Showing posts with label finance. Show all posts
Showing posts with label finance. Show all posts

Power Mentoring: How Successful Mentors and Proteges Get the Most Out of Their Relationships Review

Power Mentoring: How Successful Mentors and Proteges Get the Most Out of Their Relationships
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Power Mentoring: How Successful Mentors and Proteges Get the Most Out of Their Relationships ReviewTo demonstrate how "power mentoring" works in practice, authors Ellen Ensher and Susan Murphy provide down-to-earth interviews with about 50 pairs of high-powered mentors and their protégés. The conversations offer useful nuggets of insight about office politics, job advancement and successful networking. In addition, unlike many books on the topic, this one provides a useful snapshot of the issues, dramas and special challenges women and minorities in the modern workplace face - and the picture is not always pretty. The book's biggest flaws are its redundancy and use of boardroom clichés. Still, we recommend this personalized, practical book to potential mentor-protégé teams.Power Mentoring: How Successful Mentors and Proteges Get the Most Out of Their Relationships Overview

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Bankroll: A New Approach to Financing Feature Films Review

Bankroll: A New Approach to Financing Feature Films
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Bankroll: A New Approach to Financing Feature Films Review***** Five Stars out of Five! Best book on film fundraising yet! It really gave me a shot in the arm to raise money for my next feature. It's written from a practitioner, not a theorist perspective, in other words Tom has done it from scratch and writes in a conversational style. Artists sometimes forget the second word in "show business" is business, and Tom demystifies the business of bankrolling features in the indie world. God bless you Tom for selflessly sharing your insights, may He multiply back to you everything you have and give.Bankroll: A New Approach to Financing Feature Films OverviewThere is one golden rule in Hollywood: He who has the gold makes the rules. At the end of the day, your film can have every other element in place, yet if it lacks financing, its never going to happen. This book tells you how to get the gold.

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Planning the Low-Budget Film Review

Planning the Low-Budget Film
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Planning the Low-Budget Film ReviewIf you are making your first legitimate movie where people besides your friends and family are depending on you not to screw up big time and you just searched Amazon for books on filmmaking and you need a no-nonsense step by step guide to help you through the behind the scenes process, this is the book for you!
I work with a comedy group in California, and we recently shot our first budgeted short film. As I am the most organized member of the group I was appointed the "Line Producer" and put in charge of making the whole thing come together on the back end. Coming from a theatre background, I knew what went into putting a stage performance together, but I was in the dark when it came to preparing for a film. After scouring Amazon (and a few other sites) this book seemed the most adequate to help me prepare for my job.
I've worked in film before, so a lot of the books I looked at about making a movie spend 2/3 of their volume explaining the difference between DV and Film and what a DP does, but I needed something that cut through that introductory fat, and would help prepare me for pre-production and detail exactly what went into pulling a film together.
This book is that book. It was my bible. It was glued to my side like Biff's Sports Almanac in Back to the Future 2.
Mr. Brown walks you through everything that goes into "making it happen." From breaking down the script into a functional shooting schedule to preparing an accurate budget to determing how far behind schedule you are to making sure there is a place for people to go to the bathroom, it's all in there. Additionally, the book even helped me to prepare for a lot of the basic legal and propreitary issues that we would encounter.
Brown also peppers the book with great anecdotes that help you avoid the pitfalls and roadblocks that he himself has encountered on large feature films like The Goonies. Yeah, The Goonies, you can't mess with someone who worked on The Goonies.
This book is essential. Bottom line. Read it. Love it. Use it.
Make well prepared movies.
Be a hero for your production.Planning the Low-Budget Film OverviewFinalist, 2007 Benjamin Franklin Awards, for Best New Voice Nonfiction and Professional/Technical

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Intern Nation: How to Earn Nothing and Learn Little in the Brave New Economy Review

Intern Nation: How to Earn Nothing and Learn Little in the Brave New Economy
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Intern Nation: How to Earn Nothing and Learn Little in the Brave New Economy ReviewFew college graduates kvetch about their unpaid internships these days; they're considered a given, on par with clunky freshman-year prerequisites like introductory composition or math. But as Ross Perlin points out in his excellent, wonderfully-researched book "Intern Nation," companies of all stripes have cashed in on this unquestioning attitude to a) substitute deserving paid workers with scores of interns, particularly in downturns; b) assign highly-qualified interns to menial jobs without any compensatory training; and c) make a quick buck in the process by tying-up with universities who offer internships for college credit.
None of this sounds particularly alarming until one starts tallying up the social consequences. For one, unpaid (and even paid) internships automatically disenfranchise tons of talented poor kids whose parents can't pony up the cash to support them (no wonder that hard-to-break-into industries like publishing and film remain the playground of trustfunders). Since interns aren't regular employees, companies needn't provide them with healthcare; interns can't even successfully sue for sexual harrassment in the workplace. Finally -- and this was the most shocking revelation for me in Perlin's book -- unpaid internships are illegal. They violate a host of labor laws. The government simply looks the other way.
Ross Perlin's "Intern Nation" is a spectacular piece of white collar muck-raking. Written in a fluid prose style that communicates a cool rage, and buttressed by hundreds of tiny stories and anecdotes, it ought to help undo some of the psychic damage being wreaked on unprotected workers by companies the world over.Intern Nation: How to Earn Nothing and Learn Little in the Brave New Economy Overview

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Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film Review

Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film
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Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film Review
Although there's one or two good books in the market in regards to hardcore fundraising, "Getting The Money" is in a universe of it's own.
The fluff is kept to a minimal, and, conversely, hard facts, tools, and graphs are the focus of this unusual well of information. This
book is not for the half-hearted/half-committed film school grad, but film-makers who want to see their vision as well as their careers
jump to life. In short, I'm ecstatic about this book and consider this a major breakthrough in this ever-evolving and capital driven industry.Getting the Money: A Step-By-Step Guide for Writing Business Plans for Film OverviewFilmmakers interested in financing their own films have to start with a business plan. Few know how to put one together. Getting the Money gives a relaxed, step-by-step approach on how to do so. Of particular use are the financial sections where, for the first time, readers are guided on exactly what to do and exactly how to do it, using examples from sample plans. No more vague instructions that amount to hiring someone else. Once finished with the book, readers will have their own plan they can use to attract financing for their films.

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