Master Narratives and their Discontents (Theories of Modernism and Postmodernism in the Visual Arts) Review

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Master Narratives and their Discontents (Theories of Modernism and Postmodernism in the Visual Arts) ReviewThe first volume of the new "Theories of Modernism and Postmodernism in the Visual Arts" series from Routledge, Master Narratives And Their Discontents by James Elkins (E.C. Chadbourne Chair, Department of Art History, Theory, and Criticism, School of the Art Institute of Chicago) offers a thoughtful and thought-provoking engagement with the many versions of art history competing in academia today. Professor Elkins argues that the story of modernism and postmodernism is typically told in one of four narratives with works of art being classified as modern or postmodern, and praised for their technical skills, or because of the politics those works appear to embody. Master Narratives And Their Discontents is a work of impeccable scholarship and especially recommended to the attention of students of Art History and inclusion into Art Department and academic library reference collections.
Master Narratives and their Discontents (Theories of Modernism and Postmodernism in the Visual Arts) OverviewIn this bracing engagement with the many versions of art history, James Elkins argues that the story of modernism and postmodernism is almost always told in terms of four narratives. Works of art are either seen as modern or postmodern, or praised for their technical skill or because of the politics they appear to embody. These are master narratives of contemporary criticism, and each leads to a different understanding of what art is and does. Both a cogent overview of the state of thinking about art and a challenge to think outside the art historical box, Master Narratives and their Discontents is the first volume in a series of short books on the theories of modernism by leading art historians on twentieth-century art and art criticism.

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