Audie Murphy: Now Showing Review

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Audie Murphy: Now Showing ReviewEmpire Publishing presents "Audie Murphy:Now Showing", celebrating the film career of Audie Leon Murphy ...born June 20, 1924 in Kingston,Texas...left us May 28, 1971 near Roanoke, Virginia.(plane crash) written by Sue Gossett who is an Audie Murphy historian...Gossett's first Empire publication "The Films and Career of Audie Murphy" received such wonderful reviews and praise.
Murphy was a top box office draw for various studios mainly Universal-International...most decorated US soldier of World War II...received the Medal of Honor, the highest award for military conduct above and beyond the call of duty, plus five other decorations from France and Belgium.
Audie made a total of 44 films, was also a successful rancher and businessman...bred and raised thoroughbred horses and owned several ranches in Texas, Arizona and California...released from active duty in 1945, struggled to make it as an actor and was cast in a starring role of "BAD BOY" (1949)..."THE KID FROM TEXAS" (1950)..."THE RED BADGE OF COURAGE" (1951)..."THE CIMARRON KID" (1952)..."GUNSMOKE" (1953)..."RIDE CLEAR OF DIABLO" (1954)..."TO HELL AND BACK" (1955), the film version of his autobiography which was a box office hit setting a record that lasted for twenty years..."WALK THE PROUD LAND" (1956)..."NIGHT PASSAGE" (1957), great western in which he played the Utica Kid, brother to James Stewart..."THE QUIET AMERICAN" (1958)..."NO NAME ON THE BULLET" (1959), another western with a twist in the screenplay and plot..."HELL BENT FOR LEATHER" (1960)..."SEVEN WAYS FROM SUNDOWN" (1960)..."THE UNFORGIVEN" (1960), as Cash Zachary brother to Ben Zachary (Burt Lancaster) in this epic story of the settlers and Indians who battle for the lost sister Rachel Zachary (Audrey Hepburn) only to find bloodshed and bring a family closer together..."POSSE FROM HELL" (1961)..."SIX BLACK HORSES" (1962)..."SHOWDOWN" (1963)..."BULLET FOR A BADMAN" (1964)..."ARIZONA RAIDERS" (1965)..."GUNPOINT" (1966)..."THE TEXICAN" (1966)..."40 GUNS TO APACHE PASS" (1967)..."A TIME FOR DYING" (1969), last film was never released in the United states, only shown in Europe.
This is a must have for any true Audie Murphy fan...with photos from films, lobby cards, publicity items and background comments from the author...more than 500 photo illustrations...complete filmography...foreign items and testimonials...interviews with many of the actors who appeared in the films...locations where the film was shot...short synopsis of each film which all "film-buffs" cherish.
Don't miss this one..."Now Showing" is appearing on Amazon and Empire Publishing ...Audie Murphy is still very much in our hearts when the films he has made appears on Turner Classic Movies, DVD and books like this one comes along...get your copy today. Great reading in the days and weeks to come...I guarantee it!
Total Page: 208 ~ Empire Publishing 9-780944 019382 ~ (10/18/2002)Audie Murphy: Now Showing OverviewTo celebrate the movie career of Audie Murphy, this book contains over 200 pages and more than 500 photo illustrations of advertising materials used to promote the 44 films given to Audie's credit. The contents include photos of movie 1-sheet posters, lobby and window display cards, half sheets, publicity items, complete filmography with brief synopsis of each film, foreign iitems and testimonials, interviews with actors who appeared in his films, author's comments, and more. A must-have for the true Audie Murphy fan!

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Only Connect: A Cultural History of Broadcasting in the United States Review

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Only Connect: A Cultural History of Broadcasting in the United States ReviewI haven't really read this book (got is for school), but the little I have read it very historically detailed, which is interesting because we don't really cover that in the class.
It's easy to read and understand.Only Connect: A Cultural History of Broadcasting in the United States OverviewONLY CONNECT is a comprehensive history of American broadcasting from its earliest days in radio, through the rise of television, to the current era of digital media and the Internet. It presents broadcasting as a vital component of American cultural identity, placing the development of U.S. radio, television, and new media in the context of social and cultural change. Each chapter opens with a discussion of the historical period, thoroughly traces the development of media policy, the growth of media industries, and the history of U.S. broadcast programming, and closes with a look at the major ways that radio and television have been understood and discussed throughout American history.

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Joseph P. Kennedy Presents: His Hollywood Years (Vintage) Review

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Joseph P. Kennedy Presents: His Hollywood Years (Vintage) ReviewThis review refers to the Audible version of the book, since the new Audible site has disabled its review and ratings features (no buttons for this any more).
Joseph P. Kennedy Presents is an interesting book, although it's less engaging than Beauchamp's earlier book on Frances Marion, Without Lying Down. Beauchamp has done a lot of work in the archives and is able to trace Kennedy's business dealings in intricate, sometimes excruciating, detail. Although she dispels the idea that Kennedy was a bootlegger, she does point out that at the beginning of WWII he was able to send 200,000 cases of liquor back to the U.S., when such shipments were prohibited, by using his diplomatic status as U.S. Ambassador to the Court of St. James.
The Kennedy that emerges in this book is a brilliant businessman and a charismatic figure who had the foresight to invent new ways of structuring companies to maximize profits for himself, although in a classic case of shutting the barn door after the horses have escaped, many of these methods were later regulated out of existence, due perhaps in part to the wreckage that he left behind. Beauchamp points out that to Kennedy's way of thinking, this kind of wreckage was not his problem: if Gloria Swanson or others who trusted him did not look out for themselves, that was their fault for being too naive. The women left in the wake of his serial and incessant womanizing (as described here) were similarly at fault, in his mind, if they didn't manage to escape the charm offensive (and occasionally hands-on groping) that he continued to engage in throughout his life.
Lest this sound too negative, Beauchamp stresses Kennedy's love for his children despite absences from home that seem from this book to stretch for months at a time. Kennedy had charm, energy, intelligence, and charisma, and he could read a balance sheet like nobody's business. Ethics in business seems to have eluded him as a concept, but he had a powerful grasp of the idea of public relations. Although he used these in damaging ways (as during his isolationism in WWII), he's still a fascinating figure to read about.Joseph P. Kennedy Presents: His Hollywood Years (Vintage) Overview

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Raoul Walsh: The True Adventures of Hollywood's Legendary Director (Screen Classics) Review

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Raoul Walsh: The True Adventures of Hollywood's Legendary Director (Screen Classics) ReviewI have always loved Raoul Walsh's movies ... "High Sierra," "White Heat," "They Died with Their Boots On," "The Roaring Twenties!" I've loved them since I was a kid. And I've always wondered about the personal side of this director. Well, finally I know about him from reading Moss' book. This biography does a super job of telling us all who Raoul Walsh was when he was away from the camera. He was a great teller of tales, especially the ones he told about himself. Moss does a great job telling the reader about every aspect of Walsh's life -- his marriages, his relationship with his actors and actresses, and how important his movies still are in American cinema.
This is biography at its very best. Moss digs in and comes up with a vivid portrait of Walsh. He's right there on the page -- on every page of this book. She has researched her subject extremely well! If you finally want to know who Walsh REALLY was, look no further than this fascinating biography of this fascinating man!Raoul Walsh: The True Adventures of Hollywood's Legendary Director (Screen Classics) OverviewRaoul Walsh (1887--1980) was known as one of Hollywood's most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors -- along with John Ford and Howard Hawks -- who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh's generation invented a Hollywood that made movies seem bigger than life itself.In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh's life and achievements in a career that spanned more than half a century and produced upwards of two hundred films, many of them cinema classics. Walsh originally entered the movie business as an actor, playing the role of John Wilkes Booth in D. W. Griffith's The Birth of a Nation (1915). In the same year, under Griffith's tutelage, Walsh began to direct on his own. Soon he left Griffith's company for Fox Pictures, where he stayed for more than twenty years. It was later, at Warner Bros., that he began his golden period of filmmaking. Walsh was known for his romantic flair and playful persona. Involved in a freak auto accident in 1928, Walsh lost his right eye and began wearing an eye patch, which earned him the suitably dashing moniker "the one-eyed bandit." During his long and illustrious career, he directed such heavyweights as Humphrey Bogart, James Cagney, Errol Flynn, and Marlene Dietrich, and in 1930 he discovered future star John Wayne.

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Cyberethics: Morality and Law in Cyberspace, Fourth Edition Review

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Cyberethics: Morality and Law in Cyberspace, Fourth Edition ReviewI teach a computing ethics course at an area University. I did not select this book as my text when I reviewed texts for use in the Fall 2004 semester. I did choose Spinello and Tavani's new reader; but this book--like most of the predecessors Spinello has written--would drive my students nuts -- and they wouldn't know why. Bottom line: poorly written and not easy to read -- lots of tough sentence choices made. However, as with Spinello's other books, there are some points he makes that no other computing ethics texts' authors do make! So, I'll glean those points out of his text and present them to my students rather than force them to work their way through and around his prose.Cyberethics: Morality and Law in Cyberspace, Fourth Edition OverviewCompletely revised and updated, the new fourth edition of this popular text takes an in-depth look at the social costs and moral problems that have arisen by the ever expanded use of the internet, and offers up-to-date legal and philosophical perspectives. It focuses heavily on content control and free speech, intellectual property, privacy and security, and features new content on blogging and social networking. Case studies throughout offer real-life scenarios and include coverage of numerous hot topics. In the process of examinging current issues, the text identifies some of the legal disputes that will likely set the standard for future cases.

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The Kid Stays in the Picture Review

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The Kid Stays in the Picture ReviewBob Evans. What a guy. I must admit I loved this book. It is pure gossip and not exactly Dickens. But, Evans is completely honest and his own harshest critic. He tells fantastic stories (was there a woman in Hollywood he did not date between 1950 and 1980?). He takes responsiblity for the many, many mistakes in his life and spins fantastic yarns. Toward the end, it can be a bit annoying reading about how once again, he made the right choice and get railroaded by justice, but at the same time, you care about him. Those amazingly honest stories (particularly about his destruction of his marriages--the story on Phyllis George is a hoot) make the book even more interesting. A must read for film fans and anyone interested in one of our more fascinating Americans. Who else would tell stories about Jack, Warren, and Henry Kissinger? It ends in 1994, before his stroke and bizarre 10 day marriage to Catherine Oxenberg (and his highly medicore movies of the last 7 years or so); but that is nomatter. You'll want to hang at Woodland with Evans by the end. You might even be using "the kid stays in the picture" as your own mantra. Then again, maybe not. Just find a copy and read it.The Kid Stays in the Picture OverviewFrom his marriage to Ali McGraw, his cocaine bust, the accusations of murder, the friendships with the likes of Jack Nicholson and Dustin Hoffman, to his legendary court case and bust up with Francis Ford Coppola, this is the tell-all autobiography from Robert Evans, the legendary Hollywood producer ("The Godfather", "Rosemary's Baby" and "Chinatown") who's lived the Hollywood dream.

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Bright Light: Spiritual Lessons from a Life in Acting Review

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Bright Light: Spiritual Lessons from a Life in Acting ReviewThis book is an autobiography, an adventure, a romance novel, and a comedy. It is also a spiritual book which doesn't preach "how to be happy in 7 steps" or "how to manifest with 4 simple laws", it provides real life examples of how to be happy, be joyful, to create everything and anything in your life, to consciously live ones bliss. I found myself totally involved in this book, so much so, that I didn't want to put it down. I laughed, I cried, I was deeply moved. Dee teaches through her own life examples and challenges and when I read them are my life challenges, in fact, they are every person's challenges. This little book is filled with so much on so many levels, whether I just wanted to get lost in a wonderful story or to discover my own Power to create the life I choose. Wow!!! Reading this book is such an inspiration. Thank you Dee Wallace for writing your (actually everyone's) story.Bright Light: Spiritual Lessons from a Life in Acting OverviewLike you, Dee Wallace came in as a bright shiny light, and she knew from the beginning that her soul quest was to keep that light shining and share it with others. This was a challenge growing up poor in Kansas amidst all the conflicting religious and social messages of her upbringing. But she stuck to this strong intent and followed her knowingness in a meteoric rise as an actress, becoming an acting icon after only five years with the success of E.T., and then faltering and losing her way only to reclaim the power of that knowingness later in life.Bright Light works as an autobiographical tale of an actor's life and craft, and how that journey applies to everyone's spiritual journey. It is the story of Everyman: the reclaiming of Self. Each chapter of Dee Wallace's story is characterized by a concept like intention, in which the narrative becomes an allegorical exploration of its qualities. Dee Wallace has rediscovered the wisdom that we all know but forget: that true success comes from following the heart's lead, and that the mind only creates form for spirit's creative manifestation. Our consciousness is our intelligence.

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Intern Nation: How to Earn Nothing and Learn Little in the Brave New Economy Review

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Intern Nation: How to Earn Nothing and Learn Little in the Brave New Economy ReviewFew college graduates kvetch about their unpaid internships these days; they're considered a given, on par with clunky freshman-year prerequisites like introductory composition or math. But as Ross Perlin points out in his excellent, wonderfully-researched book "Intern Nation," companies of all stripes have cashed in on this unquestioning attitude to a) substitute deserving paid workers with scores of interns, particularly in downturns; b) assign highly-qualified interns to menial jobs without any compensatory training; and c) make a quick buck in the process by tying-up with universities who offer internships for college credit.
None of this sounds particularly alarming until one starts tallying up the social consequences. For one, unpaid (and even paid) internships automatically disenfranchise tons of talented poor kids whose parents can't pony up the cash to support them (no wonder that hard-to-break-into industries like publishing and film remain the playground of trustfunders). Since interns aren't regular employees, companies needn't provide them with healthcare; interns can't even successfully sue for sexual harrassment in the workplace. Finally -- and this was the most shocking revelation for me in Perlin's book -- unpaid internships are illegal. They violate a host of labor laws. The government simply looks the other way.
Ross Perlin's "Intern Nation" is a spectacular piece of white collar muck-raking. Written in a fluid prose style that communicates a cool rage, and buttressed by hundreds of tiny stories and anecdotes, it ought to help undo some of the psychic damage being wreaked on unprotected workers by companies the world over.Intern Nation: How to Earn Nothing and Learn Little in the Brave New Economy Overview

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Jane Fonda: The Private Life of a Public Woman Review

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Jane Fonda: The Private Life of a Public Woman ReviewGoogle "Jane Fonda +hate site" and you get 10 million results.
Sarah Palin, in contrast, gets 109 million. Obama: 101 million. George Bush: 106 million. Donald Trump: 37 million.
But it's not just raw numbers that matter here. It's context. Palin, Obama, Bush and Trump are contemporary figures. Jane Fonda is a 73-year-old actress who had her last box office hit thirty years ago. So why is she hated?
Mostly, it's for something that happened forty years ago --- at the height of the Vietnam War, she visited North Vietnam. There she not only sat on an anti-aircraft gun and made a "public service" announcement to American bomber pilots, she visited a POW camp. There she met some captured soldiers. They slipped her messages to bring to their families --- and she promptly turned them over to the North Vietnamese, who tortured (and, in one case, killed) those prisoners.
Wait! That never happened!!! But that untruth is a measure of the controversy that has swirled around Jane Fonda for most of her adult life. Actress, sex symbol, feminist, activist --- in every sphere, she presses buttons.
Some of these buttons reflect the sickness of our society. A sex symbol who likes sex and who plays a sci-fi goddess and a prostitute --- that gets our blood pumping. A public figure who skips the USO tour to organize coffee houses for dissidents in the military --- imagine what they've said about her at the VFW. A bra-burner who shows women how to feel strong --- that didn't fly with the crowd that likes their women barefoot-and-pregnant.
But there are also internal buttons --- the buttons pushed in her by her parents, her producers, her lovers. These are the fascinating buttons, because only by learning about them can we hope to understand why the best single word to define Jane Fonda is "driven." And these, blessedly, are the buttons that fascinate Patricia Bosworth in her massive (600 page) biography.
Patricia Bosworth is a biographer's biographer. She wrote the best book on Diane Arbus. Her Montgomery Clift biography is beyond compelling. It's not just her sensitivity and insight that make her so good. It's her life history (she was a Broadway actress for a decade) and her work ethic (the Fonda book took a decade). It doesn't hurt that she knows Fonda well and that, as a result, Fonda did not discourage friends and family from seeing her.
In this book, Bosworth delivers the ultimate goods --- the family story. It's well known that Henry Fonda was emotionally remote and that her mother committed suicide. Bosworth turns those observations into a narrative. She shows us, time and again, how Fonda mistreated his wife; as a little girl, Jane once watched her mother crawl naked across the room pleading with him to talk to her. (He didn't.)
Fonda has said, "All my life I've been my father's daughter." But her mother was also key. As a girl, Jane would come into her mother's dressing room while Frances Fonda was checking for the slightest weight gain. She told Jane: "Lady, if I gain any extra weight I'm gonna cut it off with a knife." Any wonder that Jane Fonda was obsessed with her body and became bulimic?
Pleasing a man. Showing no flaws. Expressing herself with her body. This is the triangle that will rule her life.
Bosworth can analyze brilliantly, but her real genius is as a reporter --- she takes you, again and again, into the room. Her account of her romance with Roger Vadim feels very much like the whole story. It was downhill from there. Bosworth's account of Fonda's relationship with activist Tom Hayden is simply shocking --- in this book, he lived off her, cheated on her, dominated her. Why did she stay with him so long? By then, you understand --- just as you understand why she stayed with Ted Turner, who cheated on her within a month of their marriage.
"An actress is more than a woman, an actor is less than a man," Oscar Wilde said. Maybe. But in Fonda's case, definitely. This is a woman who needed to be the biggest star in the world, and made it. And when that faded, she re-invented herself. Now she's doing it again, speaking out about the vitality that's still possible in the AARP years. Clearly, she'll never be satisfied.
You can look at a life like that and see desperation. Or you can see how a badly damaged child forges a successful identity --- or, at least, a workable persona. Patricia Bosworth sees it both ways. You will close this book with admiration for the writer, compassion for the actress ... and great relief that your life is so much less twisted.
Jane Fonda: The Private Life of a Public Woman OverviewBosworth goes behind the image of an American superwoman, revealing Fonda—more powerful and vulnerable than ever expected—whose struggles for high achievement, love, and successful motherhood mirror the conflicts of a generation of women.

As actress, activist, businesswoman, wife, and mother, Jane Fonda has pushed herself to the limit, attempting to please all, excel in every arena, be everything. We've read her version of her controversial life, yet nothing can prepare us for this genuinely revelatory account of Jane's engrossing, sometimes shocking journey.

Supplemented by the psychiatric records of her suicidal, bipolar mother, Fonda's FBI file, and interviews with her intimates, this perceptive portrait strips away hype and the subject's own mythmaking. Patricia Bosworth shows us what a toll Jane's quest to excel (and please her demanding father, Henry) exacted and sheds light on truths she's glossed over: her rejection of her mother before her suicide; the death threats and self-doubts of her antiwar crusade; her second husband Tom Hayden's habit of putting her down while spending her fortune; the emotional downfall that led her to stop acting and marry Ted Turner.

Lee Strasberg once said that Jane had "panic in her eyes," and it is this wounded but so familiar woman—human yet still heroic, the embodiment of a generation's conflicts and triumphs—whom Bosworth captures so utterly and definitively.


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Infamous Players: A Tale of Movies, the Mob, (and Sex) Review

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Infamous Players: A Tale of Movies, the Mob, (and Sex) ReviewI wanted so much to like this book. It's a real snooze. Every "story" it contains is covered elsewhere in better books. Seems like it was written in one day. No logical arrangement to the events Mr. Bart is talking about. Luckily it spares us the normal "I was born a poor kid in Brooklyn..." stuff these sort of books usually contain. It doesn't seem like anyone edited the book and it reads more like a compilation of previously published articles then a well-thought-out "tale" as the title suggests. Several times, Mr. Bart mentions the same event in different chapters as if it's the first time relaying it to us without adding any additional information or details to the event.Infamous Players: A Tale of Movies, the Mob, (and Sex) OverviewIn 1967, Peter Bart, then a young family man and rising reporter for the New York Times, decided to upend his life and enter into the dizzying world of motion pictures. Infamous Players is the story of Bart's whirlwind journey at Paramount, his role in its triumph and failures, and how a new kind of filmmaking emerged during that time.
When Bart was lured to Paramount by his friend and fellow newcomer, the legendary Robert Evans, the studio languished, its slate riddled with movies that were out of touch with the dynamic sixties. By the time Bart had left Paramount in 1975, the studio had completed a remarkable run with such films as The Godfather, Rosemary's Baby, Harold and Maude, Love Story, Chinatown, Paper Moon, and True Grit. But this new golden era at Paramount was also fraught with chaos and company turmoil. Drugs, sex, runaway budgets, management infighting, and even the Mafia started finding their way onto the Paramount backlot, making it surely one of the worst-run studios in the history of the movie industry.
As Peter reflects on the New Hollywood era at Paramount with behind-the-scenes details and insightful analysis, here too are his fascinating recollections of the icons from that era: Warren Beatty, Steve McQueen, Robert Redford, Clint Eastwood, Jack Nicholson, Marlon Brando, Al Pacino, Francis Ford Coppola, Roman Polanski, and Frank Sinatra among others.
For over five decades, first on the inside as a studio executive, and later as the longtime editor-in-chief of Variety, Peter Bart has viewed Hollywood from an incomparable vantage point. The stories he tells and the lessons we learn from Infamous Players are essential for anyone who loves movies.

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My Infamous Life: The Autobiography of Mobb Deep's Prodigy Review

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My Infamous Life: The Autobiography of Mobb Deep's Prodigy ReviewThis is an insightful autobiography that hooks the audience from the Introduction as Prodigy in a prison four hours from the city realizes he is just another inmate though a celebrity. From there Prodigy explains his family roots changed from musical affluence to the Queensborough projects where violent crime is the norm. For instance, Prodigy, who suffers from Sickle Cell Anemia, admits he committed a robbery to insure he met the code of high school which reminded me of the 1950s Blackboard Jungle by Evan Hunter. His family also knew crime first hand when his aunt a bartender was shot in Queens. When he became a famous rapper, blood money and drugs eventually led to prison. There he found out who his true friends are.
This is a timely fabulous memoir as Albert Johnson pulls no punches with his insightful look at his "infamous life" and at the civil war era of Hip Hop. Profound throughout Mr. Johnson lays bare his guts of thriving and dying in the concrete jungle of New York. Although too frequent use of the first person "I" pronoun at the start of sentences (even for an autobiography) feels a bit disjointing, readers will appreciate the honesty that Mr. Johnson provides in this deep gripping introspective memoir.
Harriet Klausner
My Infamous Life: The Autobiography of Mobb Deep's Prodigy OverviewFrom one of the greatest rappers of all time, a memoir about a life almost lost and a revealing look at the dark side of hip hop's Golden Era . . . In this often violent but always introspective memoir, Mobb Deep's Prodigy tells his much anticipated story of struggle, survival, and hope down the mean streets of New York City. For the first time, he gives an intimate look at his family background, his battles with drugs, his life of crime, his relentless suffering with sickle-cell anemia, and much more. Recently released after serving three and a half years in state prison due to what many consider an unlawful arrest by a rumored secret NYPD hip hop task force, Prodigy is ready to talk about his life as one of rap's greatest legends. My Infamous Life is an unblinking account of Prodigy's wild times with Mobb Deep who, alongside rappers like Nas, The Notorious B.I.G., Tupac Shakur, Jay-Z, and Wu-Tang Clan, changed the musical landscape with their vivid portrayals of early '90s street life. It is a firsthand chronicle of legendary rap feuds like the East Coast–West Coast rivalry; Prodigy's beefs with Jay-Z, Nas, Snoop Dogg, Ja Rule, and Capone-N-Noreaga; and run-ins with prodigal hit makers and managers like Puff Daddy, Russell Simmons, Chris Lighty, Irv Gotti, and Lyor Cohen. Taking the reader behind the smoke-and-mirrors glamour of the hip hop world, so often seen as the only way out for those with few options, Prodigy lays down the truth about the intoxicating power of money, the meaning of true friendship and loyalty, and the ultimately redemptive power of self. This is the heartbreaking journey of a child born in privilege, his youth spent among music royalty like Diana Ross and Dizzy Gillespie, educated in private schools, until a family tragedy changed everything. Raised in the mayhem of the Queensbridge projects, Prodigy rose to the dizzying heights of fame and eventually fell into the darkness of a prison cell. A truly candid memoir, part fearless confessional and part ode to the concrete jungles of New York City, My Infamous Life is written by a man who was on the front line of the last great moment in hip hop history and who is still fighting to achieve his very own American Dream.

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Watch Me Die Review

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Watch Me Die ReviewI bought this book because it was recommended by Amazon when I purchased an Andrew Vachss novel. The cover looked kind of cheesy, like an old Mickey Spillane paperback, but once I started into it, this book was unlike any other mystery I've ever read. The main character was incredibly refreshing. He is not a "hard boiled" detective- He's just a regular guy. In fact, I felt like I could identify with him in many ways. That was the appeal. Unlike Batman, whom I like because he represents what a human in peak form could accomplish to solve crimes, the main character of this novel is able to proceed through the mystery without any advanced training or skills of any kind. As a bonus, though, he's incredibly humorous and self-deprecating as he makes his way through the plot. If you enjoy Elmore Leonard, Lawrence Bloch or would just like to read a mystery that's a great variation on the standard genre, I highly recommend this book!Watch Me Die Overview

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