Showing posts with label popular. Show all posts
Showing posts with label popular. Show all posts

Reading Lyrics: More Than 1,000 of the Century's Finest Lyrics--a Celebration of Our Greatest Songwriters, a Rediscovery of Forgotten Masters, and an Appreciation of an Review

Reading Lyrics: More Than 1,000 of the Century's Finest Lyrics--a Celebration of Our Greatest Songwriters, a Rediscovery of Forgotten Masters, and an Appreciation of an
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Reading Lyrics: More Than 1,000 of the Century's Finest Lyrics--a Celebration of Our Greatest Songwriters, a Rediscovery of Forgotten Masters, and an Appreciation of an ReviewFinally! A book that not only places song lyrics within the realm of literature, but also contains those lyrics in their entirety, This is the most complete book of English and American lyrics around: It contains all the lyrics (other than a song sheet, where will you find refrain 4 of "The Lady is a Tramp?") to more than 1,000 songs from the late 19th century to 1975, including the prototypical works of Gershwin, Porter, Hart, Mercer, Comden and Green, Berlin, Fields, Cahn, and Strayhorn. Dozens of relatively less prodigious and famous lyricists are included as well.
The book is a dream for jazz lovers. With the complete lyric and verse of "Body and Soul" (for example), one can appreciate Billy Holiday's vocals or Coleman Hawkins' definitive sax, or--warn your housemates--sing along! From "Sweet Georgia Brown" (1925) to "All of Me" (1931) to "Peel Me a Grape" (1962), this is a rich compendium of the English language songbook.
The organization is somewhat confusing: Lyricists are ordered by date of birth. True, one glimpses the evolution of the form, but with little context or theory this presentation is often more confusing than illuminating. (Fortunately, there are capsule biographies as well as a brief but informative introduction.) Other tips to navigating the book: The Index of Songs contains all songs in alphabetical order, the year they were written, the source, if not a recording (e.g., show, nightclub act, film) and the singer most associated with the song. Unfortunately, there is no index of lyricists, so one must search the lengthy Table of Contents, or work backwards and find the lyricist through the Song Index.
Small matter. As far as I know, this is the only book of its kind. A wonderful reference, "Reading Lyrics" makes a wonderful gift for the shower singer, the jazz buff, or the poetry lover. Very highly recommended!Reading Lyrics: More Than 1,000 of the Century's Finest Lyrics--a Celebration of Our Greatest Songwriters, a Rediscovery of Forgotten Masters, and an Appreciation of an Overview

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Guitar Towns: A Journey to the Crossroads of Rock 'n' Roll Review

Guitar Towns: A Journey to the Crossroads of Rock 'n' Roll
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Guitar Towns: A Journey to the Crossroads of Rock 'n' Roll ReviewNo fan of rock or the guitar will be disappointed by this incredible compilation. It is a treasure. Equal parts travelogue and rock and pop music history book, McNutt's work is at once compelling, humorous and touching. Guitar Towns takes you from Guitar Slim duck-walking on car hoods on Bourbon Street in the 1950s to Garth Brooks trudging as a rejected unknown through the alleys of Nashville decades later. You can't put this book down once you pick it up and its stories are unforgettable.Guitar Towns: A Journey to the Crossroads of Rock 'n' Roll Overview"I couldn't put it down. Randy McNutt's passion for music comesthrough loud and clear on every page." -- GeorgeThorogoodEveryone knows the importance of Nashville, New York,LA, and Chicago to popular music, but what about Norfolk and Bakersfield?When recording was more art than commerce, regional music centersflourished. From the 1940s to the 1970s, hundreds of hits -- from "My Guy"to "Five O'Clock World" -- came out of New Orleans, Muscle Shoals,Memphis, Houston, Cincinnati, and other music centers that are too often forgottentoday. The important role they played is described in Randy McNutt's entertainingnew book, Guitar Towns. Paying tribute to neglected treasures,McNutt, a writer for the Cincinnati Enquirer and a record producer himself, traveledacross America to seek the creators of pop music's hits, misses, and myths. The bookrecounts his personal odyssey as it documents an important chapter in Americancultural history.McNutt persuaded singers, songwriters, discjockeys, producers, and session players to talk to him about their lives and theirmusic, and they responded with enthusiasm and flair. Guitar Towns is irresistible toanyone interested in pop music and culture.Each spring my itchfor sonic Americana worsened with the tree pollen. I navigated with two dozen oldand new state and local maps, which I stored in a nylon briefcase on my back seat.Right away, I realized I couldn't visit every music center. So I limited my journeysto areas with strong roots and music ties. I preferred the Soul Zone, a musicalhothouse stretching from Cincinnati to the Gulf of Mexico and an area that wielded adisproportionate influence on American music for decades. Amazingly, Southern musicteams, often consisting of blacks and whites, made high-quality records as theircities churned with racial conflict. -- from Chapter One

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