Showing posts with label john ford. Show all posts
Showing posts with label john ford. Show all posts

John Ford: Hollywood's Old Master (Oklahoma Western Biographies) Review

John Ford: Hollywood's Old Master (Oklahoma Western Biographies)
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John Ford: Hollywood's Old Master (Oklahoma Western Biographies) ReviewIf you've never read a Ford bio, this is a decent introduction. But the book has three problems. It has very little interpretation and evaluation of the films. Much of the book is about Ford's flaws as a human being, especially his cruelty to the people he worked with. Film by film, he piles up examples of Ford's bad behavior without explaining what all this nastiness has to do with Ford's achievement as an artist. Finally, much of the book's material comes from interviews. In a bibliographical essay, Davis lists all this material. In the text, however, he never makes it clear where he got a particular quote. Davis did quite a few interviews for the book. Those don't need further citation. If you want to track down quotations from other interviews, however, forget it. There's no way of finding out when an interview was given or what the context for the quote is.John Ford: Hollywood's Old Master (Oklahoma Western Biographies) Overview

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Print the Legend: The Life and Times of John Ford Review

Print the Legend: The Life and Times of John Ford
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Print the Legend: The Life and Times of John Ford ReviewAt the end of "The Man Who Shot Liberty Valance," the newspaper reporter interviewing James Stewart discovers that Stewart's hero didn't really kill Lee Marvin's villain. His response is: "When the legend becomes fact, print the legend." That's just what John Ford did in all 140 of his films over five decades. Ford used a fledgeling medium and created it into an art form. In doing so, he reformulated the American "legend," how we understand our past. Much of how we see ourselves as Americans, for better or worse, has its basis in the film depictions that Ford created. There have been numerous books on Ford and his films, but Scott Eyman's is undoubtedly the most comprehensive treatment of a brilliant artist who was also a deeply flawed man. Previous biographies of Ford have either concentrated on the meanings of his films or on his personal life. Eyman's book does both, but he also looks at how Ford directed actors, how he related to them and how he elicited such great performances from them (sometimes gently and sometimes harshly). No other book on Ford has done this to the same degree, and this is what makes the book so good. Also, Eyman interviewed dozens of Ford's peers from the silents through the sixties. The book is well written, comprehensive and fair in the treatment of its subject. More importantly, like a good Ford movie, it never ceases to hold your attention. I came away from this book with a better appreciation for the films, and a healthy respect for an often difficult yet gifted director. Orson Welles was once asked who he thought were the three greatest American directors. His response was "John Ford, John Ford and John Ford." Whether you agree with Welles or not, Eyman's biography is a great read.Print the Legend: The Life and Times of John Ford Overview

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Steven Spielberg: A Biography, Second Edition Review

Steven Spielberg: A Biography, Second Edition
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Steven Spielberg: A Biography, Second Edition ReviewI've now read about five or six biographies of Steven Spielberg and all vary in depth and quality. However Joseph McBride book can only be described as THE most in-depth account of Spielberg's fascinating life. You simply won't read a more well-researched account of Spielberg's life unless the great man writes his autobiography. Don't be put off by the fact that Spielberg didn't co-operate with this book, virtually everyone else did including, most surprisingly, his father. A terrific read from start to finish.Steven Spielberg: A Biography, Second Edition Overview

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