Showing posts with label classic movie. Show all posts
Showing posts with label classic movie. Show all posts

Mr. Strangelove: A Biography of Peter Sellers Review

Mr. Strangelove: A Biography of Peter Sellers
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Mr. Strangelove: A Biography of Peter Sellers ReviewPeter Sellers has been the subject of more than a few books, some significantly better than others. Aside from Graham Stark's beautiful memoir "Remembering Peter Sellers" (still only available in the U.K., unfortunately), this is the best. Certainly it is the most comprehensive, in part because it works from, and builds upon, the many books that came before it.
In more ways than one, "Mr. Strangelove" is not a light read. Sikov's research is extensive and detail is heavy, but his writing is surprisingly nimble over the 300+ page length.
The life of Sellers was fraught with private and public turmoil, and a significant career dry spell. Some previous studies of him and his work treated both with almost cruel insensitivity (and I haven't even read Roger Lewis' much-pilloried "Life and Death of..."), emphasizing the pain he brought into the lives of others. Meanwhile, memoirs like his son Michael Sellers' "P.S. I Love You" and Stark's book, while certainly willing to admit to Peter's faults, made a case for his personal pain and his virtues.
Happily Sikov understands Sellers' good side as well as his bad one. Though this is definitely a warts-and-all portrait of the man - his bad behavior on sets and his unhappy relationships with wives and children are not spared us - and sometimes painful to read, it is also sensitive, careful to stress Peter's humanity. (His fresh interviews with some of Sellers' colleagues do much to acheive this end.) In the end, this is the story of a man who, in Sikov's words, had an "essentially good heart".
Understandably some will be (and have been, to judge from other reviews) frustrated by the extremely detailed coverage Sellers' work, especially his films, are given. But to do justice to the life of such a gifted performer requires a close look at his work, and "Mr. Strangelove" covers his work more compellingly than any previous biography has, particularly where his more obscure films are concerned.
"Mr. Strangelove" is a full, rich portrait of a tragicomic life, one that will be compelling reading for those with even a mild interest in its subject...though once it's been read, "mild" may well turn to "major".Mr. Strangelove: A Biography of Peter Sellers Overview

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A Star Is Born: The Making of the 1954 Movie and Its 1983 Restoration Review

A Star Is Born: The Making of the 1954 Movie and Its 1983 Restoration
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A Star Is Born: The Making of the 1954 Movie and Its 1983 Restoration ReviewA great book by Mr. Haver, filled with facts on the making of "A Star Is Born", the masterpiece. It also shows that rumors have been wrong for many years,in blaming the high cost of filming on Ms. Garland and also why this masterpiece ended up being a disappointment at the box office, having been cut up by Warner's to appease the movie houses' demands for a shorter version so it could be run for more viewings. A shame, when you consider they would have made more if audiences had been allowed to see it in its entirety, as planned. However, we have this wonderful book to tell us and show us exactly what took place! Thank you again, Mr. Haver!A Star Is Born: The Making of the 1954 Movie and Its 1983 Restoration Overview"There is no book about Hollywood as riveting as this documentary." - Allan Carr, Vanity Fair There is no question that the 1954 version of A STAR IS BORN holds a special place in the pantheon of classic movies. It was director George Cukor's first foray into musicals, his first color film, and it was, without a doubt, Judy Garland's greatest screen performance.With incredible detail and color, Ronald Haver gives us the fascinating story of the making, marketing and restoration of this groundbreaking classic. Here is how producer Sid Luft orchestrated the deal for his wife, how Cukor was selected to direct, how James Mason was cast to co-star and how Moss Hart's script was developed. Here are the myriad techincal problems, the clashes of personalities and the shocking emotional ups and downs of the film's star. Here, finally, is the author's own mission to restore the film to its original length and glory in the 1980s.

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Marlene: Marlene Dietrich, A Personal Biography Review

Marlene: Marlene Dietrich, A Personal Biography
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Marlene: Marlene Dietrich, A Personal Biography ReviewQuotes that are doubtful, facts that are all personal memory (and proved wrong, many of them, long ago) - repeated again and again - the book was a scrap book of words that shed, in the end, no new light on the wonderful Marlene and, in fact, allowed silly nonsense to supplant fact. The truth is much better than this book. The word on the Internet is that the so-called interviews with Marlene never happened and that the author made them all up from other people's material.Marlene: Marlene Dietrich, A Personal Biography OverviewIn Marlene, the legendary Hollywood icon is vividly brought to life, based on a series of conversations with the star herself and with others who knew her well. In the mid-1970s Charlotte Chandler spoke with Marlene Dietrich in Dietrich's Paris apartment. The star's career was all but over, but she agreed to meet because Chandler hadn't known Dietrich earlier, "when I was young and very beautiful." Dietrich may have been retired, but her appearance and her celebrity—her famous mystique—were as important to her as ever. Marlene Dietrich's life is one of the most fabulous in Hollywood history. She began her career in her native Berlin as a model, then a stage and screen actress during the silent era, becoming a star with the international success The Blue Angel. Then, under the watchful eye of the director of that film, her mentor Josef von Sternberg, she came to America and became one of the brightest stars in Hollywood. She made a series of acclaimed pictures—Morocco, Shanghai Express, Blonde Venus, Destry Rides Again, among many others—that propelled her to international stardom. With the outbreak of World War II, the fiercely anti-Nazi Dietrich became an American citizen and entertained Allied troops on the front lines. After the war she embarked on a new career as a stage performer, and with her young music director, the gifted Burt Bacharach—whom Chandler interviewed for the book—Dietrich had an outstanding second career. Dietrich spoke candidly with Chandler about her unconventional private life: although she never divorced her husband, Rudi Sieber, she had numerous well-publicized affairs with his knowledge (and he had a longtime mistress with her approval). By the late 1970s, plagued by accidents, Dietrich had become a virtual recluse in her Paris apartment, communicating with the outside world almost entirely by telephone Marlene Dietrich lived an extraordinary life, and Marlene relies extensively on the star's own words to reveal how intriguing and fascinating that life really was.

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Film Noir and the Cinema of Paranoia Review

Film Noir and the Cinema of Paranoia
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Film Noir and the Cinema of Paranoia Reviewmolto interessante. I testi universitari italiani sono decisamente meno dettagliati ed appassionanti come un libro
di narrativaFilm Noir and the Cinema of Paranoia OverviewWheeler Winston Dixon engages readers in an overview of noir and fatalist film from the mid-twentieth century to the present, ending with a discussion of television, the Internet, and dominant commercial cinema. Beginning with the 1940s classics, Film Noir and the Cinema of Paranoia moves to the "Red Scare" and other ominous expressions of the 1950s. The dark cinema of the 1960s reflected the tensions of a society facing a new and, to some, menacing era of social expression.

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Van Johnson: MGM's Golden Boy (Hollywood Legends) Review

Van Johnson: MGM's Golden Boy (Hollywood Legends)
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Van Johnson: MGM's Golden Boy (Hollywood Legends) ReviewAlthough Mr. Davis had to rely on mainly second-hand information to attain all the facts he needed to write this book, he did an excellent job, and he imparts the info in such a way that it is seamless, and cannot be discerned as not having been the result of his own research.
The principles in the book were not, for one reason or another, available for inclusion here, nevertheless, Mr. Davis has done an admirable job and his writing and relating of pertinent facts have done him proud...
Being familiar with his sources and the "players" in the book, I was still able to read through it with pleasure, interest and admiration for his capable relating of the facts at hand. All in all, a very informative and interesting read.
My name is Schuyler Van Johnson, and it is about my father and some of it relates to me, and I can tell you that is an excellent work and came out extremely well. Some of it was hard to get through, being an interested party, but also somewhat cathartic and nice to put away on a shelf as part of my distant past, best left on the shelf, once read...Would that the living of some of it had been that easy!Van Johnson: MGM's Golden Boy (Hollywood Legends) Overview Van Johnson's dazzling smile, shock of red hair, and suntanned freckled cheeks made him a movie-star icon. Among teenaged girls in the 1940s he was popularized as the bobbysoxer's heartthrob. He won the nation's heart, too, by appearing in a series of blockbuster war films--A Guy Named Joe, Thirty Seconds Over Tokyo, Weekend at the Waldorf, and Battleground. Perennially a leading man opposite June Allyson, Esther Williams, Judy Garland, and Janet Leigh, he rose to fame radiating the sunshine image Metro-Goldwyn-Mayer chose for him, that of an affable, wholesome boy-next-door. Legions of adoring moviegoers were captivated by this idealized persona that generated huge box-office profits for the studio. However, Johnson's off-screen life was not so sunny. His mother had rejected him in childhood, and he lived his adult life dealing with sexual ambivalence. A marriage was arranged with the ex-wife of his best friend, the actor Keenan Wynn. During the waning years of Hollywood's Golden Age she and Johnson lived amid the glow of Hollywood's A-crowd. Yet their private life was charged with tension and conflict. Although morose and reclusive by nature, Johnson maintained a happy-go-lucky façade even among co-workers, who knew him as a congenial, dedicated professional. Once free of the golden-boy stereotype, he became a respected actor assigned stellar roles in such acclaimed films as State of the Union, Command Decision, The Last Time I Saw Paris, and The Caine Mutiny. With the demise of the big studios, Johnson returned to the stage, where he had begun his career as a song-and-dance man. After this he appeared frequently in television shows, performed in nightclubs, and became the legendary darling of older audiences on the dinner playhouse circuit. Johnson (1916 - 2008) spent his post-Hollywood years living in solitude in New York City. This solid, thoroughly researched biography traces the career and influence of a favorite star and narrates a fascinating, sometimes troubled life story. Ronald L. Davis is the author of Hollywood Beauty: Linda Darnell and the American Dream, John Ford: Hollywood's Old Master, and Duke: The Life and Image of John Wayne. He is a professor of history at Southern Methodist University and the general editor of University Press of Mississippi's Hollywood Legends Series.

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Movie Speak: How to Talk Like You Belong on a Movie Set Review

Movie Speak: How to Talk Like You Belong on a Movie Set
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Movie Speak: How to Talk Like You Belong on a Movie Set ReviewThis book was a pleasure to read from start to finish (or perhaps I should say from "Roll 'em!" to "Cut!"). It was informative, engaging, interesting and witty, and there was "never a dull moment". In short: anyone interested in any aspect of film making, or simply curious about the subject, should have a copy in their collection- and that's a wrap!Movie Speak: How to Talk Like You Belong on a Movie Set Overview

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Marlene Dietrich: Life and Legend Review

Marlene Dietrich: Life and Legend
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Marlene Dietrich: Life and Legend ReviewHaving read Maria Riva's book on her mother along with Dietrich's own autobiography, I didn't really expect any new revelations from this book -- but I couldn't have been more wrong! Mr. Bach is to be congratulated on his fascinating and respectable work honoring Miss Dietrich and her life. What a remarkable performer and a remarkable human being. We could sure use a few more like her in today's world. This is a must read for fans of the Lady and the Legend!!Marlene Dietrich: Life and Legend Overview

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Margaret Mitchell's Gone With the Wind: A Bestseller's Odyssey from Atlanta to Hollywood Review

Margaret Mitchell's Gone With the Wind: A Bestseller's Odyssey from Atlanta to Hollywood
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Margaret Mitchell's Gone With the Wind: A Bestseller's Odyssey from Atlanta to Hollywood ReviewI am not a hardcore GWTW fan, nor a lover of biographies or history for that matter. That being said, Bestseller's Odyssey was a great read and I thoroughly enjoyed learning about the life and times of Margaret Mitchell's great work. I received an advance copy of Bestseller's Odyssey with few preconceptions and so was not surprised to discover how little I understood of the publishing industry. What I was not expecting was to be so intrigued by the nature and number of legal hurdles which Mitchell and her work overcame. Extending far beyond its initial print publication, this book details all those who shaped the ultimate path of Gone with the Wind.
Despite my original ambivalence (apologies all) towards GWTW, I found myself rooting for Mitchell as she struggled to protect her work and maintain her principled stance. My appreciation for Mitchell deepened reading how she overcame each successive challenge as she shepherded the book along its way. I chuckled reading the frequent excerpts from Mitchell's genteel yet fierce correspondence. The depth and breadth of this book was impressive and left me rueful for simpler, more civil times.
Margaret Mitchell's Gone With the Wind: A Bestseller's Odyssey from Atlanta to Hollywood Overview

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Silent Movies: The Birth of Film and the Triumph of Movie Culture Review

Silent Movies: The Birth of Film and the Triumph of Movie Culture
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Silent Movies: The Birth of Film and the Triumph of Movie Culture ReviewThis book is an absolute treasure. We're first seduced, of course, by the incomparable illustrations, many never published before--arresting movie stills, posters, lobby cards, promotional photographs. The stars, the directors, the cinematographers, the technological processes, the advertising stunts are all represented by artfully chosen items from the Library of Congress's extensive archives, and it's great fun to browse; while searching for favorite actors and films, we discover surprising images we never knew existed. But this is no slick coffee-table book. Peter Kobel is a brilliant writer whose clear, lively, graceful prose illuminates every aspect of the silent-film world. The book is thought-provoking, thoroughly researched, and substantive without ever being stuffy. Kobel has a light touch and his enthusiasm for his subject is compelling. He understands the films' creators and their audiences, and puts both masterfully into context. Silent Movies is a loving tribute that makes a strong case for increasing our efforts to save this endangered artistic legacy. A definitive, solid, and intoxicating book.Silent Movies: The Birth of Film and the Triumph of Movie Culture Overview

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A Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day Review

A Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day
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A Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day ReviewThis is an excellent reference work for anyone who has even a passing interest in Japanese cinema. Jacoby structures the book well, proceeding through all of the major Japanese directors (and many minor ones) in alphabetical order. For each director's entry, he provides a broad career overview - offering his own opinions of the major films - then includes a filmography. While I don't agree with absolutely all of his statements, his opinions are always interesting to read and well-informed, and it's nice to get a fresh (to me) perspective on such classic Japanese filmmakers as Kobayashi, Kurosawa, Ozu, Mizoguchi...
Another striking thing about this book is that Jacoby isn't snobby about which directors he includes. So he has "classical" directors like Mizoguchi in here, and also genre directors like Ishiro Honda of "Godzilla" fame and Takashi Miike. His willingness to cover drama, horror, science fiction, and gangster films in a single volume makes him more open-minded than most other aficionados of Japanese cinema, who tend to limit themselves to one or two genres. (Indeed, rare is the critic who enjoys both Tokyo Story and The Mysterians, as I do.) Another highlight is that Jacoby includes some useful appendices, such as an overview of the major Japanese film studios and a list of historical eras in Japan (handy for figuring out when all these samurai movies are supposed to take place).
Of course, since the book covers a lot of ground, Jacoby doesn't delve too deeply into any one director's work. Even "big guns" like Ozu and Kurosawa have short entries; and while Jacoby has room to challenge some common theories about Ozu, he doesn't have quite enough room to properly develop his counter-theories. Also, like most handbooks, this can get a little dry if you try to read it all in one go; I prefer to sample individual entries whenever I feel like it.
Overall, this is good stuff, and I look forward to using this book to track down the more obscure classics of Japanese cinema. As a pointless aside, many of the movies covered in this book have very amusing titles (in translation), on the order of: "Ninja Mountain Attack Saga: Duel by Autumn Moonlight!" Just thought I'd mention that, because it gave me a few chuckles.A Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day Overview
This important work fills the need for a reasonably priced yet comprehensive volume on major directors in the history of Japanese film. With clear insight and without academic jargon, Jacoby examines the works of over 150 filmmakers to uncover what makes their films worth watching.

Included are artistic profiles of everyone from Yutaka Abe to Isao Yukisada, including masters like Kinji Fukasaku, Juzo Itami, Akira Kurosawa, Takashi Miike, Kenji Mizoguchi, Yasujiro Ozu, and Yoji Yamada. Each entry includes a critical summary and filmography, making this book an essential reference and guide.

UK-based Alexander Jacoby is a writer and researcher on Japanese film.


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Some Like It Wilder: The Life and Controversial Films of Billy Wilder (Screen Classics) Review

Some Like It Wilder: The Life and Controversial Films of Billy Wilder (Screen Classics)
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Some Like It Wilder: The Life and Controversial Films of Billy Wilder (Screen Classics) ReviewIt is a definitive look at the career of Billy Wilder. Each film has interesting stories connected to it. Very insightful and entertaining, especially for a movie buff.Some Like It Wilder: The Life and Controversial Films of Billy Wilder (Screen Classics) OverviewOne of the most accomplished writers and directors of classic Hollywood, Billy Wilder (1906--2002) directed numerous acclaimed films, including Sunset Boulevard (1950), Sabrina (1954), The Seven Year Itch (1955), Witness for the Prosecution (1957), and Some Like It Hot (1959). Featuring Gene D. Phillips's unique, in-depth critical approach, Some Like It Wilder: The Life and Controversial Films of Billy Wilder provides a groundbreaking overview of a filmmaking icon. Wilder began his career as a screenwriter in Berlin but, because of his Jewish heritage, sought refuge in America when Germany came under Nazi control. Making fast connections in Hollywood, Wilder immediately made the jump from screenwriter to director. His classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945) earned Academy Awards for best picture, director, and screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me, Stupid (1964) and The Apartment (1960), which won Oscars for best picture and director. This definitive biography reveals that Wilder was, and remains, one of the most influential directors in filmmaking.

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Frankenstein Meets the Wolf Man (Universal Filmscript Series, Vol. 5) (Universal Filmscripts Series: Classic Horror Films) Review

Frankenstein Meets the Wolf Man  (Universal Filmscript Series, Vol. 5) (Universal Filmscripts Series: Classic Horror Films)
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Frankenstein Meets the Wolf Man (Universal Filmscript Series, Vol. 5) (Universal Filmscripts Series: Classic Horror Films) ReviewAnother in the great series of Universal Filmscripts. The pictures alone are worth the price of the book. The background also tells about Lugosi's dialogue being cut out and what some of it was. It also explains the ending and the escape of Massey, Knowles, and Ouspenskaya (which is not shown in the film). It is a shame that production of these filmscripts didn't cover ALL of the Universal Horror Movies because of the detailed background of each.Frankenstein Meets the Wolf Man (Universal Filmscript Series, Vol. 5) (Universal Filmscripts Series: Classic Horror Films) Overview

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The Wolf Man (Universal Filmscript Series) (Universal Filmscripts Series: Classic Horror Films) Review

The Wolf Man (Universal Filmscript Series) (Universal Filmscripts Series: Classic Horror Films)
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The Wolf Man (Universal Filmscript Series) (Universal Filmscripts Series: Classic Horror Films) ReviewOne of the best horror films ever made and truly deserving the acolade classic.The book brings to light all the infomation any film buff would need to satisfy their thist for behind the scenes details.From the eary concepts to final shooting schedule, how the orginal makeup designs were brought about to interveiws with cast members and the man who actually wrote the script.Great behind the scences photographs from the great Jack P. Pierce's lost scrap books (when is Douglas Norwine going to publish that book about Pierce)to the orginal film score, an absolute delight to read and treasure.The Wolf Man (Universal Filmscript Series) (Universal Filmscripts Series: Classic Horror Films) Overview"Even a man who is pure of heart, as says his prayers atnight, may become a wolf when the wolfbane blooms and the moon is fulland bright" Werewolf legend or Hollywood creation?Find the answersin this, the most thorough examination of the making of the Universalclassic "The Wolfman."Forward by star Evelyn Ankers; Introduction byScreenwriter Curt Siodmak; Commentary by Lon Chaney, Jr.

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Early Warner Bros. Studios (Images of America) (Images of America Series) Review

Early Warner Bros. Studios (Images of America) (Images of America Series)
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Early Warner Bros. Studios (Images of America) (Images of America Series) ReviewEJ Stephens and Marc Wanamaker have put together a fascinating look at one of the most mythical places in the Hollywood "Star Chamber." This is a top to bottom insider's tour that takes the reader through backlots and soundstages with a keen eye for detail, stories, trivia and lore. Both men obviously share a passion for this place that produced so many classics and technological breakthroughs, and their access to rare archival images has resulted in a landmark collection that is just as compelling for serious film buffs as it is for those who simply love old Hollywood and her history. An exceptional piece of work.Early Warner Bros. Studios (Images of America) (Images of America Series) OverviewSince 1928, Warner Bros. has produced thousands of beloved films and television shows at the studio's magical 110-acre film factory in Burbank. This collection of evocative images concentrates on the Warner Bros. legacy from the 1920s to the 1950s, when timeless classics such as Casablanca, The Maltese Falcon, and East of Eden came to life. It also looks at WB's earlier homes along Hollywood's "Poverty Row," the birthplace of Looney Tunes, and the site of WB's pioneering marriage between film and sound in the 1920s. Early Warner Bros. Studios also tells the tale of four brothers--Harry, Albert, Sam, and Jack Warner--scions of a Polish Jewish immigrant family who rose from the humblest of origins to become Hollywood moguls of enormous and lasting influence.

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