Showing posts with label reference. Show all posts
Showing posts with label reference. Show all posts

From Daytime to Primetime: The History of American Television Programs Review

From Daytime to Primetime: The History of American Television Programs
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From Daytime to Primetime: The History of American Television Programs ReviewThis is a good book to really go deep in the US history of television. Sometimes it is hard to keep track with all that different tails of development, but at the end of the day you're informed and knowing about the subject. Nicely written with lots of sources, names and examples.From Daytime to Primetime: The History of American Television Programs Overview

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Writer's Guide to Hollywood Producers, Directors, and Screenwriter's Agents, 2002-2003: Who They Are What They Want And How to Win Them Over Review

Writer's Guide to Hollywood Producers, Directors, and Screenwriter's Agents, 2002-2003: Who They Are What They Want And How to Win Them Over
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Writer's Guide to Hollywood Producers, Directors, and Screenwriter's Agents, 2002-2003: Who They Are What They Want And How to Win Them Over ReviewThis book is mostly hype and little delivery. The "inside" information can largely be found on the net and/or in better-written books by screenwriters of prominence. The agent and producer listings are vague and of little help. The book tells you almost nothing about "what they want" and virtually nothing about "how to win them over." All in all, it's poorly written and verbose and could have been cut down to a third of its length. Some of it is shockingly inappropriate, such as recommending to African-American writers where they can get good fried chicken in LA. In sum, it's yet another add-water-and-stir screenwriting book by somebody long on self-aggrandizement and short on Hollywood experience. I also find it quite suspicious that twelve five-star reviews here on ... were posted within a three-day period. Yeah, right.Writer's Guide to Hollywood Producers, Directors, and Screenwriter's Agents, 2002-2003: Who They Are What They Want And How to Win Them Over OverviewNow You Have a Friend in the Industry!So you want to get into show business? In Hollywood, it's not what you know, but who you know that counts. Whether your dream is to become a Hollywood writer or find the perfect producer to buy your script, at your fingertips are the insider hints and secrets you need to get discovered and succeed in this ultracompetitive industry. Hollywood guru and screenwriter Skip Press introduces you to hundreds of producers, directors, and agents and tells you how to reach them—by mail, phone, fax, or e-mail. You'll learn how to:·Market screenplays, novels, or short stories to the right people ·Tailor your proposal to the preferences of each producer, director, or agent ·Understand the real Hollywood and everything show business ·Find the best agent or manager"Thoughtfully written, clearly laid out, and of great value to beginners and old-timers alike. This book combines fearless opinions and invaluable hard facts—both of which are hard to find in Hollywood." —Gareth Wigan, co-vice chairman, Columbia TriStar Motion Picture Group"An entertaining and valuable tool for anyone interested in show business." —Paul Mason Sr., vice president of production, Viacom"An invaluable resource for breaking into the movie and television business." —Barbara Anne Hiser, Emmy-winning cable and network television producer"An insightful guide to the intricate Hollywood network." —Oliver Eberle, founder and CEO, ShowBIZData.com"The bonus for readers of this book is that Skip Press is a good writer—accessible, clear, persuasive, motivating, and easy to understand." —Jerry B. Jenkins, coauthor, the Left Behind series

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B-Western Boot Hill Review

B-Western Boot Hill
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B-Western Boot Hill ReviewEmpire Publishing presents "B-WESTERN BOOT HILL", author Bobby Copeland's fourth printing and final tribute to the men and women who made each Saturday B-Western possible, remember sitting in our favorite seat at our neighborhood theater --- enjoying and savoring those precious moments, and even today those memories still linger on --- as if it were just yesterday.
Copeland's book does just that, with one of the most complete listings on Birth & Death Dates of B-Western Performers --- Obituaries of Heroes, Sidekicks, Heroines, Heavies and Helpers --- Cowboys & Cowgirls at rest(burial locations of western performers) -- Grave Markers -- Additional Obituaries, each content having their own section with pictures galore --- Now you can put a name with that face you've seen on the big screen a hundred times --- Who wore the white or black hats for the films, whatever the plot called for the B-Western actors saddled up and did their job --- Can remember many of my heroes playing heavies in the early part of their career, then switching to heroes or sidekicks --- one of those was my all-time favorite character actor George "Gabby" Hayes.
Copeland's opening question is one I've asked myself for years "What is a B-Western?" It has been an obsession with me, and still is. Bobby answers the question in six paragraphs on two pages. My sentiments exactly, as Bobby states "Yes, our beloved B-Westerns are gone forever, but wouldn't it be fun if we could turn back the clock and start them all over again?" Well, Mr. Copeland you've done just that --- Because of Les Adams, Boyd Magers, Chuck Anderson and You -- I've started collecting videos (VHS & DVD), Books and CD's on B-Western films. So now that you've got me hooked -- want to share with all the "B-Western-Saturday Matinee-buffs" out there on the range , don't pass this one up...your mind will drift back to those thrilling days of yester-year, when you used to ride those dusty trails...and will again!
Thank you Amazon.Com for keeping this book in stock --- Taking the avid fan of cowboys and cowgirls down the dusty trails of "Saturday Matinee Movie land", when every boy and girl wanted to ride the range with their favorite hero or heroine --- Now, back in my day we had good-guys and bad guys (villains) who were at odds, there was no doubt the good guys were going to win --- The hero would just saddle up his favorite steed (the fastest in the land) and ride the range looking for a good deed to perform or a damsel in distress --- The code of the west was the golden rule to him, and he never went back on his word. I was just a little shaver then, and wanted to be just like Hoppy, Gene, Roy, Buck, Hoot, Johnny Mack, Durango Kid, Wild Bill, Rocky, Lash, Red, Crash, Buster, Rex, Clayton, Tim and Sunset -- and I know each and everyone of you can fill in the last names. As Little Beaver would say "you betch um', Red Ryder".
Total Pages 216 ~ Empire Publishing ISBN #0-944019-28-5 ~ (9/22/2009)B-Western Boot Hill OverviewA final tribute to the cowboys and cowgirls who rode the Saturday matinee movie range. This is the most complete list ever assembled of birth dates, death dates, and real names of those beloved B-Western performers. It includes actual obituaries of B-Western heroes, heavies, helpers, heroines, and sidekicks. Also included is a listing of actual burial locations of many of the stars. Over 1000 entries!

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Film Noir Reader 4: The Crucial Films and Themes (Bk. 4) Review

Film Noir Reader 4: The Crucial Films and Themes (Bk. 4)
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Film Noir Reader 4: The Crucial Films and Themes (Bk. 4) ReviewAs Alain Silver explains in the book's Introduction, "Film Noir Reader 4" is different in purpose from the previous Film Noir Readers. It focuses on key films and key themes, rather than attempting to be inclusive or comprehensive. In that spirit, Silver has included a few lists of the most important film noirs according to himself and others in the Introduction. "Film Noir Reader 4" contains 23 mostly modern essays, many apparently not previously published, presented in two parts. The paper the book is printed on is pure white, instead of the off-white of previous volumes, so the black-and-white stills look better.
Part I, "Case Studies", includes 12 essays on key films. The films discussed are: "Double Indemnity", "Detour", "The Big Sleep", "Out of the Past", "The Unsuspected", "Gun Crazy", "D.O.A", "The Big Night", "Kiss Me Deadly", "The Big Heat", "The Big Combo", and "Touch of Evil". Glenn Erickson's enthusiastic and insightful essay "Fate Seeks the Loser: Edgar G. Ulmer's Detour" is particularly interesting. The same can be said for Kevin Hagopian's study of "The Big Sleep" and Stephen B. Armstrong's history of "Touch of Evil". Both films were radically altered by recuts, with the result of making them nonsensical. These carefully researched essays explain what was changed and why.
Part II focuses on "Noir Themes", although I don't think that most of these can reasonably be called "key" themes. Eleven essays discuss a variety of themes that can be found or projected upon classic noir films, including psychodrama, images of women, noir antecedents, horror-noir, war noirs, left-wing politics in noir and crime films, hybrid noir-westerns, and noir title sequences. In other words, Part II is a catch-all. "Cat People", "Rancho Notorious" (in comparison to "The Big Heat"), and "Double Indemnity" are discussed in the most depth.
I'm giving "Film Noir Reader 4" a lower rating than I gave the previous Film Noir Readers, because it is overwhelmed by the sort of absurd ideological readings that I haven't heard this much of since I studied film in college. The reader can't get far without running into dogmatic -and, I might add, eternally ill-defined- terminology like "patriarchal capitalism" and "misogyny". For grown persons to legitimize their socio-economic hang-ups by deliberately misrepresenting 60-year-old movies is pitiful. I am reminded of the reason director Fritz Lang left Germany: The Nazi Party liked his films so much that they offered Lang the opportunity to run the German film industry. His films were anti-fascist. Anyway, there are some good, informative, essays in "Film Noir Reader 4", and it's useful to present different interpretations. But these aren't so different, and I get the impression of scraping the bottom of the barrel.Film Noir Reader 4: The Crucial Films and Themes (Bk. 4) OverviewThe earlier Film Noir Readers, which now boast a combined sale of well over 30,000 copies, have all quite deliberately conveyed a sweeping overview of the classic period, demonstrating how broad and inclusive noir movies are. Film Noir Reader 4 moves in a different direction. Its purpose is to identify the key films and motifs of noir and to analyze in depth the prototypical pictures that, while vivid examples of certain cinematic themes, bend and break their molds to find new ways to enthrall and frighten us. Like its predecessors, Film Noir Reader 4 is generously illustrated and features essays by such respected film critics and scholars as Robin Wood, J.P. Telotte, R. Barton Palmer, and Robert Porfirio. All have as their purpose to explain why and how these classic films work; the way screenplay, direction, acting, cinematography, editing and all the other filmmaking crafts blended together to produce work that exemplifies both a particular movement in film history and the innovations that keep the noir style fresh and compelling.

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Content Rights for Creative Professionals, Second Edition: Copyrights & Trademarks in a Digital Age Review

Content Rights for Creative Professionals, Second Edition: Copyrights and Trademarks in a Digital Age
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Content Rights for Creative Professionals, Second Edition: Copyrights & Trademarks in a Digital Age ReviewThis was a textbook I had for a class on copyright law, and I really enjoyed it! I have always loved the business side of art, and wondered about copyrights. This book is super informative, and, although many of my classmates said it was boring and dry, I found to be rather interesting (however I'm into this sort of thing). If you like business or law and have a mind for the arts, this book will be a spellbinding read. However if you aren't, it might be a bit dry, but regardless, you will end your reading super informed. The only reason I give this book four instead of five stars is because some of the information is outdated, and there hasn't been a newer edition published. Other than that, excellent!Content Rights for Creative Professionals, Second Edition: Copyrights & Trademarks in a Digital Age OverviewContent Rights for Creative Professionals is for professionals and students working in all areas of media (film/video, photography, multimedia, web, graphics, and broadcast) who need to know what the law requires and how they should properly utilize copyrights and trademarks. This book outlines critical concepts and applies them with explanations in real-life applications, including many cases from the author's own practice as well as those of various media professionals.This 256 page text is a practical guide designed to provide its reader with a firm understanding of the principles underlying the ownership and use of content, so that when questions arise, they will be able to make correct, well-informed decisions-whether concerning their personal works, or works of others that a company wishes to copyright or trademark. In addition, the reader will be more capable of exercising sound judgment in structuring employment and contract relationships and of acquiring and/or licensing works, which are at the core of the business of communicating.*Access to the most up-to-date copyright and trademark information*Provides a firm understanding of the priciniples underlying the ownership and use of content*Suits the perspective of the freelance artist as well as the in-house media professional

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The Rough Guide to Horror Movies Review

The Rough Guide to Horror Movies
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The Rough Guide to Horror Movies ReviewThis is really a remarkably good overview of horror cinema. It offers a variety of information (historical, filmographic, aesthetic, cultural) which is organized to encourage casual or random browsing but also very readable from cover to cover. The background chapter on horror literature is particularly informative. No special theory is offered; some otherwise excellent horror film books take an overly-specialized perspective, but you won't have that problem here. The genre is taken seriously, but the fun of it is always kept in view. Many very fine (and some rarely seen) photos grace the book throughout. I only noticed one "blooper": in the sidebar on Barbara Steele, Fellini is reported to have "cut her out" of his film "8-1/2." However, when I saw it recently, Babbara was beautifully present in one important scene. Otherwise, this is a very well-done volume and is heartily recommended.The Rough Guide to Horror Movies OverviewThe Rough Guide to Horror Movies is a comprehensive guide to the world''s most terrifying films. The guide includes all the icons, from Boris Karloff to Wes Craven and Frankenstein to Freddie Kruger, including classics from Argentina, Pakistan, South Africa and the recent chillers from East Asia. The canon of fifty essential horror movies features The Cabinet of Dr Caligari and Switchblade Romance, via Psycho and The Exorcist. Everything you need to know is covered from festivals, adaptations, magazines and merchandise. The guide tells the stories behind the movies that have scared us throughout the twentieth century.

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Film Noir and the Cinema of Paranoia Review

Film Noir and the Cinema of Paranoia
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Film Noir and the Cinema of Paranoia Reviewmolto interessante. I testi universitari italiani sono decisamente meno dettagliati ed appassionanti come un libro
di narrativaFilm Noir and the Cinema of Paranoia OverviewWheeler Winston Dixon engages readers in an overview of noir and fatalist film from the mid-twentieth century to the present, ending with a discussion of television, the Internet, and dominant commercial cinema. Beginning with the 1940s classics, Film Noir and the Cinema of Paranoia moves to the "Red Scare" and other ominous expressions of the 1950s. The dark cinema of the 1960s reflected the tensions of a society facing a new and, to some, menacing era of social expression.

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Recombinant Urbanism: Conceptual Modeling in Architecture, Urban Design and City Theory Review

Recombinant Urbanism: Conceptual Modeling in Architecture, Urban Design and City Theory
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Recombinant Urbanism: Conceptual Modeling in Architecture, Urban Design and City Theory ReviewPragmatic exploitation of cities and their dwellers may be an ineradicable disease that drives the squalor and eventual decline of urban agglommerations, but those who take on diagnosis of the seemingly incurable become saviors if successful. There have been only a handful of modern-era thinkers with the knowledge, insight and creativity on what's wrong with the design of cities and what might be done to make it better, Viollet le Duc, Lewis Mumford, Kevin Lynch among them. It is an unexpected pleasure to encounter a new deep thinker standing on these giants' shoulders in Grahame Shane's magisterial "Recombinant Urbanism: Conceptual Modeling in Architecture, Urban Design and City Theory." The volume is comprehensive on urbanism, historically and intellectually, and will amply reward the student, scholar and professional who reads it in parts or most beneficially, in whole -- more than once. Prepare to be highly educated by this book, not merely advised what to do to get or keep a job or get a project funded by public taxation. If read and comprehended by urban policy makers it will contribute to their escape from real estate development hell, or if not that, it will arm honorable officials against the weasels who want to claim cities as their own profitmaking playpens. Shane wonderfully reminds what it is like to learn from a deeply thoughtful scholar offering open wisdom compared to a city-exploiter pitching secret schemes. Still, one might imagine land developers and good buddy officials searching Shane's compendium for nuggets to use in their next snake oil presentation to suspicious citizen groups rightfully fed up with unceasing demands for bailouts.Recombinant Urbanism: Conceptual Modeling in Architecture, Urban Design and City Theory OverviewThis book provides a simple but comprehensive framework for the emerging academic discipline of urban design, from its origins in Europe and America, to contemporary issues of imagery, finance and marketing in an age of globalisation
There is currently no contemporary textbook for urban design that includes a general history and theory of the subject.
Internationally, urban design is more and more becoming a core subject taught in architecture schools. The AIA (US) and the RIBA (UK) both require undergraduates and graduates to study the urban dimension of architectural design. On a wider scale, in Europe, the EU is developing a common architectural curriculum, which includes an urban component for under-graduates. The situation is similar in schools across Asia and Australia.
Aimed at both students and teachers, this book provides a simple and accessible framework, from the origins of urban design and the main techniques developed to deal with the design of fragments of cities, to participatory planning processes, codes, imagery, finance and marketing. Finally, it proposes an innovative vision of contemporary practice based on the work of leading actors and projects in the field.
This book is set to become the key textbook at undergraduate and graduate levels
It is written in an accessible and direct tone, and highly illustrated with many colour and black and white diagrams
It includes a general history and theory of urban design and provides an up-to-date account of contemporary urban conditions

Praise for Recombinant Urbanism:
"Documents a major intellectual advance…eagerly awaited by academics and practitioners all around the world… should become a standard text for schools of architecture and urbanism." Leon Van Schaik, Innovation Professor of Architecture, RMIT, Australia
" …both unique and instrumentally positive. The book is the result of many years of research and writing, and is a small masterpiece in urban studies. It has already proved its worth in the teaching of urban studies, at Columbia, the AA, the Bartlett School, and Cooper Union, to mention only a few of the universities where Dr Shane has had a powerful influence...It is, indeed, one of the very best manuscripts I have read in the field in the last few years." Anthony Vidler, Professor and Dean, Irwin S Chanin School of Architecture, Cooper Union, New York, USA
"I can say without hesitation that I fully endorse Grahame's work…the issues it covers are highly topical and such a book would indeed be widely read by architecture students, urban designers and planners." Colin Fournier, Professor of Architecture &Urbanism, Bartlett School of Architecture, UCL, UK
"Of great necessity for undergraduate and postgraduate students, scientists and professionals in urban planning and design [This] publication will certainly inspire work with city models in a wide range of practice." Henrik W Jensen, Associate Professor in Town Planning, Aarhus School of Architecture, The Netherlands
"A very important book. Shane … has made legible and sensible the reams of recent urban discourse for a general college reader. Because of this labor-intensive effort, this book will be accessible by undergrad architecture programs as well as graduate seminars in urban design and planning. Additionally there is a big interest in UD and UP theory in ecology and social science now, and because of Grahame's generous writing style the book will cross over to these other disciplines. … I can also speak to the international interest in this book; … again Shane has made important urban theories and thinking more widely available to an international student audience. … The legacy the book will have (will be in) convincing people that the design of cities matters, not in the overbearing and over-controlling sense of new urbanism, but in reinforcing the multiple possibilities of contemporary life. Brian McGrath, Adjunct Associate Professor of Architecture, Columbia University, USA

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An Askew View: The Films of Kevin Smith Review

An Askew View: The Films of Kevin Smith
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An Askew View: The Films of Kevin Smith ReviewAs a fan of the Kevin Smith films, I found this book a great companion to the Kevin Smith Askew-Universe. It offers insight, interviews with the major players, and a great history of the films that we have come to love. You will not be disappointed.An Askew View: The Films of Kevin Smith Overview

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Questions For The Movie Answer Man Review

Questions For The Movie Answer Man
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Questions For The Movie Answer Man ReviewThe latest book by America's favorite film critic is the best commode reading since Reader's Digest. I mean that in a flattering way, too. You probably wouldn't want to read through the whole book in one sitting, but a few pages worth kill time very nicely.
You'll find loads of great facts, info, and trivia about your favorite movies, all done with humor and wit, and backed-up by the encyclopedia-like knowledge of the Movie Answer Man.
If you check the fine print, you'll find my question about Strange DaysQuestions For The Movie Answer Man OverviewWhat was in the briefcase in Pulp Fiction? Why don't movie actors wear seat belts? Was Fargo really based on a true story? Pulitzer Prize-winning film critic Roger Ebert answers these and hundreds more. Using wit, insight, and dozens of other experts, he resolves some of the most common questions about the moviesand some of the most bizarre.

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The Guitar Player Book - The Ultimate Resource for Guitarists Review

The Guitar Player Book - The Ultimate Resource for Guitarists
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The Guitar Player Book - The Ultimate Resource for Guitarists ReviewGuitar Player is the best guitar magazine on the market and this book contains some of the best interviews with some of the best guitarists in all genre from classic to blues , as well as lessons , gear and stomp boxes reviews . Informative , insightful, and simply a wonderful read .A great coffee table book as well !The Guitar Player Book - The Ultimate Resource for Guitarists OverviewA must-have for serious guitarists and guitar aficionados — and for the 155,000 readers of Guitar Player magazine — this best-of collection covers the magazineÂ's four-decade history. Providing guitarists with valuable information for improving their playing and understanding their instrument, the book features exclusive interviews with past masters such as Chet Atkins, Duane Allman, Jimi Hendrix, and Frank Zappa, as well as six-string stars like Bonnie Raitt, Carlos Santana, Eddie Van Halen, Keith Richards, and B.B. King. With Guitar Player Book, readers can take courses led by John Scofield and Larry Carlton, learn the basics of repair, get pro advice on recording guitar music, and learn about the 50 all-time greatest guitar tones and the 101 greatest moments in guitar history — including an interview with Leo Fender.

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Screened Out: Playing Gay in Hollywood from Edison to Stonewall Review

Screened Out: Playing Gay in Hollywood from Edison to Stonewall
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Screened Out: Playing Gay in Hollywood from Edison to Stonewall ReviewFor those interested in cinematic homosexuality, this book is simply a must-have! Composed with a liberal touch of arch lingua franca, the volume is toned and textured with as many gossipy asides, innuendos, and double entendres as the films discussed. The subject is dealt a much lighter hand than Vito Russo allotted its predecessor, The Celluloid Closet. Richard Barrios is utterly tickled pink at his discoveries, where Russo often seems to chafe. Even those familiar with the torturous course of outre theater will detect tidbits previously unperceived, and those not in-the-know will probably be astonished at pre-Production Code permissiveness regarding the depiction of fey/butch images. More remarkable is the under-the-radar, Code-busting bomblettes that went unsensed by the censors--and were subsequently reviled (or reveled in) by trade reviewers. A tad too much quill is sharpened criticizing fluffy, Day-class sixties comedies, when such goose down is found in every film era. (At least the author can be commended for not reading too much into Calamity Jane--or any other feature, for that matter. After all, a lesbian cult movie does not a lesbian movie make!) Barrios could also have refrained from the occasional canard regarding sexual orientation origins and Biblical history. Overall, though, this substantial book sticks solidly to the subject, examining numerous films (including shorts and cartoons) and their interrelationship with the political establishment and popular culture. Included are over 50 crisp photos and several vignette-bios. The prose has a fabulous flow that makes for a thoroughly enjoyable read and should hold the attention of anyone interested in the screen/society circle.Screened Out: Playing Gay in Hollywood from Edison to Stonewall OverviewRapacious dykes, self-loathing closet cases, hustlers, ambiguous sophisticates, and sadomasochistic rich kids: most of what America thought it knew about gay people it learned at the movies. A fresh and revelatory look at sexuality in the Great Age of movie making, Screened Out shows how much gay and lesbian lives have shaped the Big Screen. Spanning popular American cinema from the 1900s until today, distinguished film historian Richard Barrios presents a rich, compulsively readable analysis of how Hollywood has used and depicted gays and the mixed signals it has given us: Marlene in a top hat, Cary Grant in a negligee, a pansy cowboy in The Dude Wrangler. Such iconoclastic images, Barrios argues, send powerful messages about tragedy and obsession, but also about freedom and compassion, even empowerment.Mining studio records, scripts, drafts (including cut scenes), censor notes, reviews, and recollections of viewers, Barrios paints our fullest picture yet of how gays and lesbians were portrayed by the dream factory, warning that we shouldn't congratulate ourselves quite so much on the progress movies - and the real world -- have made since Stonewall.Captivating, myth-breaking, and funny, Screened Out is for all film aficionados and for anyone who has sat in a dark movie theater and drawn strength and a sense of identity from what they saw on screen, no matter how fleeting or coded.

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Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV Review

Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV
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Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV Review
I found this to be a hard review to write. Normally I pick up a book after reading its title and figure that it will include something that will interest me. I read the title to the instant book and figured the contents would include information about what a skilled film editor needs to know to be good at his job. Basically I expected to read a book that would help me understand "how to stock footage, sound effects (SFX), music (MX), visual effects (VFX or VIZFX), automatic dialog replacement (ADR), onlining, protecting network/studio assets, and even organizing the office space." [see page 3 of book]. I also expected to learn about being "responsible for paperwork systems, project settings and organization, digitizing, import/export/file transfer procedures, logging, media storage, backup technologies and procedures." [id]. Unfortunately I did not get what I expected. Instead I was stuck reading a career guide for someone considering getting a degree in filmmaking or who has sufficient technical training to skip such schooling.
Sometimes I give a very low star rating to a book that is guilty of bait and switch. Sometimes I don't. It really depends on the mood I find myself in when sitting down to write my review. I have put off writing this review for over a month now. So if I cannot find some good qualities in it, then I should have written a killer review a month ago, i.e, 1-star.
The authors have been involved in filmmaking for a long time now - more than 30 years each I think I read. I got the feeling they are kind of old and by writing this book they were "giving back" so younger people could successfully follow in their footsteps. The authors are freelancers. They work on projects and when one projects ends they go without work for a bit until another project comes along. In the book they explain how a recent graduate of filmmaking school needs to get an intern position under a film editor. Such jobs usually are performed without pay, but they enable you to eventually get hired as an assistant film editor - i.e., chief bottle washer under a full-fledged film editor. Interestingly we are told you have to be an assistant before you can become a full-fledger. However, one of the full-fledgers interviewed at the end of the book said he had no technical skills and couldn't do what an assistant does if his life depended on it. So I got conflicting messages from this book.
If I were interested in learning about how to get an internship, then get gigs as an assistant editor, and finally get recognized as a full-fledged editor, then I would have been very happy to read this book. It explains that there is a lot of pro bono work provided by the wanta-be assistant editor. There is a lot of effort required to be expended in order to appear to be skilled and competent and willing to go the extra mile. All in all, I though someone would have to be crazy to want to be a film editor in the filmmaking business. It reminded me of my days trying to find my way in the legal profession as an attorney. What a racket!
Much of what we are told is common practice in any project management setting. There are the managers with authority, and then there are the worker bees doing all the real work for little or no pay. By the way, why wasn't compensation mentioned more in this book? After all, money is why people pursue a career and this book is certainly a career guide.
This book included 16 chapters that were divided among 4 parts or sections. The subject headings for the "parts" did not really help me follow the book too well. And it seemed absurd to group 9 of the 16 chapters in a part called "Getting Started."
Since this book is a career guide I think it should have had a few less chapters in the first part of the book. I think there should have been a "part" that covered filmmaking schools and degree programs. And there certainly should have been some coverage of the technical training that could be substituted for a filmmaking degree before a person sought an internship.
So the book is mistitled. It covers a bunch of interesting stuff for a career guide, but it fails to cover all the bases that should be covered in a good career guide. So I can't say I loved or liked this book. But I didn't dislike or hate it, either. So what is left, a 3-star rating? The book is just OK.Make the Cut: A Guide to Becoming a Successful Assistant Editor in Film and TV Overview
Being a successful editor is about more than just knowing how to operate a certain piece of software, or when to make a certain transition. On the contrary, there are many unwritten laws and a sense of propriety that are never discussed or taught in film schools or in other books.

Based on their own experiences, first as upcoming assistant editors, then as successful Hollywood editors, the authors guide you through the ins and outs of establishing yourself as a respectedfilm and video editor.

Insight is included on an array of technical issues such as script breakdown, prepping for sound effects, organizing camera and sound reports, comparison timings,assemply footages and more. In addition, they also provide first-hand insight into industry protocol, providing tips on interviewing, etiquette, career planning and more, information you simply won't find in any other book.The book concludes with a chapter featuring Q+A sessions with various established Hollywood editors about what they expect from their assistant editors.

* Cutting insight and tested tipsfrom 2 established Hollywood editors (combined credits include Cesar Milan: Dog Whisperer, The Simple Life, The Shield, Dawson's Creek) will have you on the path to being a successful assistant editor in no time * Includes discussions with some of the top editors in the industry, sharing their views on what they expect from their assistants in the editing suite * Offers technical info such as the intricacies of digitizing and breaking down a script, as well as practical knowledge on topics like interview preparation and industry ettiquette


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American Silent Film Review

American Silent Film
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American Silent Film ReviewThis book, written by the late film expert William K. Everson, is one of the best that you will read on silent film. Everson covers the entire silent film era from its beginnings to the coming of sound. This book focuses on the artistic successes more than the business end of the topic. While he completely covers D.W. Griffith's career, he also champions other early directors like John Collins. He covers interesting topics like art direction (or the lack of) in many early films. While the scope of the book is American films, he devotes time to the influence of European films and filmmakers on American films.
This books is an excellent introduction to silent film, yet a person familiar with the topic will not be able to put it down either.American Silent Film OverviewPraised as the "best modern survey of the silent period" (New Republic), this indispensable history tells you everything you need to know about American silent film, from the nickelodeons in the early 1900s to the birth of the first "talkies" in the late 1920s. The author provides vivid descriptions of classic pictures such as The Birth of a Nation, Intolerance, Sunrise, The Covered Wagon, and Greed, and lucidly discusses their technical and artistic merits and weaknesses. He pays tribute to acknowledged masters like D. W. Griffith, Charlie Chaplin, Buster Keaton, Douglas Fairbanks, Mary Pickford, and Lillian and Dorothy Gish, but he also gives ample attention to previously neglected yet equally gifted actors and directors. In addition, the book covers individual genres, such as the comedy, western gangster, and spectacle, and explores such essential but little-understood subjects as art direction, production design, lighting and camera techniques, and the art of the subtitle. Intended for all scholars, students, and lovers of film, this fascinating book, which features over 150 film stills, provides a rich and comprehensive overview of this unforgettable era in film history.

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Movie Speak: How to Talk Like You Belong on a Movie Set Review

Movie Speak: How to Talk Like You Belong on a Movie Set
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Movie Speak: How to Talk Like You Belong on a Movie Set ReviewThis book was a pleasure to read from start to finish (or perhaps I should say from "Roll 'em!" to "Cut!"). It was informative, engaging, interesting and witty, and there was "never a dull moment". In short: anyone interested in any aspect of film making, or simply curious about the subject, should have a copy in their collection- and that's a wrap!Movie Speak: How to Talk Like You Belong on a Movie Set Overview

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Blu-ray Disc Demystified Review

Blu-ray Disc Demystified
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Blu-ray Disc Demystified ReviewThis is a good book and offers a lot of information about Blu-Ray. I am planning to create some fancy blu-ray discs from my HD camcorder and I wanted to get familiar with the format.
I was pleasantly surprised to see that besides the technical info (codecs, limitations, etc), this book also includes some information on how to prepare your assets for blu-ray authoring.
Highly recommended! Probably the best book available to date. I subtracted a star because it could be better organized and it also could get more in depth about the compression codecs. It should be more like 4.5 stars....
Blu-ray Disc Demystified Overview
The Latest Tips and Techniques for Getting the Maximum from Blu-ray Technology

Blu-ray Disc Demystified provides the most current information and applications available for this popular high-definition optical disc format. Written by a team of experts with a wide range of experience in DVD and high-definition production, this thorough, skill-building guide details Blu-ray's many features, formats, and applications.

Blu-ray Disc Demystified provides exhaustive coverage of the multitude of production and authoring processes, while explaining how the standard and high-definition DVD specifications dovetail and/or clash with related digital media standards. The authors also provide detailed descriptions of Blu-ray's strengths, as well as frank assessments of its weaknesses and common traps that often ensnare new users. Blu-ray Disc Demystified is the most comprehensive and practical guide available for navigating the numerous challenges, changes, and opportunities associated with Blu-ray technology.

Blu-ray Disc Demystified provides:

Detailed overview of Blu-ray technology
In-depth coverage of formats, features, and applications
The latest news on content protection
Tips on using Blu-ray in the home, office, and school
The facts behind the myths surrounding Blu-ray
Essential information regarding production
Interaction paradigms
Honest assessments of Blu-ray's pitfalls


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Cases to Accompany Contemporary Strategy Analysis Review

Cases to Accompany Contemporary Strategy Analysis
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Cases to Accompany Contemporary Strategy Analysis ReviewI use Cases in Contemporary Strategy Analysis in my Capstone course (final course) for my MBA graduate students. It provides them with excellent insight into corporate decision making and strategic planning processes. The case studies are interesting and rich for discussion. My only criticism is the world of business is so fast paced. I would have like to see an internet site or CD ROM with more current information on the companies. Many of the organizational case studies were dated 1998. A myriad of financial, economic, marketing, and strategic changes occurred since the printing of the text. Overall, I recommend the book for textbook use.Cases to Accompany Contemporary Strategy Analysis OverviewThis popular casebook is now available in a more compact and updated edition. In response to requests from instructors and students for cases that require less reading time, all the cases are shorter than those in previous editions. Written by Rob Grant to accompany his text, Contemporary Strategy Analysis 7th edition, each case is designed to enable students to apply particular concepts and techniques of strategy analysis.
New cases include:
Manchester United: Preparing for Life without Ferguson
Starbucks
Easyjet vs. Ryanair
DVD Wars
Google

Further cases, including the US Airline Industry, Ford and the World Automobile Industry, Richard Branson and the Virgin group of Companies, Wal-Mart Stores Inc, Harley-Davidson and General Electric & Jeff Immelt have been updated to 2009.
These contemporary cases allow students unparalleled insight into determinants of competition; the basis of competitive advantage; the challenges of developing new organizational capabilities; the design of strategies for exploiting innovation; and the opportunities and pitfalls of internationalization.
Used alongside the Contemporary Strategy Analysis text, or as a standalone resource, the cases allow today's students and executives to apply key strategy concepts and frameworks to top-level decision making at companies that face critical strategic challenges.
Full teachings notes to the cases will be available upon publication at the companion website www.contemporarystrategyanalysis.com

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The Hollywood Assistants Handbook: 86 Rules for Aspiring Power Players Review

The Hollywood Assistants Handbook: 86 Rules for Aspiring Power Players
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The Hollywood Assistants Handbook: 86 Rules for Aspiring Power Players ReviewAs a production assistant, I found some of the material useful. I think it's more for a development office or an agent's desk.
It's a good book to help people decide if they really want to enter the entertainment industry.
The Hollywood Assistants Handbook: 86 Rules for Aspiring Power Players OverviewAre you young, eager, smart, and heading off to LA to make it big in the entertainment business? Time for a reality check: Leave your diploma at home, put your grandiose dreams on hold (where hopefully they'll get tired and hang up), and start by repeating the first rule of the industry: Who you work for is more important than who you are. Then leapfrog over everyone else by reading The Hollywood Assistants Handbook. Written by two very sharp and successful assistants to HPPs (Hollywood Power Players), here are 86 lessons packed with a combination of blunt truth, insider humor, and juicy secrets that explain the unwritten rules of how to get a foot in the door and make all the right moves as you climb to the top. Here are the minimum-wage jobs that will put you in the path of HPPs. An annotated resume roundup. The clubs to frequent and the cocktails to order. Movies to watch and books to read (it's called homework). Dressing do's and don'ts. How to get on the Free List. A lineup of boss genres—the Horror Show, the Romantic Comedy, Mr. Action—and how to dodge the tirades that will soon be hurled your way, along with the proper outlets for venting. Plus, the ins and outs of your most important tool, the telephone—when to listen in (always!), who to put through and who to put off, and your new best friend forever, the Plantronics CS70 cordless headset. With its hilariously snarky tone—the gate-keeping quiz is "How to Tell if You're a Moron Who Should Pack Up the Corolla and Move Back Home"—The Hollywood Assistants Handbook is as baldly entertaining for everyone who loves reading about Hollywood as it is indispensably practical for the job-seeker.

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The New York Times Guide to Essential Knowledge, Second Edition: A Desk Reference for the Curious Mind Review

The New York Times Guide to Essential Knowledge, Second Edition: A Desk Reference for the Curious Mind
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The New York Times Guide to Essential Knowledge, Second Edition: A Desk Reference for the Curious Mind ReviewIn response to the previous post: I would not feel alarmed about the missing information. I am certain hundreds of people were contributing to book. An omission in the history department would not likely affect other sections. One book will never be able to capture everything considered "essential". Essential for an American is not essential for, say, a European. No single book will make you "essentially informed".
I found the depth of this knowledge to be just right, though. I don't care to shine on Jeopardy. My goal is to become aware without getting too deeply into it unless I am really passionate about a particular subject.
Sure, some stuff is missing, but, what is there is PLENTY. For example: we all heard about Sunni and Shiites Islaam, but I doubt many, including, and especially, George Bush know the difference. How many of Seven Wonders of the World can you name? Do you know who Pygmalion was? Did you know television was invented in 1927? Did you know that America has the highest rate of STD's of all industrial nations? Do you know why? Do you care? If the examples did not evoke some sort of curiosity, this book, in all likelihood, will seem useless to you. But if you found that your brain lit up with tingly wonder, this book would probably be a good place to start.
On the negative side, truthfully, there is nothing unique or incredible about this book that sets it apart from others, maybe a little heavier. It's just like any other almanacs published every year by New York Times. It's just another information-filled book, not better or worse....
This book has over 1300 pages without a single illustration, and of course, is basic, but don't let it fool you, you can still find something new that can send you to the library or the web to satisfy your curiosity. If you are an average American, (not a geek, who probably already knows all this stuff anyway), if you are curious about the world you live in, and would like not to appear dumb when others discuss world's events at a party, you will surely find something fascinating about this "everyday" stuff. Something you probably had heard mentioned as recently as today without really realizing how little you knew about the subject in point. Each category contains 10-15 pages. Topics: Philosophy, Psychology, Broadway, Geology, Geography, Earth Science, History, World Wars, Music, Political Science, pop culture, world events and so on...
My New Year's resolution: one section a week.
The New York Times Guide to Essential Knowledge, Second Edition: A Desk Reference for the Curious Mind OverviewA Complete Revision and Thorough Updating of the Ultimate Reference from the Newspaper of RecordWhether you are researching the history of Western art, investigating an obscure medical test, following current environmental trends, studying Shakespeare, brushing up on your crossword and Sudoku skills, or simply looking for a deeper understanding of the world, this book is for you. An indispensable resource for every home, office, dorm room, and library, this new edition of The New York Times Guide to Essential Knowledge offers in-depth explorations of art, astronomy, biology, business, economics, the environment, film, geography, history, the Internet, literature, mathematics, music, mythology, philosophy, photography, sports, theater, film, and many other subjects.This one volume is designed to offer more information than any other book on the most important subjects, as well as provide easy-to-access data critical to everyday life. It is the only universal reference book to include authoritative and engaging essays from New York Times experts in almost every field of endeavor.

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Of Mice and Magic: A History of American Animated Cartoons; Revised and Updated (Plume Books) Review

Of Mice and Magic: A History of American Animated Cartoons; Revised and Updated (Plume Books)
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Of Mice and Magic: A History of American Animated Cartoons; Revised and Updated (Plume Books) ReviewThis is the book that turned me on to animated films. Well-known movie critic and buff Leonard Maltin wrote the third great book on American animated cartoons (the first two being "The Art of Walt Disney" and "Tex Avery: King of Cartoons"), and he gives us a look at all of the great cartoons of old, from Betty Boop and Koko the Clown through the eras of Mickey Mouse, Bugs Bunny, Mister Magoo, and even Fritz the Cat. His book is somewhat out of date now, as this book was published in 1985. Three years later, 1988 proved to be a watershed year in animation with the rebirth of Disney animation in "The Little Mermaid," while "Who Framed Roger Rabbit" made it okay for adults to enjoy cartoons. (Disney's "Duck Tales" also led the way to a new beginning of quality animation for TV, leaving the shoddy kiddie toy merchandising fodder in the dust...almost.) The years following these animation landmarks opened the gates to a flood of terrific cartoons that Maltin's book doesn't cover, including Spielberg's "Tiny Toons" and "Animaniacs;" Disney's "Toy Story;" the mainstream popularization of Japanese animation; quality children's cartoons with "Rugrats," "Bobby's World," and "Doug;" Warner Bros.' animated "Batman" and "Superman;" animation aimed at older audiences with "The Simpsons" and "South Park;" and so much more. The the animation renaissance of the past dozen years or so has brought a new rebirth to the animation industry...and in fact, the definitive book on the new era of animation hasn't been written yet. But the cartoons of the Golden Age are widely available, and indeed, they are still broadcast on TV every day, more than fifty years after such great live-action contemporaries as Bogart, Cagney, and so many others have passed into the archives of movie history. Maltin's book is an exceptional, delightful look into an innocent era of animation that has finally taken its rightful place in film history.Of Mice and Magic: A History of American Animated Cartoons; Revised and Updated (Plume Books) OverviewFilm historian Leonard Maltin recreates a whole era of Hollywood cartoons, from Betty Boop to Spielberg's "An American Tail". It also brings the reader up to date on the modern work of Walt Disney and the Warner Bros studio, plus new developments in animation. The book includes a filmography of cartoons and sources for video rental.

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