Car Hops and Curb Service: A History of American Drive-In Restaurants 1920-1960 Review

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Car Hops and Curb Service: A History of American Drive-In Restaurants 1920-1960 ReviewThe humble drive-in gets the Jim Heimann treatment: well researched, excellent photo and graphics selection, bibliography, index and he designed it, too. Though it was published in 1996 I don't think there is a better book about the subject. Michael Wetzel's `The American Drive-in' (1994, ISBN 0879389192) comes close, with a lot of the same images but I thought his rather too superficial.
Heimann has clearly done a lot of research and I liked the many architectural references. Drive-ins, because of their rather temporary nature, could be designed with latest visual gimmicks and building styles yet could be easily changed to a newer look. Heimann refers to Exaggerated Modern as a suitable name for drive-in style. The book has plenty of historical photos to show the changing face of the eatery, especially in sunny California.
It seems LA was the experimental center of drive-in style with architects like John Lautner, Armet & Davis or Wayne McAllister designing establishments always that little bit different from the competition. Incidentally neither Lautner or Armet & Davis are mentioned in the index of Witzel's book.
Visually the book is a treat. Plenty of really good historical exterior black and whites of establishments backed up with color postcards and graphic material like menus or book matches. All the material is presented in a straightforward layout (and this is another area where the Witzel book falls down: the layout is far too scrappy with too much unused white page space). It is unfortunate though that the captions are set in a rather small type in long lines and frequently they refer to photos on a preceding or following spread.
Heimann has written the definitive book about a little bit of Americana and I bet it will remain in print for many years.
***FOR AN INSIDE LOOK click 'customer images' under the cover.Car Hops and Curb Service: A History of American Drive-In Restaurants 1920-1960 Overview

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With Amusement for All: A History of American Popular Culture since 1830 Review

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With Amusement for All: A History of American Popular Culture since 1830 ReviewA central image to Ashby's description of the nature of popular culture is the circus, with its large acts meant for mass consumption and its sideshows that satisfy some darker human curiosities. Through the course of the book, he shows how popular sideshow acts eventually achieve acceptance in the "big tent." The book covers many types of popular culture, from minstrel shows to boxing to hip hop. Many interesting details, written in an academic but entertaining style.With Amusement for All: A History of American Popular Culture since 1830 OverviewPopular culture is a central part of everyday life to many Americans. Personalities such as Elvis Presley, Oprah Winfrey, and Michael Jordan are more recognizable to many people than are most elected officials. With Amusement for All is the first comprehensive history of two centuries of mass entertainment in the United States, covering everything from the penny press to Playboy, the NBA to NASCAR, big band to hip hop, and other topics including film, comics, television, sports, dance, and music. Paying careful attention to matters of race, gender, class, technology, economics, and politics, LeRoy Ashby emphasizes the complex ways in which popular culture simultaneously reflects and transforms American culture, revealing that the world of entertainment constantly evolves as it tries to meet the demands of a diverse audience. Trends in popular entertainment often reveal the tensions between competing ideologies, appetites, and values in American society. For example, in the late nineteenth century, Americans embraced "self-made men" such as John D. Rockefeller and Andrew Carnegie: the celebrities of the day were circus tycoons P.T. Barnum and James A. Bailey, Wild West star "Buffalo Bill" Cody, professional baseball organizer Albert Spalding, and prizefighter John L. Sullivan. At the same time, however, several female performers challenged traditional notions of weak, frail Victorian women. Adah Isaacs Menken astonished crowds by wearing tights that made her appear nude while performing dangerous stunts on horseback, and the shows of the voluptuous burlesque group British Blondes often centered on provocative images of female sexual power and dominance. Ashby describes how history and politics frequently influence mainstream entertainment. When Native Americans, blacks, and other non-whites appeared in the nineteenth-century circuses and Wild West shows, it was often to perpetuate demeaning racial stereotypes -- crowds jeered Sitting Bull at Cody's shows. By the early twentieth century, however, black minstrel acts reveled in racial tensions, reinforcing stereotypes while at the same time satirizing them and mocking racist attitudes before a predominantly white audience. Decades later, Red Foxx and Richard Pryor's profane comedy routines changed American entertainment. The raw ethnic material of Pryor's short-lived television show led to a series of African-American sitcoms in the 1980s that presented common American experiences -- from family life to college life -- with black casts. Mainstream entertainment has often co-opted and sanitized fringe amusements in an ongoing process of redefining the cultural center and its boundaries. Social control and respectability vied with the bold, erotic, sensational, and surprising, as entrepreneurs sought to manipulate the vagaries of the market, control shifting public appetites, and capitalize on campaigns to protect public morals. Rock 'n Roll was one such fringe culture; in the 1950s, Elvis blurred gender norms with his androgynous style and challenged conventions of public decency with his sexually-charged performances. By the end of the 1960s, Bob Dylan introduced the social consciousness of folk music into the rock scene, and The Beatles embraced hippie counter-culture. Don McLean's 1971 anthem "American Pie" served as an epitaph for rock's political core, which had been replaced by the spectacle of hard rock acts such as Kiss and Alice Cooper. While Rock 'n Roll did not lose its ability to shock, in less than three decades it became part of the established order that it had originally sought to challenge. With Amusement for All provides the context to what Americans have done for fun since 1830, showing the reciprocal nature of the relationships between social, political, economic, and cultural forces and the way in which the entertainment world has reflected, refracted, or reinforced the values those forces represent in America.

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Hidden Southern California (Hidden Travel) Review

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Hidden Southern California (Hidden Travel) ReviewThis guide gave me all of the information I needed to have a wonderful vacation. The information was candid, and thoughtfully presented. There were many tidbits of information/ sights I would never had thought to see if it wasn't for this book. My vacation consisted of renting a car at LAX touring along the coast (stopping at places recommended in the guide) Heading down to San Diego and then returning to LAX by traveling inland and seeing Temecula etc. It was a fun filled 10 days and all I used was this guide. If you just want the basic tourist jargon, buy a Frommers guide, not a hidden one... :-)Hidden Southern California (Hidden Travel) OverviewThe ultimate guide for enjoying the Southern California sunshine, with details on over 100 beaches and parks, including more than 250 hiking trails and over 100 surfing spots. In-depth coverage of the area's two big cities, Los Angeles and San Diego, include its many small jewels such as Santa Barbara, La Jolla, Palm Springs and Santa Catalina Island. Many distinctive lodging options are reviewed including cottages on the beach, spa retreats in the desert, alpine-style lodges in the mountains and boutique hotels in fashionable locales. Hidden Southern California offers insider advice on seeing Hollywood, seven Spanish missions, eight different theme parks and many other popular attractions while avoiding the tourist traps along the way

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The Unofficial Guide Walt Disney World 2011 (Unofficial Guides) Review

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The Unofficial Guide Walt Disney World 2011 (Unofficial Guides) ReviewMy family and I are planning to go to Walt Disney World in a couple of months, so I ordered the 2011 Version of the Unofficial Guide to Walt Disney World (WDW). I first went to WDW in the late 90's, and as I wanted to make sure I enjoyed everything there was to enjoy, I bought three or four books on WDW and the surrounding area. I found that the Unofficial Guide had pretty much everything the other books had, and more, so for my next trip in 2004, I only bought the Unofficial Guide.
After receiving the 2011 version and heavily perusing it, I find that, if anything, it's even better than the previous versions. If nothing else, its a LOT larger than the first one I bought in the 90's. It gives ratings and reviews of hotels and dining establishments in the area (both on and off Disney World), covers all of the parks and attractions on Disney in tremendous detail, and the parks and attractions off of Disney in lesser detail (primarily Universal Studios and Seaworld). Additionally, the book provides information on how Disney prices their tickets, how to save money on meals, when to visit Disney, and of course, at the end of the book, their recommended touring plans for each park in order to see as much of the parks as possible in the least amount of time.
The touring plans themselves are almost worth the price of the books. If you've never been to WDW, the parks are HUGE ... and if you just start wandering around and getting on whichever attraction catches your eye, you're going to be spending a lot more time in lines (and less time enjoying the attractions) than you should. Not that there is necessarily anything wrong with just going where you want to, when you want to, but you could spend literally hours more waiting in lines than you need to. The guide has several plans for each park ... bascially with and without children, along with a few variations for some parks. As this is my first trip to Disney with small children, I was particularly interested to get these touring plans.
There is also an affiliated Unofficial Guide to WDW website that you have to pay a suscription to get to some of the site's exclusive content for a year. If you've bought the book, you get about one-third off of the price of the subscription (when claiming discount, you have to identify the correct word from a page of the guide). While the web site does have some interesting things and the very latest information, all that you need when visiting WDW is in the book, so don't feel as if you're being cheated if you don't choose to subscribe to the web site.
Disney changes a lot every year. Given that it's been six years since I last visited, I'm glad I bought the book, to read about new things to do. I also learned some things that I wouldn't have discovered without the guide. For example, you can rent a pontoon boat and captain and watch the fireworks at Magic Kingdom and Illuminations at Epcot from the lakes, rather than being packed on the sidewalks. You will also be dropped off at a water-adjoining resort of your choice afterwards so you can beat the rush out of the park. It's not cheap, but I made a reservation and am looking forward to enjoying the fireworks without 10,000 of my closest friends close at hand. :-)
Overall, I give this book 5 stars. If you're looking to visit additional places in the Orlando area other than Disney (and perhaps Sea World and Universal Studios), you may want to buy a second book, but I'd wait to buy it until after I read this guide, as it may have all that you need.The Unofficial Guide Walt Disney World 2011 (Unofficial Guides) OverviewUnofficial Guides field tested touring plans can save as much as four hours of standing in line in a single day.
In 2008, combined Walt Disney World Resort theme park attendance reached over 51 million, with the Magic Kingdom alone drawing over 17 million visitors. (Orlando Convention and Visitor Bureau)
Despite signifcant downturns in the economy Disney theme parks have maintained attendance rates and made gains in attendance at some parks.
Walt Disney World Resort theme parks are rated best in the world. earning high marks for things outside of the traditional theme park experience. Epcot's International Food & Wine Festival, which takes place for six weeks every fall and showcases food from twenty-five countries, was rated by Forbes Traveler as one of the Best U.S. Food and Wine Festivals.


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