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Altman on Altman ReviewWhen I thought of Robert Altman before reading this book, I typically thought of him as a "Seventies" director who had had a few hits in recent years.This book shows how limited that view of Altman was. It is a wide-ranging interview that covers Altman's career from his stint as an extra in "Secret Life of Walter Mitty" (!!!) to directing "The Company." He talks about his involvement with the classic TV series "Alfred Hitchcock Presents" and "Combat" as well as directing Broadway plays and a couple operas.
And, of course, he talks about his films, the classics that everyone remembers and those that got buried by the critics. From it all, Altman emerges as a fascinating character who pursued his own vision and took advantage of changes in the media to be relatively successful.
Essential reading for anyone interested in recent American film.Altman on Altman OverviewAn exciting collection of original interviews with the infamously outspoken director of Short Cuts.From Nashville to The Player to Gosford Park, Robert Altman's irreverent, iconoclastic style has palpably altered the landscape of American cinema. Cited as an influence by such envelope-pushing directors as Spike Jonze and P. T. Anderson, Altman has created a genre all his own, notable for its improvised, overlapping dialogue and creative cinematography. One of the key moviemakers of the 1970s--commonly considered the heyday of American film--Altman's irrepressible combination of unorthodox vision and style is most clearly evidenced in the fourteen movies he released across that decade. By fine-tuning his talent in a diverse array of genres, including westerns, thrillers, and loopy, absurdist comedies--all subtly altered to fit his signature métier--he cemented his place as one of our most esteemed directors.In these conversations with David Thompson, Altman reflects on his start in industrial filmmaking, as well as his tenure in television directing Alfred Hitchcock Presents and Bonanza, and his big break in feature films as the director of the enormously popular M*A*S*H, a project for which he was the last possible resort behind fourteen other directors. The resulting portrait reveals a quixotic man whose films continue to delight and challenge audiences, both in the United States and beyond.
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