Showing posts with label music scene. Show all posts
Showing posts with label music scene. Show all posts

Life on Planet Rock: From Guns N' Roses to Nirvana, a Backstage Journey through Rock's Most Debauched Decade Review

Life on Planet Rock: From Guns N' Roses to Nirvana, a Backstage Journey through Rock's Most Debauched Decade
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Life on Planet Rock: From Guns N' Roses to Nirvana, a Backstage Journey through Rock's Most Debauched Decade ReviewWhat can a book reviewer say about a memoir written by the editor of RIP magazine and endorsed by Cameron Crowe, Scott Ian, Paul Stanley, Alice Cooper, Lemmy Kilmister, and one of the founders of MTV? Lonn Friend was in the inner circle of Larry and Althea Flynt when he was offered the editorial helm of Flynt Publishing's fledgling rock magazine. For seven years, RIP magazine chronicled the American heavy metal scene as it transformed from the heyday of hair metal to the era of grunge rock.
Friend's memoir marks a critical contribution to the history of heavy metal. It reads like an impeccably verified collection of bar-room tales from a top notch storyteller. The opening chapter alone is worth the paperback cover price - it represents some of the first new material published about Guns N' Roses in the last decade. Lonn Friend greenlighted Guns N Roses' cover shot in 1988, months before Appetite for Destruction went platinum. He cavorted with the band as well (as members of Metallica and Skid Row) well into the Use Your Illusion era. In Life on Planet Rock, Friend reveals for the first time how well he knew of Slash's heroin addiction during their 1990 interview. (Slash himself has now gone on record about the addiction, so Friend was comfortable revealing the whole story.)
Other chapters focus on the legendary antics of Alice Cooper, The Who, KISS, Nirvana, Pearl Jam, Bon Jovi, and Motley Crue. This book is a Who's Who highlight guide to the brief reign RIP magazine -- only with the wisdom of hindsight and the freedom to tell all! Friend turns highly introspective in the closing chapter, examining his own turbulent relationship with the music industry and rock journalism.Life on Planet Rock: From Guns N' Roses to Nirvana, a Backstage Journey through Rock's Most Debauched Decade Overview

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100 Careers in the Music Business Review

100 Careers in the Music Business
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100 Careers in the Music Business ReviewI enjoyed this book. I was more focused on finding about careers more geared towards A&R and managing, but it also has careers involving songwriting, radio, and so on. Easy to read and a nice format.
I especially liked that each career had quotes from an industry professional telling their favorite and least favorite thing about their job. Very insightful.100 Careers in the Music Business OverviewThe music industry has undergone radical changes in recent years, but abundant career opportunities still exist for beginners with talent, imagination, and a love of music. The record industry and its dealers have suffered recent setbacks, but most other aspects of the music business continue to flourish--and this book tells beginners how and where to find rewarding jobs. Highly talented singers, song writers, and instrumentalists are always in demand, but many lesser known and rewarding career opportunities exist, with new avenues opening virtually every day. Among job opportunities described in this book are artists' agents and managers, talent agents, sound technicians, film and TV technicians, film and TV production managers, advertising illustrators and copywriters, publicists, and many others. The author tells beginners how to match their own qualifications with potential job openings, seek and find job interviews, and get into the music business. For each job designation, she lists the special skills needed, describes a typical workday, and presents actual case studies of men and women who have found music career openings, and have gone on to make the most of them. Sidebar features include at-a-glance career tips and "voices of experience" notes citing the best and worst things about each job. New in this edition is information on how today's new technologies have influenced careers and created opportunities in the music business. The book's several appendices include lists of names, addresses, and web sites of music unions, organizations, directories, magazines, and schools offering degrees in music business management. There is also a glossary of music business and technical terms.

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This Business of Music Marketing and Promotion, Revised and Updated Edition Review

This Business of Music Marketing and Promotion, Revised and Updated Edition
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This Business of Music Marketing and Promotion, Revised and Updated Edition ReviewIt seems that most reviewers are quite split on whether this is a "good" book or a "lousy" one. First off, reading the book I got a distinct impression that this book is not intended for musicians, it seems to be targeted more towards those in marketing who are familiar with marketing basics, but not about how they apply to the music industry.

There are much better books about the inner workings of the music industry (see books by Donald S. Passman and Moses Avalon.) There are much better books on marketing (see the "Guerrilla" series by Levinson and Godin). This book is adequate at introducing the music biz to marketing juniors, but not marketing to musicians.

One review wrote: "...dizzying amount of extremely useful information, all within an engrossing and enjoyable text" -- I find this review extremely suspect. I've read many books on both the music biz and marketing -- but this one is so mind-crushingly boring it's difficult to read and useful info is easily forgotten.This Business of Music Marketing and Promotion, Revised and Updated Edition OverviewThe maxim in the music industry has always been "You can't make it on talent alone," and with This Business of Music Marketing & Promotion, you don't have to.In language that is simple and direct, author Tad Lathrop details promotional skills, publicity plans, royalty guidelines, and more, all supported by real-life examples. He shows how the Web and other technological developments have revolutionized not only how music is made, but how it is marketed and promoted. The old rules still apply—create a marketing plan, know your copyrights, be familiar with the laws of commerce—but there are a host of new ones as well, along with new strategies on how to give your recording the exposure it deserves. This streamlined, reorganized, and updated edition features an all-new chapter ("Twenty-Five Profile-Building Ideas to Use Right Now"), which will help readers get a running start in the recording business. They'll also find completely updated material about Internet sales and promotion techniques, the latest information available on integrated marketing and e-marketing strategies, and brand-new listings of information resources.

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