Audie Murphy: Now Showing Review

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Audie Murphy: Now Showing ReviewEmpire Publishing presents "Audie Murphy:Now Showing", celebrating the film career of Audie Leon Murphy ...born June 20, 1924 in Kingston,Texas...left us May 28, 1971 near Roanoke, Virginia.(plane crash) written by Sue Gossett who is an Audie Murphy historian...Gossett's first Empire publication "The Films and Career of Audie Murphy" received such wonderful reviews and praise.
Murphy was a top box office draw for various studios mainly Universal-International...most decorated US soldier of World War II...received the Medal of Honor, the highest award for military conduct above and beyond the call of duty, plus five other decorations from France and Belgium.
Audie made a total of 44 films, was also a successful rancher and businessman...bred and raised thoroughbred horses and owned several ranches in Texas, Arizona and California...released from active duty in 1945, struggled to make it as an actor and was cast in a starring role of "BAD BOY" (1949)..."THE KID FROM TEXAS" (1950)..."THE RED BADGE OF COURAGE" (1951)..."THE CIMARRON KID" (1952)..."GUNSMOKE" (1953)..."RIDE CLEAR OF DIABLO" (1954)..."TO HELL AND BACK" (1955), the film version of his autobiography which was a box office hit setting a record that lasted for twenty years..."WALK THE PROUD LAND" (1956)..."NIGHT PASSAGE" (1957), great western in which he played the Utica Kid, brother to James Stewart..."THE QUIET AMERICAN" (1958)..."NO NAME ON THE BULLET" (1959), another western with a twist in the screenplay and plot..."HELL BENT FOR LEATHER" (1960)..."SEVEN WAYS FROM SUNDOWN" (1960)..."THE UNFORGIVEN" (1960), as Cash Zachary brother to Ben Zachary (Burt Lancaster) in this epic story of the settlers and Indians who battle for the lost sister Rachel Zachary (Audrey Hepburn) only to find bloodshed and bring a family closer together..."POSSE FROM HELL" (1961)..."SIX BLACK HORSES" (1962)..."SHOWDOWN" (1963)..."BULLET FOR A BADMAN" (1964)..."ARIZONA RAIDERS" (1965)..."GUNPOINT" (1966)..."THE TEXICAN" (1966)..."40 GUNS TO APACHE PASS" (1967)..."A TIME FOR DYING" (1969), last film was never released in the United states, only shown in Europe.
This is a must have for any true Audie Murphy fan...with photos from films, lobby cards, publicity items and background comments from the author...more than 500 photo illustrations...complete filmography...foreign items and testimonials...interviews with many of the actors who appeared in the films...locations where the film was shot...short synopsis of each film which all "film-buffs" cherish.
Don't miss this one..."Now Showing" is appearing on Amazon and Empire Publishing ...Audie Murphy is still very much in our hearts when the films he has made appears on Turner Classic Movies, DVD and books like this one comes along...get your copy today. Great reading in the days and weeks to come...I guarantee it!
Total Page: 208 ~ Empire Publishing 9-780944 019382 ~ (10/18/2002)Audie Murphy: Now Showing OverviewTo celebrate the movie career of Audie Murphy, this book contains over 200 pages and more than 500 photo illustrations of advertising materials used to promote the 44 films given to Audie's credit. The contents include photos of movie 1-sheet posters, lobby and window display cards, half sheets, publicity items, complete filmography with brief synopsis of each film, foreign iitems and testimonials, interviews with actors who appeared in his films, author's comments, and more. A must-have for the true Audie Murphy fan!

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Only Connect: A Cultural History of Broadcasting in the United States Review

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Only Connect: A Cultural History of Broadcasting in the United States ReviewI haven't really read this book (got is for school), but the little I have read it very historically detailed, which is interesting because we don't really cover that in the class.
It's easy to read and understand.Only Connect: A Cultural History of Broadcasting in the United States OverviewONLY CONNECT is a comprehensive history of American broadcasting from its earliest days in radio, through the rise of television, to the current era of digital media and the Internet. It presents broadcasting as a vital component of American cultural identity, placing the development of U.S. radio, television, and new media in the context of social and cultural change. Each chapter opens with a discussion of the historical period, thoroughly traces the development of media policy, the growth of media industries, and the history of U.S. broadcast programming, and closes with a look at the major ways that radio and television have been understood and discussed throughout American history.

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Cyberethics: Morality and Law in Cyberspace, Fourth Edition Review

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Cyberethics: Morality and Law in Cyberspace, Fourth Edition ReviewI teach a computing ethics course at an area University. I did not select this book as my text when I reviewed texts for use in the Fall 2004 semester. I did choose Spinello and Tavani's new reader; but this book--like most of the predecessors Spinello has written--would drive my students nuts -- and they wouldn't know why. Bottom line: poorly written and not easy to read -- lots of tough sentence choices made. However, as with Spinello's other books, there are some points he makes that no other computing ethics texts' authors do make! So, I'll glean those points out of his text and present them to my students rather than force them to work their way through and around his prose.Cyberethics: Morality and Law in Cyberspace, Fourth Edition OverviewCompletely revised and updated, the new fourth edition of this popular text takes an in-depth look at the social costs and moral problems that have arisen by the ever expanded use of the internet, and offers up-to-date legal and philosophical perspectives. It focuses heavily on content control and free speech, intellectual property, privacy and security, and features new content on blogging and social networking. Case studies throughout offer real-life scenarios and include coverage of numerous hot topics. In the process of examinging current issues, the text identifies some of the legal disputes that will likely set the standard for future cases.

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Bright Light: Spiritual Lessons from a Life in Acting Review

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Bright Light: Spiritual Lessons from a Life in Acting ReviewThis book is an autobiography, an adventure, a romance novel, and a comedy. It is also a spiritual book which doesn't preach "how to be happy in 7 steps" or "how to manifest with 4 simple laws", it provides real life examples of how to be happy, be joyful, to create everything and anything in your life, to consciously live ones bliss. I found myself totally involved in this book, so much so, that I didn't want to put it down. I laughed, I cried, I was deeply moved. Dee teaches through her own life examples and challenges and when I read them are my life challenges, in fact, they are every person's challenges. This little book is filled with so much on so many levels, whether I just wanted to get lost in a wonderful story or to discover my own Power to create the life I choose. Wow!!! Reading this book is such an inspiration. Thank you Dee Wallace for writing your (actually everyone's) story.Bright Light: Spiritual Lessons from a Life in Acting OverviewLike you, Dee Wallace came in as a bright shiny light, and she knew from the beginning that her soul quest was to keep that light shining and share it with others. This was a challenge growing up poor in Kansas amidst all the conflicting religious and social messages of her upbringing. But she stuck to this strong intent and followed her knowingness in a meteoric rise as an actress, becoming an acting icon after only five years with the success of E.T., and then faltering and losing her way only to reclaim the power of that knowingness later in life.Bright Light works as an autobiographical tale of an actor's life and craft, and how that journey applies to everyone's spiritual journey. It is the story of Everyman: the reclaiming of Self. Each chapter of Dee Wallace's story is characterized by a concept like intention, in which the narrative becomes an allegorical exploration of its qualities. Dee Wallace has rediscovered the wisdom that we all know but forget: that true success comes from following the heart's lead, and that the mind only creates form for spirit's creative manifestation. Our consciousness is our intelligence.

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Intern Nation: How to Earn Nothing and Learn Little in the Brave New Economy Review

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Intern Nation: How to Earn Nothing and Learn Little in the Brave New Economy ReviewFew college graduates kvetch about their unpaid internships these days; they're considered a given, on par with clunky freshman-year prerequisites like introductory composition or math. But as Ross Perlin points out in his excellent, wonderfully-researched book "Intern Nation," companies of all stripes have cashed in on this unquestioning attitude to a) substitute deserving paid workers with scores of interns, particularly in downturns; b) assign highly-qualified interns to menial jobs without any compensatory training; and c) make a quick buck in the process by tying-up with universities who offer internships for college credit.
None of this sounds particularly alarming until one starts tallying up the social consequences. For one, unpaid (and even paid) internships automatically disenfranchise tons of talented poor kids whose parents can't pony up the cash to support them (no wonder that hard-to-break-into industries like publishing and film remain the playground of trustfunders). Since interns aren't regular employees, companies needn't provide them with healthcare; interns can't even successfully sue for sexual harrassment in the workplace. Finally -- and this was the most shocking revelation for me in Perlin's book -- unpaid internships are illegal. They violate a host of labor laws. The government simply looks the other way.
Ross Perlin's "Intern Nation" is a spectacular piece of white collar muck-raking. Written in a fluid prose style that communicates a cool rage, and buttressed by hundreds of tiny stories and anecdotes, it ought to help undo some of the psychic damage being wreaked on unprotected workers by companies the world over.Intern Nation: How to Earn Nothing and Learn Little in the Brave New Economy Overview

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Free Culture: The Nature and Future of Creativity Review

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Free Culture: The Nature and Future of Creativity ReviewLessig has written a very clear and entertaining book about copyright, piracy, and culture, filled with lots of real-world examples to make his points. The book covers major events in the history of copyright in the United States (from its beginnings in English common law and the UK Statute of Anne) in order to show how its meaning has changed, and how those who are making accusations of piracy today were the pirates of yesterday. (Jessica Littman's book, Digital Copyright, is a nice complement to this book, covering the history of copyright in greater depth.) Lessig makes a strong case that the direction of copyright, giving greater control over content to a very small number of owners than has ever existed, is eroding the freedom that we've historically had to preserve and transform the elements of our culture.
Lessig begins by describing how the notion of a real property right for land extending into the sky to "an indefinite extent, upwards" became a real rather than theoretical issue with the invention of the airplane. In 1945, the Causbys, a family of North Carolina farmers, filed a suit against the government for trespassing with its low-flying planes, and the Supreme Court declared the airways to be public space. This example shows how the scope of property rights can change with changes of technology, in this particular case resulting in an uncompensated taking from private property owners, yet leading to enormous innovation and the development of a new industry and form of transportation. He follows this with the example of the development of FM radio, which was intentionally back-burnered by RCA and then hobbled by government regulation at RCA's behest in order to protect its existing investment in AM radio. This example shows how powerful interests can stifle technological change through its ownership of intellectual property (in this case, the patents regarding FM radio).
He then discusses how intellectual property laws have developed in the U.S., pointing out that Walt Disney's Mickey Mouse made his talking picture debut in the movie "Steamboat Willie" (he had earlier appeared in a silent cartoon, "Plane Crazy"), which was a parody of Buster Keaton's "Steamboat Bill." Many of Disney's characters and stories were taken directly from the previous work of others, such as the Brothers Grimm--works in the public domain, freely available for such copying. As new forms of media have been created, they have borrowed from previous forms. Today, however, the creators of content who have borrowed from their predecessors have successfully changed the rules so that their successors cannot borrow from them, both by extending the term and scope of copyright protection and by developing technologies that have greatly reduced the ability of successors to borrow or re-use content. The specific rules are completely inconsistent, based on the political power of the relevant parties at the time the laws were changed. When Edison developed the ability to record sounds, including recording music written by others, copyright law was changed to provide for compulsory licensing for a fee paid to the composer. With radio broadcasting, the fee still goes to the composer, but not to the recording artist. But put that same radio broadcast on the Internet, and now fees must be paid to both the composer and the recording artist.
Where there used to be a sea of unregulated uses of copyrighted material containing a small island of restricted uses (with shores of fair use), there is now a vast continent of restricted uses, a stark cliff of fair use, and a tiny channel of unregulated uses. Lessig shows a table on pp. 170-171 showing commercial and noncommercial uses and the rights to publish and transform for each. In 1790, copyright only governed publication rights for commercial uses, the other three cells of the table being free. At the end of the 19th century, publication and transformation for commercial use was governed by copyright, while noncommercial use was free. The law was changed to govern copies, including much noncommercial use. Today, all four cells of the table are governed by copyright.
Lessig discusses Eric Eldred's attempt to defend the right to transform public domain works into electronic versions by fighting Congress's continuing extensions of the term of copyright in the face of the Constitution's restriction to "limited Times," and how the case was lost at the U.S. Supreme Court to inconsistent reasoning from the conservative justices who failed to even address the commerce clause argument and the precedent they set in Lopez v. Morrison case. This is a wonderfully written, persuasive, entertaining, and dismaying book. It deserves to be widely read and understood, so that ultimately intellectual property law in the U.S. will be reformed.
[...]Free Culture: The Nature and Future of Creativity Overview

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Watch Me Die Review

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Watch Me Die ReviewI bought this book because it was recommended by Amazon when I purchased an Andrew Vachss novel. The cover looked kind of cheesy, like an old Mickey Spillane paperback, but once I started into it, this book was unlike any other mystery I've ever read. The main character was incredibly refreshing. He is not a "hard boiled" detective- He's just a regular guy. In fact, I felt like I could identify with him in many ways. That was the appeal. Unlike Batman, whom I like because he represents what a human in peak form could accomplish to solve crimes, the main character of this novel is able to proceed through the mystery without any advanced training or skills of any kind. As a bonus, though, he's incredibly humorous and self-deprecating as he makes his way through the plot. If you enjoy Elmore Leonard, Lawrence Bloch or would just like to read a mystery that's a great variation on the standard genre, I highly recommend this book!Watch Me Die Overview

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