Showing posts with label neil young. Show all posts
Showing posts with label neil young. Show all posts

Four Way Street: The Crosby, Stills, Nash & Young Reader Review

Four Way Street: The Crosby, Stills, Nash and Young Reader
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Four Way Street: The Crosby, Stills, Nash & Young Reader ReviewThirty years ago my dad "accidentally" flooded the garage, destroying my carefully harvested collection of UK and US publications containing interviews with, articles about and occasional references to CSNY, who for me were "the" band of the early to late 1970's. This latest manifestation of Dave Zimmer's love for the music of, and fascination about the individuals in, the USA's first "supergroup" means I now have access again to many of those writings.
Ranging from 1970 to 2002 in terms of first publication, the articles and interviews cover the development of CSNY from a self confident, but untested, aggregation of individuals through to being elder statesmen of rock capable of selling out tours of major venues in the early 21st century. Although the primary ingredient is pieces that focus specifically on the band as a whole, Zimmer leavens the mix with items that focus on the individuals, using them to cast a more oblique and often revealing light on the activities and behaviour of the "main" band. Not surprisingly, the majority of the articles come from US publications; that said, these include both the usual suspects - primarily "Rolling Stone" and writers such as Cameron Crowe - and also less well known (at least in the UK) publications such as "Crawdaddy" and "Creem". There are, however, some significant pieces from UK publications such as "Melody Maker" and UK writers such as Roy Carr and Vicki Wickham.
Music is the central interest of Zimmer's selection of pieces. CSNY were, however, notable for the nature of their personal, as well as professional, lives and the issues are not shied away from. Some of it requires reading "between the lines", but such articles as Roy Carr's interview with David Geffen, Zimmer's own major interview with Graham Nash and the pieces on David Crosby's drug addiction deal with the issues head on.
Inevitably, there are some personal favourites that didn't survive what must have been a rigorous editing process. Dave Zimmer is, however, to be massively congratulated for delivering a consistent and coherent narrative thread and fitting together the jigsaw like pieces of 30 years of writing to present a clear and illuminating picture of one of the major popular musical outfits of the late 20th century. A worthy companion to his and Henry Ditz's "Crosby, Stills and Nash: The Biography".Four Way Street: The Crosby, Stills, Nash & Young Reader Overview

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Crosby, Stills & Nash: The Biography Review

Crosby, Stills and Nash: The Biography
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Crosby, Stills & Nash: The Biography ReviewThis revised and updated edition is the third entry of Crosby,Stills & Nash:The Biography. The first edition was published in 1984 and chronicled the early years of CSNY.The prose by Mr.Zimmer and the photos by Mr.Diltz made for compelling reading.Anyone even remotely familiar
with these men and their music knows their history.It has always amazed me that CSNY became legend on the strength of two albums.CROSBY,STILLS AND NASH was released in 1969 right before the summer of Woodstock.Neil Young climbed aboard just before that historic event and the rest is history.DEJA VU came out in late spring of 1970 and it became a classic for the ages.The first edition follows the group up to 1984.The revised edition was published in 1999 and picks up where the first edition left off.Crosby's problems with drug addiction and his short prison stint are written about but not dwelled upon .The second edition ends in 1999 with the release of LOOKING FORWARD (CSNY'S third studio album in 29 years) and on the eve of the CSNY2K tour (their 2nd in 26 years).The 2008
edition would be a rehashing of previous events one would think,but that one would be wrong.So much has happened to both them AND us.There is new insight on Stephen Stills and Judy "Suite:Judy Blue Eyes" Collins that has never been revealed before.It IS an eye opener.CSNY went out touring right after 9-11 and there are a lot of photos from that tour.Then came 2006's FREEDOM OF SPEECH TOUR and THAT is what finally divides the artist and the audience. It is a fascinating read because of the insights Zimmer provides,not all of them of the same viewpoint as the celebated quartet.This 2008 edition is the keeper because
it lays out not only the lives of David Crosby,Stephen Stills,Graham Nash and Neil Young but the lives of their fellow generation (read baby boomers)as well. All four are well into their sixties but their fire has never dwindled. I can't think of any musicians that have put their entire career on the line like these cats have because they've always lived up to "being real".If this latest edition is the last one,it could not have ended on a higher note.Zimmer concludes in the final chapter that there is "no end in sight".Who knows? There may be MORE music to write,MORE songs to be sung and MORE audiences to be thrilled.A majestic American tale...and it is all true.
Crosby, Stills & Nash: The Biography OverviewCrosby, Stills & Nash created some of the most indelible songs and beautiful harmonies of the late 1960s and early 1970s: "Suite: Judy Blue Eyes," "Woodstock," "Teach Your Children." This copiously illustrated account of the trio's personal and musical history tells the story behind the songs. Longtime CSN chronicler Dave Zimmer, with the full cooperation of the band, traces all of the performers from their musical roots to their first song together in L.A.'s storied Laurel Canyon; from their addition of Neil Young to Woodstock; and through their stormy years of creative conflicts, reunions, and reconciliations. This new edition has been fully reconfigured and updated to celebrate the trio's 40th anniversary and to accommodate over 300 photos, as well as Crosby, Stills, Nash & Young's controversial Living with War tour.

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Shakey: Neil Young's Biography Review

Shakey: Neil Young's Biography
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Shakey: Neil Young's Biography ReviewI'm a huge Neil Young fan, with over two dozen of his albums in my collection. But I'm not a fanatic, and as a result I found his biography, "Shakey" to be as stimulating, but as frustratingly erratic as the artist himself. One thing Neil Young could never be accused of is self-censorship, and author Jimmy McDonough writes about him in the same vein, telling in nearly 800 pages a stoory that could have been more succinctly and powerfully conveyed in about half that number. McDonough spent over ten years working on the book, however, and I guess he felt that his huge investment of time justifies the book's length.
The book is a rambling narrative of Young's life, mainly as seen through the eyes of his closest associates, but is told in the Hunter S. Thompson "gonzo" style of journalism as McDonough frequently inserts himself into the story. There is nothing necessarily wrong with this approach, in may have in fact been necessary, but it ends up padding the length. The main story is interspersed with a hundred or so pages of text from McDonough's various interviews with Young in which the artist is quoted verbaitim. It is a fascinating and unprecedented look into Young's mind, but again it starts to become wearing after awhile. Lengthy passages about such relatively uninteresting subjects as Young's passion for model trains slow things down even further.
Ultimately, "Shakey" is likely to be endured only by Young's most ardent fans and will not win the artist any new converts. But I get the feeling that Young would prefer it that way. As McDonough recounts, the quickest way to get Young to drop a song from an album is to tell him its going to be a surefire hit. He is that rare rock star who actually eschews popularity. Young remains a startlingly original talent after nearly four decades in the recording busines and for all of its flaws, "Shakey" manages to capture his essence.Shakey: Neil Young's Biography Overview

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