Into the Dark: Seeing the Sacred in the Top Films of the 21st Century (Cultural Exegesis) Review

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Into the Dark: Seeing the Sacred in the Top Films of the 21st Century (Cultural Exegesis) ReviewI wish I could summon the spirit of the late Don LaFontaine here - it would come across much more powerful, of course - but I cannot. In a world where required reading often means required time and nothing less, it's a rarity that we're able to dig through the junk to find the jewels. Into the Dark gives you nugget after nugget of the finest film gold. From Memento to Donnie Darko -- 45 of IMDb's top 250 - and page by page, movie by movie, it's a perfectly paced walk through the best aspects of cinema. Detweiler stays the course to provide a trustworthy guide and an altogether insightful interpretation, all the while providing theological insight along the way. It's like watching the movies all over again, with a different set of eyes. A little deeper, a little smarter, a little slower wins the race.
Into the Dark is the journey of films through some of the darkest hours in order to show the brightest of grace. The chapters poignantly scribe the picture of a holistic faith seen in contrast with a dynamic culture. To speak personally, the book acted as an awakening towards the movies I could not reconcile. It was my own journey through the theater in hopes of finding others - Evangelicals even - sitting next to me, ready to commence The Great Discussion with two ears, one mouth and an eternal sense of grace in sight.
Into the Dark: Seeing the Sacred in the Top Films of the 21st Century (Cultural Exegesis) OverviewIn this book, Craig Detweiler examines forty-five films from the twenty-first century that resonate theologically--from The Lord of the Rings trilogy to Little Miss Sunshine--offering groundbreaking insight into their scriptural connections and theological applications.Detweiler writes with the eye of a filmmaker, leads Hollywood and religion initiatives at Fuller Seminary, and even came to faith through cinema. In this book, he unpacks the "theology of everyday life," exploring the Spirit of God in creation, redemption, and "general revelation" through sometimes unlikely filmmakers. It's the first authoritative book that dissects up-to-date movies selected by the popular Internet Movie Database. This book is recommended for teachers, students, pastors, film fans, and those interested in the intersection of Christianity and culture.

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True Religion (Blackwell Manifestos) Review

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True Religion (Blackwell Manifestos) ReviewThe premise that this book begins from is the implosion of secularism--not the complete end of secular institutions but rather the apprehension of its foundations being terminally undermined. This is a hefty statement that I personally believe can be significantly substantiated as credible being that the traditional secularization thesis has been entirely debunked; however, I am unsure how less sympathetic readers will react to this premise.
If we are to talk about the 'revival' of religion, albeit while recognizing it really never went away, are we to speak of the re-appearance of pre-modern forms of religion? Running along the theme adopted in the introduction of the evolution of ROMEO & JULIET pre-modern to modern to post-modern (Luhrman's) productions, Ward argues convincingly in my opinion that this is not the revival of pre-modern phantasms of religion but rather the emergence of a trangsgressive, excessive and hyper religion. This he notices can be seen in the the kitsch Holy Land Theme Parks, inane fundamentalisms, the commodification of religion through the media, etc.
'True religion', he argues, must not be understood as something fixed but as something created---as it was when true religion first became a matter of unique attention after the Reformation---through social process and cultural permutations. 'True religion' is disseminated across social and historical process in the discursive exchange of signs throughout cultural networks. Such is the general pace of the book which could frustrate some in how it skirts a direct, lucid confrontation with the issue of there being a 'true religion' as the question would be understood by the vast majority of the non-academic public.True Religion (Blackwell Manifestos) OverviewThrough reference to plays, poetry, novels, films and painting, this manifesto traces the genealogy of ‘true religion' in the western world and makes six controversial claims about the past, present and future of religion.
Traces a transformation in the way religion is understood and performed in the western world.
Makes several major claims about the past, present and future of true religion.
Uses cultural metaphors as ways into understanding religion.
Refers to plays, poetry, novels, paintings and films, including Romeo and Juliet, Moby Dick, The Exorcist and Stigmata.
Suggests that the end of wars between nations could result in a return of wars of faith.
Part of the prestigious Blackwell Manifestos series.


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