Showing posts with label rock. Show all posts
Showing posts with label rock. Show all posts

1000 Songs that Rock Your World: From Rock Classics to one-Hit Wonders, the Music That Lights Your Fire Review

1000 Songs that Rock Your World: From Rock Classics to one-Hit Wonders, the Music That Lights Your Fire
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1000 Songs that Rock Your World: From Rock Classics to one-Hit Wonders, the Music That Lights Your Fire ReviewIt's not correct to say I finished this one. Every time I open it there's something new to look at. This book is just gorgeous and has a ton of retro and vintage rock photos. My favorite is the use of vintage posters, album covers and rock tickets. In addition to the look, Thompson's picks are on the money but he struggles to put some genres into context. One example is an odd placement of a Bela Lugosi biography used at the beginning of a chapter on movie theme songs. Still, this is a book you'll love to own and want to share.1000 Songs that Rock Your World: From Rock Classics to one-Hit Wonders, the Music That Lights Your Fire Overview

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Rockin' Down the Highway: The Cars and People That Made Rock Roll Review

Rockin' Down the Highway: The Cars and People That Made Rock Roll
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Rockin' Down the Highway: The Cars and People That Made Rock Roll ReviewI'd say what a great read, but this baby is more than that. You just pick it up and it makes you smile and chuckle in warm appreciation. The connection between cars and music always is kicking around in the back of our heads and somehow here they've caught that in visual and textual mediums. Pick this up and I swear to god it feels as if you are rockin'd down the highway with the AM radio cranked. You can browse through it, or read it cover to cover. And you can just put it on the coffee table if you want to and it still talks to you. I actually feel like sending a check to Grushkin and his co-conspirators just to keep them cookin' on similar projects. And I'm cheap. And I don't gush. If you've even heard of rock and roll and automobiles, buy this baby.Rockin' Down the Highway: The Cars and People That Made Rock Roll OverviewIn the world of music, a car is inspiration, a symbol of freedom and style, and often a way to hit the road and get to the gig. From Robert Johnson's "Terraplane Blues" to rapper Xzibit's hit MTV show, "Pimp My Ride," from pink Cadillacs and L'il Deuce Coupes and Roadrunners, cars have been a constant theme in rock-n-roll. Perhaps it's because references to cars in American song are so pervasive that no one has ever attempted the daunting task of exploring the connection . . . until now.

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Rock and Roll Year By Year Review

Rock and Roll Year By Year
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Rock and Roll Year By Year ReviewThis is probably the best book of its type to date. But it is not without it's problems. The first is that both of its authors are British. Hence it skews to the right of the Atlantic. Not that I don't feel myself, that British Rock has produced some of the best acts of all time, but for instance there are more entries on and photos of Gary Glitter than Alice Cooper. Gary Glitter? This is just one example. Some one in a review here mentioned the happy inclusion of Yes. If you look through the entries for that band you'll find at least Two mistakes saying that Fragile was their third album, (it was the fourth) and that Owner of a Lonely Heart is from Big Generator (it wasn't). This may seem like nitpicking but these are just the equivalent of what might be found on one page. It makes one wonder how many more of the presented "facts" are not trustworthy? You expect more from music critics on the voting board of the Rock & roll Hall of Fame. In the end though it's a valiant effort they undertook, and I'm glad I bought the book. It could/should have been a five star book though.Rock and Roll Year By Year OverviewTracing the development of cinema from the first experiments of Edison to the global film industry of the 21st century, this bestselling annual is the definitive chronology of the movies. Packed with key events and facts from the history of film, Cinema Year by Year is an informative and fascinating reference for movie lovers.

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Return Of The King Elvis Presley's Great Comeback (Genuine Jawbone Books) Review

Return Of The King Elvis Presley's Great Comeback (Genuine Jawbone Books)
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Return Of The King Elvis Presley's Great Comeback (Genuine Jawbone Books) ReviewA very interesting perspective of this pivotal point of Elvis' career. Very well rounded selection of interviews that bring a more intimate look at a story that's been well documented. I do have a few issues with this book. The Jerry Reed portion isn't quite accurate, although Elvis wasn't aware, they leaned on Jerry much harder than the book leads you to believe. Maybe a small point, but it's one of many things that I disliked about some of the people around him. There are a few people that all Elvis writers should be warned to stay away from at all costs. If your last name ends in Stanley or West you have no credibility, too many years of lies for anyone to start believing you now, to the author's credit, there's just the one quote. I was really hoping that the book would end around '71, unfortunately it didn't. Like the vast majority of books about Elvis, once you get past the Aloha from Hawaii portion, it gets convoluted and wildly inaccurate. This book follows that pattern. Listen to Jerry Schilling, Dr. Nick, to a degree Joe E when he speaks in less generalities. The last years of his life were filled with painful physical ailments, depression, fad diets, overwork, reliance on prescriptions (as a means of function), and loneliness, unless he was on a stage, and even then, there were times when that wasn't enough. It's not fair to bundle all that as due to an addiction and then trudge on to some other self-destructive point with no understanding or perspective of reference. Everything up to the American and Stax sessions was well thought out from a fresh perspective, detail oriented and a great read, from chapter 6 on, it's well, it's the exact opposite.Return Of The King Elvis Presley's Great Comeback (Genuine Jawbone Books) OverviewOn January 11967a contract betweenColonelTom Parker and his sole clientElvis Presleygave Parker a 50 percent cut of profits that Presley generated. It was a shameless grab for a bigger piece of a pie that had actually been shrinking for some time. Though Parker's plan to reestablish Presley as a star after he left the army proved successful at first (with the triumph of films like ÊG.I. BluesÊ and ÊBlue HawaiiÊ)by 1967 Presley's singles struggled to break the top 20and he hadn't hit number one for six years. Amazinglyby the end of 1968 he was artistically revitalizedreemerging in a TV comeback special and slimmed down for the now-iconic black leather suit. It was the pivotal moment of the second great period of Presley's careerwhich lasted through to the end of 1970during which he recorded some of his most enduring recordsincludingSuspicious MindsandIn the Ghetto.ÊReturn of the KingÊ document's Presley reclamation of his crownmaking an extraordinary transition from fading balladeer to engagedvital artist.

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Life on Planet Rock: From Guns N' Roses to Nirvana, a Backstage Journey through Rock's Most Debauched Decade Review

Life on Planet Rock: From Guns N' Roses to Nirvana, a Backstage Journey through Rock's Most Debauched Decade
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Life on Planet Rock: From Guns N' Roses to Nirvana, a Backstage Journey through Rock's Most Debauched Decade ReviewWhat can a book reviewer say about a memoir written by the editor of RIP magazine and endorsed by Cameron Crowe, Scott Ian, Paul Stanley, Alice Cooper, Lemmy Kilmister, and one of the founders of MTV? Lonn Friend was in the inner circle of Larry and Althea Flynt when he was offered the editorial helm of Flynt Publishing's fledgling rock magazine. For seven years, RIP magazine chronicled the American heavy metal scene as it transformed from the heyday of hair metal to the era of grunge rock.
Friend's memoir marks a critical contribution to the history of heavy metal. It reads like an impeccably verified collection of bar-room tales from a top notch storyteller. The opening chapter alone is worth the paperback cover price - it represents some of the first new material published about Guns N' Roses in the last decade. Lonn Friend greenlighted Guns N Roses' cover shot in 1988, months before Appetite for Destruction went platinum. He cavorted with the band as well (as members of Metallica and Skid Row) well into the Use Your Illusion era. In Life on Planet Rock, Friend reveals for the first time how well he knew of Slash's heroin addiction during their 1990 interview. (Slash himself has now gone on record about the addiction, so Friend was comfortable revealing the whole story.)
Other chapters focus on the legendary antics of Alice Cooper, The Who, KISS, Nirvana, Pearl Jam, Bon Jovi, and Motley Crue. This book is a Who's Who highlight guide to the brief reign RIP magazine -- only with the wisdom of hindsight and the freedom to tell all! Friend turns highly introspective in the closing chapter, examining his own turbulent relationship with the music industry and rock journalism.Life on Planet Rock: From Guns N' Roses to Nirvana, a Backstage Journey through Rock's Most Debauched Decade Overview

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U2: At the End of the World Review

U2: At the End of the World
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U2: At the End of the World ReviewAlthough this is a book about U2, it's such a strange and fascinating tale that it should stand as a classic of rock-n-roll writing as well as the single essential volume for any U2 fan.
The first thing that sets this book apart from the usual rock bio is that it doesn't focus on serving up facts about the band members. There's no "born here, went to school here" at the beginning; instead, we open with Bono, startled into crouching with a hand over his nakedness when a German family comes to reclaim the East Berlin house he's staying in just after the Wall falls. The rest of this tome continues in the same vein, conveying what the band members are like and how they live their rockstar lives by vividly recounting moment-to-moment experiences that the author lived through along with them.
Bill Flanagan was granted unprecedented access to the band member's lives, and throughout the two years he spends touring with him, they treat him as a friend. He makes no pretense of impartiality but rather tells everything from his own point of view, which is much more genuine than any false distance would be and allows you to feel you're there with the band. The length of time and volume of material that result are made more manageable by the fact that Flanagan gives each chapter its own brief coherency, so they can easily be read separately as well as together (and indeed a couple of them were originally published as magazine articles in Musician).
The real reward comes from following the band through to the end of their Zoo TV/Zooropa tour. There's a detachment from reality that Flanagan, the band members, and all the tour crew come to experience as they dedicate themselves to a roaming life, and it's gradually revealed as the band's experiences become more and more strange. Eventually, when you reach the near-insanity of Bono walking and talking and refusing to go to sleep in Japan, it makes a kind of strange sense. Along the way, Adam bottoms out, Edge does 'shrooms and falls in love, and Larry injects himself with bull's blood. It's all good stuff.
If you're really into U2, it would be a crying shame for you to miss out on this book because you'll never understand the band so well any other way. If you've somehow stumbled upon this out of a general interest in rock-n-roll life, it's worth your time to use this book for an insider's view. And if you're looking for some fun nonfiction, it doesn't get any crazier than this.U2: At the End of the World Overview

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The Elvis Encyclopedia Review

The Elvis Encyclopedia
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The Elvis Encyclopedia Review--In a photo from the set of "Love Me Tender" Richard Egan is identified as George Hamilton.
--The plot outline of "King Creole" includes several mistatements, about the finale in particular.
--The plot outline for "Paradise Hawaiin Style" is incorrect about how the helicopter keys were lost.
--A photo of Elvis with some bikini clad dancing girls is said to be a scene from the movie "Follow That Dream"; I don't remember any such girls from that particular movie.
--The caption of the famous photo of Elvis rehearsing with the hound dog for the Steve Allen show implies that the photo is from the broadcast itself.
After encountering these questionable items within minutes of opening the book, I feared too much else would be unrealiable, so decided not to purchase the book, despite the many good photos, and apparent plethora of information. Also, the print is miniscule, although I admit it had to be to get everything in one volume.
I speak as a long time Elvis fan who values complete accuracy, especially in a book that aspires to be definitive.The Elvis Encyclopedia Overview

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Crosby, Stills & Nash: The Biography Review

Crosby, Stills and Nash: The Biography
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Crosby, Stills & Nash: The Biography ReviewThis revised and updated edition is the third entry of Crosby,Stills & Nash:The Biography. The first edition was published in 1984 and chronicled the early years of CSNY.The prose by Mr.Zimmer and the photos by Mr.Diltz made for compelling reading.Anyone even remotely familiar
with these men and their music knows their history.It has always amazed me that CSNY became legend on the strength of two albums.CROSBY,STILLS AND NASH was released in 1969 right before the summer of Woodstock.Neil Young climbed aboard just before that historic event and the rest is history.DEJA VU came out in late spring of 1970 and it became a classic for the ages.The first edition follows the group up to 1984.The revised edition was published in 1999 and picks up where the first edition left off.Crosby's problems with drug addiction and his short prison stint are written about but not dwelled upon .The second edition ends in 1999 with the release of LOOKING FORWARD (CSNY'S third studio album in 29 years) and on the eve of the CSNY2K tour (their 2nd in 26 years).The 2008
edition would be a rehashing of previous events one would think,but that one would be wrong.So much has happened to both them AND us.There is new insight on Stephen Stills and Judy "Suite:Judy Blue Eyes" Collins that has never been revealed before.It IS an eye opener.CSNY went out touring right after 9-11 and there are a lot of photos from that tour.Then came 2006's FREEDOM OF SPEECH TOUR and THAT is what finally divides the artist and the audience. It is a fascinating read because of the insights Zimmer provides,not all of them of the same viewpoint as the celebated quartet.This 2008 edition is the keeper because
it lays out not only the lives of David Crosby,Stephen Stills,Graham Nash and Neil Young but the lives of their fellow generation (read baby boomers)as well. All four are well into their sixties but their fire has never dwindled. I can't think of any musicians that have put their entire career on the line like these cats have because they've always lived up to "being real".If this latest edition is the last one,it could not have ended on a higher note.Zimmer concludes in the final chapter that there is "no end in sight".Who knows? There may be MORE music to write,MORE songs to be sung and MORE audiences to be thrilled.A majestic American tale...and it is all true.
Crosby, Stills & Nash: The Biography OverviewCrosby, Stills & Nash created some of the most indelible songs and beautiful harmonies of the late 1960s and early 1970s: "Suite: Judy Blue Eyes," "Woodstock," "Teach Your Children." This copiously illustrated account of the trio's personal and musical history tells the story behind the songs. Longtime CSN chronicler Dave Zimmer, with the full cooperation of the band, traces all of the performers from their musical roots to their first song together in L.A.'s storied Laurel Canyon; from their addition of Neil Young to Woodstock; and through their stormy years of creative conflicts, reunions, and reconciliations. This new edition has been fully reconfigured and updated to celebrate the trio's 40th anniversary and to accommodate over 300 photos, as well as Crosby, Stills, Nash & Young's controversial Living with War tour.

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Backstage Passes and Backstabbing Bastards Review

Backstage Passes and Backstabbing Bastards
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Backstage Passes and Backstabbing Bastards ReviewAl Kooper has been rightly called the "Forrest Gump" of rock and roll. Throughout the 60's and 70's he seemed to turn up as a producer or band member with the right group of musicians until he either checked out of a band (the first electric Bob Dylan tour in 1965) or was thrown out (Blood, Sweat and Tears). Over the course of 40 years he's amassed an amazing amount of experiences that he's collected in Backstage Passes and Back Stabbing Bastards. This is the third edition of his music biography first published in 1979, then updated in the mid-90's, and now reissued covering 1998 to the present. "BP&BB" reads very much like a long-form interview you'd see in Rolling Stone (when it was good) or MOJO (always good). While he's never quite gone beyond cult figure status on his own, behind the scenes he's worked with some legends, most notably Bob Dylan and Lynyrd Skynyrd. Dylan pops up at various times throughout the book and Al's stories about him are alternately revealing but mostly hilarious. It was Dylan who gave Kooper his "calling card" to rock stardom when he overruled producer Tom Wilson and turned up the organist on "Like a Rolling Stone". The organist was Kooper, who'd BS'd his way onto the session and only jumped on the organ (an instrument he couldn't turn on let alone play) when Mike Bloomfield showed up and shattered Kooper's guitar hero dreams just by tuning up. That session would be both a blessing and a curse for Kooper, who got a ton of session work from producers looking for "that Dylan sound" but left Al wanting something more substantive musically. Enter Dylan, who dragged him onstage at the legendary Newport Folk Festival when he went electric. Al sets the record straight on that show and has a much different version of the event than the history books because he was RIGHT THERE. He was also "right there" when Bob went to Nashville to record "Blonde on Blonde". Al's relationship with Dylan has certainly evolved over the years and from his stories you get the impression that Bob's been doing everything he can to run away from his legacy instead of embracing it.
From there, he joined the Blues Project until they imploded. Organized and performed at Monterey Pop, then formed Blood Sweat and Tears until he was ousted by their drummer following their debut album. That might be the end of the story right? Wrong! Taking the phrase "if you can't beat `em, join `em" to heart, he became a staff producer at CBS Records under "Captain Clive" Davis. His first project would be the legendary "Super Session" album with Mike Bloomfield and Stephen Stills. Kooper's work with "Bloomers' is a case of missed opportunities, when things were good with him they were very good. They would produce 3 albums together but Mike could be exasperating to deal with. He only appeared on ½ of "SS" and "The Live Adventures", leaving suddenly midway through both due to chronic insomnia and/or a heroin addiction that eventually took his life.
After leaving CBS, he relocated to Atlanta with the idea of forming his own record label (ala` Phil Walden at Capricorn Records). While scouting local talent he spotted a guitar army from Jacksonville and "Sounds of the South's" first artist was Lynyrd Skynyrd. LS seem to have a love/hate relationship with Kooper. While grateful for producing their first 3 albums (as well as hits like "Free Bird", "Gimme 3 Steps" and "Sweet Home Alabama") his production methods seemed to soften the powerhouse sound they had live. It's no wonder he was immortalized as "Mr. Yankee Slicker" in the song "Workin' for MCA".
The one story I wished he'd expanded on was playing with Jimi Hendrix on "Electric Ladyland". They'd met at Monterey Pop and Al received one of Jimi's Strats as a thank-you for his work. That guitar would prove to be more trouble than it was worth later on.
The last 10 years have been something of a rough road for Al. He became an associate professor at Berklee College of Music in Boston, became a grandfather, and endured a long recovery from a debilitating eye disorder. But he's still out playing live (with his academic colleagues no less!) and his dry wit is still there, can't wait for volume 4!
Highly recommended!
Backstage Passes and Backstabbing Bastards OverviewÂA rock 'n roll classic, back in print, updated and revised.ÂÂOne of the funniest rock memoirs ever, Al Kooper's legendary ÂBackstage Passes is available again! Al's quirkly life, from would'be teenage rocker, to crashing Bob Dylan's recording session and playing the organ on ÂHighway 61Â, to forming Blood, Sweat, and Tears and masterminding the Super Sessions, it's all here...plus, in this updated version, Al rides with us all the way back to the end of the 20th century. There has never been a more wickedly humorous and honest book by a man who has made such rock history.

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Heaven and Hell: My Life in the Eagles (1974-2001) Review

Heaven and Hell: My Life in the Eagles (1974-2001)
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Heaven and Hell: My Life in the Eagles (1974-2001) ReviewFirst of all, I don't feel sorry for Felder. He is more than wealthy enought to maintain himself for the rest of his life. I feel this book is notable because he has given us a look into the workings of the Eagles. The last 4-5 chapters were the most interesting for me. Felder describes in detail the control Henley and Frey had in the band and how they un-equally shared the revenue with the Hell Freezes over Tour. Whereas Schmidt and Walsh signed their agreements willingly, it was Felder who tried to keep everything equal due to the original agreement they had when he had joined the band, and it was his downfall.
We hear and feel Felder's frustration when attempting to talk to Henley and Frey through their Manager Irving Azoff. Azoff himself protected more of Henley and Frey than the other band members. They all stayed in different floors away from each other in hotels during touring. When it was promised that the percentage of income would be worked out with Felder, (It never Happened). After Felder was fired, he was forced to sue the Eagles over constantant mis-management and handling of the finances. This book put Irzoff, Henley and Frey in an extreemly bad light, and I must say I agree completely with Felder on many of his examinations. The Company created called "Eagles Limited" was the organization made up by all the original members including Don Felder. Each had a 20% part of the organization equally. When Bernie and Randy (original members) left the group, these shares were given back freely but not extended to Schmidt or Walsh. This is probably the beginning of the control ride that Henley and Frey started with the group. To this day Schmidt and Walsh are just hired session and performance members only. Felder did still retain all his membership rights. When he questioned the accounting and business decisions, he was made to feel uncomfortable. Henley, Frey, and Azoff made no attempt to let him in on the decisions made. It was in fact a partnership with only two members making decisions while the other member was made to be a silent partner. Felder had every right to question accountability of the finances and decision making. When he was terminated, his only recourse was to sue. Some of this is covered in the book but may have been watered over due to the settlement of the lawsuit.
This book has made me a convert and fan to Felder. I never realized how much he incorporated into the Eagles music until now. I recommend this book highly because Don is a respectable guy, and a great guitarist. I believe Henley and Frey made a very bad decision with the removal of Felder. They obviously did not take into account how many fans Felder had.
Heaven and Hell: My Life in the Eagles (1974-2001) OverviewThe Eagles are the bestselling, and arguably the tightest-lipped, American group ever. Now band member and guitarist Don Felder finally breaks the Eagles' years of public silence to take fans behind the scenes. He shares every part of the band's wild ride, from the pressure-packed recording studios and trashed hotel rooms to the tension-filled courtrooms, and from the joy of writing powerful new songs to the magic of performing in huge arenas packed with roaring fans.

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Does the Noise in My Head Bother You?: A Rock 'n' Roll Memoir Review

Does the Noise in My Head Bother You: A Rock 'n' Roll Memoir
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Does the Noise in My Head Bother You: A Rock 'n' Roll Memoir Review371 pages of text, 3 page "Semiprologue", 32 pages of color and b&w photos throughout Tyler's life. Take the dust jacket off and there are wrap-around photos of Tyler in full regalia and mic stand. The inside front and back pages have the same series of photos.
In a nutshell-if you like Steven Tyler/AEROSMITH (originally spelled ARROWSMITH for about 5 seconds-Tyler wanted HOOKERS, but changed the spelling to A-E-R-O) you'll like this book. With the help of David Dalton, a long time Rolling Stone Magazine contributor, Tyler tells his tale in much the same style as he would in a conversation. His comments are sometimes off the wall and colorful, but somehow seem to help tell his life story. A quick glance at the chapter headings will prove my point. But Tyler writes in a very straightforward, in your face, no-holds barred style. Throughout the book Tyler constantly lays things out, no matter the subject matter, which helps paint a better, fuller picture of both his music, and himself.
Beginning with his birth, we learn about his parents and their strong influence on his adult outlook , his early formative years, friends and acquaintances, and his discovery of music. There's a lot of background details that help fill in Tyler's early life-a boyhood in many respects like other kids of the era, and how he found his way to music, and his decision to make music his life. Tyler talks about the comparisons between Mick Jagger and himself, and how the press played up their similarities. But Tyler makes no bones about Jagger/The Stones-he idolized them, along with other r'n'r stars of the day. We also learn about the many personal and band escapades-involving sex/drugs/r'n'r during the many years when the band was touring hard-and partying just as hard. If you've ever wondered about the highs and lows of a r'n'r band, this portion of the book will give you a good look into what it's all about. But Tyler tells his story with both great insight and humor, using that Tyler way with words, and that peculiar turn of a phrase that never seems to fail him.
For fans of the band, the book gets really interesting when the original band (with guitarist Ray Tabano), decided to try and "make it", by moving to Boston. This portion of the book really has the flavor of AEROSMITH-the song choices, the small clubs, trying to get by, and the beginning of their recording career, and the recording of various albums, and Tyler's on-going feud with guitarist Joe Perry The many details are what make this book worth reading-all the trials and tribulations that Tyler and the band went through in order to make music, and persevere in the music business.
Tyler also talks about his family-especially his four children. This is where he opens himself up and shows that underneath all that bravado, he's a caring, sensitive man. Tyler also talks about his stints in rehab, and the many physical maladies that have plagued him for a number of years, a number of which were caused by his r'n'r lifestyle. The book is also a cautionary tale of how excess can lead to ruin-his marriages and divorces, his troubles with his band mates, his regrets when looking back at parts of his life when the conflict of home life and his band made life almost intolerable, and so on. But in the end, Tyler (now a judge on American Idol) has adjusted to his sixth decade, living in Laurel Canyon, where many of his idols once lived, able to look back at a lifetime of music making.
For anyone who wonders if Steven Tyler is for real-this book will amply prove that point. His jive-talking, flavorful, sometimes off-color word usage, sometimes semi-nonsense style of writing keeps the interest up throughout this book. At times you get the feeling that Tyler is telling you his tales one on one, which is very effective, and sometimes visceral, but always interesting. The combination of small details throughout gives added depth to his story. It's an honest (as he sees it) look at a man, his music, his life in and outside of music, and how they all intertwine. And for all the jive bravado, you get the feeling, that underneath is someone who wants to let people know that, in many respects, he's just like us-an example-the book is dedicated to his mother. If you've ever wondered (as I have) if the persona he throws out is all there is, this book will help you see past all that. You may be surprised.
If you're interested in the other side of the r'n'r coin, so to speak, check out the book "And On Piano Nicky Hopkins: The Extraordinary Life of Rock's Greatest Session Man". As much as Tyler ultimately "made it" in music, Hopkins story (truly perhaps the greatest session man in r'n'r) is altogether something different. This book is a window into the r'n'r lifestyle of a man few could match.Does the Noise in My Head Bother You: A Rock 'n' Roll Memoir Overview
"I've been mythicized, Mick-icized, eulogized and fooligized, I've been Cole-Portered and farmer's-daughtered, I've been Led Zepped and 12-stepped. I'm a rhyming fool and so cool that me, Fritz the Cat, and Mohair Sam are the baddest cats that am. I have so many outrageous stories, too many, and I'm gonna tell 'em all. All the unexpurgated, brain-jangling tales of debauchery, sex & drugs, transcendence & chemical dependence you will ever want to hear."

The son of a classical pianist straight out of the Bronx of old Archie comics, Steven Tyler was born to be a rock star. Weaned on Cole Porter, Nat King Cole, Mick-and his beloved Janis Joplin-Tyler began tearing up the streets and the stage as a teenager before finally meeting his "mutant twin" and legendary partner Joe Perry. In this addictively readable memoir, told in the playful, poetic voice that is uniquely his own, Tyler unabashedly recounts the meteoric rise, fall, and rise of Aerosmith over the last three decades and riffs on the music that gives it all meaning.

Tyler tells what it's like to be a living legend and the frontman of one of the world's most revered and infamous bands-the debauchery, the money, the notoriety, the fights, the motels and hotels, the elevators, limos, buses and jets, the rehab. He reveals the spiritual side that "gets lost behind the stereotype of the Sex Guy, the Drug Guy, the Demon of Screamin', the Terror of the Tropicana." And he talks about his epic romantic life and his relationship with his four children. As dazzling, bold, and out-on-the-edge as the man himself, Does the Noise in My Head Bother You? is an all-access backstage pass into this extraordinary showman's life.


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Slash Review

Slash
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Slash ReviewThe story of Guns N' Roses is one of the most controversial in rock n' roll history. GNR has had a famously terse relationship with journalists and authors, and in recent years, former band members have publicly disagreed about the "real story" in the press. The band even threatened bodily harm to journalists in the lyrics of the Use Your Illusion albums! For the first time ever, someone on the inside has gone on record with to describe the genesis of the band, how they wrote and performed one of the most definitive rock albums of all time, the changes in the band's lineup, and finally, the implosion of all things GNR related. Who knew it would be the notoriously private lead guitarist, a soft-spoken man hidden behind a famous mop of hair, who would step up and tell the story?
Slash's memoir is the diary of a dope fiend (released a month after the autobiography of his friend and former heroin-buddy Nikki Sixx). Well, the diary of a dope-, and women- and coke- and crack- and alcohol-fiend. Have anything else debaucherous? The late 1980's and 1990's Slash would have tried it for sure. During one cocaine-induced hallucination of an attack by blue-gray Predator-like creatures with machine guns, Slash punched out his glass shower door and ran naked into the streets in terror. The incident got Slash into rehab, but no sooner than his limo driver picked up the "cured" ax man, he was downing half a liter of vodka in the backseat.
What doesn't Slash want to talk about? Well, don't bother asking if GNR is getting back together (I'm not even going to acknowledge the current faux-lineup). Slash says it won't happen, ever. The ten-years-delayed release of Axl's Chinese Democracy album? Slash gets asked that question in every interview, and he leaves it out of his memoir. In an interview about the book, Slash stated "Axl works in a different time zone than I do. So what may seem like a long time to other people is a tick of the clock to him. It'll come out, though. It will." Even Axl's famous tour cancellations and delays are treated matter-of-factly--Slash doesn't attempt to analyze or explain the behavior of his bandmate, nor does he seethe with anger or resentment.
Others have tried to write the history of the band, but most are hacks or fanboys who strung together quotes from numerous previously published sources. Before Slash spoke up, the only other worthwhile title was rock journalist Mick Wall's The Most Dangerous Band in the World (1992), and the VH1 Behind the Music production (2004). Thank you, Slash, for letting all rock fans into the inner world of GNR, featuring your toxic twin Steven, current bandmate and forever friend Duff, the laid-back and gifted Izzy, and the enigmatic Axl. You've treated the story with humor, candor, honesty, self-reflection, and respect, even for those from whom you are currently estranged.Slash Overview
From one of the greatest rock guitarists of our era comes a memoir that redefines sex, drugs, and rock 'n' roll.

For the first time ever, Slash tells the tale that has yet to be told from the inside: how the legendary band Guns N' Roses came together, how they wrote the music that defined an era, how they survived insane, never-ending tours, how they survived themselves, and, ultimately, how it all fell apart. Slash is a window into the world of the notoriously private guitarist and a front seat on the roller-coaster ride that was one of history's greatest rock 'n' roll machines, always on the edge of self-destruction, even at the pinnacle of its success. Slash is everything Slash is: funny, honest, ingenious, inspiring, jaw-dropping . . . and, in a word, excessive.


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