Actor's Survival Guide: How to Make Your Way in Hollywood Review

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Actor's Survival Guide: How to Make Your Way in Hollywood ReviewJust by looking at the contents of this book, I could tell this would be worth reading. Unlike so many other books on this topic, this book goes beyond the generalizations of other books.
In order to prepare for this book, Robbins returned to Hollywood after many years to rekindle his acting career, by applying the academic and professional advice he had received through his own experiences, interviewing qualified professionals and struggling actors and conducting research into the various actor friendly neighborhoods in LA. By doing this Robbins was able to discover what is truly effective.
This book is anything but just another book covering the general aspects for a career in acting. I would highly recommend that any Actor pursuing a career in Hollywood not leave home without it.
Karen JohnsonActor's Survival Guide: How to Make Your Way in Hollywood OverviewWhile college drama programs primarily focus on training and technique with western theater history and aesthetics providing the context, nowhere in those programs does one find the study of business or marketing skills to facilitate the serious young actor's transition to the world of professional work. Inevitably, many thousands of these aspiring actors each year end up in Hollywood.
But newcomers will find Hollywood a minefield and a maze, wasting limited resources of time and money out of ignorance of its business realities. The Actor's Survival Guide functions both as a business handbook and a guidebook for newcomers to Los Angeles planning to pursue a professional acting career.
From the experience of relocating to LA, to the casting process, to the identifying (and finding work with) the key players in the film and television industry, The Actor's Survival Guide offers a business-centered road map through the pitfalls and wrong turns that derail too many promising careers and frustrate even the most dedicated of actors, and-for those who have the skills and determination to persevere-provides an extra competitive edge of experience and know-how.


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Writing Television Comedy Review

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Writing Television Comedy ReviewHaving written professionally for thirty-plus years, I've read dozens of books on "how to write." They range from the sublime to the ridiculous, and only a relative few have been -- and continue to be -- helpful. Jerry Rannow's delightful Writing Television Comedy is a welcome addition to my bookshelf, not because I'm interested in writing TV comedy but because it helps me WRITE -- period! While the book does target the aspiring sitcom writer, it also offers valuable tips and inspiration for ALL writers.
I often struggle with so-called writer's block, and Rannow's book provides me with several different techniques for breaking through it. The chapter entitled Managing The Story Muscle is particularly helpful, but I can open the book almost at random and find a jump-start to get me going. Sometime's it's just a reminder, like: "So-called writer's block is simply FEAR, but when you sit down and concentrate and focus on the story at hand, you erase that fear." And sometimes I discover that the problem was in my plot, or a character wasn't ringing true.
The book also reminds me of ways to look for the humorous aspects of life, because I frequently use humor in my own writing: in radio and TV spots, print ads, newspaper articles, and the novel I'm currently completing. So if you're already a paid professional or still a wannabe writer, I highly recommend Jerry Rannow's book. It really IS well worth the price, and a whole lot more!Writing Television Comedy OverviewVeteran television writer/producer Jerry Rannow gives aspiring and experienced comedy writers a humorous and eye-opening guide to conceiving, writing, and marketing a winning TV sitcom. Drawing on more than twenty-five years' experience, he tells how to construct a story outline, structure and format scripts, develop character and dialogue, pitch to producers, collaborate with other writers, and work with network and studio executives, producers, directors, agents, writers, and stars. Full of laughs and profitable tips for making a living in the business, this book is an invaluable tool for any writer who wants to break into TV comedy.

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How to Get Arrested: A Motivational Story for Actors Breaking Into Hollywood Review

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How to Get Arrested: A Motivational Story for Actors Breaking Into Hollywood ReviewI was so surprised at what a great book this is for actors. It breaks down what to do and how to do it. Most industry book tell actors "Go get an agent" and then B.S. with more empty advise - THEY DO NOT TELL YOU HOW TO GET THE AGENT!!!! This book does! It also tells you how to get the job! This book is more important for actors than any acting class in LA or New York City. THANKS MICHAEL J.WALLACH AND BRAVO!How to Get Arrested: A Motivational Story for Actors Breaking Into Hollywood Overview

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Special Make-Up Effects Review

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Special Make-Up Effects ReviewThe book appears to be packed full of very useful technical information regarding make-up types and possible uses for such.Time and experience will tell if all the information is valid or even useful in a u.k market.Was disappointed at the lack of colour photos which made the book shoddy in appearanceSpecial Make-Up Effects OverviewSpecial Make-Up Effects concentrates on the genre of horror characters and other special creations (fantasy, sci-fi, etc), giving tips about the materials, techniques, and 'tricks of the trade' necessary to create unique make-up effects.This focused volume is a scaled-down version of Vincent Kehoe's encyclopedic reference for professional make-up artists. It contains new segments and photographs.This book shows how many of cinema's most famous characters and effects were developed. It gives students and make-up artists the techniques they need to perform their own magic.A volume dedicated solely to special make-up effects.Contains new material from several Academy Award winning make-up artists.Written by a make-up artist who has worked on more than 300 films.

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Hunting with Barracudas: My Life in Hollywood with the Legendary Iris Burton Review

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Hunting with Barracudas: My Life in Hollywood with the Legendary Iris Burton ReviewLike many gay boys who grew up in a small town, Chris Snyder dreamed of being part of the excitement, glitz and fame of Hollywood. As he went through school, he came to the realization that his ideal role would likely be behind the scenes, as an agent, helping to find talent and guide them to their success. After an internship at Warner Brothers, he accepted a job as the assistant to the legendary independent agent, Iris Burton, a Hollywood icon who had guided the career of countless child stars for decades.
Iris warned Chris that she was not easy to work for, an understatement that he would often live to regret for the next thirteen years in the 24/7 personal servitude-like employ of that sarcastic, self-possessed but often brilliant star maker. Chris did get a chance to see Hollywood from a vantage point that nobody else could offer, and to work with up and coming stars such as Joaquin Phoenix, Josh Harnett, Kirsten Dunst, the Olsen twins, and many others, and dealt with a myriad of Hollywood studios, publicists, managers and competing agents. The highlight of his career, and a primary focus of the book, was being witness to one major star's self-destruction: the gradual downfall and drug-related death of River Phoenix, a major event for both Iris and Chris, which signaled a definite shift in the operation of her agency. By this time, Iris was an industry fossil while most agents were half her age, and large, aggressive agencies had already eaten up or destroyed independent agencies like hers. They lost clients, Iris became more and more difficult to work for, and Chris - who had already resigned several times but had been lured back by the needy and persuasive Iris - knew he had to get out of there, for no other reason than what the stress was doing to his health. Chris had no life outside of the agency, other than occasional one-nighters with selfish guys he met at a bar or a bathhouse. Working with Iris had also let him see how the larger agencies worked, stealing clients from each other, making it clear to him that he needed to make some changes in his choice of career.
If you enjoy HBO's "Entourage," you'll absolutely love seeing this look at stars relationships with Hollywood agents, currently and in the not so distant past. This memoir is well written, with genuine heart and soul evident in every detail about his love/hate relationship with Iris, and how it forced him to reassess what he wanted in his own life. I give it four dressing-room-door stars out of five.
Hunting with Barracudas: My Life in Hollywood with the Legendary Iris Burton Overview

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How To Be A Working Actor: The Insider's Guide to Finding Jobs in Theater, Film, and Television Review

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How To Be A Working Actor: The Insider's Guide to Finding Jobs in Theater, Film, and Television ReviewThe book has it all. How to get an agent. Examples of Resumes, headshots, and audition scenes. Simply put it lives up to its title.How To Be A Working Actor: The Insider's Guide to Finding Jobs in Theater, Film, and Television OverviewThis comprehensive guide has been revised and expanded to include new information on enhancing your image; finding jobs in emerging markets; updated union rules and payscales; current living expenses; and an entirely new chapter on "Cyberbiz," exploring the ways that the Internet has opened new doors for actors and enabled entirely new approaches to promotion. Establishing your acting career entails developing all aspects of your performing skills, but more than that, it means learning how to manage your career as an ongoing business. Plenty of schools and books teach you how to hone specific areas of your talent, but only How to Be a Working Actor shows you the whole picture, from improving your image and your audition abilities to finding an agent and landing the roles; from surviving a screen test to making it through your first day on the set; from making your way around the big city to finding regional work. Cowritten by a leading casting director/agent and a seasoned actress/author, How to Be a Working Actor is still the bible of The Biz, with an insider's viewpoint on all the essentials: assembling a dynamic resume, taking the perfect headshot, understanding the unions, finding a "day job" to supplement your income, learning how to live on a budget in New York or Los Angeles, networking, and much more. Countless tips on wardrobe, makeup, interview skills, and character analysis demonstrate how you can look and act your best for any audition or acting situation. Dozens of industry professionals offer authoritative advice gleaned from decades of experience. Anyone seeking to become—or remain—a working actor needs a copy of this indispensable book.

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Hollywood Drive: What it Takes to Break in, Hang in & Make it in the Entertainment Industry Review

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Hollywood Drive: What it Takes to Break in, Hang in & Make it in the Entertainment Industry ReviewI attended author Eve Honthaner's class at USC in 2004. Titled "Breaking In, Hanging In and Making It," the class gave me all the skills and tools necessary to make it into the film industry in Hollywood. Her encouragement and burning desire to help people succeed in following their dreams translates well from the classroom to the page. For those who don't have 6 weeks and $2,000 to spend on her enlightening course at USC, this book is a real bargain. If you are serious about pursuing a career in Hollywood, "Hollywood Drive" will teach you the importance of networking and all the other skills necessary to get your foot in the door. Using the tried and true methods of Eve Honthaner, I got my first job in Hollywood with Fox -- and many more to follow. I now recommend this book to everyone who dreams of Hollywood and has the courage to pursue that dream.Hollywood Drive: What it Takes to Break in, Hang in & Make it in the Entertainment Industry Overview

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Secrets of Voice-Over Success: Top Voice-Over Actors Reveal How They Did It Review

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Secrets of Voice-Over Success: Top Voice-Over Actors Reveal How They Did It ReviewI thought the different stories about how everyone got into the voiceover business was great. Great book for staying motivated and for learning how to get into the voice over businessSecrets of Voice-Over Success: Top Voice-Over Actors Reveal How They Did It Overview

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Breaking into Commericals: The Complete Guide to Marketing Yourself, Auditioning to Win, And Getting the Job, 2nd ed. Review

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Breaking into Commericals: The Complete Guide to Marketing Yourself, Auditioning to Win, And Getting the Job, 2nd ed. ReviewThis book is dead on. Don't worry about the publishing date being 1997--these are the basics and they still apply. Having appeared in a national commercial, relocated to Los Angeles after four years of regional experience, and now going on several auditions for principal parts each and every week, the authors capture the experience "dead on" and offer invaluable advice. As you read the book, make sure you have a highlighter or pad and pencil handy to jot down specifics that apply to you. I've already updated my resume based on the authors' suggestions and have arranged for a more appropriate headshot. Thank you, thank you, thank you!Breaking into Commericals: The Complete Guide to Marketing Yourself, Auditioning to Win, And Getting the Job, 2nd ed. OverviewEvery year, over 60,000 commercial roles for all ages, physical types, and ethnic backgrounds are cast by ad agencies, producers, directors, and casting directors across the country. This book will show you what it takes to get one of those roles and give you an edge over the competition. This essential guide provides untapped opportunities in regional markets and abroad, and shares valuable insights into developing a competitive edge. In "Breaking into Commercials", you will discover how to: Get the best head shots; create a resume and cover letter that opens doors; fine-tune your craft to develop a competitive edge; find a good agent; give an audition that will result in more call-backs and jobs; prepare for a commercial shoot; make the most of working in regional markets; move from regional to major markets; break into voice-over work; cross over from modelling to commercials; and launch your child's commercial career. A glossary of industry terms and an appendix of regional and national resources rounds out this comprehensive text on breaking into the lucrative field of acting in commercials.

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An Actor's Business: How to Market Yourself as an Actor No Matter Where You Live Review

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An Actor's Business: How to Market Yourself as an Actor No Matter Where You Live ReviewThis book has a lot of information about several regional theatre communities, which I found really useful since I've only ever experienced one of them. I wish there had been some information on a couple other areas, but of course only so much information can be put into one book. Mr. Reilly also focuses on the television and film industry and even gives some information on writing for screen. "An Actor's Business" is also a very motivational book, with lots of preparational tools as far as marketing goes, but of course it's only helpful as far as you actually go out and do the activities he suggests. If you need a book that will provide you with the motivation to get up and go at 'em -- read this one!An Actor's Business: How to Market Yourself as an Actor No Matter Where You Live OverviewA thorough and well-written resource for anyone wanting to understand all facets of the acting business.It covers everything from unions to marketing yourself.

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Hello, He Lied -- and Other Tales from the Hollywood Trenches Review

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Hello, He Lied -- and Other Tales from the Hollywood Trenches ReviewWhile Lynda Obst certainly knows her way around Hollywood and has survived and even prospered in an arena where megalomaniacs, narcissists and pathological liars abound and indeed make the rules, her book is most useful in describing why good business makes for lousy art. Obst again proves the observation that 'Hollywood is high school with money'. Ambitious and driven (and obviously intelligent) though Obst may be, the deal-making she painstakingly describes is the art form, the pictures themselves mere adjuncts. Shopping witless scripts to a tiny group of hugely overpaid stars and directors insures a steady stream of 'product' and little beyond the most common entertainment and certainly rarely anything approaching art. Sheer persistence overcomes all. A project moves forward only when the right people are 'attached'. Risky, personal pictures do not fit into this equation and subsequently rarely get produced. Instead the motion picture audience receives a steady stream of generic diversions, soulless to the extreme, dull, predictable and adolescent, near perfect reflections of their creators.Hello, He Lied -- and Other Tales from the Hollywood Trenches Overview

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I'll Be in My Trailer: The Creative Wars Between Directors and Actors Review

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I'll Be in My Trailer: The Creative Wars Between Directors and Actors ReviewActors... can't live with them, can't fire them. Of course, actors are very special people. And of course, the main key to dealing with them is communication. However, finding the RIGHT way to communicate is often very difficult, because the way a director, writer or a producer thinks is very different from how the mind of an actor sees the creative process. (they also differ greatly from each other, but that's a whole different ballgame)
John Badham, director of some huge hits (Saturday Night Fever, Stakeout, War Games) tries to build bridges in this book, even though the title leads one to believe the tone will be fairly belligerent. On the contrary, while there are some stories about extremely bad behaviour here, Badham is being very constructive. In many cases, he puts the blame for an incident squarely on his own shoulders, even when an objective observer would think he did nothing wrong. His main goal is to facilitate the communication between director and actor, by explaining how to give direction in a way that actors can actually use. Badham himself uses the `as if'-technique (i.e. play this scene as if you got to catch the last train) to put actors in the right frame of mind. However, this approach isn't right for everyone (some actors DO want result-oriented direction), and Badham duly notes alternative approaches.
The book also provides a ton of helpful hints for almost all of the problems that can crop up on a set, acting-wise and actor-wise. When dealing with an addict, the only option is tough love. When some actors misbehave just for the fun of it or to flaunt their own power, a swift and just retribution is in order - except when you're dealing with real stars, who are beyond anyone's power to control.
The book also contains lots of interviews with actors, directors and producers who provide insights from all sides of the `war'. There's a lot of on-set anecdotes about Travolta (Saturday Night Fever) and Richard Dreyfuss, among others, and the interviewees include both huge stars, television directors, well-known actors who never made it to the A-list, and producers. The book is completely succesful at what it sets out to do, though of course the problems will remain. But now at least, there's some real help out there for directors struggling to get their cast under control.I'll Be in My Trailer: The Creative Wars Between Directors and Actors OverviewBeneath the entertaining and instructive war stories lies the truth: how directors elicit the best performances from difficult and terrified actors. You'll learn how to use proven techniques to get actors to give their best performances - including the ten best and ten worst things to say - and what you can do when an actor won't or can't do what the director wants. Includes never before published stories from veteran director, John Badham, as well as Sydney Pollock, Mel Gibson, James Woods, Michael Mann and many more.

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99 Film Scenes for Actors Review

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99 Film Scenes for Actors ReviewWhere was this book during my last acting class? Ms. Nichols book is long overdue. The only other scene book I could find was so outdated I felt I needed to wear a zoot suit. This scene book is so great. I took it to my acting class and everyone practically did handstands. Never again will I have to struggle with scene partners who depend on me to find an appropriate scene. Now and forever I can hand them this book (if they already don't have one of their own) and say: "Here are 99 scences to pick from." From one struggeling actor I say, thank-you, thank-you, thank-you for providing this wonderful tool to us all. You are the best!99 Film Scenes for Actors Overview
Looking for a great piece to work on in your scene study class? For an audition? You want something fresh, juicy, well-written -- something you haven't seen in every scene book. Give Chekov a rest and turn to memorable characters and scenes from the silver screen.

This remarkable anthology offers an incredible range of contemporary dialogues from the pens of the industry's finest talents -- scenes that pulsate with emotional life, scenes that live on their own, out of context. Blistering drama and caustic comedy are excerpted from the classic screenplays of James L. Brooks and Oliver Stone, and there are cutting-edge scenes from the Coen Brothers, Kevin Smith and Spike Lee. These are the scenes of today's films, a wealth of material to motivate any actor -- great scenes that will inspire and challenge you.

Within these pages, actors will find emotionally charged scenes from big studio megahits and small gems from acclaimed independent films. Featuring characters ranging from the larger-than-life to low-key introverts, 99 Film Scenes for Actors is a cornucopia of cinematic classics for actors eager for their close-up.


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Getting the part - Thirty-Three Professional Casting Directors Tell You How to Get Work in Theater, Films, and TV (Softcover) Review

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Getting the part - Thirty-Three Professional Casting Directors Tell You How to Get Work in Theater, Films, and TV (Softcover) ReviewThis book was by far the best I have read on auditions. It let me know how to act and what to do and not do to get a directors attention. I reccomend this book to anyone and everyone who are looking for an acting job.Getting the part - Thirty-Three Professional Casting Directors Tell You How to Get Work in Theater, Films, and TV (Softcover) Overview"At last, an in-depth book about the casting process that tells actors what it is like to be on the other side of the desk, and a must read for the aspiring casting director!" -Marilyn Henry, coauthor, How to Be a Working Actor

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Acting Is Everything: An Actor's Guidebook for a Successful Career in Los Angeles, Expanded Gold Review

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Acting Is Everything: An Actor's Guidebook for a Successful Career in Los Angeles, Expanded Gold ReviewI started reading this book thinking I could jot down a couple useful pieces of information and quickly advance to another book on acting. Boy was I wrong!
This book is overflowing with so many sources that you may as well toss out the Yellowpages. Judy Kerr did a flawless job of providing step-by-step instructions regarding the business-side of acting and how you can get started.
Sure, there are useful quotes from all kinds of big names and experienced veterans about the technique, but Judy was very wise to simply refer readers to all types of classes, coaches and workshops rather than attempt to write a book on how to act. Experience is the only way you truly learn, not by reading about others who experience it.
I'm currently saving up to take the 2-week trip to Los Angeles to research the city which is mentioned in the book with detailed stops to make.
If you're wondering whether or not this book should be on your bookshelf at home, buy it now. No, don't continue reading my review!! You're not listening and I feel disrespected. You could've been entering your shipping address and credit card info by now you lazy bum! Ya wanna act? Okay, your character is shopping for a book by Judy Kerr... ACTION!!!Acting Is Everything: An Actor's Guidebook for a Successful Career in Los Angeles, Expanded Gold OverviewThe accomplished author shares her lifetime of techniques and tricks of the trade. For the student and professional actor, here's the ultimate guide for planning, promoting and expanding an acting career. What you need to know to truly master acting is everything you need to know to master your life because acting is everything. When actors are ready to make acting not only a career, but a lifestyle as well, then this book can be a lifetime guide. It includes up-to-date resources for everything from * headshots * fake cigarettes * changing one's name * acting nude * great plastic surgeons. It's all here, including incredible web sites and valuable phone numbers.A wonderful intro to the world of show biz. -- Jerry SeinfeldFirst rate primer, excellent refresher course. -- Jason Alexander

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Buster Keaton: Cut To The Chase Review

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Buster Keaton: Cut To The Chase ReviewOn the positive side, this book talks about the lean years in Buster's life, including his second marriage, that are pretty much ignored in other books on Keaton. It offers a complete filmography at the end, and talks about what has happened to Buster's extended family in the years since his death. On the negative side, the author jumps to conclusions or offers her own opinions about what happened as facts. Like everyone else, I vehemently disagree with the functional illiteracy accusation. Did Buster lack formal education? absolutely. Was he illiterate? absolutely not, based on jobs he had at MGM that involved working on scripts and his own diary which prove otherwise. Buster was interested in his craft and had no use for going over contracts and legal issues with a fine-toothed comb, a character trait that was part of his undoing for sure, but not proof he couldn't have read them had he been interested.
The specific errors that the author makes include her claiming that by the late 50's Buster didn't even remember who Dorothy Sebastian was - part of her portrait of Buster as an emotional cripple. However, about the same time, Buster wrote, along with a ghost-author "My Wonderful World of Slapstick" in which he talks about the dilemma he was in when he met his third wife Eleanor while already involved with a woman with which he had an off-and-on relationship for the previous ten years, and how he wanted to break it off with this woman to pursue Eleanor without hurting the woman's feelings. He is obviously talking about Dorothy Sebastian here, but he comes from an era in which he doesn't want to "kiss and tell" and omits her name from the book. There are other erroneous conclusions in which the author totally misinterprets certain magazine articles to claim Buster is actually complaining about this or that. The point is, take this book with a grain of salt. Entertaining it is, entirely accurate it is not.
From reading this book - and others for that matter - the person who comes across as a total mystery to me is Natalie Talmadge - Keaton's first wife. Here again, the author adds her own conclusions about Natalie's attitudes that I can't see Natalie ever conveying to anyone who would have revealed them, but the following facts are inescapible:
a. Natalie spent a huge percentage of Buster's money on clothes she never wore and homes Buster really couldn't afford.
b. Natalie ceased sexual relations with Buster after the birth of their second child.
c. The effect of (a) was that Buster HAD to sign the contract with MGM in order to keep the money pouring in after his own studio closed.
d. The effect of (b) was that Buster looked elsewhere for female companionship.
e. The effect of (c) was that Buster became an alcoholic when he no longer had any creative control over his films and was reduced to a performer in movies he largely held in contempt.
f. Natalie ultimately divorced Keaton because of (d) and (e) and was seethingly angry with him for the rest of her natural life, when in fact her own actions ( (a) and (b) ) contributed to the whole cycle in the first place.
In spite of this obvious chain of events, Keaton never spoke evil of his first wife, a fact that even the author of this book admits. That truly makes him a class act in my book.Buster Keaton: Cut To The Chase Overview

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Vo: Tales and Techniques of a Voice-over Actor Review

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Vo: Tales and Techniques of a Voice-over Actor ReviewI never met Harlan Hogan, but I also started in radio and soon switched to commercial production. Only I was doing it from the other side of the glass, as engineer--and then director--of quite a few thousand national and regional spots, working with hundreds of VO talents on the East Coast and LA. So I know what these guys go through.
Everything Harlan writes is true: the techniques, the way the business works, the friendships that form between actors competing for the same jobs, the life. Except his way of telling it is funnier than real life.
This is actually two books, interleaved. Chapters alternate between sage (and hard-earned) advice on polishing voice-acting performing and job-getting skills, and some of the things Harlan had to go through to learn these lesions. If you're an announcer, engineer, or sharp producer, you'll chuckle over the war stories. If you're trying to break into the business, you couldn't have a better teacher.Vo: Tales and Techniques of a Voice-over Actor Overview
One of the country's top voice-over talents shares his secrets to success in this insider's guide to the voice-over industry. Not only does veteran actor Harlan Hogan offer a fascinating personal account of the crazed clients, practical jokes, and amazing coincidences encountered during his twenty-five year career, he also provides a wealth of tested tips for surviving and thriving as a voice-over actor. This indispensable guide features dozens of techniques to help readers train their voices, gain experience, make a demo, join unions, get an agent, and more. It also includes strategies for finding work in venues outside film and television, including games, automated telephone systems, and even Web sites. Actors, broadcasters, and anyone else who longs to make money spekaing into a microphone will cherish this informative, insightful, and often hilarious glimpse at the business.


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Michael Caine - Acting in Film: An Actor's Take on Movie Making (The Applause Acting Series) Revised Expanded Edition Review

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Michael Caine - Acting in Film: An Actor's Take on Movie Making (The Applause Acting Series) Revised Expanded Edition ReviewIf you like movies, this book is a great read. If you're interested in acting in movies, it's an essential read. If you're interested in moviemaking (behind the camera), it's still an essential read: buy extra copies to pass around on the set, especially if you're a struggling filmmaker and you have a cast of friends who've never acted before.
As a teacher, Caine is as straightforward as he is as an actor. You watch his performances and you're seeing an actor who understands that less is more. You read this book and you're listening to an instructor who understands the same thing. Every anecdote he tells about films he's been in and stars he's worked with is not just namedropping, it's ALWAYS relevant to whatever helpful point he's making about the craft of film acting. And to him it is very much a craft, not an art. The art takes care of itself; it happens mysteriously, but it can only happen if you nail the craft first. No arty-flighty book about acting theory or the Method, this is a working-class, meat-and-potatoes manual that anyone can relate to, much like its author.Michael Caine - Acting in Film: An Actor's Take on Movie Making (The Applause Acting Series) Revised Expanded Edition OverviewA master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This new revised and expanded edition features great photos throughout, with chapters on: Preparation, In Front of the Camera - Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more."Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING!"- Gene Siskel

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Ginger: My Story Review

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Ginger: My Story ReviewAccording to one writer and critic 'Ginger my story' was greeted with 'critical yawns' upon it's publication in 1991. Personally I couldn't disagree more. Reading this book was a truly heartwarming experience from beggining to end. Ginger writes candidly about her upbringing, her early experiences on the vaudeville circuit, her hollywood film career (including the pitfalls of being a woman in Hollywood) and the sad story of her five marriages which all ended in divorce. Ginger tells delightful anecdotes about her encounters with other famous folk - George Gershwin, FDR, Cary Grant, Katharine Hepburn, Noel Coward, Judy Garland, Frank Sinatra etc. It is wonderful to know how devoted she was to her mother Lela (to whom the book is dedicated) and the chapter where she describes how she coped with Lela's death is truly poignant. The most interesting parts for me was where she describes how christian science had helped her through life and how she had had used it to help others (she cured her third husband of warts and her fourth husband of boils!). I did feel quite sad though reading this knowing that Ginger was no longer with us (it's a shame she couldn't have used christian science to save herself from diabetes;she died from the disease in April 1995) for I would surely have written to her congratulating her for having written such a wonderful memoir.Ginger: My Story Overview

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Breaking Into Acting For Dummies Review

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Breaking Into Acting For Dummies ReviewFor anyone who has always wanted to be an actor, but has no idea where to begin - this is a great book. It covers all the basic like getting an agent, your headshot and resume, the unions. And even deals with more intermediate stuff like marketing yourself as an actor, auditioning and managing your money. I found the chapters on acting in Film and Television, Commercials and Theatre to be very helpful, since each is so different from eachother. The book also covers getting Voice-over work, and working as an Extra. There is even a chapter on getting your kids into acting.
This books touches on alot of different topics and is a very good starting book for the beginning actor.Breaking Into Acting For Dummies OverviewProvides the expert advice you need to get your big break!Jump-start your career and land that paying partFrom preparing for auditions to finding an agent, the acting business is a challenging and competitive field. This indispensable guide is what every aspiring actor needs to get a foot in the door. Discover how to market yourself, choose a dynamic head shot, create a stellar acting resume, join unions, and pay the bills while you pursue your acting dreams.The Dummies Way* Explanations in plain English* "Get in, get out" information* Icons and other navigational aids* Tear-out cheat sheet* Top ten lists* A dash of humor and fun

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