Bette Davis: Larger than Life Review

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Bette Davis: Larger than Life ReviewThis newest book about Bette Davis is recommended for the many superior photos included, and for the good layout of her films, presented, generally in sequence. There are several factual errors, and the text of the two authors more than occasionally contradicts what the other has written. The errors include actor David Keith being called Brian Keith,by co-author Richard Schickel, and the surprisingly naive statement by the main author, George Perry, that Davis successfully imitated Joan Crawford in telephone scenes in 'Baby Jane' when Crawford had in fact agreed to dub in her own voice while Davis 'lip-synched' her imitation (this information is covered in the 2 disc 'Baby Jane' dvds, and also, in my opinion, is fairly obvious).
Running Press, the publisher, also gave the public the very enjoyable oversized books about Lucille Ball ('Lucy At The Movies') and the excellent (and best of the three) Lana Turner book, 'Lana' The Memories, The Myths, The Movies' which greatly benefitted from having Cheryl Crane's insight and her dedication to having her mother's memory being preserved. The 3 very attractive-looking Running Press books all are worth buying, and are great conversation pieces for those interested in classic films and/or classic stars of an era long-gone.
Of the 2 authors of "Bette Davis: Larger Than Life", George Perry does the better job; Richard Schickel editorializes all over the place and some of his highly subjective observations just don't ring true, to this reader. As I read on, Schickel's opinions became irrelevant and tiresome. He writes from the perspective of his experience of enjoying the work of Davis as being of more import than the films or performances Davis gave in them.
The photos in the book are incredible, and the quality of paper used and photo resolution may make some fans want to buy two copies, one for the coffee-table, and the other for high-quality frameable rare photographs of the greatest film star of the 1940s.Bette Davis: Larger than Life Overview

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Visual Poetry: A Creative Guide for Making Engaging Digital Photographs Review

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Visual Poetry: A Creative Guide for Making Engaging Digital Photographs ReviewVisual Poetry: A Creative Guide for Making Engaging Digital Photographs is a book written by Chris Orwig, an instructor of prestigious photography school. The approach of this book is workshop style, meaning that Chris will give you tips and tricks in the chapter, then followed by assignment and reference.
The interesting part of the book is when Chris relate literature (especially poetry) to photography. He argues that photography could be a great medium to express or convey a message or story.
In addition, this book discussed many kinds of photography from portrait, wedding, sports, and travel. However i feel that the discussion in each chapter is too general.
This book is geared towards someone who is already have pretty strong basic photography knowledge such as exposure, composition, equipments, but need an inspiration and a push in the back to try out new things.
For beginners, you might be disappointed because there is practically no instruction on how to get those kind of photos. There is no technical information (lens used, focal length, aperture/shutter speed) on each photographs in the book as well.Visual Poetry: A Creative Guide for Making Engaging Digital Photographs OverviewA great photograph has the potential to transcend verbal and written language. But how do you create these photographs? It's not the how that's important, but the who and the what. Who you are as a person has a direct impact on what you capture as a photographer.Whether you are an amateur or professional, architect or acupuncturist, physician or photographer, this guide provides inspiration, simple techniques, and assignments to boost your creative process and improve your digital images using natural light without additional gear.Chris Orwig's insights—to reduce and simplify, participate rather than critique, and capture a story—have made him an immensely popular workshop speaker and faculty member at the prestigious Brooks Institute. His engaging stories presented as lessons follow his classroom approach and highlight what students say is his contagious passion for life.In this accessible and beautifully illustrated four-color guide you will:
Discover visual poetry in the creative process
Use less to say more with your subject matter
Learn to see light, color, shape, and expression
Understand what gear is essential
Create compelling portraits
Make lasting memories of your family and kids
Capture the outdoors and adventure
Begin the transition from amateur to professional
Chris also includes exclusive interviews with such photographers as: Steve McCurry, Chris Rainier, John Sexton, Rodney Smith, Joyce Tenneson, John Paul Caponigro, Marc Riboud, and Pete Turner.Share your work with the author and other readers at www.flickr.com/groups/visual-poet and visit the Web site: www.visual-poet.com.

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How to Start and Operate a Digital Portrait Photography Studio Review

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How to Start and Operate a Digital Portrait Photography Studio ReviewLou Jacobs Jr. has been writing photography books for decades and wrote a great guide to my old Konica Autoreflex 35mm SLR manual camera back 3 decades ago. This new book about starting your own studio offers a feel good fluffy guide that can motivate the beginner. It offers very little hardcore technical advice that is really important when it comes to digital studio work. For example, Jacobs glosses over the issue of storage by making statements such as just back up to CD/DVD and you're all set, whereas he should be talking about backing up to multiple harddrives, RAID, etc. Those issues aside, the studio photographs are outstanding and inspriring. Lighting is used to great effect.How to Start and Operate a Digital Portrait Photography Studio OverviewTwenty successful studio owners offer their expertise to aspiring professional photographers in this guide to operating a digital portrait studio. Every element of a thriving studio is covered, from choosing a location and determining a budget to selecting computer equipment and streamlining the digital work flow. Details on selecting backgrounds, sets, and props that set a studio apart and advice on lighting patterns, posing, and clothing selection help photographers ensure that they produce client-pleasing images and return customers. Customer service tips on creating comfortable waiting and viewing areas are included to help photographers set up an attractive space to better profit from their artistic skills.

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