Showing posts with label actors. Show all posts
Showing posts with label actors. Show all posts

The Father of Hollywood Review

The Father of Hollywood
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The Father of Hollywood ReviewI want to begin by explaining that this is NOT a book about Hollywood, but Hollywood is a big part of this man's story. This 345 page book from 2010 brings us the story of the visionary land developer who developed towns along the midwest railroad and later developed Hollywood and the San Fernando Valley. Set primarily in the times surrounding 1870 to 1931, we touch a lot of history while reading about H.J., his wife Gigi, their children, and their friends, Teddy Roosevelt, Sid Grauman -- Grauman's Chinese Theater, and many others. As we follow H.J. Whitley's phenomenal drive to push forward in developing towns along the railroad, we touch on Indian uprisings in the undeveloped lands, bank robbers in lawless towns, and women's struggles to be independent. We look at how towns were begun with hotels, banks, schools and how highways were graded and built. It was a very interesting read of a visionary's life and legacy that began well before we were all born, a loving tribute by his great-granddaughter. This book was built from family stories, old family photos, old business records, personal family correspondences, as well as Gigi's journals and diaries. Many stories also came directly from Gaelyn's father who lived with Gigi during the last 20 years of her life. This book is dedicated to Hobart Johnstone (H.J.) Whitley and Gigi.
H.J. was born in Toronto, Canada in 1847. The early years of his life saw much tragedy in losing 4 of 6 siblings to cholera. His parents were killed in a buggy accident when he was 18. Later, he lost his first wife and child to a fire. Alone, he moved to Chicago and began a successful grocery and mercantile business with his inheritance. At 23, he sold the business and headed west. He became manager of town expansion along the frontier for the railroad where he launched more than 100 towns between 1870 and 1894.
Gigi is also very much a part of this story. Born in 1867 in Mobile, Alabama, she was gifted by second sight, a gift that would one day save HJ's life. Gigi's father died at age 2, and mother at age 14. She was raised primarily by Uncle Samuel. HJ and Gigi met on a train while she was traveling with Uncle Samuel and were married sometime later, in 1886. When living in the Midwest, Teddy Roosevelt even taught Gigi how to shoot straight! Much of this book comes from Gigi's records, diaries, journals, and stories.
HJ began opening Indian Territory in Oklahoma and the Dakotas about 1886 along the lines of the Rock Island Railroad and the Northern Pacific Railroad. Son Ross was born in 1888. During his time in the Midwest, HJ had miraculous recoveries from typhoid fever and black erysipelag. You will experience how Hollywood got its name in an early business trip there and later how primarily HJ planned, designed and built the city.
Moving to California in 1894, daughter Grace was born and you will watch as the turn of the century brought with it the growth of the urban electric street cars, the electric light, telephone and automobiles. HJ built the fabulous Hollywood Hotel, which became home to many famous movie people of the time, such as Louis B. Mayer, Harry Warner, Rudolph Valentino, and Norma Talmadge (among many others). You will watch the expansion of tracts of land as they turn into homes, towns, banks, schools, and businesses and how Sunset Boulevard came to be. You will watch, as in slow motion, how HJ spent over 15 years and millions of dollars developing and beautifying Hollywood, the San Fernando Valley, and the surrounding areas. Some areas included investment partners, but it was HJ who was the initiating and driving force and invested much of his financial income and even more of his personal time on the many projects.
By the 1020s, millions of Americans were going to movies each week and censorship in movies was a big issue. HJ and Gigi's friends included people such as Mary Pickford, Lionel Barrymore, Lon Chaney, Douglas Fairbanks, Buster Keaton, Lillian Gish and Cecil B. DeMille, among many others. In 1923, the Hollywoodland sign, which was later shortened to "Hollywood" was comprised of 13 letters, 30 feet wide and almost 50 feet high.
By the time of his death, HJ put over 140 towns on the map, which included Hollywood, Canoga Park, Indianapolis, Guthrie, Van Nuys and the Ridge Route (a historic California highway on the national register).
This book is a very interesting look at a time long ago and the people who were the driving force behind those times. (Back in the times when a guy had to be INTRODUCED to a gal before he could even SPEAK to her!) Some historical photos are included. I am glad this book found me.
The Father of Hollywood OverviewThe world has been fascinated by Hollywood, California, for years. The glamour, the sophistication, the scandal--the world can't help but follow the happenings of this incredible city. It is a city where stories are created, stories that come to life on a screen and allow viewers the chance to escape their everyday lives for a bit. But few people know the story of how Hollywood came to be. In this beautifully written biography, author Gaelyn Whitley Keith introduces readers to her great-grandfather, HJ Whitley, The Father of Hollywood. Keith uses her research and her great-grandmother Gigi's journal and memoir to recreate the story of HJ's life, a story as captivating as any film. You'll travel to the Midwest, interacting with cowboys and Native Americans. You'll cruise around the world. But most importantly, you'll watch the development of an unforgettable community. You'll witness the creation of Whitley Heights. You'll learn how the famous Hollywood sign came to be. And you'll discover just what brought the movie industry to its home. One man was behind it all. It's time to meet The Father of Hollywood.

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Tell Me How You Love the Picture: A Hollywood Life Review

Tell Me How You Love the Picture: A Hollywood Life
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Tell Me How You Love the Picture: A Hollywood Life ReviewEd Feldman's "Tell Me How You Love the Picture: A Hollywood Life," written in collaboration with Tom Barton, is a fascinating, behind-the-scenes account of a Hollywood movie producer. Feldman, who started out in the movie business as a publicist for 20th Century Fox and worked his way up the ladder to produce big time, blockbuster hits, recounts in his book the tricky path that a movie producer frequently must walk between investors, studio executives, directors, actors and sometimes even puppy advocates in order to get his picture in the neighborhood cinemaplex. Readers, especially Hollywood movie fans, will enjoy the many humorous stories and delightful reminiscences about big named actors such as Elizabeth Taylor, Glenn Close, Jim Carrey, Harrison Ford and Eddie Murphy.Tell Me How You Love the Picture: A Hollywood Life Overview

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Bringing Up Oscar: The Story of the Men and Women Who Founded the Academy Review

Bringing Up Oscar: The Story of the Men and Women Who Founded the Academy
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Bringing Up Oscar: The Story of the Men and Women Who Founded the Academy ReviewI'm a Hollywood buff of sorts. I love reading about the Golden Age of Hollywood and the stars that populated Hollywood's greatest years (by this I mean the 30s and 40s). But this book takes us back to the origins of all that and does it brilliantly. The wealth of anecdote surprises. I feel when reading it as if I'm being transported to an age of innovation unmatched in mordern times. Granted, I've not read the book sequentially but enjoyed dipping here and there. Maybe it's meant to be read that way as its strength, to my mind, is incident and personality. To everyone who stays up waaay past their bedtime to take in the whole of Oscar Night I say: Kudos to the author. Let's hear more!Bringing Up Oscar: The Story of the Men and Women Who Founded the Academy Overview

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The Speed of Sound: Hollywood and the Talkie Revolution, 1926-1930 Review

The Speed of Sound: Hollywood and the Talkie Revolution, 1926-1930
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The Speed of Sound: Hollywood and the Talkie Revolution, 1926-1930 ReviewYou know you're dealing with a serious achievement when you read a book and can't conceive how one person was able to write it. Eyman does some amazing things in this book. He covers the BUSINESS side of the talkie revolution. He covers the TECHNOLOGICAL side of it. He covers the ARTISTIC side of it. And he covers the HUMAN side of it. Moreover, he does this in the context of a flowing narrative that drops some stories here and picks them up there, juggles one aspect with another; sets them aside, traces another development . . . without ever losing the flow, without ever losing the reader.I've read a lot of film books, and the skill and the intelligence of this one just amazed me. This is a dazzling piece of work, and it reads like a really good novel. I couldn't recommend a book more enthusiastically.The Speed of Sound: Hollywood and the Talkie Revolution, 1926-1930 Overview

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Hunting with Barracudas: My Life in Hollywood with the Legendary Iris Burton Review

Hunting with Barracudas: My Life in Hollywood with the Legendary Iris Burton
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Hunting with Barracudas: My Life in Hollywood with the Legendary Iris Burton ReviewLike many gay boys who grew up in a small town, Chris Snyder dreamed of being part of the excitement, glitz and fame of Hollywood. As he went through school, he came to the realization that his ideal role would likely be behind the scenes, as an agent, helping to find talent and guide them to their success. After an internship at Warner Brothers, he accepted a job as the assistant to the legendary independent agent, Iris Burton, a Hollywood icon who had guided the career of countless child stars for decades.
Iris warned Chris that she was not easy to work for, an understatement that he would often live to regret for the next thirteen years in the 24/7 personal servitude-like employ of that sarcastic, self-possessed but often brilliant star maker. Chris did get a chance to see Hollywood from a vantage point that nobody else could offer, and to work with up and coming stars such as Joaquin Phoenix, Josh Harnett, Kirsten Dunst, the Olsen twins, and many others, and dealt with a myriad of Hollywood studios, publicists, managers and competing agents. The highlight of his career, and a primary focus of the book, was being witness to one major star's self-destruction: the gradual downfall and drug-related death of River Phoenix, a major event for both Iris and Chris, which signaled a definite shift in the operation of her agency. By this time, Iris was an industry fossil while most agents were half her age, and large, aggressive agencies had already eaten up or destroyed independent agencies like hers. They lost clients, Iris became more and more difficult to work for, and Chris - who had already resigned several times but had been lured back by the needy and persuasive Iris - knew he had to get out of there, for no other reason than what the stress was doing to his health. Chris had no life outside of the agency, other than occasional one-nighters with selfish guys he met at a bar or a bathhouse. Working with Iris had also let him see how the larger agencies worked, stealing clients from each other, making it clear to him that he needed to make some changes in his choice of career.
If you enjoy HBO's "Entourage," you'll absolutely love seeing this look at stars relationships with Hollywood agents, currently and in the not so distant past. This memoir is well written, with genuine heart and soul evident in every detail about his love/hate relationship with Iris, and how it forced him to reassess what he wanted in his own life. I give it four dressing-room-door stars out of five.
Hunting with Barracudas: My Life in Hollywood with the Legendary Iris Burton Overview

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American Silent Film Review

American Silent Film
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American Silent Film ReviewThis book, written by the late film expert William K. Everson, is one of the best that you will read on silent film. Everson covers the entire silent film era from its beginnings to the coming of sound. This book focuses on the artistic successes more than the business end of the topic. While he completely covers D.W. Griffith's career, he also champions other early directors like John Collins. He covers interesting topics like art direction (or the lack of) in many early films. While the scope of the book is American films, he devotes time to the influence of European films and filmmakers on American films.
This books is an excellent introduction to silent film, yet a person familiar with the topic will not be able to put it down either.American Silent Film OverviewPraised as the "best modern survey of the silent period" (New Republic), this indispensable history tells you everything you need to know about American silent film, from the nickelodeons in the early 1900s to the birth of the first "talkies" in the late 1920s. The author provides vivid descriptions of classic pictures such as The Birth of a Nation, Intolerance, Sunrise, The Covered Wagon, and Greed, and lucidly discusses their technical and artistic merits and weaknesses. He pays tribute to acknowledged masters like D. W. Griffith, Charlie Chaplin, Buster Keaton, Douglas Fairbanks, Mary Pickford, and Lillian and Dorothy Gish, but he also gives ample attention to previously neglected yet equally gifted actors and directors. In addition, the book covers individual genres, such as the comedy, western gangster, and spectacle, and explores such essential but little-understood subjects as art direction, production design, lighting and camera techniques, and the art of the subtitle. Intended for all scholars, students, and lovers of film, this fascinating book, which features over 150 film stills, provides a rich and comprehensive overview of this unforgettable era in film history.

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An Actor's Business: How to Market Yourself as an Actor No Matter Where You Live Review

An Actor's Business: How to Market Yourself as an Actor No Matter Where You Live
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An Actor's Business: How to Market Yourself as an Actor No Matter Where You Live ReviewThis book has a lot of information about several regional theatre communities, which I found really useful since I've only ever experienced one of them. I wish there had been some information on a couple other areas, but of course only so much information can be put into one book. Mr. Reilly also focuses on the television and film industry and even gives some information on writing for screen. "An Actor's Business" is also a very motivational book, with lots of preparational tools as far as marketing goes, but of course it's only helpful as far as you actually go out and do the activities he suggests. If you need a book that will provide you with the motivation to get up and go at 'em -- read this one!An Actor's Business: How to Market Yourself as an Actor No Matter Where You Live OverviewA thorough and well-written resource for anyone wanting to understand all facets of the acting business.It covers everything from unions to marketing yourself.

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Rock Hudson: His Story Review

Rock Hudson: His Story
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Rock Hudson: His Story ReviewRock Hudson will always be remembered as one of Hollywood's larger-than-life stars. When you think of Tinsletown and its stars in its heydey you think of Joan Crawford, Bette Davis, Clark Gable, Mae West, and Rock, people who not only had long careers on the silver screen, but individuals who had a certain mystic to them, a mystery if you will. A lot of this was because most of these stars didn't do a lot of interviews so this added to the public's thirst in trying to oncover what these stars were about, who they slept with, what they ate, how they thought, and what made them tick. Rock Hudson was probably the most private of all Hollywood stars. He rarely if ever gave interviews, both in print and on television, and he even went so far as to never having his home photographed. Perhaps it was the fact that he was homosexual that he insisted in keeping his life private, but the result was he became an even bigger star because the audience didn't know the real him.
When Rock was diagnosed with HIV/AIDS in July, 1985, he knew the media would swarm on him and his name like vultures, so he decided to finally write a book about his life to give the public the knowledge of who Rock Hudson was. This book is not a tell-all if that is what your looking for. Instead it is an honest and brave account of an actor who made it in Hollywood as one of the greatest male stars of all-time while living a closeted gay life. With author Sara Davidson, Rock discusses how he was discovered, his move to Hollywood, the films he made, the relationships he had with both male and female friends, and his ultimate discovery that he was sick and his attempt to hide it. Close personal friends like Doris Day and Susan Saint James are interviewed and they add their own personal insights on Rock and their love for him. The most touching part of the book is when Rock writes how he knew it was time to write "the book" to set the record straight as his time on earth was not long. The message in this book is abundantly clear; people who are inflicted with HIV are victims of a dreadful disease, a message Rock managed to get through in these pages months before his death.
All proceeds from "Rock Hudson: His Story" have been donated to AIDS research.Rock Hudson: His Story OverviewWritten at Rock Hudson's request and with the cooperation of his closest friends, this is the definitive portrait of one of Hollywood's most enduring stars.

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I'll Be in My Trailer: The Creative Wars Between Directors and Actors Review

I'll Be in My Trailer: The Creative Wars Between Directors and Actors
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I'll Be in My Trailer: The Creative Wars Between Directors and Actors ReviewActors... can't live with them, can't fire them. Of course, actors are very special people. And of course, the main key to dealing with them is communication. However, finding the RIGHT way to communicate is often very difficult, because the way a director, writer or a producer thinks is very different from how the mind of an actor sees the creative process. (they also differ greatly from each other, but that's a whole different ballgame)
John Badham, director of some huge hits (Saturday Night Fever, Stakeout, War Games) tries to build bridges in this book, even though the title leads one to believe the tone will be fairly belligerent. On the contrary, while there are some stories about extremely bad behaviour here, Badham is being very constructive. In many cases, he puts the blame for an incident squarely on his own shoulders, even when an objective observer would think he did nothing wrong. His main goal is to facilitate the communication between director and actor, by explaining how to give direction in a way that actors can actually use. Badham himself uses the `as if'-technique (i.e. play this scene as if you got to catch the last train) to put actors in the right frame of mind. However, this approach isn't right for everyone (some actors DO want result-oriented direction), and Badham duly notes alternative approaches.
The book also provides a ton of helpful hints for almost all of the problems that can crop up on a set, acting-wise and actor-wise. When dealing with an addict, the only option is tough love. When some actors misbehave just for the fun of it or to flaunt their own power, a swift and just retribution is in order - except when you're dealing with real stars, who are beyond anyone's power to control.
The book also contains lots of interviews with actors, directors and producers who provide insights from all sides of the `war'. There's a lot of on-set anecdotes about Travolta (Saturday Night Fever) and Richard Dreyfuss, among others, and the interviewees include both huge stars, television directors, well-known actors who never made it to the A-list, and producers. The book is completely succesful at what it sets out to do, though of course the problems will remain. But now at least, there's some real help out there for directors struggling to get their cast under control.I'll Be in My Trailer: The Creative Wars Between Directors and Actors OverviewBeneath the entertaining and instructive war stories lies the truth: how directors elicit the best performances from difficult and terrified actors. You'll learn how to use proven techniques to get actors to give their best performances - including the ten best and ten worst things to say - and what you can do when an actor won't or can't do what the director wants. Includes never before published stories from veteran director, John Badham, as well as Sydney Pollock, Mel Gibson, James Woods, Michael Mann and many more.

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Acting Is Everything: An Actor's Guidebook for a Successful Career in Los Angeles, Expanded Gold Review

Acting Is Everything: An Actor's Guidebook for a Successful Career in Los Angeles, Expanded Gold
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Acting Is Everything: An Actor's Guidebook for a Successful Career in Los Angeles, Expanded Gold ReviewI started reading this book thinking I could jot down a couple useful pieces of information and quickly advance to another book on acting. Boy was I wrong!
This book is overflowing with so many sources that you may as well toss out the Yellowpages. Judy Kerr did a flawless job of providing step-by-step instructions regarding the business-side of acting and how you can get started.
Sure, there are useful quotes from all kinds of big names and experienced veterans about the technique, but Judy was very wise to simply refer readers to all types of classes, coaches and workshops rather than attempt to write a book on how to act. Experience is the only way you truly learn, not by reading about others who experience it.
I'm currently saving up to take the 2-week trip to Los Angeles to research the city which is mentioned in the book with detailed stops to make.
If you're wondering whether or not this book should be on your bookshelf at home, buy it now. No, don't continue reading my review!! You're not listening and I feel disrespected. You could've been entering your shipping address and credit card info by now you lazy bum! Ya wanna act? Okay, your character is shopping for a book by Judy Kerr... ACTION!!!Acting Is Everything: An Actor's Guidebook for a Successful Career in Los Angeles, Expanded Gold OverviewThe accomplished author shares her lifetime of techniques and tricks of the trade. For the student and professional actor, here's the ultimate guide for planning, promoting and expanding an acting career. What you need to know to truly master acting is everything you need to know to master your life because acting is everything. When actors are ready to make acting not only a career, but a lifestyle as well, then this book can be a lifetime guide. It includes up-to-date resources for everything from * headshots * fake cigarettes * changing one's name * acting nude * great plastic surgeons. It's all here, including incredible web sites and valuable phone numbers.A wonderful intro to the world of show biz. -- Jerry SeinfeldFirst rate primer, excellent refresher course. -- Jason Alexander

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The Hollywood Book of Extravagance: The Totally Infamous, Mostly Disastrous, and Always Compelling Excesses of America's Film and TV Idols Review

The Hollywood Book of Extravagance: The Totally Infamous, Mostly Disastrous, and Always Compelling Excesses of America's Film and TV Idols
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The Hollywood Book of Extravagance: The Totally Infamous, Mostly Disastrous, and Always Compelling Excesses of America's Film and TV Idols ReviewProlific Hollywood author and biographer, James Robert Parish, has just published a fascinating gallery of sketches of the great and near-great Hollywood celebrities from the past 70 years through today in his latest book, THE HOLLYWOOD BOOK OF EXTRAVAGANCE. Let's be honest: there were many great stars of Hollywood's Golden Age who were quite sensible and level-headed (Rosalind Russell, Irene Dunne, Ray Milland and Fred MacMurray easily come to mind) but really, who wants to read about THEM? Far more entertaining are the celebs whose lives and careers flared brightly and often briefly though fate, but more often through mismanagement and by their own personal demons. Such circumstances may have ultimately made for a hellish life to live, but these are the stuff of the biographer's dream - and the reader's delight.
Parish reviews the familiar names such as Marilyn Monroe, Richard Burton, Frank Sinatra, and Joan Crawford, but for the true film aficionado are the cautionary tales of Veronica Lake, Betty Hutton, Oscar Levant, Macaulay Culkin, Burt Reynolds, and many other celebs - some quite forgotten today but celebrated (or notorious) in their own day. A highly recommended book that will make the actors you see on Turner Classic Movies become three dimensional for their follies and foibles.The Hollywood Book of Extravagance: The Totally Infamous, Mostly Disastrous, and Always Compelling Excesses of America's Film and TV Idols OverviewSavor the inside scoop on over-the-top superstars"I'm not a paranoid, deranged millionaire. . . . I'm a billionaire!""Acting is an empty and useless profession.""Good girls go to heaven. Bad girls go everywhere else.""I'm interested in being provocative and pushing people's buttons."Which screen icons gave us the quotes above? How do stars get away with self-indulgent, unrestrained behaviors-or do they? In The Hollywood Book of Extravagance, longtime industry insider and Hollywood historian James Robert Parish gives you a provocative look behind the scenes at the lavish indulgences and larger-than-life egos of Tinseltown's rich and famous. The featured celebrities range from heartthrobs to industry tycoons, and from yesterday's matinee idols to today's hottest celebs. The stars are grouped according to their excesses: ego, neurosis, partying, power, rich living, and romancing. You'll devour little-known details on the excesses and exploits of notables ranging from Mae West to Madonna, Greta Garbo to Marilyn Monroe and Marlon Brando, Bela Lugosi to John Belushi, Zsa Zsa Gabor to Paris Hilton, Errol Flynn to Jude Law, and many more.

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So You Want to Be a Producer Review

So You Want to Be a Producer
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So You Want to Be a Producer ReviewI'm not a producer. I'm a graphic designer. And from what I can tell from Mr. Turman's book, there are a lot of parallels between the two. In fact, that's why I bought the book in the first place: I suddenly found my creative-self undergoing mitosis, and generating a business counter-part. That's the part that doesn't just create a job, but has to sell and manage it. During my frustrations with having gone from "Designer" to "Orchestrator" a friend of mine told me that I was becoming more a less a "Producer." Around the time he said that, I was feeling more like worn-out ready to discard product than a producer.
And then I came across this book, and the title matched perfectly with the mood. Sort of. The author still loves what he does for a living. He's a masochist.
I got exactly what I wanted from this book: That is, a big reality check. Turman is probably dealing with the largest ego's the world will ever know - Cinema Artisans. Artists, when unfulfilled and unappreciated, are insecure. Invert that whole scenario and that insecurity turns into something that only a Producer or agent will tolerate. And when I read Turman's descriptions about many of the off-stage *characters* he's had to juggle, suddenly my life and work didn't seem so bad after all. Of course, I know jack about Producing a movie. But that's not the point. This book essentially illustrates how any type of "producing", places that person at the very center of a massive crowd that will undoubtedly span the gamut of personalities - all of which have to be juggled if the job is to be finished. Turman warns that it is not a job for the faint of heart.
And he covers every topic from what I can see. Like *collaboration*. A word that makes me laugh everytime I hear it. Because Turman's right: collabo projects are like a marriage where it is very rarely between equals. And sure, we may have known this already before opening the book, but I'll be damned if it doesn't feel good to hear someone else say it. And I can certainly relate to the collabo's he's outlined here.
And maybe that's the best part about this book: commiseration. Again, obviously I can't relate to working with a celebrity. But I can relate to working with artists and all the stubborn insecurities that come with that. Or the ugly competition. Or thedivine posturing. And sometimes you actually like the SOB's, but they drive you insane.
There's a nostalgic value to the book that softens and seperates it from the suited-up shark value it could have had. For instance, Turman seems to have a healthy understanding of the balance between art and commerce - a balance that virtually defines Graphic Design. A self-indulgent artist will probably create a brilliant yet alienating piece of art with questionable marketing potential. Marketing types consider themselves the remedy for that. And yet now, as Turman illustrates, the scales have tipped to the other side with the marketing mavens taking over and pushing so far to the other side of commerce that movies are no longer stories but products to be consumed, discarded and forgotten. The best movies are stories that are remembered - and even quoted the way some quote Shakespeare. Ideally, you want to balance the scales so that both ambitions have their time in the sun. I'm too young to ever know if such a time existed. It sounds like maybe this time did exist during Turman's era, when he produced the movies he talks about in this book. But those days seem to have faded.
While there may not be a lot to like about being a producer, there's still a lot to love about this book. Another book like this should be written with a dozen producers talking about their jobs, their movies and the stories that go with them. But have mercy on the poor soul knighted with the task of producing such a book.So You Want to Be a Producer OverviewFew jobs in Hollywood are as shrouded in mystery as the role of the producer. What does it take to be a producer, how does one get started, and what on earth does one actually do? In So You Want to Be a Producer Lawrence Turman, the producer of more than forty films, including The Graduate, The River Wild, Short Circuit, and American History X, and Endowed Chair of the famed Peter Stark Producing Program at the University of Southern California, answers these questions and many more.Examining all the nuts and bolts of production, such as raising money and securing permissions, finding a story and developing a script, choosing a director, hiring actors, and marketing your project, So You Want to Be a Producer is a must-have resource packed with insider information and first-hand advice from top Hollywood producers, writers, and directors, offering invaluable help for beginners and professionals alike. Including a comprehensive case study of Turman's film The Graduate, this complete guide to the movie industry's most influential movers and shakers brims with useful tips and contains all the information you need to take your project from idea to the big screen.

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Cary Grant: A Biography Review

Cary Grant: A Biography
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Cary Grant: A Biography ReviewThank Goodness that Cary Grant led an interesting and sometimes spectacular life, otherwise this book would be a complete bore. My biggest complaint is that Marc Elliot only offers theories and opinions and very little fact or even sound logic behind some very outlandish claims. For example, he supposes that Cary Grant must have been a male escort because how else could he have survived in New York on his own at 17 years old. Even though we learn that he lived with two other men who helped him out and worked at any job he could get: stiltwalking, selling ties and starting up his own acrobat troupe. By the way since one of the men he lived with was gay, Marc also surmizes that he and Cary were lovers. As further proof of his being a male escort he offers the fact that Mae West casts the very handsome and young Cary in two of her movies even though he was a complete unknown. Furthermore, since she was known to arrange dates for rich men and women with her showbiz friends in New YOrk and since Cary was in New York at the same time and also in showbiz then she must have been his pimp in those early years. Add to that the fact that Cary couldn't stand Mae West seems to somehow substantiate this theory (at least in his own mind). It was this type of logic(illogic) and supposition that is peppered throughout the book that finally renderes it unreliable and essentially fictional.
He offers no first hand annecdotes, facts or source material that supports his theory/supposition that Cary is gay. Someone repeating gossip is just gossip and thats all thats offered. Even though he goes into great detail showing how Cary was blacklisted by the studios for being the first actor to go independent and even Marc Elliot suggests that much of the gay gossip orignated from the studios trying to punish and hopefully reign in their very very big star. They used Hedda Hopper and the other gossip mongers to beserch him in any way they could, hoping he would submit to their demands. Its sad that Marc Elliot doesnt offer anything of value; no articles, no interviews or even 2nd hand accounts of his homosexuality, bi-sexuality or even frugality. He just repeats old rumors that have been repeated over and over again through the years, and presents them as facts.
The funniest/insulting part was Marc Elliots' ( as one reviewer said) attempt at psychoanalysis of Cary Grant and his sexual relationships. Its amazing since the author never met Cary Grant and doesnt interview anyone who knew or slept with the man for that matter, even though 3 of his wives are still living. He bases this in depth analysis on divorce records and gossip again. He says Cary's first marriage fell apart because of his relationship with Scott, but his first wife according to these same records only accuses him of being domineering and jealous: Randolph Scott doesnt come up at all even as a buddy who is around too much; since she was in the midst of a divorce trying to get a rather large settlement (but failed) you'd think something juicy like that would have come up. He also skips over completely his five year live in relationship with Phyllis Brooks who lived with him off and on at the Scott beach house or that Scott himself married twice and had two children during this supposed affair. The author seems to edit things as he sees fit to substantiate his theories, but just gets so much wrong its hard to take any of it seriously. I think the worst example is his accusing Cary of having a gay affair (again) with his chaueffer, even though the chaueffer says it never happened and admits to having a relationship with Cary's 3rd wife after their divorce. Elliot never interviews or seems to take notice of interviews with Betsy Drake (3rd wife), Cannon (4th wife) or his 5th wife who all state that Cary was never gay and he also never interviews the chaueffer, though he's also alive and well. The book is such a shallow offering that it seems to come from nothing but the most salacious rumors the author could find and put in a book form. He put no time or effort into this and its obvious.
The only value I found in this book were the first few chapters of Cary's early life. What a sad childhood and what a brave and resourceful man Cary Grant must have been to survive without love or care and to be on his own since 10 years old and truly overcome insurmountable obstacles. That alone is enough to make his star shine brighter.Cary Grant: A Biography Overview

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Sal Mineo: A Biography Review

Sal Mineo: A Biography
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Sal Mineo: A Biography ReviewJames Dean? YES. Sal Mineo? NO. I was never a huge fan of Sal's and really didn't get why he attracted much attention for anything other than his unfortunate and confusing death. One might say I was not in the target group for people buying this book. When I walked into the big box bookstore that I frequent when I am not on this site, I opened this book and read three random pages. From there I plunked down my $$$, took the book home, and read---read---read. When I don't take breaks I know what I am reading is great. And GREAT is what this book is from my pov.
Sal's story starts simply enough. The third of four kids from a warm but financially challenged family from the Bronx, Sal's mother enrolls Sal in a dance class to keep him off the mean streets that they call home. Sal has talent, hits the boards, and gets noticed. Eventually, he shares the stage with Yul Brynner and Gertrude Lawrence as one of the King's children in THE KING AND I. Brynner turns out to be an uncharacteristically good guy and mentors Sal. Movies come calling and after an uneventful start, Sal catches some luck and gets cast in Rebel Without A Cause. The rest is history, sort of. A quick study, Sal is an instinctive actor who works hard, strives to improve as an actor, and sees his star ascend through a series of mostly under appreciated movies and a short-lived recording career. Back on the home front, his mother mismanages his hefty earnings and spends it faster than he can earn it with the exception of a mandatory trust fund. When Sal turned 21, his trust fund matured. Because his mother had access to his assets, the proceeds from the trust was disipated quickly. Eventually Sal distances himself from his family and his relationship with them becomes impossible. The only family members who get off easy in this book are Sal's father and his younger sister. Sal apparently is an easy touch and has little skill re: financial management or career decisions. While he scores in EXODUS, his career continues to plummet as he matures. He is plagued by financial problems for the rest of his life and manages by taking on mediocre parts and tv appearances and living off his former celebrity.
By definition Mineo might be considered bi-sexual, but by pure number and preference he pursues a gay lifestyle which influences his behavior as well as career path to a certain extent. Fighting the tide, he pushes buttons and ventures into unfamiliar water as a producer/director trying to launch projects that invariably fail before they actually together. The typical blurb re: Mineo's professional status at the time of his death was that his career was on a recent upswing. After reading this book, I doubt that he would have recovered his former success or would have managed to reinvent himself.
His murder, as discussed by the author, doesn't seem to be easily explained. The pure viciousness of the attack and the wounds sustained are consistent with a hit and not a random act of violence.
This book was well-researched/written and yielded a lot of information compiled in chronological order. It is one of the best celebrity biographies that I've read and I highly recommend it.
SPOILER ALERT----
While this book is loaded with information and really digs deeply into Sal's life and mindset, it is also crammed with a lot of information relating to Sal's sexual relationships. Things that may have been alluded to previously are stated clearly and the names that pop up are revelatory to say the least. While actresses Tuesday Weld and Jill Hayworth pop up as girlfriends, his relationships with former teen idol Bobby Sherman and other current or past celebrities such as Don Johnson, Jay North (Dennis the Menace), David Cassidy, Jon Provost (Timmy of Lassie fame), border of the strange and, in some cases, frightening. Those interviewed for this book exhibited a lot of candor.Sal Mineo: A Biography Overview

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Movie Money: Understanding Hollywood's (Creative) Accounting Practices, 2nd ed. Review

Movie Money: Understanding Hollywood's (Creative) Accounting Practices, 2nd ed.
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Movie Money: Understanding Hollywood's (Creative) Accounting Practices, 2nd ed. ReviewThis book will help anyone who desires to learn how their box office ticket dollars are spent. The authors take you step by step through a standard profit participation agreement. I feel the authors are not as aggressive as they should be hollywood's unethical "creative accounting". The distributors and the audit firms would like artists to believe that the lack of knowledge is why many artist are "cheated" out of their net profits or as Eddie Murphy stated "monkey profits". All net profit participants should read this before they listen to their lawyers and auditors. Many auditors and attorneys are willing participants in the "net profit scam"!Movie Money: Understanding Hollywood's (Creative) Accounting Practices, 2nd ed. OverviewThe distribution of a motion's picture's "profits" is, for most filmmakers, a murky, labyrinthine domain ruled by studio/distributor accountants and lawyers. "Movie Money" unravels, demystifies, and clearly explains the film industry's unique, arcane creative accounting practices. It examines a film's various revenue-consuming components and presents numerous film-industry definitions of gross and net profits and the many ways in which these figures are calculated. It also provides in-depth discussions of various aspects of profit participation terminology, accounting practices, and deal practices along with chapters on audits, claims, and negotiating tips and tricks. This Second Edition greatly expands the first edition's coverage of basic cable providers and new rulings regarding motion picture industry financial reporting practices and new material on vertical integration (i.e., studio self-dealing).

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