the authoritative volume on the world's music makers -- from the one-hit wonders to the megastars. In 1983, Rolling Stone Press introduced its first Rock & Roll Encyclopedia. Almost two decades later, it has become the premier guide to the history of rock & roll, and has been selected by the Rock and Roll Hall of Fame & Museum as its official source of information. Giving full coverage to all aspects of the rock scene, it tells the story of rock & roll in a clear and easy reference format, including complete discographies, personnel changes for every band, and backstage information like date and place of birth, from Elvis Presley to Eminem. Since the last edition, the music scene has exploded in every area, from boy-bands to hip-hop, electronica to indie rock. Here, the Encyclopedia explores them all -- 'NSync, Notorious B.I.G., Ricky Martin, Radiohead, Britney Spears, Blink-182, Sean "Puffy" Combs, Portishead, Fatboy Slim, Fiona Apple, Lil' Kim, Limp Bizkit, Oasis, Outkast, Yo La Tengo, TLC, and many, many more. The Rolling Stone Encyclopedia of Rock & Roll, Third Edition includes all the facts, phenomena, and flukes that make up the history of rock. Accompanying the biographical and discographical information on the nearly 2,000 artists included in this edition are incisive essays that reveal the performers' musical influences, first breaks, and critical and commercial hits and misses, as well as evaluations of their place in rock history. Filled with hundreds of historical photos, The Rolling Stone Encyclopedia is more than just a reference book, it is the bible of rock & roll.

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The Elvis Encyclopedia Review

The Elvis Encyclopedia
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The Elvis Encyclopedia Review--In a photo from the set of "Love Me Tender" Richard Egan is identified as George Hamilton.
--The plot outline of "King Creole" includes several mistatements, about the finale in particular.
--The plot outline for "Paradise Hawaiin Style" is incorrect about how the helicopter keys were lost.
--A photo of Elvis with some bikini clad dancing girls is said to be a scene from the movie "Follow That Dream"; I don't remember any such girls from that particular movie.
--The caption of the famous photo of Elvis rehearsing with the hound dog for the Steve Allen show implies that the photo is from the broadcast itself.
After encountering these questionable items within minutes of opening the book, I feared too much else would be unrealiable, so decided not to purchase the book, despite the many good photos, and apparent plethora of information. Also, the print is miniscule, although I admit it had to be to get everything in one volume.
I speak as a long time Elvis fan who values complete accuracy, especially in a book that aspires to be definitive.The Elvis Encyclopedia Overview

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Entertainment 101: An Industry Primer Review

Entertainment 101: An Industry Primer
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Entertainment 101: An Industry Primer ReviewThe book taught me a lot about the fascinating entertainment industry. I reccommend it to experts and novices.Entertainment 101: An Industry Primer OverviewThis street-smart primer covers the inner workings and marketing of one of America's most influential and profitable exports: the industry that churns out motion pictures, television programming, theater, music, and new media. The authors provide a revealing look at the power elite and demystify an often misunderstood industry.

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100 Careers in the Music Business Review

100 Careers in the Music Business
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100 Careers in the Music Business ReviewI enjoyed this book. I was more focused on finding about careers more geared towards A&R and managing, but it also has careers involving songwriting, radio, and so on. Easy to read and a nice format.
I especially liked that each career had quotes from an industry professional telling their favorite and least favorite thing about their job. Very insightful.100 Careers in the Music Business OverviewThe music industry has undergone radical changes in recent years, but abundant career opportunities still exist for beginners with talent, imagination, and a love of music. The record industry and its dealers have suffered recent setbacks, but most other aspects of the music business continue to flourish--and this book tells beginners how and where to find rewarding jobs. Highly talented singers, song writers, and instrumentalists are always in demand, but many lesser known and rewarding career opportunities exist, with new avenues opening virtually every day. Among job opportunities described in this book are artists' agents and managers, talent agents, sound technicians, film and TV technicians, film and TV production managers, advertising illustrators and copywriters, publicists, and many others. The author tells beginners how to match their own qualifications with potential job openings, seek and find job interviews, and get into the music business. For each job designation, she lists the special skills needed, describes a typical workday, and presents actual case studies of men and women who have found music career openings, and have gone on to make the most of them. Sidebar features include at-a-glance career tips and "voices of experience" notes citing the best and worst things about each job. New in this edition is information on how today's new technologies have influenced careers and created opportunities in the music business. The book's several appendices include lists of names, addresses, and web sites of music unions, organizations, directories, magazines, and schools offering degrees in music business management. There is also a glossary of music business and technical terms.

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Moser on Music Copyright Review

Moser on Music Copyright
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Moser on Music Copyright ReviewI just got this book and am finding it very helpful. It discusses copyright law in easy to understand terms and uses lots of examples showing how the law applies. I recommend this book for anyone who wants to learn how about copyright in general and especially how it applies to music.
Moser on Music Copyright OverviewCopyright law and the ownership of intellectual property are the lifeblood of the music industry and the primary source of income for most musicians."Moser on Music Copyright" provides students, musicians, and those who aspire to the music industry with comprehensive coverage of copyright law as it applies to music.Using simple terminology, this revised edition offers a straightforward explanation of the most important provisions of U.S. copyright law and its application to musical works and the music industry.Written by an industry expert and layer, the book features completely up-to-date and relevant content including numerous examples of actual case and new business developments.The book also includes practical tips and examples of real-life application of copyright law.

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Fallin' Up: My Story Review

Fallin' Up: My Story
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Fallin' Up: My Story ReviewAn amazing read. Honest, touching and inspiring. I strongly recommend this book. Taboo writes frankly about his rise, fall and recovery with quiet, humble and forceful dignity... I think that this book could and will save a life or two....and for that I say thank you from the bottom of my heart!Fallin' Up: My Story OverviewTaboo, Grammy Award–winning performing artist and founding member of the Black Eyed Peas, shares the inspiring story of his rise from the mean streets of East L.A. to the heights of international fame. Few bands can ever hope to achieve the sort of global success that the record-breaking Black Eyed Peas have attained, selling more than 30 million albums since their formation in 1995. From their album The E.N.D., which debuted at #1 on the Billboard charts, to The Beginning, the Black Eyed Peas continue to dominate the music scene. The group recently broke the all-time record for longest successive stay at the #1 position on Billboard's Hot 100 list, and their song "I Gotta Feeling" became the first single to surpass six million digital downloads in the United States. But in this revealing autobiography—the first book to emerge from the group—founding member Taboo reminds us that great accomplishments are often rooted in humble beginnings. Born in East L.A. in an area notorious for street gangs and poverty, Taboo was haunted by that environment, which seemed certain to shape his destiny. Yet, steered by his dreams to be a performer and assisted by fate, the young Taboo was thrown a rope when he discovered the world of hip-hop, where talent and love of the music itself transcended all. Supported by his one true champion, his grandmother Aurora, Taboo chased his dreams with a relentless tenacity. He refused to surrender, regardless of what life threw at him— including becoming a father at age eighteen. But even after the Black Eyed Peas beat seemingly insurmountable odds and achieved stardom, it wasn't all Grammys and platinum albums. Taboo delivers a searingly honest account of his collision with fame's demons, including his almost career-ending struggle with drug addiction and alcoholism. He takes us deep into a world few of us can even imagine: a show-business heaven that became a self-made hell. But inspired by the love of his family and tapping anew into the wellspring of self-belief that had sustained him in the past, Taboo learns to keep his demons at bay, his addictions in check. Full of intimate glances into the highest reaches of the music industry—including a visit to Sting's castle, hanging out with Bono and U2, and, at forty-one thousand feet, the high-flyingest karaoke ever—Fallin' Up takes readers on a revealing, personal journey through stardom—and one man's triumph over adversity times two.

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Louis Armstrong: An Extravagant Life Review

Louis Armstrong: An Extravagant Life
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Louis Armstrong: An Extravagant Life ReviewThis biography of Louis Armstrong presents the rich mosaic that was the life of one of the greatest musicians and entertainers of the 20th Century. It uses his life story to describe the history of early jazz--from his childhood on the streets of New Orleans, his move to Chicago where he made his famous recordings with the Hot Five and Hot Seven, and on to New York and Europe. I was surprized to learn that in many ways his charismatic stage persona was his real personality. But at the same time he was quite a complex character (four marriages, daily marijuana use, managers with mob connections, laxative proselytizations). Aside from his musical genius, he was a cultural icon--the first African American entertainer to cross over to broad popularity throughout America. The story is often told in Louis's own words, making it easier to get to know him. I loved the story about his first trip back to New Orleans after he spent nearly a decade going from being a local talent to an international star. When I got to the last chapter I put the book aside for a little while--I didn't want the book or Louis's life to end.Louis Armstrong: An Extravagant Life Overview

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The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Review

The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business
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The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business ReviewThe key to this book lies not only in the title but the subtitle as well: "An Introduction to the People, Problems, and Psychology of the Film Music Business. Other possible titles, though already used, could also fit: "Everything You Always Wanted to Know About Being a Film Composer but were Afraid to Ask," or "Film Composing for the Rest of Us." This book fills a gap that no other book has filled to date and does the job so thoroughly, it may just be the final word on the day-to-day practicalities of being a film composer.
Can you work as a film composer without a college education? How much do you expect to earn per year as a film and television composer? Can you live - or more accurately - survive on that amount? Do you know how to break down the costs of doing a score into fees and hard costs? How many films would you have to score per year just to get by? And this is just the first two chapters.
Richard Bellis has been known point out that he may not be a "household word" in the music business, but he may showing some humility here, because for certain, he is a household word in the film music business and highly respected at that. (See his credentials above.) He also knows his audience, and identifies that there are the eight or so A-list composers who make millions of dollars, the next level down in the six-figure category, and finally the remaining 90 per cent - composers working on movies for television, games, TV series, independent features, documentaries, commercials, and so on. That's us, folks. That's who this book is for, the emerging composer, hopefully on his or her way to even bigger and better things down the film music road.
Chapter 3 is about the most sought-after knowledge, "Getting Work." Here, and elsewhere in the book, Bellis paints a very realistic portrait of how things work - or don't work - when it comes to actually getting work. It is best summed up in his statement, "This is a buyers market." And this is typical of the knowledge that Bellis imparts on the reader throughout the book - it's a very no-nonsense approach which not only deals with the difficulties, but with the inequities of landing the gig. He describes the "randomness" of the business which can work in your favor or against it, but in either case, you should not be discouraged from pursuing the goal, better put in his statement, "When you realize that everything good comes `out of left field,' your job is to go to the ballpark every day."
Bellis goes on to cover Spotting, the Writing Process, Recording and Podium Procedure, Delivery and the Dub, and fills in some of the blanks with Random Thoughts. As if that weren't enough, he wraps things up with great stories from other talented composers in the business, each filled with words of wisdom, sometimes in the form of truly hilarious experiences.
I have all the other books - great books - on the topic of film music. This one is a real gem. In addition to the great information it provides, it's written in a nice, easy style filled with wit and touches of wry humor. Because of that, it's more like a special treat - an invitation to hang out with Richard Bellis over a beer and discuss the film music biz. If you're an emerging composer trying to fill in a lot of the blanks, this book is a must-have. If you're an established composer trying to get a better handle on the biz, this book is a must-have. And if you're simply curious about the film music business and want a glimpse into how it all works, this book is, well you guessed it - it's a must-have. (But you can't have my copy, because I won't let it out of my sight!) Kudos to Bellis for even thinking of writing this highly valuable book.
The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business OverviewAn introduction to thePeople, Problems and Psychologyof the film music business

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Capturing Sound: How Technology Has Changed Music, Revised Edition Review

Capturing Sound: How Technology Has Changed Music, Revised Edition
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Capturing Sound: How Technology Has Changed Music, Revised Edition ReviewAlthough being a scholarly work, fully footnoted and with a complete bibliograpy this book, unlike much of academic production, is a great read.
I enjoyed it immensly.
It is a good companion to Michael Channan's book on the same topic."Repeated Takes: A Short History of Recording and Its Effects on Music".
If you are interested in the history of recording or just curious about how what we listen to came to be the way it is this book will delight you.Capturing Sound: How Technology Has Changed Music, Revised Edition OverviewFully revised and updated, this new edition of Mark Katz's award-winning text adds coverage of mashups and Auto-Tune, explores recent developments in file-sharing, and includes an expanded conclusion and bibliography. Find illustrative sound and film clips www.ucpress.edu/go/capturingsound

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This Business of Music Marketing and Promotion, Revised and Updated Edition Review

This Business of Music Marketing and Promotion, Revised and Updated Edition
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This Business of Music Marketing and Promotion, Revised and Updated Edition ReviewIt seems that most reviewers are quite split on whether this is a "good" book or a "lousy" one. First off, reading the book I got a distinct impression that this book is not intended for musicians, it seems to be targeted more towards those in marketing who are familiar with marketing basics, but not about how they apply to the music industry.

There are much better books about the inner workings of the music industry (see books by Donald S. Passman and Moses Avalon.) There are much better books on marketing (see the "Guerrilla" series by Levinson and Godin). This book is adequate at introducing the music biz to marketing juniors, but not marketing to musicians.

One review wrote: "...dizzying amount of extremely useful information, all within an engrossing and enjoyable text" -- I find this review extremely suspect. I've read many books on both the music biz and marketing -- but this one is so mind-crushingly boring it's difficult to read and useful info is easily forgotten.This Business of Music Marketing and Promotion, Revised and Updated Edition OverviewThe maxim in the music industry has always been "You can't make it on talent alone," and with This Business of Music Marketing & Promotion, you don't have to.In language that is simple and direct, author Tad Lathrop details promotional skills, publicity plans, royalty guidelines, and more, all supported by real-life examples. He shows how the Web and other technological developments have revolutionized not only how music is made, but how it is marketed and promoted. The old rules still apply—create a marketing plan, know your copyrights, be familiar with the laws of commerce—but there are a host of new ones as well, along with new strategies on how to give your recording the exposure it deserves. This streamlined, reorganized, and updated edition features an all-new chapter ("Twenty-Five Profile-Building Ideas to Use Right Now"), which will help readers get a running start in the recording business. They'll also find completely updated material about Internet sales and promotion techniques, the latest information available on integrated marketing and e-marketing strategies, and brand-new listings of information resources.

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