Architecture and Film Review

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Architecture and Film ReviewI didn't really notice cinema's similarity to architecture until I read Architecture and Film, edited by Mark Lamster, the senior editor at Princeton Architectural Press. What we have here is a collection of essays by film fanatics who also happen to be architectural critics or architects. There is not one film-studies scholar among the contributors; that alone is unusual for a collection of film essays.
The other big surprise is that the writers don't focus on architecturally striking films in the vein of Ridley Scott's Blade Runner or Fritz Lang's Metropolis. Instead they write about more obscure films, such as the hysterical Cary Grant film Mr. Blandings Builds His Dream House, Robert Quine's Strangers When We Meet, and the campy film version of Ayn Rand's arguably campy novel The Fountainhead. All three films feature either an architect as a main character or the nature of architecture in a commercial world as a principle theme. The Fountainhead in particular is probably one of the most ridiculous films ever made about art and commerce. Such ideas aren't bad in and of themselves, but the fascistic and sexual overtones in Rand's book and film are so over the top that both come off as soft-porn pieces. But I like this film, as it brings up the question of architecture as an art form: Does it only serve its purpose as a structure of necessity?
The most unusual segment in the book is the essay by Eric Rosenberg: "Architecture and the films of the Beatles." In this short essay, Rosenberg comments on the nature of space and structures in keeping the Beatles isolated from the external world, with consideration to their fans. Other subjects covered include set directors, such as the great Ken Adam, who worked on all the early James Bond films, designed the fantastic war room in Stanley Kubrick's Dr. Strangelove, and also worked on Barry Lyndon. I found the essay on Adam particularly interesting because I am a big fan of his work. Adam talks about his disappointment in Barry Lyndon because a lot of the shots were based on paintings of that period; Adam preferred to use his own imagination for his set designs. In Dr. Strangelove, for example, he essentially used his mind's eye in building the war room. But fiction can greatly intrude upon fact -- when the newly elected President Ronald Reagan asked to see the government's war room, he was disappointed that it wasn't like the one used in Dr. Strangelove. As you see, films are better than real life. And so is the architecture in filmsArchitecture and Film OverviewArchitecture and Film looks at the ways architecture and architects are treated on screen and, conversely, how these depictions filter and shape the ways we understand the built environment. It also examines the significant effect that the film industry has had on the American public's perception of urban, suburban, and rural spaces. Contributors to this collection of essays come from a wide range of disciplines. Nancy Levinson from Harvard Design Magazine writes on how films from The Fountainhead to Jungle Fever have depicted architects. Eric Rosenberg from Tufts University looks at how architecture and spatial relations shape the Beatles films A Hard Day's Night, Help!, and Let It Be. Joseph Rosa, curator at the National Building Museum, discusses why modern domestic architecture in recent Hollywood films such as The Ice Storm, L.A. Confidential, and The Big Lebowski has become synonymous with unstable inhabitants. I.D. Magazine writer Peter Hall discusses the history of film titling, focusing on the groundbreaking work of Saul Bass and Maurice Binder. Editor Mark Lamster examines the anti-urbanism of the Star Wars trilogy. The collection also includes the voices of those from within the film industry, who are uniquely able to provide a "behind the scenes" perspective: film editor Bob Eisenhardt comments on the making of Concert of Wills, a documentary on the construction of the Getty Museum; and Robert Kraft focuses on his work as a location director for Diane Keaton's upcoming film about Los Angeles. Also included are interviews with David Rockwell, architect of numerous Planet Hollywood restaurants worldwide and designer of a new hall to host the Academy Awards ceremony; Kyle Kooper, who created title sequences for Seven and Mission Impossible; and motion picture art director Jan Roelfs, whose credits include Gattaca, Orlando, and Little Women.

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Recombinant Urbanism: Conceptual Modeling in Architecture, Urban Design and City Theory Review

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Recombinant Urbanism: Conceptual Modeling in Architecture, Urban Design and City Theory ReviewPragmatic exploitation of cities and their dwellers may be an ineradicable disease that drives the squalor and eventual decline of urban agglommerations, but those who take on diagnosis of the seemingly incurable become saviors if successful. There have been only a handful of modern-era thinkers with the knowledge, insight and creativity on what's wrong with the design of cities and what might be done to make it better, Viollet le Duc, Lewis Mumford, Kevin Lynch among them. It is an unexpected pleasure to encounter a new deep thinker standing on these giants' shoulders in Grahame Shane's magisterial "Recombinant Urbanism: Conceptual Modeling in Architecture, Urban Design and City Theory." The volume is comprehensive on urbanism, historically and intellectually, and will amply reward the student, scholar and professional who reads it in parts or most beneficially, in whole -- more than once. Prepare to be highly educated by this book, not merely advised what to do to get or keep a job or get a project funded by public taxation. If read and comprehended by urban policy makers it will contribute to their escape from real estate development hell, or if not that, it will arm honorable officials against the weasels who want to claim cities as their own profitmaking playpens. Shane wonderfully reminds what it is like to learn from a deeply thoughtful scholar offering open wisdom compared to a city-exploiter pitching secret schemes. Still, one might imagine land developers and good buddy officials searching Shane's compendium for nuggets to use in their next snake oil presentation to suspicious citizen groups rightfully fed up with unceasing demands for bailouts.Recombinant Urbanism: Conceptual Modeling in Architecture, Urban Design and City Theory OverviewThis book provides a simple but comprehensive framework for the emerging academic discipline of urban design, from its origins in Europe and America, to contemporary issues of imagery, finance and marketing in an age of globalisation
There is currently no contemporary textbook for urban design that includes a general history and theory of the subject.
Internationally, urban design is more and more becoming a core subject taught in architecture schools. The AIA (US) and the RIBA (UK) both require undergraduates and graduates to study the urban dimension of architectural design. On a wider scale, in Europe, the EU is developing a common architectural curriculum, which includes an urban component for under-graduates. The situation is similar in schools across Asia and Australia.
Aimed at both students and teachers, this book provides a simple and accessible framework, from the origins of urban design and the main techniques developed to deal with the design of fragments of cities, to participatory planning processes, codes, imagery, finance and marketing. Finally, it proposes an innovative vision of contemporary practice based on the work of leading actors and projects in the field.
This book is set to become the key textbook at undergraduate and graduate levels
It is written in an accessible and direct tone, and highly illustrated with many colour and black and white diagrams
It includes a general history and theory of urban design and provides an up-to-date account of contemporary urban conditions

Praise for Recombinant Urbanism:
"Documents a major intellectual advance…eagerly awaited by academics and practitioners all around the world… should become a standard text for schools of architecture and urbanism." Leon Van Schaik, Innovation Professor of Architecture, RMIT, Australia
" …both unique and instrumentally positive. The book is the result of many years of research and writing, and is a small masterpiece in urban studies. It has already proved its worth in the teaching of urban studies, at Columbia, the AA, the Bartlett School, and Cooper Union, to mention only a few of the universities where Dr Shane has had a powerful influence...It is, indeed, one of the very best manuscripts I have read in the field in the last few years." Anthony Vidler, Professor and Dean, Irwin S Chanin School of Architecture, Cooper Union, New York, USA
"I can say without hesitation that I fully endorse Grahame's work…the issues it covers are highly topical and such a book would indeed be widely read by architecture students, urban designers and planners." Colin Fournier, Professor of Architecture &Urbanism, Bartlett School of Architecture, UCL, UK
"Of great necessity for undergraduate and postgraduate students, scientists and professionals in urban planning and design [This] publication will certainly inspire work with city models in a wide range of practice." Henrik W Jensen, Associate Professor in Town Planning, Aarhus School of Architecture, The Netherlands
"A very important book. Shane … has made legible and sensible the reams of recent urban discourse for a general college reader. Because of this labor-intensive effort, this book will be accessible by undergrad architecture programs as well as graduate seminars in urban design and planning. Additionally there is a big interest in UD and UP theory in ecology and social science now, and because of Grahame's generous writing style the book will cross over to these other disciplines. … I can also speak to the international interest in this book; … again Shane has made important urban theories and thinking more widely available to an international student audience. … The legacy the book will have (will be in) convincing people that the design of cities matters, not in the overbearing and over-controlling sense of new urbanism, but in reinforcing the multiple possibilities of contemporary life. Brian McGrath, Adjunct Associate Professor of Architecture, Columbia University, USA

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Global Cities Review

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Global Cities ReviewAbrahamson's Global Cities is a welcome new book: It provides a truly global perspective on urban life, examining both the economic and cultural dimensions of globalism. It provides especially thorough examinations of immigration and the effects of foreign investment upon global inequality. It is a very well-written book, with little un-necessary jargon.Global Cities OverviewGlobal Cities examines the distinctive commercial, residential, and spatial features of the major cities of the contemporary world--cities housing the financial and cultural activities that are most consequential for everyone, regardless of where they live. The development of these influential cities is intimately related to the emergence of modern telecommunications, the growth of multinational corporations, the internationalization of economic activity, and the increased movement of cultural symbols and artifacts across national lines. Accessible to readers with little background in sociology or social science, Global Cities analyzes numerous contemporary issues to illustrate concepts and processes pertaining to the most significant global cities. These concrete examples facilitate students' general understanding and show them the contemporary relevance of the material. The book offers a detailed and multifaceted picture of such leading urban centers as London, New York, Tokyo, and Paris, but also branches out to other important cities in the world. It analyzes both the internal features of the cities and the nature of their connections with each other. Global Cities is ideal for undergraduate courses in urban sociology and other social sciences.

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