The Visual Effects Producer: Understanding the Art and Business of VFX Review

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The Visual Effects Producer: Understanding the Art and Business of VFX ReviewI have read this book -cover to cover- and must say that as a reference guide it is the most comprehensive, easy to read and understand book on the subject ever written! It covers everything from inception to going to the movie to see the project!
Susan and Chuck have done a fantastic job of taking difficult to understand concepts and breaking them apart into easy to understand and execute ideas. The illustrations and photos help tremendously and I am just awe-struck at how comprehensive this book is.
It will surely save the reader hours of time and tons of money that would have otherwise been ill-spent on set learning the lessons the hard way.
What is also amazing is how up to date this work is. It even covers Hoyt Yeatman's HDRI technology.
WOW! Hat's off to you two for taking this huge undertaking on, and then doing such a fantastic job with what could have been a yawn. I wish we had had this book 20 years ago!!!
Thank you both!The Visual Effects Producer: Understanding the Art and Business of VFX Overview
Go behind the scene of the behind the scenes to learn how the business of producing the dazzling visual effects we see in movies and on TV works. With decades of combined VFX production and supervisory experience in Hollywood, the authors share their experience with you, illuminating standard industry practices and tips on:

* preproduction planning* scheduling* budgeting* evaluating vendors and the bidding process* effective data management* working on-set, off-set, or overseas * dealing with changes in post-production * legal issues (contracts, insurance, business ethics), and more

Also included are interviews with established, successful Hollywood VFX Producers about their career paths and how they got to where they are now.From pre-production to final delivery, this is your complete guide to visual effects production, providing insight on VFX budgeting and scheduling (with actual forms for your own use) and common production techniques such as motion control, miniatures, and pre-visualization. Also included is a companion website (http://www.elsevierdirect.com/companion.jsp?ISBN=9780240812632) with forms and documents for you to incorporate into your own VFX production workflows.
* Invaluable and comprehensive hands-on guide for any VFX pro, brimming with tried and true, industry-standard VFX production practices from authors whose combined VFX production credits include Dune, Bill and Ted's Excellent Adventure, Broken Arrow, The Arrival, Alien Resurrection, Men of Honor, George of the Jungle, and the Guardian* Industry-standard methods for effective VFX budgeting and scheduling, evaluating vendors, working on-set and off (and overseas), data management, legal matters, and more equip you with the knowledge and workflow techniques of the pros* Includes interviews with established, successful Hollywood VFX Producers about their career paths and how they got to where they are now and a companion website (http://www.elsevierdirect.com/companion.jsp?ISBN=9780240812632)with forms and documents for you to incorporate into your own VFX production workflows



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A Short History of Film Review

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A Short History of Film ReviewI was wonderfully surprised by A Short History Of Film - it is concise, and yet full of information : probably almost each important fact in the movie timeline is included. The book also not forgets the world outside Hollywood, as it also focuses on worldwide cinema.
As often with broad subjects; the question is which book, or books, to pick. Often reference books can be quite boring to read, since encyclopedic information does not lend itself to be interwoven in a story. This is not the case with A Short History Of Film. Written in sophisticated but clear language, every chapter it is always very interesting to read as a story in itself. The only other book I could compare it with, on a different scale, is the standard university reference Film Theory & Criticism. That book, Film Theory, might claim to go into more detail on diverse film subjects than any other book, but far too many articles (from experts in the history of film) are utterly academic (like Freudian theory that explains movies are mainly meant for male voyeurs etc. - catch my drift?) and far too often simply unreadable - and I am an academic myself! Although still THE reference, Film Theory seems to forget that learning, and acquiring knowledge and information, could, or should, also be just fun! So in my opinion, A Short History Of Film wins.I felt I had learnt a lot more about film in general than any other book I have read yet and I enjoyed it the most of all.A Short History of Film OverviewThe history of international cinema is now available in a concise, conveniently sized, and affordable volume. Succinct yet comprehensive, A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present. More than 250 rare stills and illustrations accompany the text, bringing readers face to face with many of the key players and films that have marked the industry.Beginning with precursors of what we call moving pictures, Wheeler Winston Dixon and Gwendolyn Audrey Foster lead a fast-paced tour through the invention of the kinetoscope, the introduction of sound and color between the two world wars, and ultimately the computer generated imagery of the present day. They detail significant periods in world cinema, including the early major industries in Europe, the dominance of the Hollywood studio system in the 1930s and 1940s, and the French New Wave of the 1960s.Special attention is also given to small independent efforts in developing nations and the corresponding more personal independent film movement that briefly flourished in the United States, the significant filmmakers of all nations, censorship and regulation and how they have affected production everywhere, and a wide range of studios and genres. Along the way, the authors take great care to incorporate the stories of women and other minority filmmakers who have often been overlooked in other texts.Compact and easily readable, this is the best one-stop source for the history of world film available to students, teachers, and general audiences alike.--This text refers to the Hardcover edition.

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