The Making of Some Like It Hot: My Memories of Marilyn Monroe and the Classic American Movie Review

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The Making of Some Like It Hot: My Memories of Marilyn Monroe and the Classic American Movie ReviewThe one key advantage to Tony Curtis's breezy memoir "The Making of Some Like It Hot" is that you can read in about as much time as it takes to watch the movie. Curtis and his ghostwriter, Mark A. Vieira, aren't particularly introspective and are given to using sub-Hemingway declamatory phrasings such as: "I've got a rich memory bank. It's bursting with treasures. Almost anything can open it up. A sound, a song, a scent, and memories come pouring out." (29) Maybe, but if so, Curtis's memories are only occasionally revealing. The book's focus rests on squarely on Marilyn Monroe: the two of them had a brief relationship, in 1950, before they both became famous, and, on the set of "Some Like It Hot," they briefly resumed it. Yet, Curtis's account only re-affirms what we have known about Monroe for decades - her erratic behavior, her lack of professionalism, and her emotional vulnerability. The book's biggest revelation is Curtis' claim to having fathered the child that Monroe miscarried in December 1958, while her marriage to Arthur Miller was unraveling.
Yet, the focus on Marilyn ultimately takes away from the story of the film. Yes, the famous accounts of the constant delays and near-crack-ups due to Monroe are duly recounted. But Curtis's descriptions of Billy Wilder, I.A.L. Diamond and even his co-stars Jack Lemmon, George Raft, and Joe E. Brown are amazingly one-dimensional. He loves and admires them all and is honored to be working with them - and that's all he really has to say. If you love the movie and don't know a thing about its troubled history, this book is an OK introduction. But, please wait for the paperback version -- this is way too slight to pay the hardcover list price.The Making of Some Like It Hot: My Memories of Marilyn Monroe and the Classic American Movie Overview

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