Showing posts with label digital photography. Show all posts
Showing posts with label digital photography. Show all posts

Build a Better Photograph: A Disciplined Approach to Creativity Review

Build a Better Photograph: A Disciplined Approach to Creativity
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Build a Better Photograph: A Disciplined Approach to Creativity ReviewMichael Stern probably has a lot to tell us about making photographs, both with a camera and with Photoshop. Unfortunately, he doesn't convey much of this knowledge in this book, and what he does convey is ill organized.
"Build a Better Photograph" is divided into four almost unrelated parts. The first shows how the author constructs environmental portraits by building up layers within Photoshop; the second shows how he created a photographic Christmas card for a client; the third shows how he made images from scanned objects, including dead things; and the final chapter shows how he develops product photography. The common thread throughout seems to be the use of compositing to create images.
Unfortunately, he almost explains how he composites images in Photoshop but never quite gives enough information so that the less-experienced reader can actually apply his techniques. In most cases he provides screen shots of the Photoshop layers panels for his composites but he often doesn't explain in enough detail how to use the tools with which he created the layers. He sometimes promises that he will reveal things, and doesn't. Typically, Stern tells you the lighting effects filter is important, but rather than explain it, he tells you to keep practicing with it until you understand it.
Apparently Stern was trying to use images he had created to show the reader the decision processes he used to achieve the final product, but even when ordered in time sequence, the processes are not explained clearly enough to be of use to most people.
On the too much information side, I didn't find it useful to hear about how he preps himself for problem solving by having a conversation with himself before going to sleep, so that he can set a goal for the problems that he plans to resolve in his dreams; or the fact that an early partner did him dirty; or that a procurement officer gave him a hard time. The space he occupies with these meanderings might better have been used providing more detailed information. I also didn't need the continual reminders that he was a professional, as if there were no poor professionals or excellent hobbyists.
A DVD is included with the book but this isn't very useful either. I really don't need to see how Stern does the dishes in the Christmas card studio or how Santa danced when not posing. Quick time spherical panoramas, mostly of his studio, are included on the DVD but there is no mention of them in the book or explanation of how they were created. The most useful things on the DVDs might be the check lists and written instructions on the use of Photoshop tools, but these are written instructions that don't capitalize on the capabilities of DVDs. In fact if this material had been included in the book itself, it might have been integrated into the presentation in a useful manner.
People interested in doing compositing and familiar with Photoshop's tools may benefit from seeing how one photographer uses those tools. Other readers are not likely to find this book useful.
Build a Better Photograph: A Disciplined Approach to Creativity Overview
While many books address the equipment, techniques, and compositional approaches to image creation, few describe the steps involved in the creation of the picture idea. This book is a passport to the creative process of professional artists. The context is photography but the ideas can be applied across the board. This book emphasizes working out how to achieve the end result before we begin. A key question is what do we haveto get right as weshoot and what can we achieve later in post-processing? The correct answer will drive the quality of our imagery and extend our careers. This book is not a how-to book on making photographs. Rather, this book is about the creative process of conceptualizing ideas and executing those ideas to make a photograph. How do artists conceptualize? Where do they get their ideas? How do they incorporate those ideas into their work? Compositing and storytelling abilities have never been easier and more difficult to achieve. Sound contradictory? It is. Illogical? It is. We willjourney together to solve the many whys and hows so that the technology does not get in the way of image content and story. As it relates to a particular topic in the text, there are discussions about photographic theory, lighting, composition, color and, of course, Photoshop. Included are examples of my work, each with a detailed examination of my creative process for that particular photograph. Again the idea here is to examine creativity in a way that demystifies the process. Artists create. Good artists have a process. Great artists have discipline. This book is about all three.


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Speedlights & Speedlites: Creative Flash Photography at the Speed of Light Review

Speedlights and Speedlites: Creative Flash Photography at the Speed of Light
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Speedlights & Speedlites: Creative Flash Photography at the Speed of Light ReviewI read the book twice; gleaning little nuggets here and there.
The book highlights standard lighting techniques (which could be used with any type of artificial lighting)using speedlights. GREAT! What are my problems then, you might be wondering.
One "problem" with the book is that the author,chapter after chapter, continually attempts to "sell" the reader on the idea that using speedlights is a "great way" of shooting with flash. "YA, I KNOW THAT, that's why I bought the book in the first place" is what I was grumbling into the air as I continued read on to the end. His propensity to do this was annoying and left me feeling like I was getting cheated out of more helpful information. I don't need the author to tell me WHY I am using speedlights I want him to tell me HOW.
Another "problem" was that, like the title says (it finally dawned on me...), the book is only about using Nikon and Canon ETL speedlight/speedlite flashes. I was hoping that this was going to be a tome about off-camera flash using flashes in manual and setting up with shots using wireless triggers and etc. Maybe there would be some exposure tricks and tips that help the photographer get around using a light meter. I was hoping for, well, meat and potatoes..."strobist" stuff I guess. Maybe like how to train my eye and to be able to see the forest for the trees and vice versa when it comes to lighting. Oh well.
Don't get me wrong, I learned some stuff but...Speedlights & Speedlites: Creative Flash Photography at the Speed of Light Overview
Canon Speedlites and Nikon Speedlights are small, off-camera flashguns that can provide big results - if you know how to use them properly. Acclaimed Boston photographers Lou Jones, Bob Keenan and Steve Ostrowski guide you through the technical and creative aspects of how to get the most out of these powerful tools in this indispensable guide, packed full of inspirational images and comprehensive diagrams of the lighting set ups used to capture them.

They are significantly more advanced, lighter and considerably cheaper than a standard flashgun, and have many advantages. They are small (and cheap) enough that a number can be carried in your kit, and they can be used in combination, triggered wirelessly. They use through-the-lens (TTL) metering, which allows you to use the in-camera LCD and histograms to calculate the required power/direction, rather than havng to use a light meter or trial and error. They use proprietary, dedicated technology (from Canon and Nikon) that means there are no compatability issues.

Getting the most out of them, however, remains a mystery - most photographers still just use their speedlights in the same way as a standard flash gun. This is where this book comes in.

Key Features

*Expand your creative potential by mastering your external flashgun

*Full of Professional, Inspirational images with full lighting diagrams to show you how they were taken

*Covers all of the best-selling Canon Speedlites and Nikon Speedlights


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Visual Poetry: A Creative Guide for Making Engaging Digital Photographs Review

Visual Poetry: A Creative Guide for Making Engaging Digital Photographs
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Visual Poetry: A Creative Guide for Making Engaging Digital Photographs ReviewVisual Poetry: A Creative Guide for Making Engaging Digital Photographs is a book written by Chris Orwig, an instructor of prestigious photography school. The approach of this book is workshop style, meaning that Chris will give you tips and tricks in the chapter, then followed by assignment and reference.
The interesting part of the book is when Chris relate literature (especially poetry) to photography. He argues that photography could be a great medium to express or convey a message or story.
In addition, this book discussed many kinds of photography from portrait, wedding, sports, and travel. However i feel that the discussion in each chapter is too general.
This book is geared towards someone who is already have pretty strong basic photography knowledge such as exposure, composition, equipments, but need an inspiration and a push in the back to try out new things.
For beginners, you might be disappointed because there is practically no instruction on how to get those kind of photos. There is no technical information (lens used, focal length, aperture/shutter speed) on each photographs in the book as well.Visual Poetry: A Creative Guide for Making Engaging Digital Photographs OverviewA great photograph has the potential to transcend verbal and written language. But how do you create these photographs? It's not the how that's important, but the who and the what. Who you are as a person has a direct impact on what you capture as a photographer.Whether you are an amateur or professional, architect or acupuncturist, physician or photographer, this guide provides inspiration, simple techniques, and assignments to boost your creative process and improve your digital images using natural light without additional gear.Chris Orwig's insights—to reduce and simplify, participate rather than critique, and capture a story—have made him an immensely popular workshop speaker and faculty member at the prestigious Brooks Institute. His engaging stories presented as lessons follow his classroom approach and highlight what students say is his contagious passion for life.In this accessible and beautifully illustrated four-color guide you will:
Discover visual poetry in the creative process
Use less to say more with your subject matter
Learn to see light, color, shape, and expression
Understand what gear is essential
Create compelling portraits
Make lasting memories of your family and kids
Capture the outdoors and adventure
Begin the transition from amateur to professional
Chris also includes exclusive interviews with such photographers as: Steve McCurry, Chris Rainier, John Sexton, Rodney Smith, Joyce Tenneson, John Paul Caponigro, Marc Riboud, and Pete Turner.Share your work with the author and other readers at www.flickr.com/groups/visual-poet and visit the Web site: www.visual-poet.com.

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How to Start and Operate a Digital Portrait Photography Studio Review

How to Start and Operate a Digital Portrait Photography Studio
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How to Start and Operate a Digital Portrait Photography Studio ReviewLou Jacobs Jr. has been writing photography books for decades and wrote a great guide to my old Konica Autoreflex 35mm SLR manual camera back 3 decades ago. This new book about starting your own studio offers a feel good fluffy guide that can motivate the beginner. It offers very little hardcore technical advice that is really important when it comes to digital studio work. For example, Jacobs glosses over the issue of storage by making statements such as just back up to CD/DVD and you're all set, whereas he should be talking about backing up to multiple harddrives, RAID, etc. Those issues aside, the studio photographs are outstanding and inspriring. Lighting is used to great effect.How to Start and Operate a Digital Portrait Photography Studio OverviewTwenty successful studio owners offer their expertise to aspiring professional photographers in this guide to operating a digital portrait studio. Every element of a thriving studio is covered, from choosing a location and determining a budget to selecting computer equipment and streamlining the digital work flow. Details on selecting backgrounds, sets, and props that set a studio apart and advice on lighting patterns, posing, and clothing selection help photographers ensure that they produce client-pleasing images and return customers. Customer service tips on creating comfortable waiting and viewing areas are included to help photographers set up an attractive space to better profit from their artistic skills.

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