From Peepshow to Palace Review

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From Peepshow to Palace ReviewThis book is hardly new, having been published in 1996. However, given that it is a potted history of the first two decades of since cinema, 1983 through 1913, this should hardly be troublesome.
Since I have just read the book for the second time, and given there are no other comments (and taking into account that the title can be bought secondhand for under $2!) I thought a word or two might help encourage someone to pick it up.
The main text of this book runs for a little over 170 pages. There are many lavish illustrations and pictures, including color inserts in the mid-section.
The book sets out to document the rise of moving pictures from their very earliest origins (such as magic laterns) to the epics of GW Griffith. Since the first documented Magic Lantern apears to be from 1420, you can see that the book starts at the very beginning of what can be considered moving projected images for entertainment.
By 1893 the likes of Edison and his company were set on their way to defining, and refining what we know as cinema today. The book covers developments quite well, and while there are books out there that have more detail, it can be advantageous to have a title such as this that condenses the topic for an educated overview.
The stories told here include technological developments, patent litigations, the rise of the Nickleodean, the rise of multi-reel films, the development of a star system, the Director, the photographer, experiments in sound and color, the development of marketing campaigns, the cinema poster, the import of movies from and to Europe, and the effects of the First World War on film production. It's quite a canvas to cover in so few pages, but for me that is the beauty of this volume, short, concise, and to the point.
I'd recommend this as a starting point for people interested in the development of motion pictures. If you want more detail you can get other titles later, but as an introduction, this serves well.From Peepshow to Palace Overview

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Hollywood Cinema Review

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Hollywood Cinema ReviewI purchased this book as part of a university course. I took the rather radical liberty of reading it right-through before the start of the course. It was not difficult. Packed full of insight into insight Maltby's text has proven to be a real source of enlightenment.
Nearly seven hundred pages make it quite clear that nothing, but nothing, is as it seems. The reader may have a strong political energy or none whatsoever but should realise that making movies works on many political levels. It may be unpalatable but it is often undeniable. A capitalist economy is a reality.
I thought genre was convenient sales language, now I understand how 'emotional landscapes' are used 'to construct ourselves socially.' I've never really been a fan of westerns but when I learn of exactly how they are operating I am most impressed.
Did you know that modern films make their money from rental and sell-through dvds and not the cinema release which only serves to recoup production costs and advertises the product? Well I did not. These are almost trivial asides when it comes to the breadth of Maltby's work. The movie (the word is explained) 'is a performance and not a text.' A construction of camera, editing and scenery. And its time.
'My principle aim,' concludes the author, 'has been to argue that Hollywood cinema must be understood through the specific historical conditions of its circulation as a commercial commodity.' And this is many years before James Cameron's Avatar. Highly recommended.Hollywood Cinema OverviewThis extensively revised second edition offers a comprehensive introduction to Hollywood cinema, providing a fascinating account of the cultural and aesthetic significance of the world's most powerful film industry.
Provides a fascinating account of Hollywood history.
Examines the cultural and aesthetic significance of the world's most powerful film industry.
Explores and interprets Hollywood cinema in history and in the present, in theory and in practice.
Extensively revised and updated with new chapter features including box sections, further reading lists, Notes and Queries, and chapter summaries.


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A History of Italian Cinema Review

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A History of Italian Cinema ReviewWhat more is there to say? I had to order this book for my Italian Cinema course. It was cheaper on Amazon than at the university book store. A great buy.A History of Italian Cinema OverviewAn unprecedented survey of Italian film from the leading expert in the fieldA History of Italian Cinema is a major new study from the author of the bestselling Italian Cinema -- which has been published in three landmark editions and celebrated its twenty-fifth anniversary in 2008. Building upon his decades of research, Peter Bondanella has now written the definitive history of the subject, from the birth of cinema to the present day. He has rethought, reorganized, and completely rewritten his previous work, which focused on postwar cinema, and has broadened his coverage of the spaghetti western and comedy genres. Bondanella also now covers a huge range of work that was not previously considered, particularly both popular and 'B' genres, including: the sword and sandal epic or "peplum" film of the 1950s; the Italian horror film, the so-called spaghetti nightmare films (including the subcategories of horror, the Italian zombie and cannibal films), that began in the 1950s and continue through the present; the giallo or Italian mystery thriller; and the poliziesco or Italian crime film from the 1970s to the present. This new book also examines the emergence of a "third wave" of new auteurs born in the 1950s as well as an even younger group of important directors born in the 1960s who have already made their mark on the direction of the Italian cinema in the third millennium. Finally, A History of Italian Cinema now includes the most comprehensive bibliography of the subject ever to be assembled in an English-language publication. Erudite, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.Praise for Bondanella's previous work in the field:

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