Showing posts with label michael jackson. Show all posts
Showing posts with label michael jackson. Show all posts

The Rolling Stone Encyclopedia of Rock & Roll (Revised and Updated for the 21st Century) Review

The Rolling Stone Encyclopedia of Rock and Roll (Revised and Updated for the 21st Century)
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The Rolling Stone Encyclopedia of Rock & Roll (Revised and Updated for the 21st Century) ReviewThere are two reasons why I had to get this book. Firstly, my 1995 copy crumbled into an oblivion of dry glue, a spine torn in half and a cover too flabby to endure. I did turn to the book often for information, but from the looks of it, you'd think I shot it out of a canon once a week as well. The book is just as cheaply constructed as other reviewers contend, while the Q Rock Stars Encyclopedia is much friendlier to the reader both aesthetically and physically. Secondly, Rolling Stone's web site used to contain all the information found in this book. Recently, though, the disappointing decision was made to scrap those lengthier and more informative biographies for the infuriatingly cursory headnotes they recently replaced them with.
Some of the omissions noted by other reviewers here are remarkable not necessarily because of the bands omitted, but because of the "artists" Rolling Stone replaced them with. I mean, come on, the guys in Great White aren't exactly pioneers, and why anyone thinks the exclusion of Wierd Al Yankovic is at all noteworthy mystifies me. But to leave them out for Britney Spears? Ricky Martin? What a blow! Couldn't we just scrap Milli Vanilli, for the love of God? It isn't as though Tiffany, who is included in this book, will be remembered any more than Britney 30 years from now; nonetheless I don't consider either pop star worthy of inclusion at the expense of decently talented blues bands such as Great White who at least know what a "chord" is. The real crime with regard to the debate over who's in and who's out is the exclusion of various Native American songwriters such as Jim Boyd or Bill Miller. The former in particular continues to make unbelievable folk rock (some of which was featured on the "Smoke Signals" Soundtrack). The work Boyd has done with Sherman Alexie (songs like the incomparable "Million Miles Away") especially warrants recognition here.
Those objections aside, this really is a nearly inexhaustible resource for fans of any of the 1,900+ bands the book takes a look at. I think that the distant tone with which the entries are written will infuriate more passionate fans who think their heroes aren't getting the accolades they deserve. But as an Encyclopedia's duty is to provide the essential information, this book at least succeeds more often than it fails. My own relationship with its past and current editions is going on about 8 years now. Along with the "Rough Guide to Rock" or the "Encyclopedia of Record Producers," it continues to be one of the few resources I run to for answers to questions or quick tutorials on bands whose work I am yet to be familiar with. I think it should also be noted that people ought not to be mislead by the "Rock 'N Roll" title, as the book includes many bluegrass, country, and folk artists who may not immediately be associated with Rock 'N Roll per say, but who influenced the genre to such an extent that their exclusion from this book would have been egregious. I mean people like Dave Van Ronk, Bill Monroe or Townes Van Zandt.The Rolling Stone Encyclopedia of Rock & Roll (Revised and Updated for the 21st Century) OverviewCompletely updated with new entries and extensive revisions of the previous 1,800, The Rolling Stone Encyclopedia Of Rock & Roll is the authoritative volume on the world's music makers -- from the one-hit wonders to the megastars. In 1983, Rolling Stone Press introduced its first Rock & Roll Encyclopedia. Almost two decades later, it has become the premier guide to the history of rock & roll, and has been selected by the Rock and Roll Hall of Fame & Museum as its official source of information. Giving full coverage to all aspects of the rock scene, it tells the story of rock & roll in a clear and easy reference format, including complete discographies, personnel changes for every band, and backstage information like date and place of birth, from Elvis Presley to Eminem. Since the last edition, the music scene has exploded in every area, from boy-bands to hip-hop, electronica to indie rock. Here, the Encyclopedia explores them all -- 'NSync, Notorious B.I.G., Ricky Martin, Radiohead, Britney Spears, Blink-182, Sean "Puffy" Combs, Portishead, Fatboy Slim, Fiona Apple, Lil' Kim, Limp Bizkit, Oasis, Outkast, Yo La Tengo, TLC, and many, many more. The Rolling Stone Encyclopedia of Rock & Roll, Third Edition includes all the facts, phenomena, and flukes that make up the history of rock. Accompanying the biographical and discographical information on the nearly 2,000 artists included in this edition are incisive essays that reveal the performers' musical influences, first breaks, and critical and commercial hits and misses, as well as evaluations of their place in rock history. Filled with hundreds of historical photos, The Rolling Stone Encyclopedia is more than just a reference book, it is the bible of rock & roll.

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Q: The Autobiography of Quincy Jones Review

Q: The Autobiography of Quincy Jones
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Q: The Autobiography of Quincy Jones ReviewThe autobiography of Quincy Jones is like one of his arrangements: masterful, engaging on several levels, and state-of the-art.
Jones' life story seems MADE for a highly dramatic, award-winning t.v. or big screen movie -- and I dearly hope it'll be made into one. Musician. Producer. Businessman. Composer. Arranger. Determination and incredible talent skyrocketing him over big obstacles. It's fitting that Jones' biggest passion is music because this outstanding autobiography truly SINGS.
From the first pages, you're thrust into the drama -- and challenge -- of Jones' life. Born into a poor family, throughout most of his life (well into his adult years) Jones struggled with how to cope-with and at times how to distance himself from a mother who suffered from severe mental illness. Music became his savior and Jones embraced it like the stable motherly love which he sought and he lacked as a child. He embraced Mother Music, letting it's beauty embrace, comfort and sustain him.
There are several things that sets this book apart from other show biz bios and makes it such sheer JOY for readers of ALL ages (old fogies like me who grew up with his music as well as young folks interested in music, interested in biographies or interested in show business and the arts in general):
1.PANORAMIC STYLE. There is so much in it that we can only list a little here, such as the poignant vignette of a young, arts-smitten Jones, just discovering his musical "chops" and bonding with a blind teenage musician named Ray Charles who basically mentored and inspired him; his later associations with greats such as Sammy Davis Jr, Ella Fitzgerald, Frank Sinatra, Michael Jackson and many many more.
Jackson, he writes, "wanted to be the best of everything" so he "went to the top model in each (show biz) category to create an act and a persona that would be unequalled." But "somehow later on the line between the reality and the fantasy got blurred." In the end, Jones writes, Jackson became "a total sponge, a chamelon." Jackson practiced hours and hours to perfect every single move, gesture and facial expression.
I am haunted by Jones' portrait of Sinatra. For all the tough-guy accounts elsewhere, Sinatra comes across as a noble and principled human being -- cooking Jones breakfast when he learned that Jones stayed up all night working; insisting that African-American musicians for his Vegas concert be allowed to play and get good rooms at a casino and telling his security to do significant bodily harm to any racists who harrassed them, even the slightest bit.
2)SECOND VOICES. Not all chapters are written by Jones. He also let others write their accounts about parts of his life, and not all of this material is complimentary. This adds a documentary feel and a sense of balance that most show business autobiographies lack.
3)USEFUL OBSERVATIONS. In his chapter on Michael Jackon's rise to the top of the music heap he notes that writes that he learned that "Nobody stays at the top. Nobody." Success, he writes, is "about preparation, then finding the right
opportunity" -- and that he learned that "being chronically underestimated can be a gift."
Jone's autobiography takes you through the 20th century's top musical and show business eras, and gifts you an incredible cast of famous well-etched cameos. The depth, ease, and detail of this panoramic journey is paralleled only by his private trek -- from poverty to aspiration to success, all amid personal family tragedies. In the end, we see a man (and artist) who constantly survived and triumphed due to his humanity -- and his unceasing personal growth.Q: The Autobiography of Quincy Jones Overview

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Make Mine Music Review

Make Mine Music
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Make Mine Music ReviewHe certainly know what he is talking about. The book was interesting, but a little repetitive. Bruce Swedien is an icon in the recording indusrty. He gives up stories about recording several greats throughout the last 40 or 50 years. He also gives info on miking all types of instruments in the studio. I would have liked a few more studio stories, but it is worth reading. He talks lots about his work with Quincy Jones and Michael Jackson.Make Mine Music OverviewEver since his father gave him a disc recorder at the tender age of 10, Bruce Swedien has known what he wanted to do for the rest of his life. The names of the people he has worked with are too many to list, but when one mentions musicians like Count Basie, Duke Ellington, Oscar Peterson, Sarah Vaughan, Eddie Harris, Quincy Jones, Jennifer Lopez, and even Michael Jackson, a great deal is immediately understood. In this book, Swedien generously gives away detailed information from his lifetime in the studio-from a musical, technical, and very personal perspective. This book has something for everyone who is interested in music, especially those curious about the stories behind the scenes of some of the best music to ever come out of the recording studio.

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Moonwalk Review

Moonwalk
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Moonwalk ReviewFor all those people who choose to believe the crap that's written about Michael Jackson, I suggest you all take a look inside yourselves. This book Moonwalk is a a wonderful book giving Michael's point of view of his rise to fame, his family, and his relationships. This book was written in 1988, several years prior to the madness that surrounded him. I'm insulted that the people who are selling this book are actually selling it for 1 cent! That is ultimate disrespect for a person who has given us so much joy and great music for 40 years of his life. He deserves to be seen as a human being, not the freak that the media and the American public make him out to be! This other book that the so called critic is recommending "Be Careful Who You Love" is just another smear campaign. It's bad enough this man's life has been in shambles the past few years. But all the public wants to do is to continue to beat him into the ground until their's nothing left. Michael Jackson is simply a man who has tried all his life to help others. Now he's being crucified because of the lies of some very greedy people. Try reading all the facts before you continue to judge someone.Moonwalk OverviewThe #1 New York Times bestseller! Michael Jackson's one and only autobiography – his life, in his words. With original Foreword by Jacqueline Kennedy Onassis, a new Introduction by Motown founder Berry Gordy, and an Afterword by Michael Jackson's editor and publisher, Shaye Areheart. "I've always wanted to be able to tell stories, you know, stories that came from my soul. I'd like to sit by a fire and tell people stories – make them see pictures, make them cry and laugh, take them anywhere emotionally with something as deceptively simple as words. I'd like to tell tales to move their souls and transform them. I've always wanted to be able to do that. Imagine how the great writers must feel, knowing they have that power. I sometimes feel I could do it. It's something I'd like to develop. In a way, songwriting uses the same skills, creates the emotional highs and lows, but the story is a sketch. It's quicksilver. There are very few books written on the art of storytelling, how to grip listeners, how to get a group of people together and amuse them. No costumes, no makeup, no nothing, just you and your voice, and your powerful ability to take them anywhere, to transform their lives, if only for minutes." –Michael Jackson, in MoonwalkFrom the 1988 edition: Megastar Michael Jackson's singularly brilliant career and intensely private lifestyle have become a magnificent obsession for millions of rock fans and celebrity watchers throughout the world.His double-platinum singles rocket to the top of the music charts with a velocity equaled only by the inevitable accompaniment of wild rumors about his eccentric personal life.Now for the first time, Michael Jackson breaks the fiercely guarded barrier of silence that has surrounded him in a remarkably candid and courageous book — Moonwalk.In this intimate and often moving personal account of Michael Jackson's public and private life, he recalls a childhood that was both harsh and joyful but always formidable.Michael and his brothers played amateur music shows and seamy Chicago strip joints until Motown's corporate image makers turned the Jackson 5 into worldwide superstars.Michael Jackson and the Jackson 5 have combined sales of over 200 million albums.He talks about the happy prankster days of his youth, traveling with his brothers, and of his sometimes difficult relationships with his family over the years.He speaks candidly about the inspiration behind his music, his mesmerizing dance moves, and the compulsive drive to create that has made him one of the biggest stars in the music business and a legend in his own time. The Guinness Book of World Records lists Thriller as the biggest-selling-album of all time.In Moonwalk, Michael Jackson shares his personal feelings about some of his most public friends…friends like Diana Ross, Berry Gordy, Quincy Jones, Paul McCartney, Fred Astaire, Marlon Brando, and Katharine Hepburn.He talks openly about the crushing isolation of his fame, of his first love, of his plastic surgery, and of his wholly exceptional career and the often bizarre and unfair rumors that have surrounded it.Illustrated with rare photographs from Jackson family albums and Michael's personal photographic archives, as well as a drawing done by Michael exclusively for this book, Moonwalk is a memorable journey to the very heart and soul of a modern musical genius.

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Michael Jackson: The Magic, The Madness, The Whole Story, 1958-2009 Review

Michael Jackson: The Magic, The Madness, The Whole Story, 1958-2009
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Michael Jackson: The Magic, The Madness, The Whole Story, 1958-2009 ReviewI did nothing this past weekend but read this book. Michael Jackson is incredibly interesting to me- a compelling and unsolvable mystery. Was he vain, or did he have body dysmorphic disorder? Did he want to be white, or was he trying to cover up disfiguring vitiligo? Was he heterosexual, gay, or asexual? Was he a pedophile, or was he a repressed child who was only able to relate to kids? How could he be so outgoing on stage, but so shy and reserved off stage? Was he destroyed by the media/lawyers, etc, or did he destroy himself? In certain interviews, he seems exquisitely gentle, sweet, kind, and sincere... at other times, he seems childish, naive and evasive. I have the deepest compassion for this misunderstood man whose story of meteoric superstardom and crashing fall from grace could be a Shakespeare tragedy. The irony is that he was constantly being judged by people whose characters were inferior to his (eg the unscrupulous Mr. Martin Bashir)
In this biography, the nature of the relationship between the author and Michael Jackson is unclear. They first met when they both were kids, at a time when the author was too young to be a reporter. Some of the information he reports is uncited, and you are led to wonder where the heck it came from, as other reviewers have noted. I thought the author tried to be fair and presented both sides of the story for the most part. However, he often came across as judgmental; the facts alone would have sufficed, but the author usually sums up with his own opinion about Michael's psychology or behavior or motives- opinions I often disagreed with.
At times he would quote psychiatrists who had theories about Michael that I often thought were rediculous: for example, one psychiatrist thought Michael's interest in mannequins suggested that he was narcissistic. The mannequins were not replicas of himself, they represented people of several different ethnic groups. The obvious explanation for the mannequins is that he was lonely and couldn't relate to "normal" people.
The author is sick of hearing about Michael's lost childhood. He calculates that he missed out on a certain number of years of his childhood, and has spent double that amount of time recovering them as an adult. I'm not a psychiatrist, but I don't think it works that way... I'm pretty sure you have to experience your childhood when you're a child for it to count. He also suggests that Michael's vitiligo was caused by skin-bleaching agents, when it more commonly occurs spontaneously as an autoimmune disorder; the co-presence of lupus, another autoimmune disorder, makes this a more likely cause. Overall, I felt the portrayal of Michael was slightly more negative than positive. The stories that portray him as a cut-throat artist or an aggressive businessman are most interesting, but don't necessarily represent all aspects of his complex personality.
I definitely wanted to hear about his personal life, but not at the expense of his musical and professional history. For example, the creation and release of the "Dangerous" album was completely glossed over- by then it was all about the scandal. In contrast, he spends pages and pages describing the planning of a Jackson 5 concert series in Korea that never occurred.
At the end of the book, the author says that he still has doubts about whether Michael Jackson was innocent of Jordan Chandler's accusations. Among other reasons, he remembers Jordan's mother's poignant testimony at the 2005 trial, and states that it was clear she had been totally ruined by her association with Michael Jackson. Not sure what her ruin has to do with Michael's innocence or guilt? There are obvious major credibility issues with the Chandler family. Evan Chandler had motives beyond those that concerned his son. A nasty, vindictive man, he wanted to get back at Michael for some personal slight and wasn't ashamed to retire in luxury on someone else's hard-earned money. June's lawyer withdrew from the case- how often does that happen, especially knowing how much money was to be made? This lawyer later claimed he thought Michael was innocent. Jordan refused to testify against Michael, even many years later. So I thought the author could have put more emphasis on the Chandlers' lack of credibility. Early on in the book he talks for several paragraphs about how even if Michael were really gay, he would never act on it because of his strict moral upbringing and religious beliefs. Does child molestation not fall under the same category??
I still recommend the book, but suggest that you make your own conclusions about this enigmatic man.Michael Jackson: The Magic, The Madness, The Whole Story, 1958-2009 OverviewSo much has how been said and written about the life and career of Michael Jackson that it has become almost impossible to disentangle the man from the myth. This book is the fruit of over 30 years of research and hundreds of exclusive interviews with a remarkable level of access to the very closest circles of the Jackson family - including Michael himself. Cutting through tabloid rumours, J. Randy Taraborrelli traces the real story behind Michael Jackson, from his drilling as a child star through the blooming of his talent to his ever-changing personal appearance and bizarre publicity stunts. This major biography includes the behind-the-scenes story to many of the landmarks in Jackson's life: his legal and commercial battles, his marriages to Lisa Marie Presley and Debbie Rowe, his passions and addictions, his children. Objective and revealing, it carries the hallmarks of all of Taraborrelli's best-sellers: impeccable research, brilliant storytelling and definitive documentation.

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In the Studio with Michael Jackson Review

In the Studio with Michael Jackson
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In the Studio with Michael Jackson ReviewFACT: This book was scheduled for release, and already titled, WAY before Jackson's death.
FACT: Hal Leonard Publishing is a company that publishes TRADE/TECHNICAL books, not novels and biographies.
FACT: This is a book that details Bruce Swedien's work in the studio with Michael Jackson, and as in other books in a similar vain published by Hal Leonard, and is supposed to be of a technical nature with some anecdotes, not the other way around. It's not a rip-off biography, nor was it ever meant to be.
There are books like this written about Elvis Presley, Beatles, and many other recording icons. People in the recording industry, the intended audience for these books, drink these up to find out how certain recording techniques were used to get certain sounds on tape. If you want to read about Bubbles the Chimp or Webster in the studio, this isn't the book for you. If, however, you always loved the drum sound on "Billie Jean", read on.In the Studio with Michael Jackson OverviewThe inside secrets of Michael Jackson's greatest records by the Grammy-winning engineer who captured and enhanced their sound. Multiple color photos of Jackson, producer Quincy Jones, and all the talents who collaborated to make pop history with Jackson's albums. Plucked from a job at legendary Universal Audio in Chicago, Bruce Swedien entered into a fruitful and historic 30-year relationship with producer Quincy Jones. That partnership culminated in the groundbreaking recordings of Michael Jackson, beginning with The Wiz, continuing with Jackson's breakout solo debut Off the Wall, and triumphing with Thriller, which revolutionized music and video and fixed Jackson in culture as the King of Pop. Now Swedien reveals the technical details of creating those albums (along with Bad, Dangerous, and HIStory) and offers personal remembrances and anecdotes about working with the pop icon. Swedien's book provides an insider's look that will thrill anyone interested in the nuts and bolts of hit making and the history of some of America's most influential recordings. * Large collection of photographs from Michael Jackson recording sessions * Forewords by producer Quincy Jones and writer/producer Rod Temperton

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Slash Review

Slash
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Slash ReviewThe story of Guns N' Roses is one of the most controversial in rock n' roll history. GNR has had a famously terse relationship with journalists and authors, and in recent years, former band members have publicly disagreed about the "real story" in the press. The band even threatened bodily harm to journalists in the lyrics of the Use Your Illusion albums! For the first time ever, someone on the inside has gone on record with to describe the genesis of the band, how they wrote and performed one of the most definitive rock albums of all time, the changes in the band's lineup, and finally, the implosion of all things GNR related. Who knew it would be the notoriously private lead guitarist, a soft-spoken man hidden behind a famous mop of hair, who would step up and tell the story?
Slash's memoir is the diary of a dope fiend (released a month after the autobiography of his friend and former heroin-buddy Nikki Sixx). Well, the diary of a dope-, and women- and coke- and crack- and alcohol-fiend. Have anything else debaucherous? The late 1980's and 1990's Slash would have tried it for sure. During one cocaine-induced hallucination of an attack by blue-gray Predator-like creatures with machine guns, Slash punched out his glass shower door and ran naked into the streets in terror. The incident got Slash into rehab, but no sooner than his limo driver picked up the "cured" ax man, he was downing half a liter of vodka in the backseat.
What doesn't Slash want to talk about? Well, don't bother asking if GNR is getting back together (I'm not even going to acknowledge the current faux-lineup). Slash says it won't happen, ever. The ten-years-delayed release of Axl's Chinese Democracy album? Slash gets asked that question in every interview, and he leaves it out of his memoir. In an interview about the book, Slash stated "Axl works in a different time zone than I do. So what may seem like a long time to other people is a tick of the clock to him. It'll come out, though. It will." Even Axl's famous tour cancellations and delays are treated matter-of-factly--Slash doesn't attempt to analyze or explain the behavior of his bandmate, nor does he seethe with anger or resentment.
Others have tried to write the history of the band, but most are hacks or fanboys who strung together quotes from numerous previously published sources. Before Slash spoke up, the only other worthwhile title was rock journalist Mick Wall's The Most Dangerous Band in the World (1992), and the VH1 Behind the Music production (2004). Thank you, Slash, for letting all rock fans into the inner world of GNR, featuring your toxic twin Steven, current bandmate and forever friend Duff, the laid-back and gifted Izzy, and the enigmatic Axl. You've treated the story with humor, candor, honesty, self-reflection, and respect, even for those from whom you are currently estranged.Slash Overview
From one of the greatest rock guitarists of our era comes a memoir that redefines sex, drugs, and rock 'n' roll.

For the first time ever, Slash tells the tale that has yet to be told from the inside: how the legendary band Guns N' Roses came together, how they wrote the music that defined an era, how they survived insane, never-ending tours, how they survived themselves, and, ultimately, how it all fell apart. Slash is a window into the world of the notoriously private guitarist and a front seat on the roller-coaster ride that was one of history's greatest rock 'n' roll machines, always on the edge of self-destruction, even at the pinnacle of its success. Slash is everything Slash is: funny, honest, ingenious, inspiring, jaw-dropping . . . and, in a word, excessive.


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