Showing posts with label digital video. Show all posts
Showing posts with label digital video. Show all posts

Gaffers, Grips and Best Boys: From Producer-Director to Gaffer and Computer Special Effects Creator, a Behind-the-Scenes Look at Who Does What in the Making of a Motion Picture Review

Gaffers, Grips and Best Boys: From Producer-Director to Gaffer and Computer Special Effects Creator, a Behind-the-Scenes Look at Who Does What in the Making of a Motion Picture
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Gaffers, Grips and Best Boys: From Producer-Director to Gaffer and Computer Special Effects Creator, a Behind-the-Scenes Look at Who Does What in the Making of a Motion Picture ReviewAs far as I know there are two books on the subject, the other being William E. Hines' "Job Descriptions for Film, Video & CGI". From those two this book is certainly more prosa. Every major field of movie production is described through kind of essays written from industry insiders. Although the book is by no means an encyclopedia, the reader gets a good idea what those jobs really are about. If you want some insights instead of concise descriptions, buy this book.Gaffers, Grips and Best Boys: From Producer-Director to Gaffer and Computer Special Effects Creator, a Behind-the-Scenes Look at Who Does What in the Making of a Motion Picture Overview

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Party in a Box: The Story of the Sundance Film Festival Review

Party in a Box: The Story of the Sundance Film Festival
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Party in a Box: The Story of the Sundance Film Festival ReviewThe book was in excellent condition and the shipping was quick. I am very pleased with my purchase. Thank you!Party in a Box: The Story of the Sundance Film Festival Overview

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Ultimate Film Festival Survival Guide Review

Ultimate Film Festival Survival Guide
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Ultimate Film Festival Survival Guide ReviewEver since Chris Gore's book was published, I have used it in my classes to teach both undergraduate and graduate level film courses. Students respond extremely well to the style that the book is written in and the pragmatic information that the book provides. Gore has done a terrific job at covering not only film festivals, but an insider's look into how young filmmakers and established festival directors think about the process of filmmaking. This book covers a critical area in film school curriculum to prepare students for the world of festivals. I strongly recommend this book and will continue using it for all my teaching. Steve Montal, American Film Institute.Ultimate Film Festival Survival Guide Overview

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Indie Producers Handbook : Creative Producing From A to Z Review

Indie Producers Handbook : Creative Producing From A to Z
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Indie Producers Handbook : Creative Producing From A to Z ReviewI bought this book because it had cool art work and boy was I surprised. I was a student at NYU Tish School of the Arts majoring in Film Producing and this book taught me more about producing than the years I spent at NYU. I read the book from cover to cover in one sitting and then I decided that I would re-read a little each night before going to sleep. So I keep it at my bedside. Every night I learn more and more about the creative side of producing...and discovering that it is as much an art form as directing or writing. This book has really opened my eyes. I don't know who Myrl Schreibman is except that he is on the faculty of UCLA but I wish I had taken courses from him if he is anything like his book. This is a book that I will refer to alot. ThanksIndie Producers Handbook : Creative Producing From A to Z OverviewMyrl Schreibman has written a straighfoward, insightful, and articulate account of what it takes to make a successful feature film.

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Power Filmmaking Kit Review

Power Filmmaking Kit
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Power Filmmaking Kit ReviewWow. The Power Filmmaking Kit is like no other indie movie making book I've read. Unlike most other books which give you either trivial information (like asking your friends to help on your movie) or too much information, this book resonates with the experience of the author who is, himself, an indie filmmaker turned Emmy-winning Hollywood director. Tomaric gives you thousands of from-the-field techniques and it is one of the most organized, easy-to read books I've seen in a long time.
If you're looking to produce an indie movie, take it from the author who made a $2,000 movie, got distribution and made a profit. This is definitely the book for you.Power Filmmaking Kit OverviewThink big, spend little! Everything you need to make your movie is in this complete resource kit.The Power Filmmaking Kit is a comprehensive, multimedia book and DVD package that empowers you to produce your own Hollywood-quality movie. Emmy-award winning director Jason Tomaric produced an independent film using only local resources for under $2,000 that not only got picked up for distribution, but is also used as a case study in top film schools. This book shows you how to do the same, regardless of your budget or location. You'll learn how to achieve professional quality on a microbudget, using the resources you have at hand.The book includes:* Coverage of the entire filmmaking process. It's all here, from writing and directing to cinematography, acting, editing, and distribution.* Step-by-step instructions, tips, diagrams, charts, and illustrationsshow you how tomake a Hollywood-caliber movie on a next-to-nothing budget with little upfront money and access only to local resources.The DVD includes:* Time and Again, the profitable, award-winning, internationally distributed, independent film made for under $2,000* One hour of video tutorials unveiling how the movie was made...interviews and behind-the-scenes case studies on directing, producting, and editing* Complete rough footage from a scene for editing practice* Forms, contracts, and more resources*The Producer's Notebook includes scripts, storyboards, schedules, call sheets, contracts, letters from the producer, camera logs and press kits from "Time and Again." See how the production was scheduled and organized, read the script, follow the storyboards and watch the production unfold from beginning to end. * Blank contracts and forms that you can print out to use on your own film* Everything you need to make a low-budget movie is in this complete resource kit.* A complete kit that's a blueprint for making a professional-looking film for under $20,000. Includes a DVD packed with video tutorials, rough footage, important paperwork, contracts, movies, trailers, and more* Learn how to get professional quality on a low budget, using the resources you have at hand.

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I'll Be in My Trailer: The Creative Wars Between Directors and Actors Review

I'll Be in My Trailer: The Creative Wars Between Directors and Actors
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I'll Be in My Trailer: The Creative Wars Between Directors and Actors ReviewActors... can't live with them, can't fire them. Of course, actors are very special people. And of course, the main key to dealing with them is communication. However, finding the RIGHT way to communicate is often very difficult, because the way a director, writer or a producer thinks is very different from how the mind of an actor sees the creative process. (they also differ greatly from each other, but that's a whole different ballgame)
John Badham, director of some huge hits (Saturday Night Fever, Stakeout, War Games) tries to build bridges in this book, even though the title leads one to believe the tone will be fairly belligerent. On the contrary, while there are some stories about extremely bad behaviour here, Badham is being very constructive. In many cases, he puts the blame for an incident squarely on his own shoulders, even when an objective observer would think he did nothing wrong. His main goal is to facilitate the communication between director and actor, by explaining how to give direction in a way that actors can actually use. Badham himself uses the `as if'-technique (i.e. play this scene as if you got to catch the last train) to put actors in the right frame of mind. However, this approach isn't right for everyone (some actors DO want result-oriented direction), and Badham duly notes alternative approaches.
The book also provides a ton of helpful hints for almost all of the problems that can crop up on a set, acting-wise and actor-wise. When dealing with an addict, the only option is tough love. When some actors misbehave just for the fun of it or to flaunt their own power, a swift and just retribution is in order - except when you're dealing with real stars, who are beyond anyone's power to control.
The book also contains lots of interviews with actors, directors and producers who provide insights from all sides of the `war'. There's a lot of on-set anecdotes about Travolta (Saturday Night Fever) and Richard Dreyfuss, among others, and the interviewees include both huge stars, television directors, well-known actors who never made it to the A-list, and producers. The book is completely succesful at what it sets out to do, though of course the problems will remain. But now at least, there's some real help out there for directors struggling to get their cast under control.I'll Be in My Trailer: The Creative Wars Between Directors and Actors OverviewBeneath the entertaining and instructive war stories lies the truth: how directors elicit the best performances from difficult and terrified actors. You'll learn how to use proven techniques to get actors to give their best performances - including the ten best and ten worst things to say - and what you can do when an actor won't or can't do what the director wants. Includes never before published stories from veteran director, John Badham, as well as Sydney Pollock, Mel Gibson, James Woods, Michael Mann and many more.

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The Art and Science of Digital Compositing, Second Edition: Techniques for Visual Effects, Animation and Motion Graphics (The Morgan Kaufmann Series in Computer Graphics) Review

The Art and Science of Digital Compositing, Second Edition: Techniques for Visual Effects, Animation and Motion Graphics (The Morgan Kaufmann Series in Computer Graphics)
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The Art and Science of Digital Compositing, Second Edition: Techniques for Visual Effects, Animation and Motion Graphics (The Morgan Kaufmann Series in Computer Graphics) ReviewI started my career in visual effects around the same time the first edition was published and have referenced it constantly through out the 9+ years. I bought the 2nd edition for two reasons, my copy of the first edition was falling apart and nostalgia. I was not expecting much new information and was mostly just looking for an intact copy of the first edition with a few new tidbits here and there. I could not have been more wrong.
The second edition has so much NEW information in it was like reading a time capsule of the technological advances of the last ten years. There is not a topic or subject used in compositing that is not covered here. Only two books have sat on my desk my entire career, the first edition and the cinematographers manual. I have read many books available on visual effects, but none compare, honestly. The main reason for that is complete software independence, not partial, complete.
There is no other book that teaches you the raw knowledge you need to be an artist. Anyone can teach you how to push certain buttons of a specific app, this is the only book that clearly teaches you when to push them and why. Artists in today's marketplace need a deep core knowledge of what the software packages are doing so that they can easily switch to other packages. This is especially true in feature film compositing where the industry is at a point of impasse and there is no clear winner of the package wars, fingers crossed for NUKE ;). There is no standard tool anymore so the best way to stay employable is to know what this book teaches, the math, the science, the art.
This book is chock full of examples, color photos and production examples. Whether you've been at this for a while or are new to the art, own this book. Own it for years and years and years. Yes, it's more expensive then any other book on the subject but it is worth so much more then the others that it will pay for itself very quickly. If you already have the other books, sell them, get this.The Art and Science of Digital Compositing, Second Edition: Techniques for Visual Effects, Animation and Motion Graphics (The Morgan Kaufmann Series in Computer Graphics) Overview*The classic reference, with over 25,000 copies in print, has been massively expanded and thoroughly updated to include state-of-the-art methods and 400+ all-new full color images!At ILM, compositing is one of the most important tools we use. If you want to learn more, this excellent 2nd-edition is detailed with hundreds of secrets that will help make your comps seamless. For beginners or experts, Ron walks you through the processes of analysis and workflows - linear thinking which will help you become deft and successfully tackle any shot. - Dennis Muren ASC, Senior Visual Effects Supervisor, Industrial Light & MagicRon Brinkman's book is the definitive work on digital compositing and we have depended on this book as a critical part of our in-house training program at Imageworks since the 1999 Edition. We use this book as a daily textbook and reference for our lighters, compositors and anyone working with digital imagery.It is wonderful to see a new edition being released and it will certainly be required reading for all our digital artists here at Imageworks.- Sande Scoredos, Executive Director of Training & Artist Development, Sony Pictures ImageworksThe Art and Science of Digital Compositing is the only complete overview of the technical and artistic nature of digital compositing.It covers a wide range of topics from basic image creation, representation and manipulation, to a look at the visual cues that are necessary to create a believable composite.Designed as an introduction to the field, as well as an authoritative technical reference, this book provides essential information for novices and professionals alike.*17 new case-studies provide in-depth looks at the compositing work done on films such as Chronicles of Narnia: The Lion, the Witch and the Wardrobe, The Golden Compass, The Incredibles, King Kong, The Lord of the Rings:The Return of the King, Sin City, Spider-Man 2, Wallace and Gromit: The Curse of the Were-Rabbit, and Star Wars: Episode 3 - Revenge of the Sith.*The accompanying DVD-ROM features bonus resources, including example footage from hit films and projects that give readers hands-on experience withreal industry materials.*Includes new sections on 3D compositing, High Dynamic Range (HDR) imaging, Rotoscoping, and much more!*17 new case-studies provide in-depth looks at the compositing work done on films such as Chronicles of Narnia: The Lion, the Witch and the Wardrobe, The Golden Compass, The Incredibles, King Kong, The Lord of the Rings:The Return of the King, Sin City, Spider-Man 2, Wallace and Gromit: The Curse of the Were-Rabbit, and Star Wars: Episode 3 - Revenge of the Sith.*The accompanying DVD-ROM features bonus resources, including example footage from hit films and projects that give readers hands-on experience withreal industry materials.*Includes new sections on 3D compositing, High Dynamic Range (HDR) imaging, Rotoscoping, and much more!

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Special Effects: The History and Technique Review

Special Effects: The History and Technique
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Special Effects: The History and Technique ReviewWOW! If you have even the smallest interest in special effects, filmmaking, or even general film history, you must own a copy of this brilliant new book - it's amazing!
Though at first I figured `Special Effects: The History and Technique' seemed expensive, I thought I'd give it a try since so few books on this subject are ever published. Also, because I am a film studies lecturer, I need to keep up to date with books that are published on the subject. It turned out to be the BEST BUY I have made in a long time.
The book starts with an `overview if the first 100 years of special effects' and perfectly summarises the first century of the commercial cinema. The author writes about the film pioneers, the formation of the studio system, the coming of sound, the challenge of TV, the changes in society and audiences - all the influences that affected the type of films that were made in each decade. He then gives a summary of the most important effects films of each decade and even includes profiles of important effects directors from Alfred Hitchcock to James Cameron.
Chapter Two teaches you everything you need to know about the basics of cinema technology - like how film and emulsions work, how cameras, lenses and projectors work, the physics of light and color etc. The author then explains the basics of traditional optical work and, with the help of fantastic graphic illustrations (there are hundreds of these thru the book), shows how an optical printer works and details the various bluescreen travelling matte systems and their variations like the Dunning Pomeroy Process and Sodium Vapor travelling mattes. There is a stack of examples and images from many films as well as interviews with people who worked on movies such as Terminator and Superman. The chapter then moves on to the history and science of digital technology - explaining how images are created and manipulated digitally with reference to many modern special effects companies and films.
Chapter 3 looks at models and miniatures. The Chapter explains how traditional models are built and filmed and gives formulas for things like camera speed, model size and scale. Examples from the earliest days until the current time are used. The chapter also explains how different types of miniatures are made and filmed - there's a section on boats and water, one on aircraft and flying and (best of all) one on miniature pyrotechnics. The chapter then explains how models are built in the computer and shows different CG modelling and painting techniques and interviews many masters of the process.
The animation chapter is the best of all. Every form and technique is covered in minute detail - from early cartoons, stop motion, go-motion as well as modern computer assisted cartoons and full 3D animation. There are profiles of films like King Kong and Jurassic Park and interviews with masters like Ray Harryhausen and Phil Tippet.
Chapter 5 covers matte painting from the earliest glass paintings to the latest amazing 3D computer generated environments in films like The Phantom Menace and Titanic.
The next section looks at special effects makeup - showing how to create anything from a scar to a huge animatronic dinosaur. All processes are covered in minute detail with explanations from experts such as Stan Winston and Jim Henson's Creature Shop. The chapter ends with a look at digital makeup in films like The Mummy.Chapter 9 looks at physical effects and talks about how to create wind, snow, rain - even fake glass. It also has a fantastic section on guns and explosions which tells you just how it is all done in films such as James Bond and Indiana Jones.
The next chapter was a great surprise - sound effects! I can't think of another fx book that covers this subject - even though the sound of a dinosaur is, of course, as important as what it looks like. The whole process of film sound is explained from recording, mixing and dubbing to sound design with profiles of experts such as Ben Burtt.
The final chapter looks at the future of cinema and special effects and considers formats such as 3D (full coverage of history and technique, IMAX, digital filmmaking and virtual reality.
Finally chapter 10 looks in detail at the effects and techniques of the top 50 effects films of all time- some people might not agree that these are the top 50 films, but those chosen are definitely some of the most important ones. The author details exactly how each film was made and who did what.
There is a good bibiography and a really useful glossary with every complicated film and special effects term explained with amazing clarity.
I cannot fault this book - it is probably as good as a few years at film school or a hundred nights at the movies. Anybody even slightly interested in movies and movie making should have a copy on their shelf - I will definitely recommend it to all my students as one of the few books that is worth buying rather than simply borrowing from a library. I've read my copy from cover to cover twice and will refer to it for years to come.Special Effects: The History and Technique OverviewEver wondered how Harry Potter flew in that quidditch game? Ever puzzled over King Kong swatting down airplanes? Ever tried to figure out Spider-Man swung from building to building? It's all done with optical and digital effects, with miniature photography and animation, with pyrotechnics, animatronics, and even sound effects--and Special Effects: The History and Technique offers the definitive history of movie magic plus detailed technical explanations and diagrams. Packed with more than 500 photographs and profiles of such groundbreakers as George Lucas, James Cameron, and Robert Zemeckis, it is sure to appeal to fans of all ages. From A Trip to the Moon to X-Men 3, from The Lost World to War of the Worlds, from the 1933 King Kong to the 2005 King Kong, this stunning book reveals the magic of special effects.

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Industrial Light & Magic: Into the Digital Realm Review

Industrial Light and Magic: Into the Digital Realm
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Industrial Light & Magic: Into the Digital Realm ReviewIf you know about visual effects, you know about ILM. And this book describes their work over the last ten years in great detail. The illustrations are superb, and the pullouts are simply spectacular. If i do have one gripe, it is the fact that they really don't go into the real process of the digital effects. They do to a point, but since i work with these type of programs, i would like to see how the masters do it.Industrial Light & Magic: Into the Digital Realm OverviewIncludes a foreword by Steven Spielberg!The supernatural wonders of Ghostbusters. The lively three-dimensional toons from Who Framed Roger Rabbit? The unstoppable liquid-metal T-1000 cyborg of Terminator 2. The incredibly life-like digital dinosaurs of Jurassic Park. The thunderous African stampede in Jumanji. These award-winning special effects have one thing in common: Industrial Light & Magic (ILM).For more than twenty years, George Lucas and the technical wizards at ILM have literally changed the face of movie-making with their stunning, often unbelievable, visual effects. Industrial Light + Magic: Into the Digital Realm chronicles ILM's second monumental decade--from 1986 through the mid-nineties--and includes a special discussion on the latest groundbreaking visual effects in the soon-to-be released Special Edition of Star Wars: A New Hope.During this seminal period, ILM virtually redefined visual effects and blazed a trail into the digital realm. With more than six hundred lavish full-color photographs, this fascinating book takes you behind the camera and into the rarely seen workshops, offering an amazing look at the men and women who create movie magic. We follow the intricate crafts of matte painting, model making, and optical compositing as they are transformed into digitally driven systems, and we track the contributions of model and creature makers, animation specialists and optical technicians, and the unsung stage hands and pyrotechnic experts.Packed with astounding information about ILM's technical innovations and remarkably clear explanations--including a revealing look at ILM's work with TV commercials and theme park attractions, a comprehensive glossary of essential terms, and detailed screen credits for all the company's film projects--this volume will enchant and enlighten all of us who have ever marveled at what we've seen on the screen and wondered: how did they do that?

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Producing and Directing the Short Film and Video, Fourth Edition Review

Producing and Directing the Short Film and Video, Fourth Edition
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Producing and Directing the Short Film and Video, Fourth Edition ReviewFor a person curious about creating a short film, this book will help you. This book breaks down the function and importance of each individual person involved in the making of a short film, how certain problems were encountered and resolved, provides websites for other film affiliated tools and/or questions and answers, and points you to certain short films which can inspire you. A plus for anyone willing to get into movie production on short films.Producing and Directing the Short Film and Video, Fourth Edition OverviewProducing and Directing the Short Film and Video is the definitive book on the subject for beginning filmmakers and students. The book clearly illustrates all of the steps involved in preproduction, production, postproduction, and distribution. Its unique two-fold approach looks at filmmaking from the perspectives of both producer and director, and explains how their separate energies must combine to create a successful short film or video, from script to final product. This guide offers extensive examples from award-winning shorts and includes insightful quotes from the filmmakers themselves describing the problems they encountered and how they solved them. The companion website contains useful forms and information on grants and financing sources, distributors, film and video festivals, film schools, internet sources for short works, and professional associations.* Unique approach to filmmaking which looks at the process from the director's and producer's point of view--each chapter is subdivided into sections covering the producer's and director's POV* Features case studies from award-winning short films that will inspire you to make your own* A companion website contains useful forms, information on grants and financing sources, distributors, film and video festivals, film schools, internet sources for short works, and professional associations

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