Max Ophuls in the Hollywood Studios Review

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Max Ophuls in the Hollywood Studios ReviewUnlike some of the other books about Ophuls, Bacher's book goes into what lay behind some of Ophuls' directorial decisions, the personalities of producers, editors, stars, etc. It is the book of scholarship that needs to be written about every director worth studying. This is the book you read BEFORE you start to consider what Ophuls is trying to communicate, what the meaning is of Ophuls films. The only drawback of the book is that it only goes into detail about Ophuls' four American films!
The biggest surprise was that the book was a pleasure to read. The personalities presented are real people. It is, despite the scholarly intention of the book, very fast reading. I found it too fast.... I will have to go back and read it again in order to write my own paper on Ophuls films!
MIchael Ian ChaplanMax Ophuls in the Hollywood Studios OverviewMax Ophuls, who is consideredone of the greatest film directors of all time, has long been seen as an "auteur"--the artist in complete control of his work. Lutz Bacher's examination of his American career gives us a unique perspective on the struggle on the workings of the Hollywood system and the struggle of a visionary to function within it. He thus establishes clear connections between the production contexts of Ophuls's American films and their idiosyncratic style.Drawing on documents in many archives and on interviews with more than sixty of Ophuls's contemporaries, Bacher traces the European director's struggle to find a niche in the U.S. film industry. He describes how Ophuls ran the gamut from ghost writing to substitute directing, to a debilitating association with Preston Sturges and Howard Hughes, to making four films--Letter from and Unknown Woman and Caught among them--in thirty months, and then returning to Europe with a runaway production that was to have starred Greta Garbo. Throughout, Bacher demonstrates that Ophuls's bending of conventional Hollywood methods to his own will through compromise and subversion allowed him to achieve a style that was both uniquely American and a point of departure from his later work. A rare synthesis of production history, stylistic analysis, and biography, this book is essential reading for serious film scholars and fans of the director's work.

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