Showing posts with label biography. Show all posts
Showing posts with label biography. Show all posts

Lowside of the Road: A Life of Tom Waits Review

Lowside of the Road: A Life of Tom Waits
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Lowside of the Road: A Life of Tom Waits ReviewA lot of music fans would really love a good biography on Tom Waits, and the author Barney Hoskyns lets this desire overrun the question of whether or not he has the information for a decent biography.
Now, let's get to the problem with this book; Waits has no desire to play along with an unauthorized biographhy, and has requested that his friends honor his wishes to not play along. Hoskyns never forgives Waits for this.
Now, personally, I can see Waits's issue here. Hoskyns however makes a pretty big fuss over Waits excluding friends from his inner circle who don't honor his wishes to keep his private life private. Now this may sound cold, but two things; one, however cold it may sound, Waits is a grownup, his friends are grownups; there's never any evidence or even suggestion that Waits has treated people in any sort of dishonest, criminal or abusive way. Two, personall, I'm a private person if somebody was writing an unauthorized biography (I am in no way claiming to have done anything worth making me famous, or that anyone would be interested in my private life this is conjecture) yes, I would ask that my friends not blabber about my private life, and if they did anyway, I would be quite hurt.
I would love to know some of the stuff Hoskyns wants to know about. I would love to read interviews from the sidemen to get an inside story about the recordings of some of my favorite music, but again, Waits and his friends are grownups; if Waits would prefer that much for stories of his behind the scenes times get spread around, that's his time.
On that note, Hoskyns also conjectures quite a bit about Wait's marriage to Kathleen Brennan, suggesting that she's holding a Yoko-Ono type influence on his life, alienating his friends and affecting his work. We're not talking bout The Beatles here though, where there's a band to disrupt. The albums are issued under one person's name. A Tom Waits album is whatever Tom Waits says it is. If he says that a Waits album is with Kathleen Brennan over the old guys, than that's a Tom Waits album.
The great fault with this book, and as the book goes on Hoskyns seems to be apologizing for it and trying to excuse himself for it is that he signed on to do a book without accepting that he was never going to have access to the information that he wanted. As the book goes on, Hoskyns resorts to stacking up snarky asides against Tom, writing reviews of the later records and recycling stories from David Letterman interviews. Hoskyns's personal offence at Tom's love of privacy even manifests itself in an appendix where the author includes e-mails from Waits acquaintances refusing interviews.
Even if you utterly disagree with my view that Waits is justified in asking his friends not to play along with this project, and you feel that the author is absolutely justified in his disenchantment with Waits, it's hard to deny that the author's lack of necessary information substantially wrecks the latter half of the book.
Hoskyns isn't a terrible writer though, and while I can't recommend buying this book, Tom Waits fanatics will find this worth checking out for some entertaining chapters on the earlier portion of Waits's career and the construction of the drunken jazzbo mythos still follows him around.Lowside of the Road: A Life of Tom Waits Overview

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Warhol: The Biography Review

Warhol: The Biography
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Warhol: The Biography ReviewVictor Bockris' biography is sympathetic to Warhol's supposed contrived personality. The reader gets the impression that the author, who had a personal association with Warhol, really understood the facination his subject maintained for his adopted country (the U.S.) throughout most of his working life. While others tend to dismiss Warhol as a simple poseur Bockris relates his wide-eyed enthusiasm for the consumer society. While some have suggested he was manipulative, this biography suggests that he was slightly naive. Most of his life is covered here and, although there is documented proof of some interesting associations that are not touched upon, in general the work is broad in its scope and the reader will discover that the most notorious pop artist of all had far greater depth than his blank features and fickle comments suggested. It is also a feast for those interested in good gossip and the social history of the 60s and 70s.Warhol: The Biography OverviewArtist, filmmaker, magazine publisher, instigator of Pop Art, Andy Warhol (19281987) used his canvasses of dollar bills, soup cans, and celebrities to subvert distinctions between high and popular culture. His spectacular career encompassed the underground scene as well as the equally deviant worlds of politics, show business, and high society. Warhol is the definitive chronicle of Warhol's storied life.

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Audrey: Her Real Story Review

Audrey: Her Real Story
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Audrey: Her Real Story ReviewI saw this book at my aunt's house, and spent the rest of my visit pouring over the beautiful pictures of Audrey Hepburn. She gave me the book and I then read about Ms. Hepburn, and learned about this wonderful woman, who not only starred in over 20 films, but also was a representative for UNICEF in her later years. This book is a MUST for anyone the least bit interested in Audrey Hepburn, and it's definetely one to add to your collection.Audrey: Her Real Story Overview

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Blessed, Life And Films Of Val Kilmer Review

Blessed, Life And Films Of Val Kilmer
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Blessed, Life And Films Of Val Kilmer ReviewAfter reading Mr. Hamilton's biography of Robert Downey Junior, and his novel Owen's Village, I decided to try this book. I have been a fan of Val Kilmer for a long time. I have always heard that he was hard to work with, but after reading the book, it is hard to image how he got this reputation. I am an even bigger fan now, glad I read the book.Blessed, Life And Films Of Val Kilmer OverviewA Biography of Val Kilmer, his life and movies, his career and his personal life. Watch out for the word blessed - he uses it whenever something important happens to him. He has had a reputation for being difficult, is it true or is he just a misunderstood perfectionist, find out. This edition has a bonus chapter on Kiss Kiss, Bang Bang from my biography of Robert Downey Jr. which also stars Val Kilmer, of course.

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Altman on Altman Review

Altman on Altman
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Altman on Altman ReviewWhen I thought of Robert Altman before reading this book, I typically thought of him as a "Seventies" director who had had a few hits in recent years.
This book shows how limited that view of Altman was. It is a wide-ranging interview that covers Altman's career from his stint as an extra in "Secret Life of Walter Mitty" (!!!) to directing "The Company." He talks about his involvement with the classic TV series "Alfred Hitchcock Presents" and "Combat" as well as directing Broadway plays and a couple operas.
And, of course, he talks about his films, the classics that everyone remembers and those that got buried by the critics. From it all, Altman emerges as a fascinating character who pursued his own vision and took advantage of changes in the media to be relatively successful.
Essential reading for anyone interested in recent American film.Altman on Altman OverviewAn exciting collection of original interviews with the infamously outspoken director of Short Cuts.From Nashville to The Player to Gosford Park, Robert Altman's irreverent, iconoclastic style has palpably altered the landscape of American cinema. Cited as an influence by such envelope-pushing directors as Spike Jonze and P. T. Anderson, Altman has created a genre all his own, notable for its improvised, overlapping dialogue and creative cinematography. One of the key moviemakers of the 1970s--commonly considered the heyday of American film--Altman's irrepressible combination of unorthodox vision and style is most clearly evidenced in the fourteen movies he released across that decade. By fine-tuning his talent in a diverse array of genres, including westerns, thrillers, and loopy, absurdist comedies--all subtly altered to fit his signature métier--he cemented his place as one of our most esteemed directors.In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.

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Paul Newman: A Life Review

Paul Newman: A Life
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Paul Newman: A Life ReviewI received this book as a gift, after wanting to read about Paul Newman for a long time. I greatly admire Paul Newman, not only for his acting, but for the humanitarian work he does through Newman's products. However, this book is just plain awful. I've read many movie star biographies (and autobiographies), and this is the worst, by far. The author is clearly biased against Joanne Woodward, and makes catty remarks about her throughout the entire book. He doesn't state his sources, and it seems like most of the quoted statements are negative (for Paul AND Joanne). I have a feeling that the author is one that simply cranks out star biographies for the buck, writing with a preconceived notion of his subject, not taking the time or effort to really investigate. It's also very badly written. This book is garbage and I can't even bring myself to finish it. Time to find another biography of Newman to read - hopefully there is a better one out there!Paul Newman: A Life OverviewA racy leading man, a devoted husband and father, an American icon. Any of these would describe Hollywood legend Paul Newman. Almost everyone the world over knows the public story of America's heartthrob, but few know what really went on beyond the silver screen-until now. Quirk's book chronicles how Newman, armed with his astonishing good looks and what his acting teacher called "magnetic presence," rushed into acting and marriage to get away from his father's disapproving eye. As Quirk deftly unveils, however, Newman was unprepared to settle down, and the vows of marriage only served to ward off rumors of his suspected homosexuality. Quirk details Newman's rocky marriage, the joyful birth of his first child, and his first acting breaks on Broadway where he met his second wife, Joanne Woodward.

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Hitch: The Life And Times And Alfred Hitchcock Review

Hitch: The Life And Times And Alfred Hitchcock
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Hitch: The Life And Times And Alfred Hitchcock ReviewHitchcock is my very favorite film director, and I think he's definitely one of the best, if not THE best, directors ever, so I was very disappointed to read this book which only skims over Hitch's life, giving some films barely a page or two. Taylor looks at Hitch's many movies with neither a critical or even historical eye--and many, many details are left out, and many facts are just plain backwards, especially that "Notorious" was based on an idea provided by David O. Selznick, and that "Spellbound" started as Hitch's idea (it was in fact the other way around, with the recently depression-cured Selznick wanting to make a film about analysis; in fact, in the few paragraphs afforded to "Spellbound," Mae Romm, Selznick's therapist who acted as an advisor on the film--and set--isn't even mentioned!). Donald Spoto's two books about Hitchcock, one a film-by-film analysis and the other a straight biography, are much better than this slight volume.Hitch: The Life And Times And Alfred Hitchcock Overview

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Rollin' and Tumblin' : The Postwar Blues Guitarists Review

Rollin' and Tumblin' : The Postwar Blues Guitarists
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Rollin' and Tumblin' : The Postwar Blues Guitarists ReviewBy "postwar blues", we mean the upbeat, amplified, often aggressive material that many popologists see simply as the roots of rock'n'roll. But for blues fans, the muscular power and driving passion of the bluesmen is enough by itself, and this collection of articles and interviews profiling many of the genre's greatest players, is manna from heaven for the folks who could care less what happened after Elvis shook his little heinie on the Ed Sullivan show. This is a classicist's view of the blues -- standardbearers such as Otis Rush, Muddy Waters and BB King get multiple entries, wild West Coast and Texas bluesmen like T-Bone Walker and Clarence Gatemouth Brown also get their propers, and while the main emphasis is on the dudes who plugged in, acoustic players such as Fred McDowell also get a nod or two. The book draws on a variety of writers, and reflects a variety of interviewing and narrative styles -- most of the material originally appeared in "Guitar Player" magazine, but while some technical points are investigated, the book is an even better source of information about the players themselves -- their personalities, their stories, their world view. A true blues fan should enjoy this book quite a bit!Rollin' and Tumblin' : The Postwar Blues Guitarists OverviewThis is the most comprehensive and insightful study ever published on the pioneers of electric blues guitar - including the great Chicago, Mississippi Delta, Louisiana, Texas and West Coast bluesmen. RollinÕ and TumblinÕ offers extensive interviews with some of the worldÕs most famous blues guitarists, and poignant profiles of historical blues figures. Following a sweeping portrait of blues guitar history, the book features such players as T-Bone Walker, Muddy Waters, John Lee Hooker, LightninÕ Hopkins and many more.

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Audie Murphy: Now Showing Review

Audie Murphy: Now Showing
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Audie Murphy: Now Showing ReviewEmpire Publishing presents "Audie Murphy:Now Showing", celebrating the film career of Audie Leon Murphy ...born June 20, 1924 in Kingston,Texas...left us May 28, 1971 near Roanoke, Virginia.(plane crash) written by Sue Gossett who is an Audie Murphy historian...Gossett's first Empire publication "The Films and Career of Audie Murphy" received such wonderful reviews and praise.
Murphy was a top box office draw for various studios mainly Universal-International...most decorated US soldier of World War II...received the Medal of Honor, the highest award for military conduct above and beyond the call of duty, plus five other decorations from France and Belgium.
Audie made a total of 44 films, was also a successful rancher and businessman...bred and raised thoroughbred horses and owned several ranches in Texas, Arizona and California...released from active duty in 1945, struggled to make it as an actor and was cast in a starring role of "BAD BOY" (1949)..."THE KID FROM TEXAS" (1950)..."THE RED BADGE OF COURAGE" (1951)..."THE CIMARRON KID" (1952)..."GUNSMOKE" (1953)..."RIDE CLEAR OF DIABLO" (1954)..."TO HELL AND BACK" (1955), the film version of his autobiography which was a box office hit setting a record that lasted for twenty years..."WALK THE PROUD LAND" (1956)..."NIGHT PASSAGE" (1957), great western in which he played the Utica Kid, brother to James Stewart..."THE QUIET AMERICAN" (1958)..."NO NAME ON THE BULLET" (1959), another western with a twist in the screenplay and plot..."HELL BENT FOR LEATHER" (1960)..."SEVEN WAYS FROM SUNDOWN" (1960)..."THE UNFORGIVEN" (1960), as Cash Zachary brother to Ben Zachary (Burt Lancaster) in this epic story of the settlers and Indians who battle for the lost sister Rachel Zachary (Audrey Hepburn) only to find bloodshed and bring a family closer together..."POSSE FROM HELL" (1961)..."SIX BLACK HORSES" (1962)..."SHOWDOWN" (1963)..."BULLET FOR A BADMAN" (1964)..."ARIZONA RAIDERS" (1965)..."GUNPOINT" (1966)..."THE TEXICAN" (1966)..."40 GUNS TO APACHE PASS" (1967)..."A TIME FOR DYING" (1969), last film was never released in the United states, only shown in Europe.
This is a must have for any true Audie Murphy fan...with photos from films, lobby cards, publicity items and background comments from the author...more than 500 photo illustrations...complete filmography...foreign items and testimonials...interviews with many of the actors who appeared in the films...locations where the film was shot...short synopsis of each film which all "film-buffs" cherish.
Don't miss this one..."Now Showing" is appearing on Amazon and Empire Publishing ...Audie Murphy is still very much in our hearts when the films he has made appears on Turner Classic Movies, DVD and books like this one comes along...get your copy today. Great reading in the days and weeks to come...I guarantee it!
Total Page: 208 ~ Empire Publishing 9-780944 019382 ~ (10/18/2002)Audie Murphy: Now Showing OverviewTo celebrate the movie career of Audie Murphy, this book contains over 200 pages and more than 500 photo illustrations of advertising materials used to promote the 44 films given to Audie's credit. The contents include photos of movie 1-sheet posters, lobby and window display cards, half sheets, publicity items, complete filmography with brief synopsis of each film, foreign iitems and testimonials, interviews with actors who appeared in his films, author's comments, and more. A must-have for the true Audie Murphy fan!

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Rauschenberg Review

Rauschenberg
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Rauschenberg ReviewI didn't originally like Rauschenberg's art from the 1960s, which I had seen locally. So I was amazed to chance upon a show of his I loved at the National Gallery of Art in the early 1990s. I spent hour upon hour looking at this show. Each was a masterpiece of modern art using multiple devices and techniques. It was dizzying. Then, I HAD to have this book so I could study this marvelous artist and take in the whole of his career. It's hard for me to now imagine how anyone could dislike his work as he seemingly does it all in art. He can incorporate the real with the abstract seamlessly. He flows from one medium to another, seemingly without effort, incorporating them all together into one "painting" (I don't know what else to call them but they are unlike anyone else's paintings). I like his art best from the 1980s and 1990s but he was always pushing the envelope. Published by Abrams, the book itself is perfection and displays the art beautifully. If you want to open yourself to modern art and mixed media, this is the artist for you to embrace. This book is your starting point.Rauschenberg OverviewIconoclastic, generous, inventive, impulsive, sensitive, gregarious, prodigious, always amazing - these are just some of the words to describe Robert Rauschenberg and the art he has been making for the past 40 years. In this book - the only fully illustrated account of his life prepared with his full cooperation - we come face to face with Rauschenberg, one of the towering artists of the twentieth century.
The reader travels along the crazy odyssey that is Rauschenberg's life, beginning with his childhood in the oil town of Port Arthur, Texas, his unhappy experience in the navy, and his eventual decision to pursue a life in art. We follow him to Black Mountain College, where he studies under the stern but brilliant Josef Albers, and becomes friendly with Merce Cunningham and John Cage; to New York and classes at the Art Students League; We are told of his early marriage to Susan Weil, his friendships with Jasper Johns, Cy Twombly, and encouragement from dealers Betty Parsons, Leo Castelli, and Ileana Sonnabend; and of roundtable drinking sessions with such artists as De Kooning and Pollock at the legendary Cedar Tavern in Greenwich village.
We experience the astonishing dexterity and range of Rauschenberg even as an emerging artist, with his forays into set and costume designs for such dance masters as Paul Taylor, Merce Cunningham, Trisha Brown; the creation of his now-famous combines (among them "Bed" and "Monogram" ); and his eagerness to bridge technology and art, with the help of scientist Billy Kluver and others. In short, there seems to be no artistic medium or form that has escaped Rauschenberg's grasp.
In preparing this highly readable book, the author interviewedjust about everybody who has been important to Rauschenberg over the course of some six decades. Fresh anecdotes complement those already familiar to Rauschenberg followers, and new contributions from the artist further personalize and update this biography.
With 200 illustrations - 92 in full color - "Rauschenberg / Art and Life" is a richly impressive portrait of the artist. In addition to the scores of works of art reproduced (paintings, combines, floor and wall constructions, prints made at U.L.A.E., and more), and personal photographs of Rauschenberg and his friends and family, creating in sum an intimate portrait of this living legend. A special feature of the book are the many reproductions, for the first time, of his most recent and significant work - ROCI (Rauschenbert Overseas Culture Interchange) - a continually evolving body of work developed and exhibited in countries all over the world.
From the age of 38 when he received the grand prize at the Venice Biennale in 1964, Rauschenberg has proved himself to be a pivotal figure in the art of our time, in "Rauschenberg / Art and Life, the story of this joy-filled, adventurous artist is wonderfully told.

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Liz: The Pictorial Biography Of Elizabeth Taylor Review

Liz: The Pictorial Biography Of Elizabeth Taylor
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Liz: The Pictorial Biography Of Elizabeth Taylor ReviewThis book is well done, and a loving tribute to Elizabeth Taylor. The only disappointing factor was that many of the photgraphs were ones frequently seen. It would be nice to see those rare photos of Miss Taylor, and more candids! I also found the book interesting in the fact that as Elizabeth has gotten older,her inner beauty shines through even stronger. Just look at those eyes - they tell volumes!Liz: The Pictorial Biography Of Elizabeth Taylor OverviewThis loving tribute to one of America's most beloved film actresses traces Taylor's career from precocious, pampered child star to full-fledged movie diva. It also recounts her glamorous life, her eight marriages, and her recent role as AIDS activist and fundraiser. With more than 100 full-color photographs, this superb illustrated biography provides an intimate look at a dazzling Hollywood personality.

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Larry the Stooge in the Middle Review

Larry the Stooge in the Middle
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Larry the Stooge in the Middle ReviewIn this second biography of Larry Fine(The first book to recall Mr.Fine's life was:"A Stroke Of Luck!".Larry's memiors.Which are sadly out of print.)"Stooge In The Middle"looks at the life and career of one member of "The Three Stooges"from the viewpoint of Larry's brother former druggist:Dr.Morris Feinberg.The book looks at his childhood in Philadelphia,Pa.to the accident in his father's jewelry store that introduced him to violin playing lessions(an early form of physical thearpy).Which became his introduction to show business.First as a Charlie Chaplin imitator at local amusement Parks , as a member of a Duplicate version of Gus Edwards' vaudeville kiddie act:"Fun In Hi Skool!"and as a member of several comedy teams:EG:"Fine And Dandy"and "The Haney Sisters & Fine!".Before he married one of the Haney Sisters(Mabel Haney) and he was accepted a job as a performer and MC at The Rainbow Gardens Nightclub in Chicago,Ill in 1925.Where Larry first met:Ted Healy,Moe And Shemp Howard and he was invitied to join "Ted Healy And His Gang!"(The original name of Mr.Healy's act).The book goes onto to look at the boys'difficult relationship with Mr.Healy(Whose drinking,obnoxious pranks and his pay inequity forced the team to part company with Healy.Following some turbulent years working in vaudeville,burlesque,nightclubs,Broadway musicals and some work in the movies).The book relates how Larry almost signed the trio to a contract with Universal Pictures for some feature length comedies.But Moe's deal with Columbia Pictures was signed first.Making Larry's Pact with Universal invalid and The boys began their 24 years with The Studio that featured Hollywood's Stature Of Liberty like symbol.And their other projects that kept the team in the public eye after the unfair dismissal from Columbia Pictures and Larry's years of retirement,following the stroke that forced him to leave the group.For those..who want to read a pleasant and engaging biography of a truly funny and nice man.That has no hint of scathology in it? This is the one book to have.Kevin S.Butler.Larry the Stooge in the Middle OverviewNow back in print, this heavily illustrated, richly anecdotal memoir takes a fond look back at Larry, the wild-haired funnyman who helped make the Three Stooges the most popular slapstick comedy team of all time.

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Creating an Empire: ESPN - The No-Holds-Barred Story of Power, Ego, Money, and Vision That Transformed a Culture Review

Creating an Empire: ESPN - The No-Holds-Barred Story of Power, Ego, Money, and Vision That Transformed a Culture
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Creating an Empire: ESPN - The No-Holds-Barred Story of Power, Ego, Money, and Vision That Transformed a Culture ReviewI was extremely disapointed in this book. I was expecting from the title and description an inside account of the founding of ESPN and perhaps some insight as to how/why it became as successful as it has. Instead, I was treated to nearly 300 pages of Stuart Evey massaging his ego and telling us all the wonderful things he accomplished. It seems that Mr. Evey's main accomplishments were hobnobing with enough rich and famous people to know who to call when he needed someone for a job. His position in the growth of Espn it turns out was just as the money man. ESPN was not his idea, and after the station started, it appears he had minimal creative input that he was able to tell us about. His most important function it seems with ESPN was firing Mr Rasmussen--the originator of the idea, the person who pitched the idea to Evey, the person who put up all the money he had to start the venture, and the person who had the foresight to lease time on the satelite that was ESPN's greatest asset as the beginning. Stuart Evey should get credit for convincing Getty to put up the money for ESPN at the beginning, but any credit for the growth of Espn into the giant it is today is far removed for him--despite what the book jacket might lead you to believe. My only recommendation of this book would be to someone who like the concept of People magazine--toss a lot of famous names around, dish a little dirt, but don't say anything in depth.Creating an Empire: ESPN - The No-Holds-Barred Story of Power, Ego, Money, and Vision That Transformed a Culture Overview

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Master of the Mysteries: The Life of Manly Palmer Hall Review

Master of the Mysteries: The Life of Manly Palmer Hall
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Master of the Mysteries: The Life of Manly Palmer Hall ReviewThis is a deliciously gossipy & insightful book on one of the major figures in 20th century American esotericism. Manly P. Hall was America's answer to Madame Blavatsky and served to pioneer and document the rise of southern California as an occult Mecca. His Philosophical Research Society was a major influence through its publications in educating and influencing many to the cross cultural currents of comparative myth and religion. The cast of characters he encountered serves as a who's who of the American metaphysical underground between the 1920's through 1950's. Both noble and pathetic at times like occultism itself, this book never ceases to fascinate. A careful reading will also reveal several typos and errors that better editing should have caught.
Mr. Sahagun is a remarkable writer who I hope to read more of. His research is impeccable and many of those who played a role in Hall's life opened their hearts, minds and doors to him in documenting this larger than life figure both literally and figuratively. Knowing some of the people in this book that knew Hall and associated with him over the years this biography rings true from the stories I have heard from those that knew the "Maestro".
On another level, fans of Kenneth Anger's classic "Hollywood Babylon" will find much to keep them amused, the occult Hollywood subculture is here with such revelations as Rhonda Fleming's alternative health regime, Glenn Ford's belief in reincarnation and astrology (did you know he had a deformed spine that resulted in the need for special camera angles in the films he appeared in?), John Denver's unrequited attempt to become Hall's disciple, to Gloria Swanson's (the real Norma Desmond) finding a crashed flying saucer in the Hollywood hills? Culminating like a Greek tragedy in the mysterious death of this master of the mysteries- will linger in the mind of the reader long after the last page is read.Master of the Mysteries: The Life of Manly Palmer Hall Overview
"And for anyone wishing to learn more about Manly Hall, Louis Sahagun's gripping biography is an insightful look at the life and times of one of the last century's most important mystical thinkers."—The Fortean Times

In 1919, a Canadian teenager with a sixth grade education arrived by train to the wilds of Los Angeles. Within a decade he had transformed himself into a world-renowned occult scholar.

His name was Manly Palmer Hall, author of the landmark publication The Secret Teachings of All Ages, regarded as the best introduction to Western esoteric ideas, and the founder of the Philosophical Research Society, which houses one of the biggest occult libraries in the United States.

Hall became the twentieth century's most prolific writer and speaker on ancient philosophies, mysticism, and magic, and a confidant of Hollywood celebrities and politicians. In 1990, he died—some say he was strangled—in what remains an open-ended Hollywood murder mystery worthy of Raymond Chandler.

Master of The Mysteries: The Life of Manly Palmer Hall offers an intimate portrait of this elusive luminary who set as his life's work the daunting task of reconciling scientific reason with ancient wisdom—issues that seekers and scientists still struggle with today.

Author Louis Sahagun draws from Hall's massive archives and a wealth of interviews to provide an insider's view of the birth of a metaphysical subculture that continues to have a profound influence on movies, television, music, books, art, and thought.


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The Last Prodigy: A Biography of Erich Wolfgang Korngold Review

The Last Prodigy: A Biography of Erich Wolfgang Korngold
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The Last Prodigy: A Biography of Erich Wolfgang Korngold ReviewBrendan G. Carroll spent over 25 years working on this definitive biography of the Viennese-American composer (1897-1957). This unabashed encomium for the music of Korngold is supported by carefully crafted arguments responding to critics, real and imagined. Carroll is especially exercised about those critics whose prejudicial assessments of the Korngold oeuvre are based solely on a superficial knowledge of Korngold's scores for the motion pictures. Korngold himself was super-sensitive about his reputation when it was based upon his Hollywood fame, though he never disavowed the work he did there for the films, such as The Adventures of Robin Hood, Captain Blood, Anthony Adverse, The Sea Hawk, Kings Row, Of Human Bondage, and much more. He mainly feared, and rightly so, that the film scores would over-shadow his earlier career in Europe when his serious music might become lost. He worried, too, that even his film scores would be lost along with the films as they faded from public view. Korngold's complete oeuvre are Carroll's strongest defense.  From the age of 10 (Yes, 10!), Korngold's works began to receive private notice. By 11 and 12, his prodigious first compositions dumbfounded and awed musicians such as Gustav Mahler, Alexander von Zemlinsky (his composition teacher), Richard Strauss, Bruno Walter, Puccini, and a host of other admirers and performers. In 1910, he completed (age 13) his Piano Trio in D Major, Opus 1. In 1911, he met Max Reinhardt (his future collaborator), who brought him to Hollywood, saving Korngold and his family from the concentration camps in 1938. Carroll is convincing that Korngold's greatest achievements are his five operas, especially his Das Wunder der Heliane and Die tote Stadt, for which he is best known in Europe. In 1999, his separate CDs are approaching one hundred, making his music available as never before. Following my own prolonged and extensive study, I predict that Korngold's next career, based upon his recordings, will elevate him into the empyrean of twentieth century composers. Two commemorative postage stamps have been issued about Korngold: In Austria, a stamp recalls his operas (properly); in America, he is included among 5 other Hollywood composers, as he anticipated. Carroll's work is a great deal more than a festschrift: It is a searching, well-written, objective account of the life of his subject: Korngold. (Reviewed by Allan Shields in Ballast Quarterly Review, Vol 15 No 2, Winter 1999-2000. Copyright © by Allan Shields.)The Last Prodigy: A Biography of Erich Wolfgang Korngold Overview

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D.W. Griffith: An American Life Review

D.W. Griffith: An American Life
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D.W. Griffith: An American Life ReviewThis is a lavishly detailed biography of the pioneering film director David Wark Griffith (following the prevailing custom of the time, Griffith typically was referred to by his initials and his last name, hence D. W. Griffith). Griffith is a controversial figure on account of his groundbreaking feature film success, "The Birth of a Nation." The film was set during the Civil War and Reconstruction and revolutionized movie making.
Griffith was the son of a last ditch Confederate veteran who served until Lee surrendered the Army of Northern Virginia at Appomattox. As a small child, Griffith idealized his father, a gentle ne'er do well, for whom the War for the Confederacy was the singular highlight of his entire existence. When his father died, Griffith was still a child of tender years and this separation only served to romanticize Griffith's memory of his beloved father to a greater degree. The significance of these vivid memories of his parent's storytelling are to be found in Griffith's landmark film "The Birth of a Nation."
Key battle sequences in the film are precise recreations of events that Griffith's own father experienced firsthand such as subsisting on parched corn when the Confederates were unable to supply their dwindling army with daily rations. Likewise, Colonel Griffith participated in a heroic battlefield charge quite like the one shown in the film.
Ostensibly an adaptation of Thomas Dixon's sensational bestselling novel and the subsequent stage play, "The Clansman," Griffith kept the billing for publicity purposes, but freely reworked the scenario to suit his own preferences. One testimonial to the effectiveness of the drama, to my mind at least, is to see how much of Margaret Mitchell's "Gone With the Wind" simply built upon the structure of Griffith's film. The original was an overwhelming financial success and fixed innumerable cliches about the Civil War in the consciousness of a generation who had only read about the fighting.
The movie radically changed the nascent film industry and soon the public demanded more feature length films and exhibitors needed to erect large theaters as the flickers were no longer a novelty to be watched solely in nickle and dime arcades. Theater owner Louis B. Mayer, the future leader of the powerful Metro Goldwyn Mayer studio, financed his entry into Hollywood by underreporting the total box office receipts from "The Birth of a Nation" and shortchanging Griffith of his rightful share of the profits.
Griffith was such a seminal figure during the development of the film industry that many of his assistants became celebrated directors after apprenticing under the master. Raoul Walsh, John Ford, Tod Browning, Erich von Stroheim, W. S. Van Dyke and William Beaudine all worked for Griffith. Following the success of "The Birth of a Nation," Griffith staged a lavish four part film entitled "Intolerance" in partial response to efforts to boycott, censor or enjoin the showing of his previous film. The film was not profitable, but Griffith became increasingly interested in staging epic spectacles and lost his way when he was unable to bring pictures in on time and on budget. Frequently, he courted financial disaster. Studio executives wanted immediate profits while Griffith was engrossed in the art of cinema. Soon he was deemed to be unreliable.
Changing public tastes also were a factor in his decline. Griffith produced melodramas that could have been staged in the limelight era. Once audiences had become more sophisticated and other movie makers had mastered his techniques, there was a greater demand for more modern and realistic stories than Griffith's homespun rural romances. After the production of the biopic "Abraham Lincoln," in 1930, Griffith was effectively finished in Hollywood. Although he had filmed the crime drama "The Musketeers of Pig Alley" on the streets of New York, employing actual gang members, no less, Griffith was considered politely old fashioned not twenty years later.
There is one major fault that must be mentioned with respect to this biography. Schickel's seems utterly nable to come to terms with Griffith's racial attitudes and his oftentimes patronizing depictions of Negroes in his films (African Americans was not the accepted term in Griffith's era). As such, the book becomes Exhibit "A" as a definitive example of the historical error of "presentism." Presentism occurs when historical figures are judged not according to the prevailing attitudes and standards of their own era, but according to contemporary and, oftentimes, politically correct standards. Using these criteria, many past persons are found guilty of having failed to conform to the societal expectations of an enlightened future era in which they did not live.
In fairness, men such as Griffith are entitled to be judged based upon their own generations, not ours. While it is valid to compare and contrast differences in opinions and standards by way of explanation, it is unjust to condemn Griffith for failing to join the civil rights movement decades before such a movement came into existence.
The racist sentiments contained in Griffith's films are an accurate reflection of the biased opinions that were widespread in 1915. It should be remembered that President Woodrow Wilson was instrumental in segregating the District of Columbia at the same approximate time that "The Birth of a Nation" was being filmed. The newly established NAACP attempted to have the film suppressed and numerous lawsuits were filed seeking to enjoin its exhibition. In certain cities, their efforts were successful.
To Schickel's credit, he summarizes virtually all of Griffith's many films, including many short subjects and feature films that no longer exist. Griffith was a largely forgotten man when he died in a nondescript Los Angeles hotel. Hollywood's leading hypocrites belatedly staged a fitting memorial service to honor Griffith after neglecting him for more than a decade and a half. Not quite thirty years earlier, Griffith had founded United Artist Studios.
There is a wealth of information to be found in this book, but the biographer's liberal biases detracted from my overall enjoyment of the book.D.W. Griffith: An American Life Overview"This magnificent and important biography...is the best ever written on the man." -The New Republic "Mr. Schickel's excellent and important biography makes it clear that when the movers of our century are tallied, D.W. Griffith, flawed genius that he was, can never lose his eminent position." -Peter Bogdanovich, The New York Times Book Review

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Raymond Chandler Review

Raymond Chandler
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Raymond Chandler ReviewForty years after his death Chandler was in need of a new study, both of his life and of his writing. This one strikes me as dealing with the former better than with the latter, but it has interesting and illuminating things to say about both. However what I want to commend the book for above all is just how readable it is. Chandler himself had some trenchant and uncomplimentary things to say about some of the more intellectual kinds of writing, creative as well as critical, Hiney quotes some of these with evident approval, and I fancy the book was written with a sense of Chandler's ghost looking over the biographer's shoulder, alert to detect and deflate pretentiousness.
Chandler's story is a triumph of talent over alcoholic insecurity. He never knew his alcoholic father, and he was educated through the charity, far from affectionate but very real and very patient and long-suffering, of an uncle. He attended one of England's better schools, presided over by one of the more enlightened headmasters of the time. This headmaster instilled a distaste for insincerity and pretence that stayed with Chandler to the end. Chandler was always a bit of a loner. In his early years his only real relationship was with his hard-pressed mother, and he displayed an innocence that stayed with him throughout his life too that lurks behind the seeming worldliness and disillusionment that he displays both in his books and in his dealings with the world around him. He once said of himself that he `could be a good second-rate anything.' This was a fairly modest self-assessment, given his brains and astuteness. He achieved rapid promotion in his Californian oil company through his gift for figures and his alertness to fraud until his drinking brought that career to an end. His later business dealings were also fairly savvy, both in Hollywood and in relation to his publishers and agents, and his sheer ability ensured that although he died a booze-sodden ruin he did not die a poor one. He seems even to have possessed real interpersonal ability too through his wit and charm whenever he could be bothered to exercise it. However to the end of his days he made few friends and retained fewer. After his mother's death he cared greatly for nobody in particular with the solitary exception of his hyperbolic devotion to his wife. Innocent in some ways to the end, he had fallen for her claim to be ten years younger than she was, and their relationship reads to me less like some grand passion than like the tale of a shipwrecked mariner who has developed a strong affection for the lifebelt that is keeping him afloat.
On the literary side, there are copious quotations from Chandler's letters, which is a good thing for giving us some of his less-known wisecracks. I had expected to see more about The Simple Art of Murder, the article in which Chandler expounds his ideas of the detective story and of Marlowe. However one mystery was solved for me. When young I knew the seven Marlowe novels virtually by heart, but to this day I have never been able to follow the plot of any of them. No wonder, it seems. Chandler himself claims to have been writing without actually knowing whodunnit until late in the stories. He did not want his books to be read for the sake of knowing who killed whoever it was, but for their quality as novels. Excellent. However in that case why does Mr Hiney devote so much of his comment to summarising the plots? He is not even entirely accurate, but what I criticise is not that, which on his and Chandler's own showing is unimportant, but the proportion of the text given to these summaries. There is not really much about what made Chandler the phenomenon he was, and was recognised for by the great and the good such as Eliot, Auden and Waugh. There is a certain amount about the relative quality of the seven novels, and a certain amount of it I go along with, such as that The High Window is not quite the equal of the books that preceded it and immediately followed it. As he works his way through them, I sense myself diverging from him. He may be more in line with mainstream opinion than I am, but he is not fully explicit about his own views, so I shall venture mine.
Marlowe, to me, is partly an idealised figure. One would infer this from The Simple Art without reading the books. Hiney seems happy with a certain development in Marlowe's character, reminiscent of the Doonesbury series, that naturally belongs in the later books; and I do not think this is the best way to appreciate them. The earlier books find Marlowe resilient, intelligent certainly but not greatly introspective, cynical certainly but not exactly disillusioned, able to soak up incredible quantities of punishment (although perfectly credible quantities of alcohol - Hiney exaggerates this), but always ready with the immortal dialogue and bons mots that make these books unique. There is detailed observation and description (of Marriott say, or Amthor) but there is never much sense of personal involvement. And it is precisely this detachment that makes Marlowe and Chandler what they amount to. Relax this restriction - have any of the characters talk more confessionally, show more in-depth interest - and the magic formula is voided; and that, for me, is the undoing of The Long Goodbye. Of all the seven books, Hiney shows least interest in The Little Sister, and I wonder whether I'm out on a limb in thinking it the best of them. It's like fruit on the point of going overripe, the plot is more incomprehensible than ever, and the dialogue is Chandler's very best (how does Hiney manage to find the sad Playback the funniest of these novels?) It has something else too - a palpable sense of the LA sunshine that I have come to know so well.
I also miss anything about Chandler as a literary craftsman. It's unusual for a private detective to comment on Flaubert, but Chandler admired him, and in the first five of his novels you will get the same impression that every sentence, indeed every word, has been carefully worked on. Chandler was a great writer as well as a great novelist, he is still wearing well nearly 50 years after he died, this book serves his memory well and I drink to that.Raymond Chandler Overview

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A Talent For Trouble: The Life Of Hollywood's Most Acclaimed Director, William Wyler Review

A Talent For Trouble: The Life Of Hollywood's Most Acclaimed Director, William Wyler
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A Talent For Trouble: The Life Of Hollywood's Most Acclaimed Director, William Wyler ReviewA thoroughly engrossing book that delves not only in Wyler the director, but Wyler the man. This books offers a rare glimpse into the inner workings of this phenomenal director, from his early days as a young immigrant to becoming honored by the AFI.
Learn what went on before, during and after some of filmdom's greatest movies (Mrs. Miniver, Best Years Of Their Lives, and Ben-Hur) as well as Wylers' time in the service, shooting award winning documentaries. As well as how the HUAC hearings impacted on his professional life and those he came to rely on, and how he dealt with personal triumphs and tragedies.
Jan Herman has taken what could have been a dry retelling of movie making, and offers up a book that is both informative and entertaining.A Talent For Trouble: The Life Of Hollywood's Most Acclaimed Director, William Wyler Overview

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The Father of Hollywood Review

The Father of Hollywood
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The Father of Hollywood ReviewI want to begin by explaining that this is NOT a book about Hollywood, but Hollywood is a big part of this man's story. This 345 page book from 2010 brings us the story of the visionary land developer who developed towns along the midwest railroad and later developed Hollywood and the San Fernando Valley. Set primarily in the times surrounding 1870 to 1931, we touch a lot of history while reading about H.J., his wife Gigi, their children, and their friends, Teddy Roosevelt, Sid Grauman -- Grauman's Chinese Theater, and many others. As we follow H.J. Whitley's phenomenal drive to push forward in developing towns along the railroad, we touch on Indian uprisings in the undeveloped lands, bank robbers in lawless towns, and women's struggles to be independent. We look at how towns were begun with hotels, banks, schools and how highways were graded and built. It was a very interesting read of a visionary's life and legacy that began well before we were all born, a loving tribute by his great-granddaughter. This book was built from family stories, old family photos, old business records, personal family correspondences, as well as Gigi's journals and diaries. Many stories also came directly from Gaelyn's father who lived with Gigi during the last 20 years of her life. This book is dedicated to Hobart Johnstone (H.J.) Whitley and Gigi.
H.J. was born in Toronto, Canada in 1847. The early years of his life saw much tragedy in losing 4 of 6 siblings to cholera. His parents were killed in a buggy accident when he was 18. Later, he lost his first wife and child to a fire. Alone, he moved to Chicago and began a successful grocery and mercantile business with his inheritance. At 23, he sold the business and headed west. He became manager of town expansion along the frontier for the railroad where he launched more than 100 towns between 1870 and 1894.
Gigi is also very much a part of this story. Born in 1867 in Mobile, Alabama, she was gifted by second sight, a gift that would one day save HJ's life. Gigi's father died at age 2, and mother at age 14. She was raised primarily by Uncle Samuel. HJ and Gigi met on a train while she was traveling with Uncle Samuel and were married sometime later, in 1886. When living in the Midwest, Teddy Roosevelt even taught Gigi how to shoot straight! Much of this book comes from Gigi's records, diaries, journals, and stories.
HJ began opening Indian Territory in Oklahoma and the Dakotas about 1886 along the lines of the Rock Island Railroad and the Northern Pacific Railroad. Son Ross was born in 1888. During his time in the Midwest, HJ had miraculous recoveries from typhoid fever and black erysipelag. You will experience how Hollywood got its name in an early business trip there and later how primarily HJ planned, designed and built the city.
Moving to California in 1894, daughter Grace was born and you will watch as the turn of the century brought with it the growth of the urban electric street cars, the electric light, telephone and automobiles. HJ built the fabulous Hollywood Hotel, which became home to many famous movie people of the time, such as Louis B. Mayer, Harry Warner, Rudolph Valentino, and Norma Talmadge (among many others). You will watch the expansion of tracts of land as they turn into homes, towns, banks, schools, and businesses and how Sunset Boulevard came to be. You will watch, as in slow motion, how HJ spent over 15 years and millions of dollars developing and beautifying Hollywood, the San Fernando Valley, and the surrounding areas. Some areas included investment partners, but it was HJ who was the initiating and driving force and invested much of his financial income and even more of his personal time on the many projects.
By the 1020s, millions of Americans were going to movies each week and censorship in movies was a big issue. HJ and Gigi's friends included people such as Mary Pickford, Lionel Barrymore, Lon Chaney, Douglas Fairbanks, Buster Keaton, Lillian Gish and Cecil B. DeMille, among many others. In 1923, the Hollywoodland sign, which was later shortened to "Hollywood" was comprised of 13 letters, 30 feet wide and almost 50 feet high.
By the time of his death, HJ put over 140 towns on the map, which included Hollywood, Canoga Park, Indianapolis, Guthrie, Van Nuys and the Ridge Route (a historic California highway on the national register).
This book is a very interesting look at a time long ago and the people who were the driving force behind those times. (Back in the times when a guy had to be INTRODUCED to a gal before he could even SPEAK to her!) Some historical photos are included. I am glad this book found me.
The Father of Hollywood OverviewThe world has been fascinated by Hollywood, California, for years. The glamour, the sophistication, the scandal--the world can't help but follow the happenings of this incredible city. It is a city where stories are created, stories that come to life on a screen and allow viewers the chance to escape their everyday lives for a bit. But few people know the story of how Hollywood came to be. In this beautifully written biography, author Gaelyn Whitley Keith introduces readers to her great-grandfather, HJ Whitley, The Father of Hollywood. Keith uses her research and her great-grandmother Gigi's journal and memoir to recreate the story of HJ's life, a story as captivating as any film. You'll travel to the Midwest, interacting with cowboys and Native Americans. You'll cruise around the world. But most importantly, you'll watch the development of an unforgettable community. You'll witness the creation of Whitley Heights. You'll learn how the famous Hollywood sign came to be. And you'll discover just what brought the movie industry to its home. One man was behind it all. It's time to meet The Father of Hollywood.

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Return Of The King Elvis Presley's Great Comeback (Genuine Jawbone Books) Review

Return Of The King Elvis Presley's Great Comeback (Genuine Jawbone Books)
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Return Of The King Elvis Presley's Great Comeback (Genuine Jawbone Books) ReviewA very interesting perspective of this pivotal point of Elvis' career. Very well rounded selection of interviews that bring a more intimate look at a story that's been well documented. I do have a few issues with this book. The Jerry Reed portion isn't quite accurate, although Elvis wasn't aware, they leaned on Jerry much harder than the book leads you to believe. Maybe a small point, but it's one of many things that I disliked about some of the people around him. There are a few people that all Elvis writers should be warned to stay away from at all costs. If your last name ends in Stanley or West you have no credibility, too many years of lies for anyone to start believing you now, to the author's credit, there's just the one quote. I was really hoping that the book would end around '71, unfortunately it didn't. Like the vast majority of books about Elvis, once you get past the Aloha from Hawaii portion, it gets convoluted and wildly inaccurate. This book follows that pattern. Listen to Jerry Schilling, Dr. Nick, to a degree Joe E when he speaks in less generalities. The last years of his life were filled with painful physical ailments, depression, fad diets, overwork, reliance on prescriptions (as a means of function), and loneliness, unless he was on a stage, and even then, there were times when that wasn't enough. It's not fair to bundle all that as due to an addiction and then trudge on to some other self-destructive point with no understanding or perspective of reference. Everything up to the American and Stax sessions was well thought out from a fresh perspective, detail oriented and a great read, from chapter 6 on, it's well, it's the exact opposite.Return Of The King Elvis Presley's Great Comeback (Genuine Jawbone Books) OverviewOn January 11967a contract betweenColonelTom Parker and his sole clientElvis Presleygave Parker a 50 percent cut of profits that Presley generated. It was a shameless grab for a bigger piece of a pie that had actually been shrinking for some time. Though Parker's plan to reestablish Presley as a star after he left the army proved successful at first (with the triumph of films like ÊG.I. BluesÊ and ÊBlue HawaiiÊ)by 1967 Presley's singles struggled to break the top 20and he hadn't hit number one for six years. Amazinglyby the end of 1968 he was artistically revitalizedreemerging in a TV comeback special and slimmed down for the now-iconic black leather suit. It was the pivotal moment of the second great period of Presley's careerwhich lasted through to the end of 1970during which he recorded some of his most enduring recordsincludingSuspicious MindsandIn the Ghetto.ÊReturn of the KingÊ document's Presley reclamation of his crownmaking an extraordinary transition from fading balladeer to engagedvital artist.

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