Mexploitation Cinema: A Critical History Of Mexican Vampire, Wrestler, Ape-man And Similar Films, 1957-1977 Review

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Mexploitation Cinema: A Critical History Of Mexican Vampire, Wrestler, Ape-man And Similar Films, 1957-1977 ReviewDoyle Greene's examination of the social themes in the "Mexploitation" flicks of the sixties and seventies is interesting, but has a major flaw that none of the reviews I've read have mentioned. The book is a fairly good overview of the K. Gordan Murray versions of the original films, but it is not the "scholarly" work it purports to be. You can't claim to be writing a serious examination of the social themes of a film genre, as Greene claims to be doing in this book, when you've only seen a few of the films! If you pay close attention while reading the book, it becomes obvious that the only films from this genre that Greene has seen are the ones that were dubbed into English and released in the States, and then subsequently released on home video here! In other words, his research on an entire genre of films came solely on what he could find at Blockbuster or the local Wal Mart bargain bin! This limitation is made even more clear when you begin to realize that Greene doesn't even know what the original Spanish dialog in the films was--he always referrs to the English translations when discussing the films. That kind of shallow digging is not what being a true film historian or theoratician is about. That's like writing a "scholarly" book on the social implications of Bollywood films when all you've seen is "Bride and Prejudice" and "Monsoon Wedding."
Now if this was just about "The Mexploitation Films Brought to the USA by K. Gordan Murray" that would be a different thing. But Greene pretends it's more, which is more than a bit disingenuous. Especially when you're paying top dollar like you are for this one.
But, if you want to get a good overview of the Mexploits that were released in the USA, this is still a fun book to check out at the library.Mexploitation Cinema: A Critical History Of Mexican Vampire, Wrestler, Ape-man And Similar Films, 1957-1977 OverviewThanks in large part to an exploitation film producer and distributor named K. Gordon Murray, a unique collection of horror films from Mexico began to appear on American late-night television and drive-in screens in the 1960s. Ranging from monster movies clearly owing to the heyday of Universal Studios to the lucha libre horror films featuring El Santo and the "Wrestling Women," these low-budget "Mexploitation" films offer plenty of campy fun and still inspire cult devotion, yet they also reward close study in surprising ways.This work places Mexploitation films in their historical and cultural context and provides close textual readings of a representative sample, showing how they can be seen as important documents in the cultural debate over Mexico's past, present and future. Stills accompany the text, and a selected filmography and bibliography complete the volume.

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