Seeing Japan Review

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Seeing Japan ReviewWow, this is one beautiful book. All of the considerable beauty of the island nation of Japan has been sought out, carefully selected, and elegantly photographed to be even more stunning than it is in real life. There is quite a sweeping range of images here, from the lavender fields and Snow Festival of Hokkaido, to the ancient temples of Nara and Kyoto, all the way to the high technology of the ASIMO robot and the mag-lev Bullet Train. This is the kind of book that makes me really want to go to Japan, even though I live there.
"Seeing Japan" is not an honest look at Japan, but more of a love-letter or a tourists brochure. There is not anything so much as hinting at a dark corner on this Isle of Wonders. All of the images are radiant and lovely, with the bad parts carefully edited out. There is no stray shot of the spider's web of powerlines that covers the country, obscuring almost all scenes of beauty. The temples contain no element of the loudspeakers that blare away history lessons and advertisements, or the hustle and bustle of the millions of people that are everywhere you go. Looking at this book, one would almost think that Japan was a serene, quiet country, which of course it is not.
And that's OK. There are plenty of other books out there looking at the underbelly of Japan, so it is nice to have one that is pure frosting. Sometimes it is easy to forget what a spectacularly beautiful country Japan is. It takes a photographer's eye to bring out the very best, to showcase the colors and the textures that are so very abundant. It takes someone like Charles Whipple to write the text, a nostalgic guided tour through a country he obviously loves, to inspire one to hunt for this Japan, the Japan of my Dreams.
Seeing Japan OverviewA gloriously illustrated introduction to Japan today.Seeing Japan showcases the best of the country today with lavish, full-color photographs and lively text. Introduced here is everything from the natural beauty of the landscape to the everpopular traditional arts and customs, as well as the high technology for which Japan is renowned the world over.The islands of Japan form a crescent stretching from a subtropical twenty-four degrees north latitude to a subarctic forty-five degrees, the same range as from the state of Florida on the east coast of North America all the way up to Nova Scotia in Canada. Part I presents the tremendous range of landscapes and customs in the various regions of this extensive area, while Part II looks at the arts and traditions uniques to Japan that have developed over its long history. Part III gives essential background information on the country's history, language, and people.Seeing Japan is a wonderful primer for visitors, a cherished souvenir-and indeed a must for anyone with an interest in this fascinating country.

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Outlaw Masters of Japanese Film Review

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Outlaw Masters of Japanese Film ReviewWhen I originally came to this page, it was to order another copy of this book for a friend. But then I saw two pretty unfair reviews here and felt the need to chime in with a much different take on the subject. Both seem to be upset about what they think is an obsessively encyclopedic bent in the book - a perception that seems unwarranted. This methodical rundown of the films of the directors (and two actors) is exactly why I bought the book - to fill in the gaps in my knowledge of these filmmakers' work. I more than got what I wanted. Brown's complaint in his review laments that there are plenty of other outlaw Japanese directors that are more deserving than those included - the book's author addresses this very subject in the introduction, naming scores of directors, actors and actresses he would have liked to have included but was unable to because of matters of space. I also have to rebut the complaints of "feeling at sea" with the book's approach to the films and Japanese film history and film industry. This book is written for people who already have seen a few Japanese genre movies, have picked up on several of the films of the "masters" included in the book and want to know more. And it delivers. No writer in English, to my knowledge, has ever bothered to investigate or write about the numerous films Seijun Suzuki made before 1963's YOUTH OF THE BEAST. But Chris D. gives descriptions of scores of Suzuki's fifties and early sixties output, and it was greatly illuminating to this reader. Likewise, his chapter (with a nice long interview) on enfant terrible underground filmmaker Koji Wakamatsu is one of the most detailed and in-depth ever to appear in English and covered twice as many of Wakamatsu's films as Jack Hunter's laudable but more scattershot approach in his "Eros In Hell" book. The Wakamatsu chapter - for me - was worth the price of the book alone! Likewise the chapters on such other filmmakers as Kinji Fukasaku (BATTLES WITHOUT HONOR AND HUMANITY series), actress Meiko Kaji and lesser known filmmakers like Teruo Ishii, Junya Sato and Kazuo Ikehiro. When I purchased this book initially, I bought it at a booksigning at the American Cinematheque in Los Angeles where author Chris D. works as a programmer. I met him, and I know from talking to him that night that he was disappointed in the publisher's use of the pictures that he had provided to them, using only a third of the number and reproducing them in a fairly slipshod manner. I've also heard that Chris D. was instrumental in bringing Miike's AUDITION, Shinoda's PALE FLOWER and the first of Meiko Kaji's FEMALE CONVICT films to cult DVD notoriety here in the USA. I bought this book because I wanted to learn more about these filmmakers...and I did! It has its faults, but it is well worth the purchase price - the author's more aesthetics-oriented (although he keeps it from ever getting too intellectual), less-mainstream, more serious approach is preferable (for me anyway) to the goofy fun and chaotic organization of books like Patrick Macias' "Tokyoscope" (which I still like, too). And yes, this Chris D. is the same guy who is singer/songwriter of The Flesh Eaters!Outlaw Masters of Japanese Film OverviewOutlaw Masters of Japanese Film offers an extraordinary close-up of the hitherto overlooked golden age of Japanese cult, action and exploitation cinema from the early 1950s through to the late 1970s, and up to the present day. Having unique access to the top maverick filmmakers and Japanese genre film icons, Chris D. brings together interviews with, and original writings on, the lives and films of such transgressive directors as Kinji Fukasaku (Battles Without Honour and Humanity), Seijun Suzuki (Branded to Kill) and Koji Wakamatsu (Ecstasy of the Angels) as well as performers like Shinichi 'Sonny' Chiba (The Streetfighter, Kill Bill Vol. 1) and glamorous actress Meiko Kaji (Lady Snowblood). Bringing the story up to date with an overview of such Japanese "enfants terrible" as Takashi Miike (Audition) and Kiyoshi Kurasawa (Cure),the book also provides a compendium of facts and extras including filmographies, related bibliographies on genre fiction including Manga, and a section on female yakuzas. Illustrated with fantastic stills and posters from some of Japan's finest cult and action films, this is a veritable bible for fans and newcomers alike.

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A Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day Review

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A Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day ReviewThis is an excellent reference work for anyone who has even a passing interest in Japanese cinema. Jacoby structures the book well, proceeding through all of the major Japanese directors (and many minor ones) in alphabetical order. For each director's entry, he provides a broad career overview - offering his own opinions of the major films - then includes a filmography. While I don't agree with absolutely all of his statements, his opinions are always interesting to read and well-informed, and it's nice to get a fresh (to me) perspective on such classic Japanese filmmakers as Kobayashi, Kurosawa, Ozu, Mizoguchi...
Another striking thing about this book is that Jacoby isn't snobby about which directors he includes. So he has "classical" directors like Mizoguchi in here, and also genre directors like Ishiro Honda of "Godzilla" fame and Takashi Miike. His willingness to cover drama, horror, science fiction, and gangster films in a single volume makes him more open-minded than most other aficionados of Japanese cinema, who tend to limit themselves to one or two genres. (Indeed, rare is the critic who enjoys both Tokyo Story and The Mysterians, as I do.) Another highlight is that Jacoby includes some useful appendices, such as an overview of the major Japanese film studios and a list of historical eras in Japan (handy for figuring out when all these samurai movies are supposed to take place).
Of course, since the book covers a lot of ground, Jacoby doesn't delve too deeply into any one director's work. Even "big guns" like Ozu and Kurosawa have short entries; and while Jacoby has room to challenge some common theories about Ozu, he doesn't have quite enough room to properly develop his counter-theories. Also, like most handbooks, this can get a little dry if you try to read it all in one go; I prefer to sample individual entries whenever I feel like it.
Overall, this is good stuff, and I look forward to using this book to track down the more obscure classics of Japanese cinema. As a pointless aside, many of the movies covered in this book have very amusing titles (in translation), on the order of: "Ninja Mountain Attack Saga: Duel by Autumn Moonlight!" Just thought I'd mention that, because it gave me a few chuckles.A Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day Overview
This important work fills the need for a reasonably priced yet comprehensive volume on major directors in the history of Japanese film. With clear insight and without academic jargon, Jacoby examines the works of over 150 filmmakers to uncover what makes their films worth watching.

Included are artistic profiles of everyone from Yutaka Abe to Isao Yukisada, including masters like Kinji Fukasaku, Juzo Itami, Akira Kurosawa, Takashi Miike, Kenji Mizoguchi, Yasujiro Ozu, and Yoji Yamada. Each entry includes a critical summary and filmography, making this book an essential reference and guide.

UK-based Alexander Jacoby is a writer and researcher on Japanese film.


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31 Months in Japan: The Building of a Theme Park Review

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31 Months in Japan: The Building of a Theme Park ReviewThis book accurately captures the experience of the working expat in Japan - coping with culture clashes in the office as well as adjustment pains in a foreign land. Larry and Lorna Collins tell the story of their trip to build Universal Studios Japan - the preparation, the work, the life in Japan and then the return.
As a reader with similar experiences, there were many, "The same thing happened to me" moments as they peeled the onion of Japanese culture, encountering and then digging through stereotypes. The book also provided quite a few "I wish I knew that back then" lessons. The old Japanese hand will also note the odd ironic event here and there, for example, being complimented on using chopsticks is a universal experience.
The mix of good nature and naive wonder experienced by Larry and Lorna come through strong. Perhaps the sincerity is why they made so many connections. Of course the cultural cynic won't be able to finish the book.
Worth the read, and makes me want to return to Japan.31 Months in Japan: The Building of a Theme Park OverviewOne day in the summer of 1998, Lorna Collins stepped off a train into a sea of black heads and realized she was foreign and in Japan to stay. She and her husband, Larry, had relocated to build Universal Studios Japan in Osaka. 31 Months in Japan: the Building of a Theme Park is their account of that experience. While in Japan, they encountered the wonders and frustrations of the culture as well as the challenges of conducting business following foreign formal rituals. As Southern Californians, Japanese customs seemed awkward at first, but eventually they established effective working relationships and personal ones as well. If you enjoy foreign cultures, are curious about the behind-the-scenes workings in the entertainment industry, are interested in the nuances of doing business with the Japanese or simply enjoy reading a well-told and engaging story, 31 Months in Japan is for you.

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