Showing posts with label spirituality. Show all posts
Showing posts with label spirituality. Show all posts

Reel Spirituality: Theology and Film in Dialogue (Engaging Culture) Review

Reel Spirituality: Theology and Film in Dialogue (Engaging Culture)
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Reel Spirituality: Theology and Film in Dialogue (Engaging Culture) ReviewThis volume by Fuller Seminary professor Robert K. Johnston is a readable introduction to film criticism from a thoroughly Christian perspective. Johnston is evangelical in outlook, and yet does not sacrifice his love for cinema to a fearful, fundamentalistic disdain for human culture. Rather, from the outset, he affirms the Christian truth that God's grace is to be found everywhere (what theologians have called 'common grace') and that cinema can be an occasion for a 'revelatory event'. Just as all life is 'sacramental' (that is, every aspect of the world has the potential to show us God), so the movies can help us to transcend to a deeper understanding of God and humanity.
Johnston rightly affirms that a film must first be approached on its own terms (as opposed to viewing it through the lens of a preconceived agenda). Once the audience has participated in the world of the film, then is the appropriate moment to begin the dialogue with theology. For this reason, Johnston's approach is to walk us through the basics of film criticism before applying that to the Christian study of film. On a few occasions, I worried that the author was taking us too far away from the book's stated intention (ie. a book about theology and film in dialogue), but Johnston always seems to be able to bring the material back round to assessing its relevance to the task of theological application.
His examples are far-ranging: theologically, his sources draw from every stream of Christian tradition; his choice of films to be analyzed is eclectic. He frequently homes in on a specific film (eg. Shane, Smoke Signals, One Flew Over the Cuckoo's Nest) or set of films (eg. the films of Peter Weir) in order to illuminate and illustrate the points he makes. Overall, Johnston exhibits a healthy attitude towards film, and is a breath of fresh air in an evangelicalism that too often regards films with suspicion and a superficiality that is likely to oversimplify issues of content and theme (such as sexuality and violence).
This book helped me to clarify my own method in approaching film. I have long been a lover of the cinema, and have sometimes found it hard to escape the incongruity of some aspects of this with voices from my fundamentalist past. Johnston is a man after my own heart, and seems able to encapsulate my feelings about film and how the movie experience is essential to the formation of my theology. In one chapter, Johnston addresses this role of cinema in theological method, and provides useful comparisons with various models of theological method (such as the Wesleyan quadrilateral).
I can also credit this book with changing some of my views. For example, I have long had a suspicion of mainstream cinema, almost amounting to a disdain at times. Johnston showed me the fallacy of associating commercialism with artlessness, however. After all, he reasons, didn't Michelangelo paint the Sistine Chapel on commission? In a sense, my aversion to mainstream cinema (or, perhaps more accurately, the mainstream of the mainstream) was a kind of misconceived snobbery. Johnston's appreciation of film from every corner of the film industry helped me to see my own short-sightedness in this regard.
This is a book I would recommend not just for film-lovers, but for theologians whose knowledge of film may not be particularly wide, but are willing to let the pursuit of the knowledge of God lead them into dialogue with other possible sources of inspiration, namely, the cinema. Johnston presents an accessible overview of film criticism and, in doing so, demonstrates how films can be, in a broad, but real way, means of grace for a Christian wanting to let the knowledge of Christ invade his experience of his culture.Reel Spirituality: Theology and Film in Dialogue (Engaging Culture) OverviewIncreasingly, thinking Christians are examining the influential role that movies play in our cultural dialogue. Reel Spirituality successfully heightens readers' sensitivity to the theological truths and statements about the human condition expressed through modern cinema. This second edition cites 200 new movies and encourages readers to ponder movie themes that permeate our culture as well as motion pictures that have demonstrated power to shape our perceptions of everything from relationships and careers to good and evil. Reel Spirituality is the perfect catalyst for dialogue and discipleship among moviegoers, church-based study groups, and religious film and arts groups. The second edition cites an additional 200 movies and includes new film photos.

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Eyes Wide Open: Looking for God in Popular Culture Review

Eyes Wide Open: Looking for God in Popular Culture
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Eyes Wide Open: Looking for God in Popular Culture ReviewWilliam Romanowski is Professor of Communication Arts & Sciences at Calvin College. He teaches courses on film, communication and cultural studies, and is a well respected authority on the interaction of Christianity and popular culture. He has written numerous articles and a handful of books on popular culture, with an emphasis on film. The thesis of Eyes Wide Open is that "Christians should help preserve the best features, improve the weakest parts, and eliminate the worst traits of popular art" (21).

Romanowski goes about defending his claim in a very engaging way. He speaks of modern day Christians who propose to shun all `evil' things such as movies, rock music and dancing, yet they are just as immersed in popular culture as the next person, only in the form of a ghettoized Christian subculture. The reality is that very few truly avoid popular culture, only prefer those elements of it which are, or appear to be sterile and safe. It is within this context that Romanowski argues for discernment. He believes strongly that this oversimplification has created Christians who have no idea how to discern good from bad, truth from error. The easiest way for evangelicals to make judgments is to simply count swear words, violent acts and sexual innuendos. Romanowski notes the Biblical mandate to cultivate: to create and tend to culture. Cultural forms, like anything else in creation, are corrupted by sin and in need of transformation, and we do a disservice to everyone when we make rigid divisions between sacred and secular. It is a sign of secularization that we would even think to label activities in God's world as secular.
The popular arts aid us in cultural communication (reflecting cultural ideals), social criticism (challenging or dealing with culturally contentious issues), social unity (when we've all seen the same movie) and collective memory (the way we view history is shaped by pop culture). This is what pop culture should be doing, but Romanowski notes that the primary venue for popular film in western culture is the melodrama, a dramatic genre with oversimplified depictions of good and evil, with prepackaged endings that end in "domestic bliss or harmonious community" (111). These melodramatic categories absolutely dominate the "Christian, family-friendly" genre and Romanowski wants to challenge this. The Biblical narrative conveys no such clear cut pattern, and he argues that this emphasis on sentimentalism indicates assimilation to, rather than a break from mainstream popular culture.
Christians who want to engage popular culture need to keep these things in mind. We are called to discern beyond whether something is "family-friendly" or not. The presence of violence and swearing and even sex is not always anti-Christian, but can very well be a catalyst for a story of redemption. And what we see as a story of redemption is often brazen individualism where someone pulls themselves up by the bootstraps and defeats the odds. This tells more about the autonomous human than redemption that can only come from God.
So beyond a "Jesus' per minute" scale and an "f-bomb count," Christians are called and even mandated to discern truth from error in popular culture. We are not to become mere consumers, but people who take seriously the message presented in a piece of popular art. He offers a helpful "matrix" for analyzing popular culture which lists questions to ask, but I feel that so many Christians are so far out of this discussion that more direction is needed. Romanowski presents a full analysis of Titanic through this matrix, also helpful, but I wish he gave further direction on how we can practice this act of discernment as Christians. We are conditioned to think that the acceptable Christian films are G, PG, and occasionally PG-13 (The Passion of the Christ excluded, of course), and we need time to learn to see God's beauty in culture again. In light of these facts, I would recommend this book to individuals and even church small groups. I hope it will help us all keep our eyes open a little wider.Eyes Wide Open: Looking for God in Popular Culture Overview

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Edgar Cayce: An American Prophet Review

Edgar Cayce: An American Prophet
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Edgar Cayce: An American Prophet ReviewThis is the biggest and best book ever written about Edgar Cayce's life. It tells the whole story--and offers insight and compassion about the strange and bizarre lives led by Edgar Cayce and those around him. A must read for anyone interested in Edgar Cayce or great Americans of the 20th century.Edgar Cayce: An American Prophet Overview

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Sacred Geometry Design Sourcebook - Universal Dimensional Patterns Review

Sacred Geometry Design Sourcebook - Universal Dimensional Patterns
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Sacred Geometry Design Sourcebook - Universal Dimensional Patterns ReviewThe Sacred Geometry Sourcebook bu Nancy-Bolton Rawles and Bruce Rawles is a great book to own for seekers of any age. If you have children in the house, from toddlers on up, this book is an excellent tool to awaken their awareness of Geometry, Color, Space and Design! the Illustrations are beautiful and masterfully done and even those who have studied Geometry or Sacred Geometry for many years should have this Sourcebook as part of their library.
I would further suggest that anyone in any Design field, such as Architects, Graphic Designers, Interior and Exterior Designers, Jewelry Designers, Illustrators,etc., would do very well from a professional standpoint to have this Book available for Inspiration, Education and Explanation.
I highly recommend it. I also recommend Bruce Rawles as a Teacher of Sacred Geometry.
Andras Nevai
Sedona ArizonaSacred Geometry Design Sourcebook - Universal Dimensional Patterns Overview

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