Beyond the Epic: The Life and Films of David Lean Review

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Beyond the Epic: The Life and Films of David Lean ReviewThe film historian Phillips brings out the person, the immense talent, and the consummate skills of the director about whom one film critic wrote that David Lean's films were "too mammoth in scope and Olympian in style" for moviegoers, even students of the artistic genre, "to get an impression of the man behind the camera." Lean was an extraordinarily ambitious and skilled director who brought his particular, uncompromising touch to any movie he made. Among his movies are the panoramic classics "Dr. Zhivago" and "Lawrence of Arabia"; "Great Expectations" and "Passage to India" adapted from major novels of different centuries; and the war movies "In Which We Serve" and "Bridge on the River Kwai." Lean worked with Alec Guiness, Katherine Hepburn, Omar Sharif, Charles Laughton, and Julie Andrews--all of whom acknowledged his indelible impact on their performances as well as the finished movie even though viewers were not distinctly aware of the director behind it, as they are in a Woody Allen or Alfred Hitchcock film for example. Phillips hones in on Lean's particular style and accomplishments by close readings of many of his 16 films. The author analyzes details of scenes from the films to cast light on Lean's techniques and masterful intentions; and he often notes commentary and critiques by critic, actors, and others for additional perspectives and appreciations of Lean's work. As his major, most memorable films show--"Lawrence of Arabia," for example--Lean was able to create and project romanticism, expansive emotions, genuine characters, and variously the sweep of history or the genius of literature without sensationalism or sentimentality. This is his characteristic, extraordinary, achievement in the world of film.Beyond the Epic: The Life and Films of David Lean OverviewTwo-time Academy Award winner Sir David Lean (1908--1991) was one of the most prominent directors of the twentieth century, responsible for the classics The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), and Doctor Zhivago (1965). British-born Lean asserted himself in Hollywood as a major filmmaker with his epic storytelling and panoramic visions of history, but he started out as a talented film editor and director in Great Britain. As a result, he brought an art-house mentality to blockbuster films. Combining elements of biography and film criticism, Beyond the Epic: The Life and Films of David Lean uses screenplays and production histories to assess Lean's body of work. Author Gene D. Phillips interviews actors who worked with Lean and directors who knew him, and their comments reveal new details about the director's life and career. Phillips also explores Lean's lesser-studied films, such as The Passionate Friends (1949), Hobson's Choice (1954), and Summertime (1955). The result is an in-depth examination of the director in cultural, historical, and cinematic contexts. Lean's approach to filmmaking was far different than that of many of his contemporaries. He chose his films carefully and, as a result, directed only sixteen films in a period of more than forty years. Those films, however, have become some of the landmarks of motion-picture history. Lean is best known for his epics, but Phillips also focuses on Lean's successful adaptations of famous works of literature, including retellings of plays such as Brief Encounter (1945) and novels such as Great Expectations (1946), Oliver Twist (1948), and A Passage to India (1984). From expansive studies of war and strife to some of literature's greatest high comedies and domestic dramas, Lean imbued all of his films with his unique creative vision. Few directors can match Lean's ability to combine narrative sweep and psychological detail, and Phillips goes beyond Lean's epics to reveal this unifying characteristic in the director's body of work. Beyond the Epic is a vital assessment of a great director's artistic process and his place in the film industry.

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