Showing posts with label sound. Show all posts
Showing posts with label sound. Show all posts

Sound for Film and Television, Second Edition Review

Sound for Film and Television, Second Edition
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Sound for Film and Television, Second Edition ReviewHaving read almost every book out on sound for film and television, from the most contemporary to the classics, it was a surprise to find both the theoretical/aesthetic use of sound and technical sound information (from one who really knows, the author, creator of the THX sound system.) The innovative thinking Homan put into the design of the THX system has been equally applied to this book. The book gives countless examples of both classic and contemporary films demonstrating practical application of sound theories.The information in the book has been of great value to me in my film work and to several students I know from USC School of Cinema-TV and its Summer Production Workshops. I also found the CD in the back of the book extremely helpful in actually "hearing" principles discussed in the book, another innovation from the author.Sound for Film and Television, Second Edition OverviewSound for Film and Television, Second Edition provides a thorough introduction to the fascinating field of recording, editing, mixing, and exhibiting film and television sound. It strikes a fine balance between aesthetic and technical content, combining theory and practice to approach sound as both an art and a science, as no other text has before. This edition includes new information on digital techniques as they have arisen in the industry, and expanded coverage of sound editing and design.Written by one of Hollywood's leading sound experts, Sound for Film and Television, Second Edition provides a solid grounding in all aspects of the sound process. Basic principles are presented with illustrations demonstrating how they affect the day-to-day activities on a film or television set, in the editing room, and in the mix room.
*The only text to present sound design as both an art and a science*Bridges the gap between production books and design engineering books

*Accompanying audioDVD contains examples demonstrating key concepts from the book


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The Complete Guide to Game Audio, Second Edition: For Composers, Musicians, Sound Designers, Game Developers (Gama Network Series) Review

The Complete Guide to Game Audio, Second Edition: For Composers, Musicians, Sound Designers, Game Developers (Gama Network Series)
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The Complete Guide to Game Audio, Second Edition: For Composers, Musicians, Sound Designers, Game Developers (Gama Network Series) ReviewThis book was not for me. I'm a student for Game and Simulation Programming looking for good a good introduction to the basics of Game Audio. The author has targeted this book directly at audio engineers who already have a good head start and want to market themselves to game developers as contractors. The majority of the material is about making money, and in fact it seems the author can not pass a topic without some reference to getting paid. As I read through most of the book, the material that I would have found useful was lost in a mess of anecdotes and rambling about the plights that composers have.
I rated it 2 stars because the writing was long winded, difficult to read, repetitious, incomplete, and poorly organized. This was not what I was expecting from a "complete guide".The Complete Guide to Game Audio, Second Edition: For Composers, Musicians, Sound Designers, Game Developers (Gama Network Series) OverviewTurn your musical passion into a profitable career with this exhaustive, indispensable resource for game audio. Develop the business and technical skills you need to succeed in the multibillion dollar games industry. Step-by-step instructions lead you through the entire music and sound effects process-from developing the essential skills and purchasing the right equipment to keeping your clients happy. Create music and sound effects for games. Master the exacting specifications for composing music and creating sound effects on the various gaming platforms and systems.Technical considerations are explained in detail so that game audio professionals can make sense of complicated systems, learn about the highly involved programming elements, and create high quality audio without a hitch.This new edition includes:* Information on hot new next-generation game consoles - Xbox 360, PlayStation 3, Wii, Nintendo DS, and Sony PSP. * The companion DVD features audio and cinematic examples and sample business contracts.--Aaron Marks is a highly influential industry leader whoremains active in all aspects of game audio.Marks won Best Game Audio Article, Publication or Broadcast - Game Audio Network Guild Awards - 2002; and he is also an award-winning composer and sound designer (2004 Game Tunnel - Best Sound in an Independent Game of the Year Award - I of the Enemy).His knowledge is sought after and can help any game audio specialist grow in his/her field.--Exhaustive, Indispensable resource for Game Audio - so that game audio professionals can do things like learn how to set up a studio, make a demo reel, find the work, bid on contracts, negotiate deals with clients and win the contracts.--Technical considerations explained in detail so that game audio professionals can make sense of complicated systems, learn about the highly involved programming elements, and create high quality audio without a hitch. --DVD includes audio samples, demos, interviews, and Dolby's latest Sound Development Kit so that game composers and sound designers can benefit quickly and easily by porting to their own work.

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Sound for Film and Television, Third Edition Review

Sound for Film and Television, Third Edition
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Sound for Film and Television, Third Edition ReviewSound is the most neglected part of filmmaking, and yet it is so very important for effectively conveying the narrative structure in any motion picture. "Sound for Film and Television" (Third Edition) is a very technical book. In film school, I have taken college-level courses for audio and sound and this is a very professional level book that is more technical than any of our current textbooks. It is definitely on the level of what you would expect from someone who works for THX / Lucasfilm. There are really not a great many illustrations in this book. The reader will have to have at least a little basic knowledge on how sound works, and if you are looking for a weekend filmmaker's how-to type of manual for doing things on the cheap, this book is not it.
All of this having been said, as in the introdction, depending on who you are and why you are studying the book, there are various approaches to the text. If you have to be on the set before sunrise the next morning, a thorough study of chapter 4, Capturing Sound, can get you to a place where you are at least reasonably competent. Subjects such as psychoacoustics and getting the most effect out of sound in film and television are also covered early on in the book. The chapter on editing is quite extensive and covers basic micing of both film and television sets for sitcoms, dramas, snd includes pre-mix operations for sound editors as well as a very good section on documentary and reality production. The eleven commandments of film sound are quite enlightening and give a really good insight as to the dos and don'ts. Keeping the sound in synch with the picture is the surest way to tip off the audience that they are dealing with amateur filmmakers. Silence is rarely found in the natural world and should not be found in film. It is the balance of dialogue, music and effects is of paramount importance and although these elements may shift in importance on the screen, it is the effective film editor that can bring out the narrative in the editing process. Sound for Film and Television covers the most effective ways to make all the pieces work together in the final sound edit. Tomlinson Holman adroitly shows these things in depth and does his best to explain them and eliminate confusion for the reader.
There is an included DVD can be played on stereo or surround sound systems. There are setups snd tests for signal present checks, demonstration of full or dramtic fall of and direct sound, boinks, 400Hz tone with a variety of waveforms such as square or triangle waves. Radiation patterns of the voice shown by multiple recordings of simultaneous angles.
Again, this book is very helpful and it is very succinct, but you need to have a strong focus on the importance of good audio engineering and sound editing. You definitely have to have your mind on what you are reading and possibly with your hands on the equipment itself to get the most out of the book.Sound for Film and Television, Third Edition Overview
Sound for Film and Television, Third Edition provides a thorough introduction to the fascinating field of recording, editing, mixing, and exhibiting film and television sound. It strikes a fine balance between aesthetic and technical content, combining theory and practice to approach sound as both an art and a science. This new edition has been completely updated to reflect the latest advances in HD technology, new hardware and software systems, new distribution methods, wireless sound capture, and more. Also, analog-related content has been reduced and transferred to the chapters covering historical techniques. Sections on troubleshooting and FAQs have been added to help you avoid common pitfalls in sound production.

Written by one of Hollywood's leading sound experts, Sound for Film and Television provides a solid grounding in all aspects of the sound process. Basic principles are presented with illustrations demonstrating how they affect the day-to-day activities on a film or television set, in the editing room, and in the mix room.

The accompanying audio DVD contains more than 50 tracks that demonstrate practical, real-world examples of key concepts presented in the book.

A companion Web site provides further resources and information:

http://booksite.focalpress.com/companion/Holman/SoundforFilmandTelevision/

Please use the access code located in the beginning of the book to register for access to the Web site.
*The only text to present sound design as both an art and a science*Accompanying audio DVD contains examples demonstrating key concepts*Bridges the gap between production books and design engineering books

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Make Mine Music Review

Make Mine Music
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Make Mine Music ReviewHe certainly know what he is talking about. The book was interesting, but a little repetitive. Bruce Swedien is an icon in the recording indusrty. He gives up stories about recording several greats throughout the last 40 or 50 years. He also gives info on miking all types of instruments in the studio. I would have liked a few more studio stories, but it is worth reading. He talks lots about his work with Quincy Jones and Michael Jackson.Make Mine Music OverviewEver since his father gave him a disc recorder at the tender age of 10, Bruce Swedien has known what he wanted to do for the rest of his life. The names of the people he has worked with are too many to list, but when one mentions musicians like Count Basie, Duke Ellington, Oscar Peterson, Sarah Vaughan, Eddie Harris, Quincy Jones, Jennifer Lopez, and even Michael Jackson, a great deal is immediately understood. In this book, Swedien generously gives away detailed information from his lifetime in the studio-from a musical, technical, and very personal perspective. This book has something for everyone who is interested in music, especially those curious about the stories behind the scenes of some of the best music to ever come out of the recording studio.

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Behind the Glass, Volume II: Top Producers Tell How They Craft the Hits Review

Behind the Glass, Volume II: Top Producers Tell How They Craft the Hits
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Behind the Glass, Volume II: Top Producers Tell How They Craft the Hits ReviewExcellent book. Would have appreciated a bit more tech, but still excellent. Read the first volume several times and this one measures up to Volume 1 very well. Looking forward to the next installment.Behind the Glass, Volume II: Top Producers Tell How They Craft the Hits OverviewBehind the Glass, Volume II presents another prime collection of firsthand interviews with the world's top record producers and engineers, sharing their creative secrets and hit-making techniques - from the practical to the artistic. In these pages you'll find Daniel Lanois (U2, Bob Dylan) discussing the future of digital recording; T-Bone Burnett (Robert Plant and Alison Krauss) sharing his unique view of creating complex low end; and Hugh Padgham (Police, Genesis) analyzing the state of the business today. For real-world advice on everything from home recording to mixing to coaching a nervous singer, check out author Howard Massey's conversations with Mark Ronson (Amy Winehouse), Tony Brown (Reba McEntire), Gus Dudgeon (Elton John), John Simon (The Band), Russ Titelman (Steve Winwood), Bruce Swedien (Michael Jackson), Rodney Jerkins (Mary J. Blige), Simon Climie (Eric Clapton), Matt Serletic (Matchbox Twenty), and more.

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In the Studio with Michael Jackson Review

In the Studio with Michael Jackson
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In the Studio with Michael Jackson ReviewFACT: This book was scheduled for release, and already titled, WAY before Jackson's death.
FACT: Hal Leonard Publishing is a company that publishes TRADE/TECHNICAL books, not novels and biographies.
FACT: This is a book that details Bruce Swedien's work in the studio with Michael Jackson, and as in other books in a similar vain published by Hal Leonard, and is supposed to be of a technical nature with some anecdotes, not the other way around. It's not a rip-off biography, nor was it ever meant to be.
There are books like this written about Elvis Presley, Beatles, and many other recording icons. People in the recording industry, the intended audience for these books, drink these up to find out how certain recording techniques were used to get certain sounds on tape. If you want to read about Bubbles the Chimp or Webster in the studio, this isn't the book for you. If, however, you always loved the drum sound on "Billie Jean", read on.In the Studio with Michael Jackson OverviewThe inside secrets of Michael Jackson's greatest records by the Grammy-winning engineer who captured and enhanced their sound. Multiple color photos of Jackson, producer Quincy Jones, and all the talents who collaborated to make pop history with Jackson's albums. Plucked from a job at legendary Universal Audio in Chicago, Bruce Swedien entered into a fruitful and historic 30-year relationship with producer Quincy Jones. That partnership culminated in the groundbreaking recordings of Michael Jackson, beginning with The Wiz, continuing with Jackson's breakout solo debut Off the Wall, and triumphing with Thriller, which revolutionized music and video and fixed Jackson in culture as the King of Pop. Now Swedien reveals the technical details of creating those albums (along with Bad, Dangerous, and HIStory) and offers personal remembrances and anecdotes about working with the pop icon. Swedien's book provides an insider's look that will thrill anyone interested in the nuts and bolts of hit making and the history of some of America's most influential recordings. * Large collection of photographs from Michael Jackson recording sessions * Forewords by producer Quincy Jones and writer/producer Rod Temperton

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