Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics Review

Average Reviews:

(More customer reviews)Are you looking to buy Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics? Here is the right place to find the great deals. we can offer discounts of up to 90% on Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics. Check out the link below:

>> Click Here to See Compare Prices and Get the Best Offers

Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics ReviewExcellent collection of essays on various cult cinema topics, including a chapter on Doris Wishman, an argument for "Friday the 13th" as para-paracinema, and a really funny and fascinating examination of boredom in the giallo (specifically Umberto Lenzi's "Spasmo"). Highly recommended.Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics OverviewBad Girls Go to Hell. Cannibal Holocaust. Eve and the Handyman. Examining film culture's ongoing fascination with the low, bad, and sleazy faces of cinema, Sleaze Artists brings together film scholars with a shared interest in the questions posed by disreputable movies and suspect cinema. They explore the ineffable quality of "sleaze" in relation to a range of issues, including the production realities of low-budget exploitation pictures and the ever-shifting terrain of reception and taste.Writing about horror, exploitation, and sexploitation films, the contributors delve into topics ranging from the place of the "Aztec horror film" in debates about Mexican national identity to a cycle of 1960s films exploring homosexual desire in the military. One contributor charts the distribution saga of Mario Bava's 1972 film Lisa and the Devil through the highs and lows of art cinema, fringe television, grindhouse circuits, and connoisseur DVD markets. Another offers a new perspective on the work of Doris Wishman, the New York housewife turned sexploitation director of the 1960s who has become a cult figure in bad-cinema circles over the past decade. Other contributors analyze the relation between image and sound in sexploitation films and Italian horror movies, the advertising strategies adopted by sexploitation producers during the early 1960s, the relationship between art and trash in Todd Haynes's oeuvre, and the ways that the Friday the 13th series complicates the distinction between "trash" and "legitimate" cinema. The volume closes with an essay on why cinephiles love to hate the movies.Contributors. Harry M. Benshoff, Kay Dickinson, Chris Fujiwara, Colin Gunckel, Joan Hawkins, Kevin Heffernan, Matt Hills, Chuck Kleinhans, Tania Modleski, Eric Schaefer, Jeffrey Sconce, Greg Taylor

Want to learn more information about Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics?

>> Click Here to See All Customer Reviews & Ratings Now

Read More...

I'm a Lebowski, You're a Lebowski: Life, The Big Lebowski, and What Have You Review

Average Reviews:

(More customer reviews)Are you looking to buy I'm a Lebowski, You're a Lebowski: Life, The Big Lebowski, and What Have You? Here is the right place to find the great deals. we can offer discounts of up to 90% on I'm a Lebowski, You're a Lebowski: Life, The Big Lebowski, and What Have You. Check out the link below:

>> Click Here to See Compare Prices and Get the Best Offers

I'm a Lebowski, You're a Lebowski: Life, The Big Lebowski, and What Have You ReviewI picked up a copy of I'm a Lebowski, You're a Lebowski after seeing it mentioned in a magazine. I do consider myself a fan of The Big Lebowski, having seen it over a dozen times, but I was heretofore uninitiated in the ways of Lebowski Fest, the religion of Dudeism, and the legions of Achievers (fans) around the world. Consider me a convert!
The prerequisite for reading I'm a Lebowski, You're a Lebowski is several viewings of The Big Lebowski, a white Russian or some herbal refreshment, and perhaps a cadre of like-minded comrades who don't roll on Shabbos and can get you a toe by 3 o'clock this afternoon...with nail polish. The authors expertly combine the laid-back slacker ethos of the Dude with a thoroughly academic look at the cult film. You can play Lebowski Mad Libs, read ridiculous television censorship of key movie lines, and learn how to Dude-ify your car and live by the Dude-updated version of Deuteronomy. Allusions to the Zen nature of the Dude abound throughout the text.
The book is christened by the Dude himself, Jeff Bridges, in an introduction discussing his role in the film and relationship with the Coen brothers. Bridges writes that he is frequently asked if he is surprised by the cult following of The Big Lebowski. His response is that he was surprised it wasn't a bigger hit, following the critical reception of the Coen brothers' Fargo.
Nearly every other actor, from Julianne Moore (Maude Lebowski) to John Goodman (Walter) to the Ralph's Checkout Girl, is also interviewed. The authors even tracked down the real-life personalities who inspired the characters of the Dude and Walter. The Coen brothers do not comment on the film, offering instead a cryptic, ""You have neither our blessing nor our curse." The actors, however, all describe the Coen creative process in detail.
All the Dude ever wanted was to get his rug back. With my copy of I'm a Lebowski, You're a Lebowski's guide to the set locations, all I want to do is embark on a pilgrimage around Los Angeles. With some Credence on the tape deck.I'm a Lebowski, You're a Lebowski: Life, The Big Lebowski, and What Have You Overview

Want to learn more information about I'm a Lebowski, You're a Lebowski: Life, The Big Lebowski, and What Have You?

>> Click Here to See All Customer Reviews & Ratings Now

Read More...