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Architecture in the Digital Age: Design and Manufacturing ReviewWe all know that information revolution has totally transformed the society. Architecture is no exception. Relative to industrial revolution's impact on architecture, "what has this recent revolution done to the field?" is the basic inquiry to the book. This book diligently answers to the question. It is extremely informative and provocative regarding digital technologies available for architecture.As an outcome of a symposium held at U.Penn. in 2002, the book compiles various scholars and practitioners around the world. They grapple with the current technologies available to design and manufacture innovative shapes/forms/spaces that associate with digital aesthetics.
Spearheaded researchers such as Bill Mitchell(MIT), Chris Luebkeman(Arup), Ali Rahim (U.Penn), and Branko Kolarevic (U.Penn, chief editor of the book); and, cutting-edge practitioners such as Jim Glymph (Gehry), Hugh Whitehead (Foster & Partners), Bernhard Franken (Franken Architekten), etc.; both groups provide theoretical framework and actual applications.
It's interesting to point out that the authors deliberately associated digital architecture with smooth forms. Double curvatures deform structure/ skin/ space of the building. The new modes of design and production enables that complex geometries to be part of building industry.
As a reader, the most challenging claim of the book is that the authors
assert (some explicitly and some implicitly) on the new role of an architect. They believe that this new mode of production will revolutionize the client-architect-contractor relationship. Because architects will be the (single) dominant source of information on the three dimensionally morphed shape, manufacturers and fabricators would rely heavy on architects. The authors predict architect would regain absolute power of medieval master builders.
Architecture in the Digital Age: Design and Manufacturing OverviewThis book addresses contemporary architectural practice in which digital technologies are radically changing how buildings are conceived, designed and produced. It discusses the digitally-driven changes, their origins, and their effects by grounding them in actual practices already taking place, while simultaneously speculating about their wider implications for the future. The book offers a diverse set of ideas as to what is relevant today and what will be relevant tomorrow for emerging architectural practices of the digital age.
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