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Jim Morrison: Life, Death, Legend ReviewDon't be fooled by this book. These are all second- and third-hand accounts of events. This guy did zero-null-nada extra research to write a book about Jim Morrison. He took all of it from all the other books (Manzarek, Densmore, Sugarman/Hopkins, etc.) written about Morrison. On top of that the book could be organized better. Story after story are strung together with no connection to each other. Davis takes some literary license making it read like a polished novel: he seems to know every facial expression that was exchanged between people and exactly how many drinks Jim had wherever he went.
1. Didn't go into the full conversation that Ray and Jim had discussing the full meaning behind naming the band "The Doors".
2. Made a passing comment that Ray and his wife and Jim may have had a menage a trois.
3. Stated that The Doors were first on a list of bands at Columbia Records that were being dropped by the company. According to Ray or John's book the Doors were in the middle of the list.
4. He said that after Jim hosed down the studio after recording "The End" that Jim had jumped the studio fence and Paul Rothchild grabbed him as Jim tried to run away. Patricia Butler ("Angels Dance and Angels Die") states that Jim scaled the fence and returned to Pam waiting in her car by climbing back over the fence and getting his boot caught in the fence. The boot was then found the next day and later traced to Jim. (Mrs. Butler actually did some research in her book if you read her bibliography).
5. Davis states that the boyfriend of the girl that Jim was making out with backstage in New Haven had asked the Police to look for her which is how the Police stumbled upon Jim and maced him. According to Ray Manzarek, that's not why the Police were backstage before the show.
6. States that the Doors' Buick commercials ran in the South and Midwest. In Manzarek's or Densmore's book it states that Buick pulled the plug after making the deal and never ran the ad.
7. States that Robby took Spanish Caravan from Isaac Albeniz Partido No. 1. He took it from Albeniz Spanish Suite 1. (There is no such work in classical music called a "Partido"!)
8. He called "The End" Robby's "Andalusian goat song". Yeah, I always picture a goat in the Spanish Andalusian Mountains when I listen to that song.
9. He says in The Lost Paris Tape (Paris) that Jim "launched into an astounding version of Orange County Suite". Sadly, the most amateur, unprofessional poet or musician wouldn't be caught associating themselves with a recording (if you want to call it that) like this. There is no semblance of poetry or music on this embarrassing piece of short sleepy, childlike tape. The most interesting moment on this tape is when Morrison comments on the beautiful Cuban cigar he has and tells his buddy that he doesn't have to bite the tip off.
10. He says that Jim and Pam saw the movie "Pursued" on the night of July 2. Later in the book he writes that Pam said the movie they saw was "Death Valley". He makes no reference to the contradiction.
I made these observations after a few days of reading this book. Too bad Mr. Davis didn't pay attention to these subtleties after devoting part of his life writing it. The more I read in this book the less credence I gave to it. I wonder if Stephen Davis even knows what song featured the words "I'm the lizard king. I can do anything!"? I highly doubt it. I think I remember his book "Hammer of the Gods" also came under heavy scrutiny when it was released. This is a good starter kit to get familiar with Morrison. When you're finished with this get the other books and start connecting the dots.
Jim Morrison: Life, Death, Legend OverviewAs the lead singer of the Doors, Jim Morrison's searing poetic vision and voracious appetite for sexual, spiritual, and psychedelic experience inflamed the spirit and psyche of a generation. Since his mysterious death in 1971, millions more fans from a new generation have embraced his legacy, as layers of myth have gathered to enshroud the life, career, and true character of the man who was James Douglas Morrison.In Jim Morrison, critically acclaimed journalist Stephen Davis, author of Hammer of the Gods, unmasks Morrison's constructed personas of the Lizard King and Mr. Mojo Risin' to reveal a man of fierce intelligence whose own destructive tendencies both fueled his creative ambitions and brought about his downfall. Gathered from dozens of original interviews and investigations of Morrison's personal journals, Davis has assembled a vivid portrait of a misunderstood genius, tracing the arc of Morrison's life from his troubled youth to his international stardom, when his drug and alcohol binges, tumultuous sexual affairs, and fractious personal relationships reached a frenzied peak. For the first time, Davis is able to reconstruct Morrison's last days in Paris to solve one of the greatest mysteries in music history in a shocking final chapter.Compelling and harrowing, intimate and revelatory, Jim Morrison is the definitive biography of the rock idol in snakeskin and leather who defined the 1960s.
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