Projected Fears: Horror Films and American Culture Review

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Projected Fears: Horror Films and American Culture ReviewI bought this book to augment my research for a film course I took. This book affords a concise, in-depth examination of the horror film genre and aims to identify its relevance in a historical context, psychological context, and social context. Horror films were long denied by critics as a substantial and intellectual genre worthy of scholarly research, but Kendall R. Phillips proves that they couldn't be more wrong. The films discussed in the text follow a chronological sequence, dating back to the 1920s with The Phantom of the Opera, and goes all the way up to the 90s with Scream.
Excellent book for anyone interested in horror films, film history, or with an appreciation for the much broader history of American culture.Projected Fears: Horror Films and American Culture Overview
Movie audiences seem drawn, almost compelled, toward tales of the horrific and the repulsive. Partly because horror continues to evolve radically-every time the genre is deemed dead, it seems to come up with another twist-it has been one of the most often-dissected genres. Here, author Kendall Phillips selects ten of the most popular and influential horror films-including Dracula, Night of the Living Dead, Halloween, The Silence of the Lambs, and Scream, each of which has become a film landmark and spawned countless imitators, and all having implications that transcend their cinematic influence and achievement. By tracing the production history, contemporary audience response, and lasting cultural influence of each picture, Phillips offers a unique new approach to thinking about the popular attraction to horror films, and the ways in which they reflect both cultural and individual fears. Though stylistically and thematically very different, all of these movies have scared millions of eager moviegoers. This book tries to figure out why.






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