The Film Finance Handbook: How to Fund Your Film: New Global Edition Review

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The Film Finance Handbook: How to Fund Your Film: New Global Edition ReviewThe new global edition of The Film Finance Handbook: How to Fund Your Film is a bible on the topic. Set out in straightforward language the book is an extensive guide for those new to the industry and seasoned professionals alike. For the filmmaker starting out, the book not only guides you - using simple analogies and a dash of humour - through the complex world of film finance, it also considers the important but often overlooked practical areas of research, networking, pitching and negotiating. For the experienced producer it contains a wealth of up-to-date and timesaving information, most notably an exhaustive section devoted to international incentives and an equally extensive global funding directory. The book also includes a very timely chapter on the impact of the Internet on the film industry and explores the financial possibilities offered by this so-called `Seventh Major'. I have not been able to find a book on film finance as comprehensive as this.The Film Finance Handbook: How to Fund Your Film: New Global Edition OverviewFrom low budget short film schemes to multi-million dollar international co-productions, this is a vital reference guide for producers, filmmakers, financiers, and their advisors, now fully updated by 40 experts from across the globe. The practice of raising finance is addressed from the basic details to broader concepts and approaches, and information on the incentives and tax breaks offered by 50 countries is included. This resource is packed with invaluable information including details on more than 1,000 funding awards, a glossary of 400 entry film business terms, and a table of co-production treaties. Dozens of original case studies are provided as examples of successful fundraising approaches, as are interviews with such noted film personnel as Oscar-winning producer Jeremy Thomas, Paul Haggis—writer for Crash and Million Dollar Baby—and Jim Gilliam, who raised $300,000 via the web. Packed with valuable contacts, helpful ideas, and decades of experience, this is the complete guide to funding your next big hit.

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Bankroll: A New Approach to Financing Feature Films Review

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Bankroll: A New Approach to Financing Feature Films Review***** Five Stars out of Five! Best book on film fundraising yet! It really gave me a shot in the arm to raise money for my next feature. It's written from a practitioner, not a theorist perspective, in other words Tom has done it from scratch and writes in a conversational style. Artists sometimes forget the second word in "show business" is business, and Tom demystifies the business of bankrolling features in the indie world. God bless you Tom for selflessly sharing your insights, may He multiply back to you everything you have and give.Bankroll: A New Approach to Financing Feature Films OverviewThere is one golden rule in Hollywood: He who has the gold makes the rules. At the end of the day, your film can have every other element in place, yet if it lacks financing, its never going to happen. This book tells you how to get the gold.

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Planning the Low-Budget Film Review

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Planning the Low-Budget Film ReviewIf you are making your first legitimate movie where people besides your friends and family are depending on you not to screw up big time and you just searched Amazon for books on filmmaking and you need a no-nonsense step by step guide to help you through the behind the scenes process, this is the book for you!
I work with a comedy group in California, and we recently shot our first budgeted short film. As I am the most organized member of the group I was appointed the "Line Producer" and put in charge of making the whole thing come together on the back end. Coming from a theatre background, I knew what went into putting a stage performance together, but I was in the dark when it came to preparing for a film. After scouring Amazon (and a few other sites) this book seemed the most adequate to help me prepare for my job.
I've worked in film before, so a lot of the books I looked at about making a movie spend 2/3 of their volume explaining the difference between DV and Film and what a DP does, but I needed something that cut through that introductory fat, and would help prepare me for pre-production and detail exactly what went into pulling a film together.
This book is that book. It was my bible. It was glued to my side like Biff's Sports Almanac in Back to the Future 2.
Mr. Brown walks you through everything that goes into "making it happen." From breaking down the script into a functional shooting schedule to preparing an accurate budget to determing how far behind schedule you are to making sure there is a place for people to go to the bathroom, it's all in there. Additionally, the book even helped me to prepare for a lot of the basic legal and propreitary issues that we would encounter.
Brown also peppers the book with great anecdotes that help you avoid the pitfalls and roadblocks that he himself has encountered on large feature films like The Goonies. Yeah, The Goonies, you can't mess with someone who worked on The Goonies.
This book is essential. Bottom line. Read it. Love it. Use it.
Make well prepared movies.
Be a hero for your production.Planning the Low-Budget Film OverviewFinalist, 2007 Benjamin Franklin Awards, for Best New Voice Nonfiction and Professional/Technical

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The Art of Film Funding: Alternative Financing Concepts Review

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The Art of Film Funding: Alternative Financing Concepts ReviewI bought this book eager to learn some of the "alternative" financing concepts based on the glowing reviews. I'm about to mount a low budget feature, and I thought the book might provide good info on investment schemes and methods of raising money and other non-monetary support for a fictional project. However, this book is aimed at the non-profit and/or documentary filmmaker with only cursory references to fictional feature (or short) projects. I really learned nothing new from this title and I feel the description here is misleading. I suggest those of you looking for insight on funding for-profit films look elsewhere. If you are wanting to shoot a documentary then this book could be very helpful. My two cents worth.The Art of Film Funding: Alternative Financing Concepts OverviewThis book is your reference guide for creating the perfect pitch, inspiring your winning application, finding and connecting with funding organizations, making a successful "ask," and landing the money to make your film.

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Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film Review

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Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film Review
Although there's one or two good books in the market in regards to hardcore fundraising, "Getting The Money" is in a universe of it's own.
The fluff is kept to a minimal, and, conversely, hard facts, tools, and graphs are the focus of this unusual well of information. This
book is not for the half-hearted/half-committed film school grad, but film-makers who want to see their vision as well as their careers
jump to life. In short, I'm ecstatic about this book and consider this a major breakthrough in this ever-evolving and capital driven industry.Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film OverviewFilmmakers interested in financing their own films have to start with a business plan. Few know how to put one together. Getting the Money gives a relaxed, step-by-step approach on how to do so. Of particular use are the financial sections where, for the first time, readers are guided on exactly what to do and exactly how to do it, using examples from sample plans. No more vague instructions that amount to hiring someone else. Once finished with the book, readers will have their own plan they can use to attract financing for their films.

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Filmmakers and Financing, Sixth Edition: Business Plans for Independents Review

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Filmmakers and Financing, Sixth Edition: Business Plans for Independents Review*First Impression
**What this book is and what it isn't
***A Reference Book?
****Conclusion
*This is the second copy of Filmmakers and Financing that I own. I bought the 1st ed. fifteen years ago and, at the time, there weren't many books available and the internet was still relatively underground.
What I liked about the 1st ed. is that it served my initial need of needing to know about the many different aspects of the business side of filmmaking. This is by no means a book about how to write a business plan, neither the 1st ed. nor this 6th edition.
**This book is essentially a reference book that explains the many, many terms and conditions involved with the film industry and dealing with the various entities that do business under this umbrella.
As a business major, one of the things we were taught is that a business plan is a structured proposal that has several key ingredients.
-An introduction--where the company introduces itself and speaks of the nature of its business.
-The Goal(s)--both short-term and long-term. How the company will pursue its goals. When the goals will start, finish. The cost and the expected revenue(s) from such ventures.
-Ancillary Markets--These are possible partnerships or peripheral opportunities that may arise from the undertaking of the venture.
-The Budget--This includes charts and supporting evidence to justify the expenditures.
-Conclusion or Closing Statement.
This book has toward the ending chapters a fictional company and some vague charts.
***Brief explanations are presented for the following categories:
The Executive Summary
The Company
The Films
The Industry
The Markets
Distribution
Risk Factors, etc.
10 pages of tables from an imaginary company.
****This book, nevertheless, is an important book because it explains in the most simple manner the terminology of this industry. It also answers general questions pertaining to the marketing and negotiating of contracts.
Not much has changed since the 1st ed and I would have liked for Ms. Levison to use at least one concrete example: show the budget of the feature. Let me see the salaries of the actors. What were the terms that this independent film company negotiated with a major studio. How much profit was made through ancillary (dvd) markets. What is the cost of film processing. Show some typical expenditure reports.
With the exception of the actual business plan another Focal Press book addresses the very questions that is missing from Filmmakers and Financing: I would suggest a more comprehensive look can be found here, The Business of Media Distribution: Monetizing Film, TV and Video Content in an Online World, by Jeffrey C. Ulin.
This book has not kept pace with the needs of independents.
Filmmakers and Financing, Sixth Edition: Business Plans for Independents Overview
The first, most crucial step in making a film is finding the funds to do it. Let Louise Levison, who wrote the innovative business plan for "The Blair Witch Project," show you how. This unique guide teaches you not only how to create a business plan, but also how to avoid common business plan mistakes, so that you can attract and secure an investor. In jargon-free terms, the author leads you through every step. Each chapter concentrates on a different section of the business plan, including the industry, marketing, financing, and distribution. Large format films, new media and shorts are also discussed. The included companion web site features supplementary exercises and spreadsheets so that you get comfortable crunching the numbers--no math degree required! The sixth edition contains completely revised and updated industry data along with updated information on distribution including online and foreign markets. Plus, new interviews and case studies with filmmakers will show you real-world examples of equity investors and markets.

* Includes a companion web site with sample business plans, forms, spreadsheets, and hands-on exercises* Learn from real-world examples with new interviews and case studies. * Rock-solid guidance on how to develop a successful business plans for features, shorts, documentaries and more

Please visit the companion web site http://booksite.focalpress.com/companion/Levison

Registration is required to access the companion web site. The pass code may be found inside the book.


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