Showing posts with label studio system. Show all posts
Showing posts with label studio system. Show all posts

Schmucks with Underwoods: Conversations with America's Classic Screenwriters Review

Schmucks with Underwoods: Conversations with America's Classic Screenwriters
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Schmucks with Underwoods: Conversations with America's Classic Screenwriters ReviewAnything written by Max Wilk is bound to be genius. His breath of understanding as a dramatist and historian and rampant consumer of pop and otherwise fine culture has made him an incredible resource for people who want to learn more about their craft, the context that their craft has been created in and the meaning of life in general. I can't say enough about this author, or this book. Buy it and you won't be sorry.Schmucks with Underwoods: Conversations with America's Classic Screenwriters Overview"Where were you when the page was blank?!" a beleaguered screenwriter once asked a demanding director back in the golden age of movies. Max Wilk, an esteemed writer himself, admits "dignity for screenwriters is long overdue." That's why he has assembled this insightful homage to the men and women whose words created the foundation for our best and most-loved films. Here are face-to-face interviews with some of the historic giants of the industry, spanning the silent era to the 1960s, including Billy Wilder, Ernst Lubitsch, Sidney Buchman (Mr. Smith Goes to Washington), Donald Ogden Stewart (The Philadelphia Story), R.C. Sherriff (Goodbye Mr. Chips), Albert and Frances Hackett (It's a Wonderful Life), Evan Hunter (The Birds), John Collier, Edmund Hartmann, Ben Hecht, Nunnally Johnson and many more. In addition, Schmucks with Underwoods (a derogatory label for screenwriters coined by none other than the irascible Jack Warner) includes quotes and commentary about many other towering figures of the day, including Raymond Chandler, Edward Chodorov, Preston Sturges, Howard Koch, Dorothy Parker, Herman Mankiewicz and Paddy Chayefsky. Always entertaining, this book offers invaluable insight into the craft of writing, a fascinating portrait of a lost era of Hollywood, with enough hilarious anecdotes and behind-the-scenes trivia to please even the most casual movie buff.

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On Sunset Boulevard: The Life and Times of Billy Wilder Review

On Sunset Boulevard: The Life and Times of Billy Wilder
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On Sunset Boulevard: The Life and Times of Billy Wilder ReviewThis bio is very well-written and reads like a novel, as other reviews agree, and I would add that it is even better than most novels. Often one wonders whether a story in the book has really occurred and that helps to develop the fiction aspect of the book. At first I thought that a bio with more than 600 pages would be boring, but it turned out to be very engaging and informative about the golden age of Hollywood and one of the smartest and sophisticated directors ever. Although this bio has so much infomation, the author has such a fluid writing style and such a story-telling ability that makes it very interesting and entertaining. While reading this book my attention span never sagged and it made me keep reading for a longer period at a time. English being my third language, I really appreciated Mr. Sikov's wide range of vocabulary and slang that seemed to fit perfectly into his varied style of sentence construction.
I agree with Mr. Sikov that screenplay writing is a vital part of a consumate and well rounded director, which other celebrated directors, such as Hitchcock, Ford, and Spielberg lacked. For this reason I consider that the two best directors of all times are Billy Wilder and Akira Kurosawa, who besides being great visual and cinematic artists, they had more input and control of their movies by also writing the scripts. Billy Wilder's use of cynicism, sarcasm and curse words in his movies, when allowed, and in his life never came across as vulgar and lewd, but rather as an effective and witty punch line or criticism about the human condition.On Sunset Boulevard: The Life and Times of Billy Wilder Overview

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The Fixers: Eddie Mannix, Howard Strickling and the MGM Publicity Machine Review

The Fixers: Eddie Mannix, Howard Strickling and the MGM Publicity Machine
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The Fixers: Eddie Mannix, Howard Strickling and the MGM Publicity Machine ReviewI'm a big fan of classic Hollywood, and in the many star biographies I've read, the names of Eddie Mannix and Howard Strickling crop up often. When I found an entire book, just about the two of them, I pounced.
Fleming has some fascinating stories to tell, and at first glance, most of the anecdotes appear to be, for the most part, well documented. When he relies on his own theories, he clearly states that this is the case; even when he just theorizing, he seems to have a good basis in fact, or what facts can still be uncovered after all these years, and after all the covering-up Mannix and Strickling did. His theories about, for example, the deaths of Paul Bern and George Reeves seem sound, on the face of them. I was shocked to read of Wallace Beery's alleged involvement in the beating death of Ted Healy, founder of the Three Stooges, but even that seems to be reasonably well proven.
He does a good amount of research about the early lives of Strickling and Mannix, a topic that has never been explored at any length before. He also provides a detailed history of the origins of the motion picture industry and the births of the major studios, much of which will be familiar to scholars of Hollywood history.
I started to seriously doubt his accuracy for the first time around page 166, when he describes Jean Harlow's death as being caused by "uremic poisoning caused by an infection from wisdom teeth surgery the month before." It's odd, because Fleming previously made several references to David Stenn's excellent biography of Harlow; Fleming apparently didn't read it all the way through, however, since Stenn provided proof that Harlow's death from kidney failure stemmed from her bout with scarlet fever at age 16 (her kidneys had been damaged by the fever and gradually failed her over the next 10 years until her death).
Then I started noticing the various references to author Charles Higham, and I thought, "uh-oh." Higham is the now-notorious author of several Hollywood "biographies" (and I use that term loosely) that are chock-full of wild inaccuracies, the most notable among them being his accusations that Errol Flynn was a Nazi spy. His biography of Louis B. Mayer was also filled with laughable mistakes. Higham's books are listed in the bibliography, along with Kenneth Anger's atrocious collections of Hollywood rumors and nasty gossip. Fleming's credibility took another dip.
So in the end, I'm torn. In some places, Fleming seems to have done a great amount of research (although in some cases his sources are dubious at best). He does a good job of laying some myths to rest and trying to sort out the details of others, such as Clark Gable's various drunken car accidents, and rumors that he at one point struck and killed a pedestrian. On the other hand, he does tend to go into more detail than is plausible about the star's sex lives and orientations, making assertions that he can't possibly know or prove are true. Overall, I would say, enjoy the book, but take it with a grain of salt. The only people who could truly tell this story are Mannix and Strickling themselves, and except for a few tantalizing tidbits passed on to their friends throughout the years, they chose to keep their silence.The Fixers: Eddie Mannix, Howard Strickling and the MGM Publicity Machine OverviewEddie Mannix and Howard Strickling are virtually unknown outside of Hollywood and little-remembered even there, but as General Manager and Head of Publicity for Metro-Goldwyn-Mayer Studios, they lorded over all the stars in Hollywood's golden age from the 1920s through the 1940s—including legends like Garbo, Dietrich, Gable and Garland. When MGM stars found themselves in trouble, it was Eddie and Howard who took care of them—solved their problems, hid their crimes, and kept their secrets. They were "the Fixers." At a time when image meant everything and the stars were worth millions to the studios that owned them, Mannix and Strickling were the most important men at MGM. Through a complex web of contacts in every arena, from reporters and doctors to corrupt police and district attorneys, they covered up some of the most notorious crimes and scandals in Hollywood history, keeping stars out of jail and, more importantly, their names out of the papers. They handled problems as diverse as the murder of Paul Bern (husband of MGM's biggest star, Jean Harlow), the studio-directed drug addictions of Judy Garland, the murder of Ted Healy (creator of The Three Stooges) at the hands of Wallace Beery, and arranging for an unmarried Loretta Young to adopt her own child—a child fathered by a married Clark Gable. Through exhaustive research and interviews with contemporaries, this is the never-before-told story of Eddie Mannix and Howard Strickling. The dual biography describes how a mob-related New Jersey laborer and the quiet son of a grocer became the most powerful men at the biggest studio in the world.

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Ginger: My Story Review

Ginger: My Story
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Ginger: My Story ReviewAccording to one writer and critic 'Ginger my story' was greeted with 'critical yawns' upon it's publication in 1991. Personally I couldn't disagree more. Reading this book was a truly heartwarming experience from beggining to end. Ginger writes candidly about her upbringing, her early experiences on the vaudeville circuit, her hollywood film career (including the pitfalls of being a woman in Hollywood) and the sad story of her five marriages which all ended in divorce. Ginger tells delightful anecdotes about her encounters with other famous folk - George Gershwin, FDR, Cary Grant, Katharine Hepburn, Noel Coward, Judy Garland, Frank Sinatra etc. It is wonderful to know how devoted she was to her mother Lela (to whom the book is dedicated) and the chapter where she describes how she coped with Lela's death is truly poignant. The most interesting parts for me was where she describes how christian science had helped her through life and how she had had used it to help others (she cured her third husband of warts and her fourth husband of boils!). I did feel quite sad though reading this knowing that Ginger was no longer with us (it's a shame she couldn't have used christian science to save herself from diabetes;she died from the disease in April 1995) for I would surely have written to her congratulating her for having written such a wonderful memoir.Ginger: My Story Overview

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