Myrna Loy: The Only Good Girl in Hollywood Review

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Myrna Loy: The Only Good Girl in Hollywood ReviewOne wishes they could write as elegantly and as engagingly as Emily Leider does about the subject of her latest biography, Myrna Loy. Leider's impeccable research coupled with her elegant prose make for a thoroughly enjoyable read.
Myrna Loy is a much beloved star from Hollywood's golden age. Publicity at the time declared her to be a perfect wife on screen and it was assumed she was as much off screen as well. Leider informs us this was not the case. Leider chronicles Loy's life and film career with just the right touch. There is a nice balance between the biography and the chronicle of the film career. Unlike so many other biographies of the last few years, this is not padded out with recaps of film plots. Leider's prose, in so many ways, reflects or mimics the manner, the lightness, the quirkiness of Loy's own voice as she tosses off quips with William Powell. It's a pure delight to read.
Loy's life was very full and really devoid of scandal like so many other stars of the day. Perhaps this might make people overlook Loy as the subject of a biography. They should not, Leider's excellent detective work uncovers some secrets that Loy kept under wraps or only hinted at in Loy's own excellent autobiography Being and Becoming. Leider also fills us all in on Loy's interesting life as an activist. Myrna Loy was really much more, much deeper than Nora Charles and this book tells you why. I'm beyond grateful she portrayed Nora Charles as delightfully as she did, but I'm more grateful to read about and learn from her life off screen. Not a perfect wife, but quite a life. If you're a fan of Myrna Loy and her films, this is a must read.
I forgot to add a comment on the judicious use of photos in the book, most are shots I'd not seen. Some incredible portraits, like the Ted Allan portrait used on the cover.
Myrna Loy: The Only Good Girl in Hollywood OverviewFrom the beginning, Myrna Loy's screen image conjured mystery, a sense of something withheld. "Who is she?" was a question posed in the first fan magazine article published about her in 1925. This first ever biography of the wry and sophisticated actress best known for her role as Nora Charles, wife to dapper detective William Powell in The Thin Man, offers an unprecedented picture of her life and an extraordinary movie career that spanned six decades. Opening with Loy's rough-and-tumble upbringing in Montana, the book takes us to Los Angeles in the 1920s, where Loy's striking looks caught the eye of Valentino, through the silent and early sound era to her films of the thirties, when Loy became a top box office draw, and to her robust post-World War II career. Throughout, Emily W. Leider illuminates the actress's friendships with luminaries such as Cary Grant, Clark Gable, and Joan Crawford and her collaborations with the likes of John Barrymore, David O. Selznick, Sam Goldwyn, and William Wyler, among many others. This highly engaging biography offers a fascinating slice of studio era history and gives us the first full picture of a very private woman who has often been overlooked despite her tremendous star power.

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