Showing posts with label independent filmmaking. Show all posts
Showing posts with label independent filmmaking. Show all posts

WHO NEEDS HOLLYWOOD: The Amazing Story of a Small Time Filmmaker who Writes the Screenplay, Raises the Production Budget, Directs, and Distributes the #3 Movie of the Year Review

WHO NEEDS HOLLYWOOD: The Amazing Story of a Small Time Filmmaker who Writes the Screenplay, Raises the Production Budget, Directs, and Distributes the #3 Movie of the Year
Average Reviews:

(More customer reviews)
Are you looking to buy WHO NEEDS HOLLYWOOD: The Amazing Story of a Small Time Filmmaker who Writes the Screenplay, Raises the Production Budget, Directs, and Distributes the #3 Movie of the Year? Here is the right place to find the great deals. we can offer discounts of up to 90% on WHO NEEDS HOLLYWOOD: The Amazing Story of a Small Time Filmmaker who Writes the Screenplay, Raises the Production Budget, Directs, and Distributes the #3 Movie of the Year. Check out the link below:

>> Click Here to See Compare Prices and Get the Best Offers

WHO NEEDS HOLLYWOOD: The Amazing Story of a Small Time Filmmaker who Writes the Screenplay, Raises the Production Budget, Directs, and Distributes the #3 Movie of the Year ReviewThe inspiring story of Joe Camp's life and the events that led to producing Benji despite so much discouragement from others and so few resources provides insight into how to make a movie while sticking true to Camp's philosophy of always telling an emotionally engaging story. Looking back on his life, Camp views the failures and coincidences as positive things that led him to Benji. Much of his success relies on his attitude- he overcomes many obstacles every step of the way from selling people on the idea to distributing the film himself through persistence and the willingness to get his hands dirty, the gumption to do it himself and the courage to stick to what he believes to be the right idea even if it defies convention.
"Life is but a series of choices... your dreams can become reality by making the right choices and sticking with them: the choice of following your passion at all cost: the choice of persistence, of never giving up, because you can never fail unless you quit... turn your back on the naysayers. You are the driver of your destiny. Only you can accept the challenge and make your life extraordinary."
I recommend this book to people who loved Benji, are interested in film making, or want a motivational tale about really executing on your dreams.WHO NEEDS HOLLYWOOD: The Amazing Story of a Small Time Filmmaker who Writes the Screenplay, Raises the Production Budget, Directs, and Distributes the #3 Movie of the Year OverviewWho Needs Hollywood is an incredible story of slammed doors, rejection, ridicule, and ultimately a tenacity that brought home to Joe Camp the #3 movie of the year, with no help whatsoever from Hollywood. Author of the recent National Best Seller The Soul of a Horse: Life Lessons from the Herd, Camp believes that anything is possible if you work hard enough and have faith in yourself. He was told by industry "experts" not to bother with his first film; that it wouldn't work. He proved the experts wrong and now, after an award-winning career in movies and television, he's at it again with a brand new career as an author. His best seller The Soul of a Horse is in its seventh printing and is changing the lives of horses all across the planet for the better. With this new book he hopes to do the same for people. Camp has written, produced and directed seven theatrical motion pictures cumulatively grossing well over the equivalent of $600 million in today's dollars, making him one of the most successful independent filmmakers of all time.His new book, Who Needs Hollywood, is an inspiring insight into how to make things happen, against all odds, and confirmation that every dream is, in fact, possible.

Want to learn more information about WHO NEEDS HOLLYWOOD: The Amazing Story of a Small Time Filmmaker who Writes the Screenplay, Raises the Production Budget, Directs, and Distributes the #3 Movie of the Year?

>> Click Here to See All Customer Reviews & Ratings Now
Read More...

Independent Film Distribution: How to Make a Successful End Run Around the Big Guys Review

Independent Film Distribution: How to Make a Successful End Run Around the Big Guys
Average Reviews:

(More customer reviews)
Are you looking to buy Independent Film Distribution: How to Make a Successful End Run Around the Big Guys? Here is the right place to find the great deals. we can offer discounts of up to 90% on Independent Film Distribution: How to Make a Successful End Run Around the Big Guys. Check out the link below:

>> Click Here to See Compare Prices and Get the Best Offers

Independent Film Distribution: How to Make a Successful End Run Around the Big Guys ReviewIt is always a bitter pill to swallow when I tell my students that after all their hard work, time, energy and passion that they will eventually end up with a product. It is not necessarily a bad thing for them to realize that, once they are done writing their screenplay, they have to treat it like it is the newest product out on the market. And, yes, they have to market it. To market it, they have to distribute it.
The book "INDEPENDENT FILM DISTRIBUTION" does a great job getting to the core of what this journey entails. With a mix of interviews and commentary, Phil Hall, explores this process from the ground up. He delves into the roots of Independent Film and then shows how those roots have grown into the apple tree of today.
What is "Independent Film?" Well, it depends on who you ask. Phil Hall explores that question and then takes it further into: "You've made your film, now what? How do you get your product out to the masses?" Do you go to the comprehensive list of distributors in the back of the book and contact these companies? Or do you do it yourself? Create the website, the marketing kit, the word of mouth? How do you get your product out to the consumers?
Film Festivals? What of those? Mr. Hall devotes a chapter to the pluses and minuses of going the festival route and then, what about "Direct to Video?" Do you want to go that path?
Again, Mr. Hall peels away this onion through interviews of some of the top independent film-makers, producers, publicists and distributors working today.
If I had only one issue with the book, it is the lack of mentioning Roger Corman. Either via interview or his own chapter. In my opinion, Roger was one of the first and most influential independent film-makers who distributed his and other films.
All in all, Phil Hall rips the lid off the Independent Film canister to show you what it takes to distribute your independent film. A great book for anyone planning to take this journey.
Independent Film Distribution: How to Make a Successful End Run Around the Big Guys OverviewNo matter how good your film is, if it doesn't get distribution, it will never been seen by anyone. Learn how to break out of the pack and champion your movie by getting it seen and heard by the biggest audience possible!

Want to learn more information about Independent Film Distribution: How to Make a Successful End Run Around the Big Guys?

>> Click Here to See All Customer Reviews & Ratings Now
Read More...

Bankroll: A New Approach to Financing Feature Films Review

Bankroll: A New Approach to Financing Feature Films
Average Reviews:

(More customer reviews)
Are you looking to buy Bankroll: A New Approach to Financing Feature Films? Here is the right place to find the great deals. we can offer discounts of up to 90% on Bankroll: A New Approach to Financing Feature Films. Check out the link below:

>> Click Here to See Compare Prices and Get the Best Offers

Bankroll: A New Approach to Financing Feature Films Review***** Five Stars out of Five! Best book on film fundraising yet! It really gave me a shot in the arm to raise money for my next feature. It's written from a practitioner, not a theorist perspective, in other words Tom has done it from scratch and writes in a conversational style. Artists sometimes forget the second word in "show business" is business, and Tom demystifies the business of bankrolling features in the indie world. God bless you Tom for selflessly sharing your insights, may He multiply back to you everything you have and give.Bankroll: A New Approach to Financing Feature Films OverviewThere is one golden rule in Hollywood: He who has the gold makes the rules. At the end of the day, your film can have every other element in place, yet if it lacks financing, its never going to happen. This book tells you how to get the gold.

Want to learn more information about Bankroll: A New Approach to Financing Feature Films?

>> Click Here to See All Customer Reviews & Ratings Now
Read More...

The Independent Filmmaker's Law and Business Guide: Financing, Shooting, and Distributing Independent and Digital Films Review

The Independent Filmmaker's Law and Business Guide: Financing, Shooting, and Distributing Independent and Digital Films
Average Reviews:

(More customer reviews)
Are you looking to buy The Independent Filmmaker's Law and Business Guide: Financing, Shooting, and Distributing Independent and Digital Films? Here is the right place to find the great deals. we can offer discounts of up to 90% on The Independent Filmmaker's Law and Business Guide: Financing, Shooting, and Distributing Independent and Digital Films. Check out the link below:

>> Click Here to See Compare Prices and Get the Best Offers

The Independent Filmmaker's Law and Business Guide: Financing, Shooting, and Distributing Independent and Digital Films ReviewFilmmaking is a leap of faith. A lot of people assume someone else will solve all the paperwork problems when distributions is locked. Unfortunately, if your paperwork is not in order and you can't furnish deliverables, you run the risk of losing the distro deal. Deliverables- what you provide to a distributor so they can do their job of marketing your movie- begin at the screenwriting stage.
If you are totally do it yourself and willing to make investments on yourself, why would you leave legalities to the VERY end when you have no choice (at least at the start you have the option of NOT hiring someone if they won't sign an actors release, avoiding a location if the owner won't sign. There's no "getting away" with anything.) This is stuff you hear about in film school, but it doesn't sink in until you experience the limitations caused by putting off the paperwork.
Author Jon Garon provides a legal book that is inclusive of all filmmakers, including no budget guerilla filmmakers. Even books that deal with guerilla filmmaking tend to gloss over the pertinent details that relate to Do-it-yourself-ers. He has some beautiful words of respect for guerilla filmmakers, too. That this is a law and business guide makes it a must have for anyone thinking about making a movie, be it for no money or millions.
This is the first book I've read that goes indepth as to the protections of a sole-proprietor vs. sole-Proprietor LLC (if your state allows it). I set up the LLC today, following his instructions. Took 10 minutes, online. Even went to the irs.gov for the employer id Number. He explains the risks of partnerships, and how you can unwittingly enter a partnership if you and your pals don't set forth an agreement at the start.
Financing is everyone's biggest complaint. This book explores the conventional and alternative financing models (investors vs. disposable income vs. debt financing/credit cards), and goes one better as to compare the risks and rewards of each. The golden quote is "I have never heard of anyone who has gambled her house on a film and won."
He even breaks down setting up your company and chain of command, running your company, working out deferrals and how those are paid back, and all sorts of issues you need to know but otherwise wouldn't think of. This book also includes info on contracts, actor and location releases, and music permissions.
Granted, this doesn't include a lot of boiler plate. But Mark Litwak has books for that. However, this book bests Litwak in the realm of detail and why certain provisions really matter. This book empowers the filmmaker to understand business and contracts, what to ask for, what to avoid, and so much more. This is a critical book to own. Particularly if you're broke. So get it!The Independent Filmmaker's Law and Business Guide: Financing, Shooting, and Distributing Independent and Digital Films OverviewToday's explosion of independent and digital filmmaking demands a brass-tacks guide to the business and legal aspects of the process. What fundraising options are available to a filmmaker? When should a filmmaker establish a corporation or limited liability company? How do screenwriters protect their work? What are a director's legal obligations to the producer, cast, and crew--and what are their obligations in return? And why must the filmmaker pay special attention to products and artwork that might appear in the background of a shot? This indispensable resource addresses the legal, financial, and organizational questions that an independent or guerrilla filmmaker must face, and the problems that will doom a project if left unanswered. It demystifies issues such as founding a film company, obtaining financing, preparing a budget, securing locations, shooting, granting screen credits, and distributing, exhibiting, and marketing a film. Newly updated and expanded, this second edition explores concepts such as executing a digital distribution strategy through the use of YouTube and "webisodes," the importance of international distribution, and legal issues particular to documentaries. Six handy appendixes provide sample contracts, copyright circulars, Documentary Filmmakers' Statement of Best Practices in Fair Use, studio contact information, and more.

Want to learn more information about The Independent Filmmaker's Law and Business Guide: Financing, Shooting, and Distributing Independent and Digital Films?

>> Click Here to See All Customer Reviews & Ratings Now
Read More...

The Art of Film Funding: Alternative Financing Concepts Review

The Art of Film Funding: Alternative Financing Concepts
Average Reviews:

(More customer reviews)
Are you looking to buy The Art of Film Funding: Alternative Financing Concepts? Here is the right place to find the great deals. we can offer discounts of up to 90% on The Art of Film Funding: Alternative Financing Concepts. Check out the link below:

>> Click Here to See Compare Prices and Get the Best Offers

The Art of Film Funding: Alternative Financing Concepts ReviewI bought this book eager to learn some of the "alternative" financing concepts based on the glowing reviews. I'm about to mount a low budget feature, and I thought the book might provide good info on investment schemes and methods of raising money and other non-monetary support for a fictional project. However, this book is aimed at the non-profit and/or documentary filmmaker with only cursory references to fictional feature (or short) projects. I really learned nothing new from this title and I feel the description here is misleading. I suggest those of you looking for insight on funding for-profit films look elsewhere. If you are wanting to shoot a documentary then this book could be very helpful. My two cents worth.The Art of Film Funding: Alternative Financing Concepts OverviewThis book is your reference guide for creating the perfect pitch, inspiring your winning application, finding and connecting with funding organizations, making a successful "ask," and landing the money to make your film.

Want to learn more information about The Art of Film Funding: Alternative Financing Concepts?

>> Click Here to See All Customer Reviews & Ratings Now
Read More...

The Pocket Lawyer for Filmmakers, Second Edition: A Legal Toolkit for Independent Producers Review

The Pocket Lawyer for Filmmakers, Second Edition: A Legal Toolkit for Independent Producers
Average Reviews:

(More customer reviews)
Are you looking to buy The Pocket Lawyer for Filmmakers, Second Edition: A Legal Toolkit for Independent Producers? Here is the right place to find the great deals. we can offer discounts of up to 90% on The Pocket Lawyer for Filmmakers, Second Edition: A Legal Toolkit for Independent Producers. Check out the link below:

>> Click Here to See Compare Prices and Get the Best Offers

The Pocket Lawyer for Filmmakers, Second Edition: A Legal Toolkit for Independent Producers ReviewThis is a great handbook for anyone in the film or media industry. I have an earlier version of this on my Kindle, there are some additions to this version as opposed to the last one. There is updated information on film tax credit changes, production incentives. The EZ tabs on the outside of the book make it very easy to find information. There are the basics and then more in depth topics that can keep you farom having to call your entertainment attorney most of the time. When the cost per hour for some of these guys is between $200 and $400 an hour, that is always a plus! Having examples of letters of intent, as wellas suggestions on distribution via Amazon, NetFlix, YouTube, etc are all covered in this volume. In the digital age, in any sort of entertainment field, you need to know these things. At the particular time that I received my own copy of the book, I needed an updated form of an NDA for an upcoming film project. It had exactly what I needed when I needed it. Keep it on your desk where you can get to it.The Pocket Lawyer for Filmmakers, Second Edition: A Legal Toolkit for Independent Producers Overview
* How can you use a state's film tax credits to fund your film? SEE PAGE 63.

* You have an idea you want to pitch to a production company; how do you safeguard your concept? SEE PAGE 77.

* How can you fund your production with product placement? SEE PAGE 157.

* How do you get a script to popular Hollywood actors and deal with their agents?SEE PAGE 222.


Find quick answers to these and hundreds of other questions in this new edition of The Pocket Lawyer for Filmmakers. This no-nonsense reference provides fast answers in plain English-no law degree required! Arm yourself with the practical advice of author Thomas Crowell, a TV-producer-turned-entertainment-lawyer.

This new edition features:

* New sections on product placement, film tax credits and production incentive financing, Letters of Intent, and DIY distribution (four-walling, YouTube, Download-to-own, Amazon.com, iTunes, and Netflix)

* Updated case law


* Even more charts and graphics to help you find the information you need even more quickly.


This book is the next best thing to having an entertainment attorney on retainer!

* Avoid legal pitfalls with this quick reference guide- get real answers written in plain English for filmmakers, not for lawyers* Three books in one: a handy manual on film contracts, a step-by-step guide to critical legal issues on and off the set, and a quick reference on copyright and intellectual property issues *Revised and updated to cover YouTube, Internet distribution, webisodes, and production services agreements


Want to learn more information about The Pocket Lawyer for Filmmakers, Second Edition: A Legal Toolkit for Independent Producers?

>> Click Here to See All Customer Reviews & Ratings Now
Read More...

Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film Review

Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film
Average Reviews:

(More customer reviews)
Are you looking to buy Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film? Here is the right place to find the great deals. we can offer discounts of up to 90% on Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film. Check out the link below:

>> Click Here to See Compare Prices and Get the Best Offers

Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film Review
Although there's one or two good books in the market in regards to hardcore fundraising, "Getting The Money" is in a universe of it's own.
The fluff is kept to a minimal, and, conversely, hard facts, tools, and graphs are the focus of this unusual well of information. This
book is not for the half-hearted/half-committed film school grad, but film-makers who want to see their vision as well as their careers
jump to life. In short, I'm ecstatic about this book and consider this a major breakthrough in this ever-evolving and capital driven industry.Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film OverviewFilmmakers interested in financing their own films have to start with a business plan. Few know how to put one together. Getting the Money gives a relaxed, step-by-step approach on how to do so. Of particular use are the financial sections where, for the first time, readers are guided on exactly what to do and exactly how to do it, using examples from sample plans. No more vague instructions that amount to hiring someone else. Once finished with the book, readers will have their own plan they can use to attract financing for their films.

Want to learn more information about Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film?

>> Click Here to See All Customer Reviews & Ratings Now
Read More...

Cinematography for Directors: A Guide for Creative Collaboration Review

Cinematography for Directors: A Guide for Creative Collaboration
Average Reviews:

(More customer reviews)
Are you looking to buy Cinematography for Directors: A Guide for Creative Collaboration? Here is the right place to find the great deals. we can offer discounts of up to 90% on Cinematography for Directors: A Guide for Creative Collaboration. Check out the link below:

>> Click Here to See Compare Prices and Get the Best Offers

Cinematography for Directors: A Guide for Creative Collaboration ReviewThe first thing I did when I decided to make my feature film was to bring in a DP. Mike was a guy I worked with backstage on some musicals and a guy I knew who was a hard worker, easy to get a long with, didn't put up with crap and someone that I could trust. I also had a chance to work with a guy who had professional lights, professional equipment and was willing to "help out." Though this other guy was available, I went with Mike because I had relationship with him. And I'll be honest with you: He taught me more than I realize.
Ms. Frost book is about those relationships. Those "getting on the same page" moments that define the film-making process. When you think about it - you need to have EVERYONE on the same page - from the sound guy, to the actor, to the home owner whose home you're abusing in the process of making your film.
What Ms. Frost does in her extremely detailed book - is give the director all the tools he or she needs to find that common ground with the Cinematographer. To get on the same page. To recognize what it is that the Director of Photography (or the guy who showed up with the really nice camera) brings to the ENTIRE process. She takes you through everything from lens choices and film stock to cameras and aspect ratios so that you have some understanding of what is going on in your DP's head to create an environment of trust and understanding. To create the magic that is film-making.
What magic? When I made my film we were filming at night a poignant scene at the loudest cemetery in Washington State (in which we had no official permission to film). We were using a consumer Canon HV20 camera. My daughter, who was on pain meds and kind of drowsy, held up a box light we purchased from Ikea - power fed by a generator 20 feet away. We got the actors in place and Mike looked through the camera. Like a kid on Christmas morning he motioned me over: "Look at this!" The shot was beautiful. It was magical. It conveyed everything I could have ever wanted in the scene. Could I have got that shot myself? I highly doubt it.
Still...what makes Jacqueline Frost's book stand out is not only the great information that she provides, but the hundreds of quotes from cinematographers about all the aspects of cinematography. This is THE book that takes you into the mind of the cinematographer and helps you, the director, become better at your craft. Excellent.
Cinematography for Directors: A Guide for Creative Collaboration OverviewThe essential handbook for directors and aspiring filmmakers who want to get the best visuals for their films while establishing a collaborative relationship with their cinematographer. This is the only book that focuses exclusively on the relationship between the director and cinematographer.

Want to learn more information about Cinematography for Directors: A Guide for Creative Collaboration?

>> Click Here to See All Customer Reviews & Ratings Now
Read More...