Fashion in Film (New Directions in National Cinemas) Review

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Fashion in Film (New Directions in National Cinemas) ReviewI wish I had not bought this book. It was cheaply printed, and had not much to do with fashion in film.
The writers of the different articles were from academia with their point of view of the meaning of certain films to them.
I was surprised to see a photo of Fred Astaire,incorrectly captioned as wearing a Tuxedo, when one can see that he is wearing white tie and a tailcoat in a book titled Fashion in Film.
Badly printed and pompous.Fashion in Film (New Directions in National Cinemas) OverviewThe vital synergy between dress and the cinema has been in place sincethe advent of film. Broaching topics such as vampires, noir, and Marie Antoinettelooks, Fashion in Film uncovers the way in which the alliance of these twopowerhouse industries use myriad cultural influences -- shaping narrative, nationalidentity, and all points in between. Contributor essays address international filmsfrom early cinema to the present, drawing on the classic and the innovative. Thisabundantly illustrated collection reveals that fashion in conjunction with film mustbe understood in a different way from fashion tout simple.

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Who's Who in Fashion (5th Edition) Review

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Who's Who in Fashion (5th Edition) ReviewGreat pictures and documentation of each various designer!! The descriptions are clear! This book was a must have for a designer book assignment and this book got it done!!Who's Who in Fashion (5th Edition) OverviewWho s Who in Fashion, 5th Edition, captures the energy, drama, and excitement of theluminaries who make up the world of fashion. Alphabetical listing of profiles includesuseful design philosophies, as well as mentors and sources of inspiration. The biographiestrace the careers of many of the men and women who ve contributed to fashion. Besidestoday s major figures and legendary designers of the past, there are lesser known peopleand newcomers worth watching as well as a sampling of interesting nonconformists freespirits who prefer to work off the main fashion paths. The picture would not be completewithout the style makers, those with an eye and an instinct for fashion and who interpretit for the public; and of course, the editors, photographers, artists those who sketch andphotograph, write about fashion, and promote it.

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Edith Head: The Fifty-Year Career of Hollywood's Greatest Costume Designer Review

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Edith Head: The Fifty-Year Career of Hollywood's Greatest Costume Designer ReviewThis much-awaited volume on Miss Head is an absolutely beautiful volume. I waited years to have a colossal book on her costumes much more than more information on her life which is available in other volumes.
While the book itself is a magnificent production, including the graphics, layout, photography and cover fabric, there are a few aspects that go wanting, but do not detract from anything but the highest recommendation.
I find that the pictorial coverage is most stingy with her designs for The Ten Commandments, even though the picture of Anne Baxter's elegant and stylized portrayal of Nefretiri is captured by the one and only photograph devoted to this motion picture.
Of special note is that despite the computer and editorial staff, the text which is sufficient except again for The Ten Commandments, has numerous spelling, syntactical, and possibly typographical errors. While I think nobody can attest to any accuracy regarding her early years, nor certain facts regarding her most personal interior life, the text is informative, and not burdensome in presentation of her typical daily activities. It is to the point!
It is especially a noteworthy book because we are treated to photography that we have never seen in other books about this most highly-acclaimed and most sensitive artist. While one may find that she may have been highly protective of her billing and her Oscars, one understands that it was out of necessity, due both to her formulative years and instinct to guard and protect her artistry. Had she not guarded her designs, one can only imagine that the system in which she worked could have concealed her rightful acknowledgements.
I applaud both Edith Head for giving so many of us such magnificent pleasure over so many decades, and for the author and staff who made this book happen.
Ray W. Clarke
Cleveland & Palm Beach
Edith Head: The Fifty-Year Career of Hollywood's Greatest Costume Designer OverviewAll About Eve. Funny Face. Sunset Blvd. Rear Window. Sabrina. A Place in the Sun. The Ten Commandments. Scores of iconic films of the last century had one thing in common: costume designer Edith Head (1897–1981). She racked up an unprecedented 35 Oscar nods and 400 film credits over the course of a fifty-year career.
Never before has the account of Hollywood's most influential designer been so thoroughly revealed-because never before have the Edith Head Archives of the Academy of Motion Picture Arts and Sciences been tapped. This unprecedented access allows this book to be a one-of-a-kind survey, bringing together a spectacular collection of rare and never-before-seen sketches, costume test shots, behind-the- scenes photos, and ephemera.

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Dressed: A Century of Hollywood Costume Design Review

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Dressed: A Century of Hollywood Costume Design ReviewWowza, this book is incredible. The photographs and costume illustrations are really high quality. I haven't read all of this massive tome yet, but I've really loved what I've read and looked at so far. The book is basically comprised of 4 components. There are text chapters addressing costume design in each of the last 10 decades, then there are the gorgeous photos (lots and lots of color), many sketches that you probably will not see anywhere else, and finally, and this is the really juicy part, are the captions that accompany the images. The captions are quotes from directors, actors and designers and they are really lively and funny. You feel like you were in the fitting room with the actor. I would definitely recommend this book for anyone who loves movies.Dressed: A Century of Hollywood Costume Design Overview
From the lavish productions of Hollywood's Golden Age through the high-tech blockbusters of today, the most memorable movies all have one thing in common: they rely on the magical transformations rendered by the costume designer. Whether spectacular or subtle, elaborate or barely there, a movie costume must be more than merely a perfect fit. Each costume speaks a language all its own, communicating mood, personality, and setting, and propelling the action of the movie as much as a scripted line or synthetic clap of thunder. More than a few acting careers have been launched on the basis of an unforgettable costume, and many an era defined by the intuition of a costume designer—think curvy Mae West in I'm No Angel (Travis Banton, costume designer), Judy Garland in A Star is Born (Jean Louis and Irene Sharaff, costume designers), Diane Keaton in Annie Hall (Ruth Morley, costume designer), or Harrison Ford as Indiana Jones in Raiders of the Lost Ark (Deborah Nadoolman Landis, costume designer).

In Dressed: A Century of Hollywood Costume Design, Academy Award-nominated costume designer Deborah Nadoolman Landis showcases one hundred years of Hollywood's most tantalizing costumes and the characters they helped bring to life. Drawing on years of extraordinary research, Landis has uncovered both a treasure trove of costume sketches and photographs—many of them previously unpublished—and a dazzling array of first-person anecdotes that inform and enhance the images. Along the way she also provides and eye-opening, behind-the-scenes look at the evolution of the costume designer's art, from its emergence as a key element of cinematic collaboration to its limitless future in the era of CGI.

A lavish tribute that mingles words and images of equal luster, Dressed is one book no film and fashion lover should be without.


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