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Van Johnson: MGM's Golden Boy (Hollywood Legends) ReviewAlthough Mr. Davis had to rely on mainly second-hand information to attain all the facts he needed to write this book, he did an excellent job, and he imparts the info in such a way that it is seamless, and cannot be discerned as not having been the result of his own research.The principles in the book were not, for one reason or another, available for inclusion here, nevertheless, Mr. Davis has done an admirable job and his writing and relating of pertinent facts have done him proud...
Being familiar with his sources and the "players" in the book, I was still able to read through it with pleasure, interest and admiration for his capable relating of the facts at hand. All in all, a very informative and interesting read.
My name is Schuyler Van Johnson, and it is about my father and some of it relates to me, and I can tell you that is an excellent work and came out extremely well. Some of it was hard to get through, being an interested party, but also somewhat cathartic and nice to put away on a shelf as part of my distant past, best left on the shelf, once read...Would that the living of some of it had been that easy!Van Johnson: MGM's Golden Boy (Hollywood Legends) Overview Van Johnson's dazzling smile, shock of red hair, and suntanned freckled cheeks made him a movie-star icon. Among teenaged girls in the 1940s he was popularized as the bobbysoxer's heartthrob. He won the nation's heart, too, by appearing in a series of blockbuster war films--A Guy Named Joe, Thirty Seconds Over Tokyo, Weekend at the Waldorf, and Battleground. Perennially a leading man opposite June Allyson, Esther Williams, Judy Garland, and Janet Leigh, he rose to fame radiating the sunshine image Metro-Goldwyn-Mayer chose for him, that of an affable, wholesome boy-next-door. Legions of adoring moviegoers were captivated by this idealized persona that generated huge box-office profits for the studio. However, Johnson's off-screen life was not so sunny. His mother had rejected him in childhood, and he lived his adult life dealing with sexual ambivalence. A marriage was arranged with the ex-wife of his best friend, the actor Keenan Wynn. During the waning years of Hollywood's Golden Age she and Johnson lived amid the glow of Hollywood's A-crowd. Yet their private life was charged with tension and conflict. Although morose and reclusive by nature, Johnson maintained a happy-go-lucky façade even among co-workers, who knew him as a congenial, dedicated professional. Once free of the golden-boy stereotype, he became a respected actor assigned stellar roles in such acclaimed films as State of the Union, Command Decision, The Last Time I Saw Paris, and The Caine Mutiny. With the demise of the big studios, Johnson returned to the stage, where he had begun his career as a song-and-dance man. After this he appeared frequently in television shows, performed in nightclubs, and became the legendary darling of older audiences on the dinner playhouse circuit. Johnson (1916 - 2008) spent his post-Hollywood years living in solitude in New York City. This solid, thoroughly researched biography traces the career and influence of a favorite star and narrates a fascinating, sometimes troubled life story. Ronald L. Davis is the author of Hollywood Beauty: Linda Darnell and the American Dream, John Ford: Hollywood's Old Master, and Duke: The Life and Image of John Wayne. He is a professor of history at Southern Methodist University and the general editor of University Press of Mississippi's Hollywood Legends Series.
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