Guitar Towns: A Journey to the Crossroads of Rock 'n' Roll Review

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Guitar Towns: A Journey to the Crossroads of Rock 'n' Roll ReviewNo fan of rock or the guitar will be disappointed by this incredible compilation. It is a treasure. Equal parts travelogue and rock and pop music history book, McNutt's work is at once compelling, humorous and touching. Guitar Towns takes you from Guitar Slim duck-walking on car hoods on Bourbon Street in the 1950s to Garth Brooks trudging as a rejected unknown through the alleys of Nashville decades later. You can't put this book down once you pick it up and its stories are unforgettable.Guitar Towns: A Journey to the Crossroads of Rock 'n' Roll Overview"I couldn't put it down. Randy McNutt's passion for music comesthrough loud and clear on every page." -- GeorgeThorogoodEveryone knows the importance of Nashville, New York,LA, and Chicago to popular music, but what about Norfolk and Bakersfield?When recording was more art than commerce, regional music centersflourished. From the 1940s to the 1970s, hundreds of hits -- from "My Guy"to "Five O'Clock World" -- came out of New Orleans, Muscle Shoals,Memphis, Houston, Cincinnati, and other music centers that are too often forgottentoday. The important role they played is described in Randy McNutt's entertainingnew book, Guitar Towns. Paying tribute to neglected treasures,McNutt, a writer for the Cincinnati Enquirer and a record producer himself, traveledacross America to seek the creators of pop music's hits, misses, and myths. The bookrecounts his personal odyssey as it documents an important chapter in Americancultural history.McNutt persuaded singers, songwriters, discjockeys, producers, and session players to talk to him about their lives and theirmusic, and they responded with enthusiasm and flair. Guitar Towns is irresistible toanyone interested in pop music and culture.Each spring my itchfor sonic Americana worsened with the tree pollen. I navigated with two dozen oldand new state and local maps, which I stored in a nylon briefcase on my back seat.Right away, I realized I couldn't visit every music center. So I limited my journeysto areas with strong roots and music ties. I preferred the Soul Zone, a musicalhothouse stretching from Cincinnati to the Gulf of Mexico and an area that wielded adisproportionate influence on American music for decades. Amazingly, Southern musicteams, often consisting of blacks and whites, made high-quality records as theircities churned with racial conflict. -- from Chapter One

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